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The Piano Trio in B-flat major, Op. 97, by Ludwig van Beethoven is a piano trio completed in 1811. It is commonly referred to as the Archduke Trio, because it was dedicated to Archduke Rudolph of Austria, the youngest of twelve children of Leopold II, Holy Roman Emperor. Rudolf was an amateur pianist and a patron, friend, and composition student of Beethoven. Beethoven dedicated about a dozen compositions to him.
Ludwig van Beethoven was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression.
This article is about music-related events in 1822.
Absolute music is music that is not explicitly "about" anything; in contrast to program music, it is non-representational. The idea of absolute music developed at the end of the 18th century in the writings of authors of early German Romanticism, such as Wilhelm Heinrich Wackenroder, Ludwig Tieck and E. T. A. Hoffmann but the term was not coined until 1846 where it was first used by Richard Wagner in a programme to Beethoven's Ninth Symphony.
Boydell & Brewer is an academic press based in Martlesham, Suffolk, England, that specializes in publishing historical and critical works. In addition to British and general history, the company publishes three series devoted to studies, editions, and translations of material related to the Arthurian legend. There are also series that publish studies in medieval German and French literature, Spanish theatre, early English texts, musicology, and other subjects. Depending on the subject, its books are assigned to one of several imprints in Woodbridge, Cambridge (UK), or Rochester, New York, location of its principal North American office. Imprints include Boydell & Brewer, D.S. Brewer, Camden House, the Hispanic series Tamesis Books, the University of Rochester Press, James Currey, and York Medieval Press.
Colin Matthews, OBE is an English composer of contemporary classical music. Noted for his large-scale orchestral compositions, Matthews is also a prolific arranger of other composer's music, including works by Berlioz, Britten, Dowland, Mahler, Purcell and Schubert. Other arrangements include orchestrations of all Debussy's 24 Préludes, both books of Debussy's Images, and two movements—Oiseaux tristes and La vallée des cloches—from Ravel's Miroirs. Having received a doctorate from University of Sussex on the works of Mahler, from 1964–1975 Matthews worked with his brother David Matthews and musicologist Deryck Cooke on completing a performance version of Mahler's Tenth Symphony.
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Sängerfest, also Sängerbund-Fest, Sängerfeste, or Saengerfest, meaning singer festival, is a competition of Sängerbunds, or singer groups, with prizes for the best group or groups. Such public events are also known as a Liederfest, or song festival. Participants number in the hundreds and thousands, and the fest is usually accompanied by a parade and other celebratory events. The sängerfest is most associated with the Germanic culture. Its origins can be traced back to 19th century Europe. Swiss composer Hans Georg Nägeli and educator Carl Friedrich Zelter, both protégés of Swiss educator Johann Heinrich Pestalozzi, established sängerbunds to help foster social change throughout Germany and Prussia. University students began to choose the art form as an avenue for political statements. As the sängerfest concept gained popularity and spread around the world, it was adapted by Christian churches for spiritual worship services. European immigrants brought the tradition in a non-political form to the North American continent. In the early part of the 20th century, sängerfest celebrations drew devotees in the tens of thousands, and included some United States presidents among their audiences. Sängerbunds are still active in Europe and in American communities with Germanic heritage.
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Henry Keene was an English architect, notable for designing buildings in the Gothic Revival and Neoclassical style.
Felix Khuner was the second violinist of the Kolisch Quartet. He joined the quartet, then the Wien Quartet, in 1926 when the quartet needed a new second violinist. Khuner was reluctant, but when he visited Rudolf Kolisch, he was in conversation with Arnold Schoenberg. "Does the quartet rehearse with Schoenberg?" Khuner asked. When Kolisch answered yes, Khuner agreed to join the quartet. He was also once said to have echoed Kolisch's remarks about Stravinsky's compositions as "music about music". One of the notable places he performed with the Kolisch Quartet was Stephen Foster Memorial Hall in Pittsburgh, Pennsylvania.
Lewis H. Lockwood is an American musicologist whose main fields are the music of the Italian Renaissance and the life and work of Ludwig van Beethoven. Joseph Kerman described him as "a leading musical scholar of the postwar generation, and the leading American authority on Beethoven".
Louise Fredericka of Anhalt-Dessau was a member of the House of Ascania and a Princess of Anhalt-Dessau by birth. Through her marriage to Gustav, Landgrave of Hesse-Homburg, Louise became Landgravine consort of Hesse-Homburg from 1846 until 1848.
Friedrich Wilhelm Stein was a German theologian, conductor, musicologist and church musician. He found in an archive in Jena the score of the so-called Jena Symphony, which he published as possibly a work by the young Ludwig van Beethoven. After a long period in Kiel from 1919 to 1933, teaching at the Kiel University and as Generalmusikdirektor, he had a leading position in the Reichsmusikkammer of the Nazis in Berlin.
Ludwig van Beethoven (1770–1827) was a German composer in the transition between the classical and romantic period. He composed in many different forms including nine symphonies, five piano concertos and a violin concerto. Beethoven's method of composition has long been debated among scholars. His sketches of composition drafts, and his written letters, provide contrasting evidence about his process of composition. However, many scholars agree that, for him, composition was a slow and laborious process. It is clear that his deafness impacted his compositional style, as evinced in certain changes in compositional method from early to late in his career.
Rudolf Stephan was a German musicologist.
Albrecht Riethmüller is a German musicologist.
The Archiv für Musikwissenschaft is a quarterly German-English-speaking trade magazine devoted to music history and historical musicology, which publishes articles by well-known academics and young scholars.
Nancy Rachel November is a New Zealand academic, and is professor of musicology at the University of Auckland, specialising in late 18th- and 19th-century chamber music.
Karl Keller was a German flautist and composer. His name is sometimes rendered as Charles in English-speaking countries. Keller's works are mostly oriented towards the usage of flutes in a concert setting as well as a paucal number in guitar exists. Despite this, he was described in the 19th edition of the British music magazine, The Monthly Musical Record, as "[c]omposer of several pieces".
References
- ↑ "Theodore Albrecht, School of Music - Faculty". Kent State University. Archived from the original on December 14, 2012. Retrieved July 12, 2012.
{{cite web}}: CS1 maint: unfit URL (link) - ↑ Staff (December 20, 2017). "KSU professor earns Beethoven Medal". Record Courier . Retrieved January 3, 2023.
- 1 2 3 Institute for Bibliography and Editing (c. 2001). "Theodore John Albrecht". Kent State University. Archived from the original on September 6, 2006. Retrieved January 3, 2023.
{{cite web}}: CS1 maint: unfit URL (link) - 1 2 Theodore, Albrecht (Winter 2019). "The Hearing Beethoven: Demythifying the Composer's Deafness". The Beethoven Journal. 34 (2). San Jose, California: 44–56. ProQuest 2454439432.
- ↑ Alberge, Dalya (February 1, 2020). "'Deaf' genius Beethoven was able to hear his final symphony after all". The Observer via The Guardian . Retrieved January 12, 2023.
