There Must Be a Pony | |
---|---|
Genre | Drama |
Based on | There Must Be a Pony |
Written by | James Kirkwood Jr. |
Screenplay by | Mart Crowley |
Directed by | Joseph Sargent |
Starring | Elizabeth Taylor Robert Wagner James Coco William Windom Edward Winter Ken Olin Dick O'Neill Chad Lowe |
Composer | Billy Goldenberg |
Country of origin | United States |
Original language | English |
Production | |
Executive producer | Robert Wagner |
Producer | Howard Jeffrey |
Cinematography | Gayne Rescher |
Editor | Jack Harnish |
Running time | 95 min. |
Production companies | R.J. Productions Columbia Pictures Television |
Release | |
Original network | ABC |
Original release | October 5, 1986 |
There Must Be a Pony is a 1986 American made-for-television drama film directed by Joseph Sargent. It is based on the novel of the same name by James Kirkwood Jr.
Marguerite Sydney is a celebrated Hollywood star attempting a comeback after a stay in a mental hospital, as well as trying to re-establish a relationship with her teenage son, and risking a romance with a mysterious new suitor. [1]
"Miss Taylor and Mr. Lowe are worth the effort of watching but, in the end, the movie illustrates one of Marguerite's pearls of wisdom: 'Talk about grinding it out. TV brings new meaning to the words chopped liver," said The New York Times . [2] People advised, "Think of this as a one-woman show, Elizabeth Taylor’s show, and you’ll be in for some moments to remember... If you own a VCR, tape this show, then speed through it, stopping only to savor Liz’s scenes. Then erase the tape." [3]
The film was nominated for the Primetime Emmy Award for Outstanding Art Direction for a Miniseries or Movie in 1987. [4]
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Dame Elizabeth Rosemond Taylor was a British and American actress. She began her career as a child actress in the early 1940s and was one of the most popular stars of classical Hollywood cinema in the 1950s. She then became the world's highest paid movie star in the 1960s, remaining a well-known public figure for the rest of her life. In 1999, the American Film Institute named her the seventh-greatest female screen legend of Classic Hollywood cinema.
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