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Lorenz Milton Hart was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include "Blue Moon", "The Lady Is a Tramp", "Manhattan", "Bewitched, Bothered and Bewildered", and "My Funny Valentine".
Rodgers and Hart were an American songwriting partnership between composer Richard Rodgers (1902–1979) and the lyricist Lorenz Hart (1895–1943). They worked together on 28 stage musicals and more than 500 songs from 1919 until Hart's death in 1943.
"Blue Moon" is a popular song written by Richard Rodgers and Lorenz Hart in 1934 that has become a standard ballad. Early recordings included those by Connee Boswell and by Al Bowlly in 1935. The song was a hit twice in 1949, with successful recordings in the U.S. by Billy Eckstine and Mel Tormé.
"My Funny Valentine" is a show tune from the 1937 Richard Rodgers and Lorenz Hart coming of age musical Babes in Arms in which it was introduced by teenaged star Mitzi Green. The song became a popular jazz standard, appearing on over 1300 albums performed by over 600 artists. One of them was Chet Baker, for whom it became his signature song. In 2015, it was announced that the Gerry Mulligan quartet featuring Chet Baker's version of the song was inducted into the Library of Congress's National Recording Registry for the song's "cultural, artistic and/or historical significance to American society and the nation’s audio legacy". Mulligan also recorded the song with his Concert Jazz Band in 1960.
A Connecticut Yankee is a musical based on the 1889 novel A Connecticut Yankee in King Arthur's Court by American writer Mark Twain. Like most adaptations of the Twain novel, it focuses on the lighter aspects of the story. The music was written by Richard Rodgers, the lyrics by Lorenz Hart, and the book by Herbert Fields. It was produced by Lew Fields and Lyle D. Andrews. It enjoyed an original run on Broadway in 1927 of 421 performances and a number of revivals.
At the Opera House is a 1958 live album by Ella Fitzgerald. The album presents a recording of the 1957 Jazz at the Philharmonic Concerts. This series of live jazz concerts was devised by Fitzgerald's manager Norman Granz; they ran from 1944 to 1983. Featured on this occasion, in 1957, are Fitzgerald and the leading jazz players of the day in an onstage jam session. The first half of the 1990 CD edition includes a performance that was recorded on September 29, 1957, at the Chicago Opera House, whilst the second half highlights the concert recorded on October 7, 1957, at the Shrine Auditorium, in Los Angeles. The original LP obviously included only the mono tracks (#10-18).
Ella Fitzgerald Sings the Rodgers and Hart Song Book is a 1956 studio album by the American jazz singer Ella Fitzgerald, with a studio orchestra conducted and arranged by Buddy Bregman, focusing on the songs written by Richard Rodgers and Lorenz Hart.
At Mister Kelly's is a 1957 live album by American jazz singer Sarah Vaughan, recorded at Mister Kelly's jazz club in Chicago.
The Supremes Sing Rodgers & Hart is the eleventh studio album released by The Supremes for Motown in 1967. The album is wholly composed of covers of show tunes written by the songwriting duo of Richard Rodgers and Lorenz Hart. The album was the final album released before The Supremes' name was changed to "Diana Ross & the Supremes," and member Florence Ballard was replaced by Cindy Birdsong.
Meet Betty Carter and Ray Bryant is a 1955 jazz album by singer Betty Carter and pianist Ray Bryant both debuting here on record as leading artists. Although Carter is mentioned first, she is only featured on half of the tracks. On three of the six songs Jerome Richardson is also heard on flute. The other half is recorded by the Ray Bryant Trio alone.
Social Call is an album by Betty Carter featuring Ray Bryant and a big band arranged by Gigi Gryce. Of its eleven tracks, the first six were recorded in 1955 and originally released as part of the album Meet Betty Carter and Ray Bryant. The other five tracks were recorded in 1956 but remained unissued until this compilation, which Columbia Records released in 1980.
Blossom Dearie is an album by Blossom Dearie that was recorded in 1956 and released in 1957. It was her first recording for Verve.
Jazz Original, also known as Bud Powell '57, is a studio album by jazz pianist Bud Powell, released in 1955 by Norgran, featuring sessions that Powell recorded at Fine Sound Studios in New York in 1954 and 1955.
The period from the end of the First World War until the start of the Depression in 1929 is known as the "Jazz Age". Jazz had become popular music in America, although older generations considered the music immoral and threatening to cultural values. Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians. Important orchestras in New York were led by Fletcher Henderson, Paul Whiteman and Duke Ellington. Many New Orleans jazzmen had moved to Chicago during the late 1910s in search of employment; among others, the New Orleans Rhythm Kings, King Oliver's Creole Jazz Band and Jelly Roll Morton recorded in the city. However, Chicago's importance as a center of jazz music started to diminish toward the end of the 1920s in favor of New York.
In Love Again: The Music of Richard Rodgers is a 2002 studio album by Stacey Kent, of the songs of the American composer Richard Rodgers.
Live at Bubba's is a 1981 live album by jazz singer Carmen McRae.
K + J.J. is an album by American jazz trombonists J. J. Johnson and Kai Winding featuring performances recorded in 1955 for the Bethlehem label.
Chatter Jazz subtitled The Talkative Horns of Rex Stewart and Dickie Wells, is an album by cornetist Rex Stewart and trombonist Dicky Wells which was recorded in 1959 and released on the RCA Victor label.
References
- ↑ "Thou Swell (1927)". jazzstandards.com. Retrieved 4 December 2017.
