Related Research Articles
Romantic comedy is a subgenre of comedy and romance fiction, focusing on lighthearted, humorous plot lines centered on romantic ideas, such as how true love is able to surmount most obstacles. In a typical romantic comedy, the two lovers tend to be young, likeable, and seemingly meant for each other, yet they are kept apart by some complicating circumstance until, surmounting all obstacles, they are finally united. A fairy-tale-style happy ending is a typical feature.
Slash fiction is a genre of fan fiction that focuses on romantic or sexual relationships between fictional characters of the same sex. While the term "slash" originally referred only to stories in which male characters are involved in an explicit sexual relationship as a primary plot element, it is now also used to refer to any fan story containing a romantic pairing between same-sex characters. Many fans distinguish slash with female characters as a separate genre, commonly referred to as femslash.
Genre fiction, also known as formula fiction or popular fiction, is a term used in the book-trade for fictional works written with the intent of fitting into a specific literary genre in order to appeal to readers and fans already familiar with that genre.
Romance may refer to:
A romance novel or romantic novel is a genre fiction novel that primary focuses on the relationship and romantic love between two people, typically with an emotionally satisfying and optimistic ending. Authors who have contributed to the development of this genre include Samuel Richardson, Jane Austen, and Charlotte Brontë.
Romance films involve romantic love stories recorded in visual media for broadcast in theatres or on television that focus on passion, emotion, and the affectionate romantic involvement of the main characters. Typically their journey through dating, courtship or marriage is featured. These films make the search for romantic love the main plot focus. Occasionally, romance lovers face obstacles such as finances, physical illness, various forms of discrimination, psychological restraints or family resistance. As in all quite strong, deep and close romantic relationships, the tensions of day-to-day life, temptations, and differences in compatibility enter into the plots of romantic films.
Urban fantasy is a subgenre of fantasy, placing supernatural elements in an approximation of a contemporary urban setting. The combination provides the writer with a platform for classic fantasy tropes, quixotic plot-elements, and unusual characters—without demanding the creation of an entire imaginary world.
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of high medieval and early modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the chanson de geste and other kinds of epic, in which masculine military heroism predominates."
The timestream or time stream is a metaphorical conception of time as a stream, a flowing body of water. In Brave New Words: The Oxford Dictionary of Science Fiction, the term is more narrowly defined as: "the series of all events from past to future, especially when conceived of as one of many such series". Timestream is the normal passage or flow of time and its historical developments, within a given dimension of reality. The concept of the time stream, and the ability to travel within and around it, are the fundamentals of a genre of science fiction.
Paranormal romance is a subgenre of both romantic fiction and speculative fiction. Paranormal romance focuses on romantic love and includes elements beyond the range of scientific explanation, from the speculative fiction genres of fantasy, science fiction, and horror. Paranormal romance range from traditional romances with a paranormal setting to stories with a science fiction or fantasy-based plot with a romantic subplot included. Romantic relationships between humans and vampires, shapeshifters, ghosts, and other entities of a fantastic or otherworldly nature are common.
Karen Marie Moning is an American author. Many of her novels have appeared on The New York Times Best Seller list with Shadowfever reaching the number one position on multiple national best sellers lists. She is a winner of the prestigious Romance Writers of America RITA award for Best Paranormal Romance and is a multiple RITA nominee.
Romance Writers of America (RWA) is an American non-profit writers' association founded in 1980. Its mission is to "advance the professional and common business interests of career-focused romance writers through networking and advocacy and by increasing public awareness of the romance genre." Relevant works must be themed around the development of a romantic relationship between two people, and there must be a happy ending. As well as published authors, those with complete but unpublished manuscripts are eligible for membership.
Lesbian literature is a subgenre of literature addressing lesbian themes. It includes poetry, plays, fiction addressing lesbian characters, and non-fiction about lesbian-interest topics.
Lynn Kurland is a best-selling American author of historical, time travel, and fantasy romance novels. The characters in most of her books all belong to one of three extended families and her love scenes are not as explicit as many other popular romances. She is a recipient of the RITA Award.
Historical romance is a broad category of mass-market fiction focusing on romantic relationships in historical periods, which Walter Scott helped popularize in the early 19th century.
The role of women in speculative fiction has changed a great deal since the early to mid-20th century. There are several aspects to women's roles, including their participation as authors of speculative fiction and their role in science fiction fandom. Regarding authorship, in 1948, 10–15% of science fiction writers were female. Women's role in speculative fiction has grown since then, and in 1999, women comprised 36% of the Science Fiction and Fantasy Writers of America's professional members. Frankenstein (1818) by Mary Shelley has been called the first science fiction novel, although women wrote utopian novels even before that, with Margaret Cavendish publishing the first in the seventeenth century. Early published fantasy was written by and for any gender. However, speculative fiction, with science fiction in particular, has traditionally been viewed as a male-oriented genre.
In film and television, drama is a category or genre of narrative fiction intended to be more serious than humorous in tone. The drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject matter, or they combine a drama's otherwise serious tone with elements that encourage a broader range of moods. To these ends, a primary element in a drama is the occurrence of conflict—emotional, social, or otherwise—and its resolution in the course of the storyline.
The type of romance considered here is mainly the genre of novel defined by the novelist Walter Scott as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents", in contrast to mainstream novels which realistically depict the state of a society. These works frequently, but not exclusively, take the form of the historical novel. Scott's novels are also frequently described as historical romances, and Northrop Frye suggested "the general principle that most 'historical novels' are romances". Scott describes romance as a "kindred term", and many European languages do not distinguish between romance and novel: "a novel is le roman, der Roman, il romanzo".
References
- ↑ Chang, Justin (November 5, 2013). "'About Time' and the Pleasures of the Time-Travel Romance".
- ↑ Paul J. Nahin (1 May 2011). Time Travel: A Writer's Guide to the Real Science of Plausible Time Travel. JHU Press. p. 196. ISBN 978-1-4214-0120-1.
- ↑ Kristin Ramsdell (2012). Romance Fiction: A Guide to the Genre. ABC-CLIO. pp. 348–353. ISBN 978-1-59158-177-2.
- ↑ Marble, Anne. "Time Travel Romance". writing-world.com.
- ↑ The Encyclopedia of Science Fiction, pg 1227
- ↑ Brian M. Stableford (1 January 2004). Historical Dictionary of Science Fiction Literature. Scarecrow Press. p. 357. ISBN 978-0-8108-4938-9.