| Timeless Flight | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 30 January 1976 [1] | |||
| Genre | Glam rock [2] | |||
| Length | 41:40 | |||
| Label | EMI | |||
| Producer | Steve Harley | |||
| Steve Harley & Cockney Rebel chronology | ||||
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| Singles from Timeless Flight | ||||
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Timeless Flight is the fourth studio album by Steve Harley & Cockney Rebel, which was released by EMI in 1976. It was written and produced by Steve Harley.
Harley began writing material for Timeless Flight while Steve Harley & Cockney Rebel were touring to promote their 1975 album The Best Years of Our Lives . The band recorded Timeless Flight during the summer of 1975 at Trident Studios, Abbey Road Studios and Scorpio Sound Studio. [3] The album was created in a more relaxed environment in comparison with The Best Years of Our Lives, which had been recorded quickly under considerable pressure. In 2003, Harley recalled, "It was a sweltering summer. It was incredibly hot. The songs, many of them being semi acoustic or laid back, I think stemmed as much from that as anything else. It made me a little lethargic." [4] On the album, guitarist Jim Cregan used various guitars, including a Martin D18, 1956 Fender Telecaster, Gibson SG Standard and an Ovation acoustic with a built-in pick-up. [5]
In a 1975 interview with Record Mirror & Disc , Harley described the album as "irreverent" and one which saw Cockney Rebel take a "huge leap forward". He said, "We're a real group now. It's taken us a year to get there but we've done it. Cockney Rebel are not just something I look on as my backing group. We're all in it together and I'm proud to be part of such a group. I really love those musicians." [6] In a 1976 interview with Record Mirror & Disc, Harley added, "[The album] took about three months altogether and so much hard work went into it that as far as I'm concerned, it has to be the best I've done so far." [7]
Years after its release, Harley revealed that Timeless Flight to be a personal favourite from his career. Speaking to The Leader in 2016, he said, "I call it the naughty child that became a favourite. It was slightly experimental. I was only 25 in 1976 and I just did what I wanted to do at that age and we thought it was going to be a monster hit and even though it wasn't, I'm still very proud of that album." [8] In a 2004 interview with the fan site Harley Fanzone, Harley revealed,
"It's my precious boy, my favourite child. It was such a change for me and the critics weren't ready. I never realised it was the favourite of so many people. 'Nothing is Sacred' is on there and when I started to play that live I sensed it was something they really wanted to hear. And 'Red is a Mean Mean Colour' is a really personal song for me. There's a lot of personal stuff in there. 'All Men Are Hungry' is another I like to sing. It's a song people can relate to." [9]
"Red is a Mean, Mean Colour" is an anti-Communism song. Harley told Record Mirror & Disc in 1976, "I haven't achieved what I set out to do with that one. People say it's a long-winded lyric, but really I was explicit as I could be. When it started out, it had 10 verses and I edited it down drastically. It's about the concept of a communist and you can't sum up a man in one sentence for Christsakes." [7] "Understand" was recorded by Patricia Paay for her 1975 album Beam of Light , which was produced by Harley, who at the time was in a relationship with Paay's sister, Yvonne Keeley. [10] Harley later described the song as "a touch of the jazz world". The song has an improvised solo, played on a Mini-Moog synthesizer, which was performed in one take by keyboardist Duncan Mackay. [4]
"All Men Are Hungry" was inspired by a trip Harley took to Belgrade. In his 2004 interview for the Harley Fanzone, he recalled, "Not everybody was in Belgrade and not everybody can see exactly what I saw that morning but everyone can reflect on the idea that everyone has a need and not everybody is fulfilled. Everybody needs space and time and that's what the song is about." [9] In one of the song's verses, Harley refers to Ernest Hemingway's 1932 book Death in the Afternoon . [4] "Nothing is Sacred" was written by Harley after he visited the banks of the Danube in Belgrade. In 2003, he commented, "It's the true story of three of us [Harley, Cregan and Lindsay Elliott] staying up 'til dawn and partaking of the hedonism that one did in the Seventies." The song was recorded in the studio after most of Cockney Rebel and the recording crew had gone home. Harley wanted to try out the song in the studio and he ended up recording it with the band's second drummer Lindsay Elliott, bassist George Ford and guitarist Jim Cregan. [4]
Preceding the release of the album was the single "Black or White", which was released in November 1975. Despite the chart success of "Make Me Smile (Come Up and See Me)" and "Mr. Raffles (Man, It Was Mean)" earlier in the year, "Black or White" failed to make an appearance in the UK Singles Chart. It did however reach number two in the UK Star Breakers Chart on 29 November 1975. [11]
Timeless Flight was released in January 1976 and reached number 18 in the UK Albums Chart. [12] According to Record Mirror & Disc, the album received 40,000 advance orders in America, despite the band's lack of a hit single or album there. [7] In February 1976, the album's second single, "White, White Dove", was released. It also failed to reach the UK top 50, but peaked at number six in the UK Star Breakers Chart. [13] In 2003, Harley recalled, "There were magic moments on Timeless Flight that I'd never experienced before. It wasn't the most commercial album ever. I understand that. But there you are. We're not machines, are we?" [4]
The album received its first CD release by EMI in 1991. [14] It featured two bonus tracks, the B-side of "White, White Dove", "Throw Your Soul Down Here", and a live version of "Mad Mad Moonlight", which was the B-side to "Black or White". In 2003 and again in 2011, BGO Records re-issued the album on CD with the same bonus tracks. [15]
With the album's release, the band embarked on a British and European tour. Jo Partridge was hired to play rhythm guitar on the tour. [7]
On its release, Ray Fox-Cumming of Record Mirror & Disc felt Timeless Flight was "not as consistently good or disciplined" as The Best Years of Our Lives, but felt the album contained "enough of Harley at his best". He picked "All Men are Hungry", "Black or White" and "Nothing Is Sacred" as the album's "finest points". [16] Geoff Barton of Sounds noted, "For the first half dozen or so listenings, Timeless Flight appears both unremarkable and confounding. With successive spins, however, you begin to find it gently imposing and, ultimately, quite compelling." [17] Angus Mackinnon of Street Life considered the album to have "good music", but "questionable lyrical support systems". He concluded, "If you dig the words, the record's a Slumberland smooth double bed affair – and if you don't, you can just sleep on the floor." [18]
N. Menhinick of the Harrow Observer praised Timeless Flight as "a beautifully put together album", with "good lyrics" and "excellent production". He noted, "Harley is far from a brilliant vocalist, but he has a fine writing ability, a great band and he knows what to put into an album." [19] Roger Eversley of the Burton Observer and Chronicle felt the album saw Harley "slid[ing] deeper into his romantic imagination" and "takes a few more listens [than] its predecessors". He added, "The band are much tasteful than the original Cockney Rebel and at times when Harley's voice becomes unbearable, their accompaniment comes to the fore as a tight, accomplished sound." [20] Jon Ford of the Leicester Chronicle was critical of the album, stating that Harley "over indulges in vocal pranks where restraint would be the more emphatic" and adding that "only the life-belt thrown out by Cockney Rebel's solid support saves him". [21]
In the US, Cash Box noted Harley's "unique approach" and "coarsely narrative vocal technique" that "lends credibility to his deeply imaginative lyrics". They felt the album will "delight FM listeners with taste" and added that AM programmers "should not overlook" "Everything Changes" and "Don't Go, Don't Cry". [22] Jon Marlowe of The Miami News described Timeless Flight as a "fine record", but "not the masterpiece that many feel Harley is striving to create". He added, "Timeless Flight at first is not that easy to listen to but then, Harley has never made himself easily accessible." [23]
Ron Horan of the Cardunal Free Press praised the "beautiful album" as one "full of great music and a cohesive story of poetic imagery", and with "intelligence and cohesiveness. He considered Harley's "subdued vocals" to be kept at a "breathy, sensuous level" which he felt "attained a nice touch of emotional impact". [24] David Milliken of Canada's Ottawa Journal considered the album to be "steeped in heavy poetic imagery". He noted, "Essentially a poet, Harley is best enjoyed by listening closely to his lyrics. It's difficult at times to figure out what he's singing about. Nevertheless it is immensely enjoyable." Milliken also praised the songs and arrangements for being "refreshingly different". [25]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
| Q | [26] |
| Select | [27] |
In a review of the 1991 EMI CD release, Mark Sinker of Select felt the songs on Timeless Flight were "larded with by-the-yard pastel soul clichés, florid piano, 'Astral Weeks'-ish 'adult' guitar [and] poet-in-a-smoking-jacket crooning." [27] John Aizlewood in Q Magazine described the same release as "a brave folly" and gave it three stars. [14]
Writing about the 2003 BGO re-issue, Martin Aston of Q felt the album was a "fans-only purchase" and concluded, "Harley blamed 1976's sapping heatwave for the fact that he traded such pop perfection [The Best Years of Our Lives] for a dense, tricky, almost anti-glam party line that exploited his new crew's session-musician skills. Timeless Flight bears plenty of Harley's melodic hallmarks, but some complex tripwires keep popping up." [26] Donald A. Guarisco of AllMusic considered the album to be even more "ambitious" and "artsy" than its predecessor, but that it also "neglects the strong pop hooks that made The Best Years of Our Lives so appealing". He said, "Much of Timeless Flight finds Harley getting bogged down in deliberately impenetrable wordplay and songs that, despite slick arrangements, are rather hookless vehicles for the verbose lyrics." Guarisco picked "Red Is a Mean, Mean Colour" and "Understand" as the album's highlights. [2]
All tracks are written by Steve Harley
| No. | Title | Length |
|---|---|---|
| 1. | "Red is a Mean, Mean Colour" | 4:29 |
| 2. | "White, White Dove" | 5:36 |
| 3. | "Understand" | 7:14 |
| 4. | "All Men Are Hungry" | 4:50 |
| 5. | "Black or White" | 5:48 |
| 6. | "Everything Changes" | 2:23 |
| 7. | "Nothing is Sacred" | 5:42 |
| 8. | "Don't Go, Don't Cry" | 5:04 |
| No. | Title | Length |
|---|---|---|
| 9. | "Throw Your Soul Down Here" | 4:03 |
| 10. | "Mad, Mad Moonlight (Live)" | 5:09 |
Steve Harley & Cockney Rebel
Additional musicians
Production
Design
| Chart (1976) | Peak position |
|---|---|
| Australia (Kent Music Report) [28] | 98 |
| Dutch Albums (Album Top 100) [29] | 18 |
| UK Albums (OCC) [30] | 18 |
Steve Harley & Cockney Rebel were an English rock band who formed in the early 1970s in London. Their music covered a range of styles from pop to progressive rock. Over the years, they have had five albums on the UK Albums Chart and twelve singles on the UK Singles Chart.
Stephen Malcolm Ronald Nice, known by his stage name Steve Harley, was an English singer-songwriter and frontman of the rock group Cockney Rebel. He had six UK hit singles with the band in the mid-1970s, including "Judy Teen", "Mr. Soft", and the number one "Make Me Smile ".
"Make Me Smile (Come Up and See Me)" is a song by the English rock band Steve Harley & Cockney Rebel, which was released in 1975 by EMI as the lead single from the band's third studio album The Best Years of Our Lives. The song was written by Harley, and produced by Harley and Alan Parsons. In February 1975, the song reached number one on the UK chart and received a gold certification from the British Phonographic Industry in October 2021. It spent nine weeks in the Top 50, and as of 2015, has sold over 1.5 million copies worldwide. The song is one of the most-played songs in British broadcasting history.
The Psychomodo is the second studio album by Cockney Rebel, released on 2 June 1974 by EMI. It was produced by Steve Harley and Alan Parsons.
The Best Years of Our Lives is the third studio album by Steve Harley & Cockney Rebel, which was released by EMI in 1975. It was the first album to feature Harley's name ahead of the band's. The album was produced by Harley and Alan Parsons, and contains the band's only UK number one, the million-selling "Make Me Smile ".
Love's a Prima Donna is the fifth studio album by Steve Harley & Cockney Rebel, which was released by EMI in 1976. It was produced by Harley, and would be the band's last album before splitting in 1977.
Face to Face: A Live Recording is a live album by Steve Harley & Cockney Rebel, which was released by EMI in 1977. It was produced by Steve Harley and Tony Clark.
The Candidate is the second solo studio album by British singer-songwriter Steve Harley, which was released by EMI in 1979. It was produced by Harley and Jimmy Horowitz.
"(I Believe) Love's a Prima Donna" is a song by the British rock band Steve Harley & Cockney Rebel, which was released in 1976 as the second single from their fifth studio album Love's a Prima Donna. It was written and produced by Harley. The song reached No. 41 in the UK and would be the band's last charting single before their split in 1977.
"The Last Goodbye" is a song by the British rock band Steve Harley & Cockney Rebel, which was released in 2006 as a single from their 2005 studio album The Quality of Mercy. The song was written by Harley and ex-Cockney Rebel guitarist Jim Cregan, and produced by Harley.
"Black or White" is a song by British rock band Steve Harley & Cockney Rebel, released on 14 November 1975 as the lead single from their fourth studio album Timeless Flight (1976). The song was written and produced by Harley.
"Someone's Coming" is a song by English singer-songwriter Steve Harley, released in 1979 as the second and final single from his 1978 debut solo studio album, Hobo with a Grin. The sonsg was written by Harley and Jo Partridge, and was produced by Harley.
"White, White Dove" is a song by the British rock band Steve Harley & Cockney Rebel, which was released in 1976 as the second and final single from their fourth studio album Timeless Flight. The song was written and produced by Harley.
"Mr. Raffles " is a song by the British rock band Steve Harley & Cockney Rebel, released on 23 May 1975 as the second and final single from their third studio album The Best Years of Our Lives. The song was written by Harley, and produced by Harley and Alan Parsons. "Mr. Raffles " reached number 13 in the UK Singles Chart.
"A Friend for Life" is a song by British singer-songwriter Steve Harley, released by Intrinsic Records on 30 April 2001 as a non-album single. The song was written by Harley and former Cockney Rebel guitarist Jim Cregan, and was produced by Cregan. Harley's first release of new material since his 1996 album Poetic Justice, "A Friend for Life" was later included on Steve Harley & Cockney Rebel's sixth studio album The Quality of Mercy (2005).
"Sebastian" is a song by the British rock band Cockney Rebel, fronted by Steve Harley. It was released as the band's debut single in 1973 from their album The Human Menagerie. The song was written by Harley and produced by Neil Harrison.
"The Best Years of Our Lives" is a song by the British rock band Steve Harley & Cockney Rebel, released in 1975 as the title track from the band's third studio album The Best Years of Our Lives. In 1977, a live version of the song was released as a single from the album Face to Face: A Live Recording.
The Best of Steve Harley and Cockney Rebel is a compilation album by Steve Harley & Cockney Rebel, which was released in 1980. It features material from the original line-up of Cockney Rebel, the Steve Harley & Cockney Rebel line-up, and two tracks from Harley's solo career.
Beam of Light is the second studio album from Dutch singer Patricia Paay, which was released by EMI in 1975.
"Dandy in the Underworld" is a song by English rock band T. Rex, which was released by EMI in 1977 as the third single from their twelfth and final studio album Dandy in the Underworld. The song was written and produced by Marc Bolan.
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