Tod Papageorge (born Portsmouth, New Hampshire, United States, 1940) is an American photographer whose career began in the New York City street photography movement of the 1960s. [1] [2] He is the recipient of two Guggenheim fellowships and two NEA Visual Artists Fellowships. His work is in public collections including the Museum of Modern Art and the Art Institute of Chicago. [3] Between 1979 and 2013 he directed the graduate program in photography at the Yale School of Art.
Papageorge started taking photographs in 1962 as an English literature major at the University of New Hampshire. [4]
Between 1979 and 2013 he directed the graduate program in photography at the Yale School of Art, [5] where his students included Philip-Lorca diCorcia, Lois Conner, Abelardo Morell, Susan Lipper, Gregory Crewdson, An-My Le, Anna Gaskell, Steve Giovinco, and Katy Grannan.
In 2007, Steidl published Passing through Eden, a collection of photographs Papageorge took over 25 years in Central Park. Also in 2007, Aperture published American Sports, 1970: Or How We Spent the War in Vietnam, containing photographs taken during his 1970 Guggenheim Fellowship. [4]
This ridiculous-seeming activity of walking along the street and lifting up a little camera is so powerful, so complicated, and so resistant to being mastered. If I had the choice between doing that and sitting in an office somewhere … Are you kidding? [4]
Robert Frank was a Swiss photographer and documentary filmmaker, who became an American binational. His most notable work, the 1958 book titled The Americans, earned Frank comparisons to a modern-day de Tocqueville for his fresh and nuanced outsider's view of American society. Critic Sean O'Hagan, writing in The Guardian in 2014, said The Americans "changed the nature of photography, what it could say and how it could say it. [ ... ] it remains perhaps the most influential photography book of the 20th century." Frank later expanded into film and video and experimented with manipulating photographs and photomontage.
The Americans is a photographic book by Robert Frank which was highly influential in post-war American photography. It was first published in France in 1958, and the following year in the United States. The photographs were notable for their distanced view of both high and low strata of American society. The book as a whole created a complicated portrait of the period that was viewed as skeptical of contemporary values and evocative of ubiquitous loneliness. "Frank set out with his Guggenheim Grant to do something new and unconstrained by commercial diktats" and made "a now classic photography book in the iconoclastic spirit of the Beats".
William Eggleston is an American photographer. He is widely credited with increasing recognition for color photography as a legitimate artistic medium. Eggleston's books include William Eggleston's Guide (1976) and The Democratic Forest (1989).
Robert Adams is an American photographer who has focused on the changing landscape of the American West. His work first came to prominence in the mid-1970s through his book The New West (1974) and his participation in the exhibition New Topographics: Photographs of a Man-Altered Landscape in 1975. He has received two Guggenheim Fellowships, a MacArthur Fellowship, the Deutsche Börse Photography Prize and the Hasselblad Award.
Joel Sternfeld is an American fine-art color photographer. He is noted for his large-format documentary pictures of the United States and helping establish color photography as a respected artistic medium.
Paul Graham is a British fine-art and documentary photographer. He has published three survey monographs, along with 17 other publications.
Henry Wessel was an American photographer and educator. He made "obdurately spare and often wry black-and-white pictures of vernacular scenes in the American West".
Bruce Landon Davidson is an American photographer. He has been a member of the Magnum Photos agency since 1958. His photographs, notably those taken in Harlem, New York City, have been widely exhibited and published. He is known for photographing communities usually hostile to outsiders.
Lois Conner is an American photographer. She is noted particularly for her platinum print landscapes that she produces with a 7" x 17" format banquet camera.
Alec Soth is an American photographer, based in Minneapolis. Soth makes "large-scale American projects" featuring the midwestern United States. New York Times art critic Hilarie M. Sheets wrote that he has made a "photographic career out of finding chemistry with strangers" and photographs "loners and dreamers". His work tends to focus on the "off-beat, hauntingly banal images of modern America" according to The Guardian art critic Hannah Booth. He is a member of Magnum Photos.
Mitchell Epstein is an American fine-art photographer, among the first to make significant use of color. His books include Property Rights (2021), In India (2021), Sunshine Hotel (2019), Rocks and Clouds (2018), New York Arbor, (2013) Berlin (2011); American Power (2009); Mitch Epstein: Work ( 2006); Recreation: American Photographs 1973-1988 (2005); and Family Business (2003), which won the 2004 Kraszna-Krausz Photography Book Award.
Jim Goldberg is an American artist and photographer, whose work reflects long-term, in-depth collaborations with neglected, ignored, or otherwise outside-the-mainstream populations.
Aperture Foundation is a nonprofit arts institution, founded in 1952 by Ansel Adams, Minor White, Barbara Morgan, Dorothea Lange, Nancy Newhall, Beaumont Newhall, Ernest Louie, Melton Ferris, and Dody Warren. Their vision was to create a forum for fine art photography, a new concept at the time. The first issue of the magazine Aperture was published in spring 1952 in San Francisco.
Richard Mead Atwater Benson was an American photographer, printer, and educator who used photographic processing techniques of the past and present.
Alex Webb is a photographer known for his vibrant and complex color photographs. He has been a member of Magnum Photos since 1979.
Richard Ross is an American photographer. He is best known for his body of work Juvenile in Justice, which has documented the U.S. juvenile justice system for the last 8 years. The project has been produced with the support of the Annie E. Casey Foundation and the John D. and Catherine T. MacArthur Foundation. In 2007 Ross was the recipient of a Guggenheim Fellowship to finish Architecture of Authority.
Leon Levinstein (1910–1988) was an American street photographer best known for his work documenting everyday street life in New York City from the 1950s through the 1980s. In 1975 Levinstein was awarded a Guggenheim Fellowship from the John Simon Guggenheim Memorial Foundation.
Chauncey Hare was an American petroleum engineer for Standard Oil who began to photograph in the late 1950s, becoming a fine-art photographer best known for his photographs of American residential interiors, work places, and office spaces.
Richard Renaldi is an American portrait photographer. His four main books each contain portraits of people Renaldi met in public, and some landscapes, made over numerous years with an 8×10 large format view camera. Those books are: Figure and Ground (2006)—various people throughout the USA; Fall River Boys (2009)—young men growing up in the post-industrial city of Fall River, Massachusetts; Touching Strangers (2014)—strangers posed by Renaldi physically touching in some way, made all over the USA; and Manhattan Sunday (2016)—LGBT people photographed between midnight and 10 am on Sundays mainly on the streets of Manhattan having left nightclubs.
Russell Lord is an American writer and curator working in the field of photography. He is the Freeman Family Curator of Photographs, Prints, and Drawings at the New Orleans Museum of Art, a position he assumed in October 2011.
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