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Ivan Moody is a composer born in London, England, in 1964. He studied composition with at London University, York University and privately with John Tavener. He also studied Eastern Orthodox theology at the University of Joensuu in Finland. Moody is active as a conductor, having directed ensembles such as Voces Angelicae, the Kastalsky Chamber Choir, Capilla Peña Florida (Spain), Cappella Romana, the Choir of the Cathedral of St George, Novi Sad, (Serbia) the KotorArt Festival Choir (Montenegro), the Orthodox Choir of the University of Joensuu (Finland) and Ensemble Alpha (Portugal); and as a widely published musicologist. His research interests include the music of Eastern Europe, especially 20th century and contemporary music from Russia and the Balkans, the music of the Orthodox Church in the modern era, music and spirituality, music as theology, Serbian church music, the aesthetics of Modernism and Postmodernism and their intersection with Orthodox church music and the musical culture of the Mediterranean.
Tania León is a Cuban-born American composer of both large scale and chamber works. She is also renowned as a conductor, educator, and advisor to arts organizations.
Julian Anderson is a British composer and teacher of composition.
Bernard Rands is a British-American contemporary classical music composer. He studied music and English literature at the University of Wales, Bangor, and composition with Pierre Boulez and Bruno Maderna in Darmstadt, Germany, and with Luigi Dallapiccola and Luciano Berio in Milan, Italy. He held residencies at Princeton University, the University of Illinois, and the University of York before emigrating to the United States in 1975; he became a U.S. citizen in 1983. In 1984, Rands's Canti del Sole, premiered by Paul Sperry, Zubin Mehta, and the New York Philharmonic, won the Pulitzer Prize for Music. He has since taught at the University of California, San Diego, the Juilliard School, Yale University, and Boston University. From 1988 to 2005 he taught at Harvard University, where he is Walter Bigelow Rosen Professor of Music Emeritus. For his notable students, See: List of music students by teacher: R to S#Bernard Rands.
Harry Sparnaay was a noted Dutch bass clarinetist, composer, and teacher.
Diderik Wagenaar is a Dutch composer and musical theorist.
Igor Stravinsky composed his Mass between 1944 and 1948. This 19-minute setting of the Roman Catholic Mass exhibits the austere, Neoclassic, anti-Romantic aesthetic that characterizes his work from about 1923 to 1951. The Mass also represents one of only a handful of extant pieces by Stravinsky that was not commissioned. Part of the motivation behind its composition has been cited by Robert Craft and others as the product of a spiritual necessity, as Stravinsky intended the work to be used functionally.
Tristan Keuris was a Dutch composer.
Peter Ane Schat was a Dutch composer.
Víctor Varela is a Venezuelan-Swedish composer based in Gothenburg. His compositions include works for orchestra, vocal and instrumental chamber music, with electronics and computer devices.
Eduard Philip Spanjaard, known professionally as Ed Spanjaard, is a Dutch conductor and pianist.
Lidia Zielińska is a Polish composer and music educator.
Barbara Woof is an Australian-Dutch composer and music educator.
Betty Olivero is an Israeli music educator and composer.
Reinbert de Leeuw was a Dutch conductor, pianist and composer.
Quink is a Dutch vocal ensemble founded in 1978.
Gideon Gee-Bum Kim is a Korean-Canadian classical music composer, conductor, and music educator and founder of the Toronto Messiaen Ensemble. His music draws on his Christian faith and shows a connection of the rich musical heritage of Korea and new compositional techniques, especially in the field of heterophony texture and all of this with live and emotional imagination.
Joep Franssens is a Dutch composer.
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References
- ↑ [Author], [Title], Baker's Biographical Dictionary of Music and Musicians, seventh edition, edited by Nicolas Slonimsky (New York: Schirmer Books; London: Collier Macmillan, 1984)[ full citation needed ]
- ↑ Vincent McDermott, "Current Chronicle: The Netherlands", The Musical Quarterly 52, no. 4 (October 1966): 511–20; citation on 517–18.
