Tony Visconti

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Tony Visconti
Tony Visconti.jpg
Visconti in 2007
Background information
Birth nameAnthony Edward Visconti
Born (1944-04-24) April 24, 1944 (age 80)
New York City, New York, U.S.
Genres
Occupation(s)Producer, arranger, musician
Instrument(s)Bass guitar, guitar, piano, flute, recorder, mandolin
Years active1967–present
Member of Holy Holy
Formerly of Hype
Spouse(s)
  • Siegrid Berman
    (divorced)
  • (m. 1971;div. 1981)
  • (m. 1989;div. 2000)
Website tonyvisconti.com

Anthony Edward Visconti (born April 24, 1944) [3] is an American record producer, musician and singer. Since the late 1960s, he has worked with an array of performers. His first hit single was T. Rex's "Ride a White Swan" in 1970, the first of many hits in collaboration with Marc Bolan. Visconti's lengthiest involvement was with David Bowie: intermittently from the production and arrangement of Bowie's 1968 single "In the Heat of the Morning" / "London Bye Ta-Ta" to his final album Blackstar in 2016, Visconti produced and occasionally performed on many of Bowie's albums. [4] Visconti's work on Blackstar was awarded the Grammy Award for Best Engineered Album, Non-Classical and his production of Angelique Kidjo's Djin Djin received the Grammy Award for Best Contemporary World Music Album.

Contents

Early life

Visconti was born in Brooklyn, New York, to parents of Italian descent. [5] He started to play the ukulele when he was five years old and then learned guitar. He attended New Utrecht High School. [6] Throughout his teenage years Visconti was involved with both a classical brass band (playing tuba) and a traditional orchestra (playing double bass), as well as playing rock-and-roll-oriented guitar, valuable experience that served him well in later years. By the age of 15 he had focused his efforts on playing in local Brooklyn bands. [7]

After leaving school he played guitar in a band called Ricardo & the Latineers in the Catskills; the band also included Artie Butler, later a leading arranger. [7] In 1960 he played his first recording session and over the next few years became one of the leading guitarists in New York nightclubs. He played in lounge acts, including the Ned Harvey Band and the Speedy Garfin Band, before joining a touring version of The Crew-Cuts, where he met his future wife. As Tony and Siegrid, the pair released two singles; the first, "Long Hair," was a regional hit in New York in 1966, but they could not maintain its success. [2]

Production

Visconti then became in-house producer for his publisher, the Richmond Organization. Through this position, in 1968, he met British producer Denny Cordell, who asked him to assist in recordings for successful jazz vocalist Georgie Fame, prompting Visconti to move to London. [2]

One of his first production projects in England was with the British outfit Tyrannosaurus Rex (later to become T. Rex) on their debut album My People Were Fair and Had Sky in Their Hair... But Now They're Content to Wear Stars on Their Brows (1968). This began a relationship with T. Rex that would last for their next eight albums and eleven UK Top Ten singles in a row, commencing with "Ride a White Swan" (1970). One of Visconti's greatest successes was Electric Warrior (1971), the album that made T. Rex frontman Marc Bolan a superstar and cemented Visconti's producing prowess.

More early production work included David Bowie's second album (1969) and for the Welsh group The Iveys (later known as Badfinger). He produced several tracks for the Iveys' first LP, Maybe Tomorrow (1969), and Magic Christian Music (1970), released on the Beatles' Apple label.

He produced the first two albums by influential progressive rock band Gentle Giant. Shortly afterwards, Visconti began to work again with Bowie and, along with guitarist Mick Ronson and drummer John Cambridge, formed and toured with the band The Hype, in which he played bass. Although the band name would be very short-lived, most of the line-up persisted and—with Woody Woodmansey replacing Cambridge—would go on to record Bowie's album and single The Man Who Sold the World in 1970. [4] [8] He would further go on to work on Bowie's albums Diamond Dogs (1974), Young Americans (1975), Low (1977), "Heroes" (1977), Lodger (1979), Scary Monsters (And Super Creeps) (1980), Heathen (2002), Reality (2003), The Next Day (2013), and his final album, Blackstar (2016). [9]

In late 1970 and early 1971 Visconti produced both the debut and sophomore albums by UK Afrorock pioneers Osibisa. These were 1971’s self titled debut and its follow up Woyaya. Both albums also featured early examples of Roger Dean’s artwork.

Visconti scored the orchestral arrangements for Paul McCartney and Wings' 1973 album Band on the Run . He later produced two albums for the Moody Blues, The Other Side of Life (1986) and Sur La Mer (1988).

Visconti, c. 2000. Tony Visconti, circa 2000 (cropped).jpg
Visconti, c.2000.

In 1990 he produced several tracks on the Moody Blues' Keys of the Kingdom album (1991), Luscious Jackson's Electric Honey , Leisure Noise by Gay Dad, Soul Caddy for Cherry Poppin' Daddies, and Dawn of Ananda for Annie Haslam. In 1997, Visconti produced the debut album of The Stone Roses member John Squire's new band, The Seahorses, entitled Do It Yourself .

He produced and played bass on a handful of tracks from The Dandy Warhols' 2003 album, Welcome to the Monkey House . In 2003 he teamed up with the Finn Brothers (Neil and Tim of Crowded House and Split Enz) to record and produce their second collaborative album, eventually released in 2004. That same year, he produced three songs on the Manic Street Preachers album Lifeblood. In 2005, he collaborated with Copenhagen band Kashmir, whose fifth album, No Balance Palace , featured David Bowie. He has also collaborated as co-writer and producer on an album project by Richard Barone. He worked in Rome and produced the No. 1 UK album by Morrissey Ringleader of the Tormentors .

His autobiography, Bowie, Bolan and The Brooklyn Boy, co-written with Richard Havers, [10] was published in February 2007 by HarperCollins UK. The book has been translated into French by Jérôme Soligny as Bowie, Bolan et le Gamin de Brooklyn, published by Tournon.

In 2007 and 2008 Visconti was very active in the studio with Beninese singer Angélique Kidjo, producing her Grammy-winning album Djin Djin , which included guest artists Alicia Keys, Peter Gabriel, Joss Stone, Josh Groban, and Carlos Santana. He has also produced two albums at Saint Claire Recording Studio in Lexington, Kentucky: The Bright Lights of America by Pittsburgh punk band Anti-Flag and Alejandro Escovedo's album Real Animal , released in June 2008. He produced the new No. 1 album (in France) by French artist Raphael in Paris and New York. He produced and mixed the Kristeen Young album Music for Strippers, Hookers, and the Odd On-Looker , released in 2009, and arranged the Fall Out Boy album Folie à Deux . 2010 marked the release of Richard Barone's Visconti-produced Glow album, [11] which includes five songs co-written with Barone and a remake of T. Rex's "Girl"; he also played bass, guitar, synth, and Stylophone on the album and performed live in concert with Barone on numerous occasions.

Visconti produced the 2013 David Bowie album The Next Day and remixed and remastered both The Slider anniversary box set and Electric Warrior 40th-anniversary box set by T. Rex. In 2013, he produced Solar Secrets by Capsula. [12]

In 2014 Visconti produced and arranged several tracks on Marc Almond's album The Dancing Marquis . Almond had wanted to work with Visconti since hearing some of Visconti's earliest production work with T-Rex and David Bowie, stating, "It was a dream to work with Tony". [13]

From 2016 to 2022 Visconti was a jury member of the ANCHOR-Award, linked to the Reeperbahn Festival. [14]

In 2018 Visconti produced Evil Spirits for The Damned, their first album in ten years. He also produced, sang, and played recorder on Merrie Land , the second album by The Good, the Bad & the Queen (2018).

In 2019 Visconti produced the song "The Dragon Cries" with Band-Maid vocalists Miku Kobato and Saiki Atsumi. The track was released on Band-Maid's 2019 release Conqueror .

Visconti served as music producer on the 2022 film Moonage Daydream , a documentary about Bowie written, produced, directed, and edited by Brett Morgen. [15] [16]

Personal life

After divorcing his first wife, Siegrid, Visconti married Welsh folk singer Mary Hopkin in 1971; they divorced in 1981. The pair have two children, musicians Jessica Lee Morgan and Morgan Visconti. [17] In 1989 he married his third wife, May Pang; they had two children before they divorced in 2000. [18] Visconti currently lives with his girlfriend of 20 years, musician Kristeen Young. [19]

Musician

Visconti playing bass with Holy Holy in 2017 Tony Visconti Holy Holy.png
Visconti playing bass with Holy Holy in 2017

Visconti played bass on David Bowie's 1970 album The Man Who Sold the World . [20] Since 2015 he has toured the UK, Japan, and the US with the Bowie cover band Holy Holy, playing the album in its entirety and other early Bowie classics, along with the album's original drummer Mick Woodmansey and other well-known musicians, including singer Glenn Gregory and guitarist James Stevenson. The band have followed this up with later shows in which they perform The Rise and Fall of Ziggy Stardust and the Spiders from Mars album.

Visconti Studio

In September 2016 Kingston University opened Visconti Studio, a tape-based recording studio in partnership with Visconti, the British Library, and London's Science Museum.

Discography

Studio albums

Albums produced

With Tyrannosaurus Rex / T. Rex
With David Bowie
With Badfinger
With Gentle Giant
With Strawbs
With Mary Hopkin
  • 1971: Earth Song/Ocean Song
  • 2007: Valentine (1972–80)
  • 2008: Recollections (1970–86)
  • 2009: Now and Then (1970–88)
With Osibisa
With Tom Paxton
  • 1972: Peace Will Come
  • 1973: New Songs For Old Friends
With Ralph McTell
With Carmen
With Sparks
With Omaha Sheriff
  • 1977: Come Hell or Waters High
  • 1977: Long Fingers in the Soft Rain
With Thin Lizzy
With Hazel O'Connor
With Boomtown Rats
With Elaine Paige
With Modern Romance
With The Moody Blues
With Les Rita Mitsouko
With Phillip Boa
  • 1993: Boaphenia
  • 1994: God – Phillip Boa
With Dean & Britta
With Kristeen Young
With Alejandro Escovedo
  • 2008: Real Animal
  • 2010: Street Songs of Love
  • 2012: Big Station
With other artists

Publications

Related Research Articles

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<i>The Slider</i> 1972 studio album by T. Rex

The Slider is the seventh studio album by English rock band T. Rex, and the third since abbreviating their name from Tyrannosaurus Rex. It was released on 21 July 1972 by record labels EMI and Reprise. Two number-one singles, "Telegram Sam" and "Metal Guru", were released to promote the album. Issued at the height of the band's popularity, The Slider received acclaim from critics, and reached number 4 in the UK charts and number 17 in the US.

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"Let Me Sleep Beside You" is a song written and recorded by the English singer-songwriter David Bowie. It was recorded on 1 September 1967 at Advision Studios in London and marked the beginning of Bowie's working relationship with producer Tony Visconti, which would last for the rest of Bowie's career. A departure from the pop and music hall-influenced material of Bowie's 1967 self-titled debut album and other singles for Deram Records, the song displays a more rock-oriented sound with a cello arrangement from Visconti. The impressionist lyrics also depart from Bowie's prior works, describing love using the act of sleeping together rather than through emotional attachment. The song was rejected by Deram for release as a single, purportedly due to the risqué title. It remained unreleased until 1970's The World of David Bowie compilation.

"Karma Man" is a song written and recorded by the English singer-songwriter David Bowie. It was recorded on 1 September 1967 at Advision Studios in London and marked the beginning of Bowie's working relationship with producer Tony Visconti, which would last for the rest of the artist's career. The song expresses Bowie's growing interest in Tibetan Buddhism, concerning a character who is put on display as a "freak" in a carnival tent. The music reflects the Buddhist themes and was likened to the works of the Beatles. Initially proposed as a B-side, it remained unreleased until The World of David Bowie compilation in March 1970. Bowie performed the song during two of his BBC radio sessions, one of which was released on the 2000 compilation Bowie at the Beeb.

"King of the Rumbling Spires" is a single by Tyrannosaurus Rex, released in July 1969. It featured the duo of Marc Bolan and Steve Peregrine Took and was written by Bolan. It was a minor chart hit, the first by the group to contain electric guitar instead of acoustic, and was Took's last appearance with the duo on record.

References

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