"Get Ready" is a Motown song written by Smokey Robinson, which resulted in two hit records for the label: a U.S. No. 29 version by The Temptations in 1966, and a U.S. No. 4 version by Rare Earth in 1970. It is significant for being the last song Robinson wrote and produced for the Temptations, due to a deal Berry Gordy made with Norman Whitfield, that if "Get Ready" did not meet with the expected degree of success, then Whitfield's song, "Ain't Too Proud to Beg", would get the next release, which resulted in Whitfield more or less replacing Robinson as the group's producer.
"I Can't Get Next to You" is a 1969 No. 1 single recorded by the Temptations and written by Norman Whitfield and Barrett Strong for the Gordy (Motown) label. The song was a No. 1 single on the Billboard Top Pop Singles chart for two weeks in 1969, from October 18 to October 25, replacing "Sugar, Sugar" by the Archies and replaced by "Suspicious Minds" by Elvis Presley. The single was also a No. 1 hit on the Billboard Top R&B Singles for five weeks, from October 4 to November 1, replacing "Oh, What a Night" by the Dells, and replaced by another Motown song, "Baby I'm For Real" by the Originals.
"Too Busy Thinking About My Baby" is a Motown song written by Norman Whitfield, Barrett Strong, and Janie Bradford. The song was first recorded by The Temptations as a track on their 1966 album Gettin' Ready. Eddie Kendricks sings lead on the recording, which was produced by Whitfield. Jimmy Ruffin also recorded a version with The Temptations providing background vocals in 1966. It remained unreleased until 1997.
"Teach Me Tonight" is a popular song that has become a jazz standard. The music was written by Gene De Paul, the lyrics by Sammy Cahn. The song was published in 1953.
Truly for You is an album by American R&B vocal group the Temptations released on October 15, 1984, by Gordy Records. The album reached No. 3 on the US Billboard Top R&B/Hip-Hop Albums chart and No. 25 on the New Zealand Pop Albums chart.
"Missing You" is a song performed by American singer Diana Ross, recorded for her 1984 album Swept Away. The song was written, composed, and produced by Lionel Richie as a tribute to Marvin Gaye, who was murdered by his father earlier that year. The memorial song was released as the album's fourth single on November 13, 1984, by RCA. Richie also provided background vocals on the song.
"You'll Never Find Another Love Like Mine" is a song written by Kenny Gamble and Leon Huff and performed by R&B singer Lou Rawls on his 1976 album All Things in Time. The song proved to be Rawls' breakthrough hit, reaching number 1 on both the R&B and Easy Listening charts as well as number 4 on the dance chart and number 2 on the US Billboard Hot 100. This was the first and only time that one of Rawls' records reached Billboard's pop Top Ten.
"Let's Hear It for the Boy" is a song by Deniece Williams that appeared on the soundtrack to the feature film Footloose. The song was released as a single from both the soundtrack and her album of the song's same name on February 14, 1984, by Columbia Records. It was written by Tom Snow and Dean Pitchford and produced by George Duke. The song became Williams' second number one on the US Billboard Hot 100 on May 26, 1984, also topping the dance and R&B charts, and peaked at number two on the UK Singles Chart, behind "Wake Me Up Before You Go-Go" by Wham!. It was nominated for an Academy Award for Best Original Song, and was certified platinum in the US and gold in Canada and the UK by the Recording Industry Association of America, Music Canada and the British Phonographic Industry, respectively. The music video was released in mid-April 1984. The song features background vocals from George Merrill and Shannon Rubicam, who would go on to form the duo Boy Meets Girl.
"He's a Pretender" is a 1983 song written by Gary Goetzman (BMI) and Mike Piccirillo (BMI). It was originally recorded by R&B female group High Inergy. This was the lead single of their last album Groove Patrol, before disbanding in 1984, and it peaked at #82 in the Billboard Hot 100, #62 on the Black Singles charts. On the US, Dance/Disco Top 80 chart, "He's a Pretender" went to #25.
"Superwoman" is a song by R&B singer Karyn White, released as the second single from her self-titled debut album in January 1989. It was her second U.S. top ten hit, peaking at number eight, and her second U.S. R&B number-one hit, holding that position for three weeks. It also earned a gold certification from the Recording Industry Association of America (RIAA).
"One Nation Under a Groove" is a 1978 song by Funkadelic, the title track from their album of the same name. It has endured as a dance funk classic and is probably Funkadelic's most widely known song. "One Nation Under a Groove" was Funkadelic's first million selling single, as well as the third million selling single for the P-Funk organization overall.
"Still" is a 1979 song by the soul music group the Commodores. It was released as a single on Motown Records with "Such a Woman" as the B-side. The song appears on their 1979 hit album Midnight Magic. This was their last No. 1 hit in the country.
"I Want Her" is a song by American R&B singer Keith Sweat. As the first single from his debut album, Make It Last Forever, it reached number five on the Billboard Hot 100 and number one on the Hot R&B/Hip-Hop Singles & Tracks chart for three weeks. and became the most successful number one single of 1988 on the Billboard Hot R&B chart. "I Want Her" also peaked at number 38 on the dance chart. The song topped the R&B Billboard Year-End chart for 1988. It was ranked number 6 on complex.com's list of 25 best new jack swing songs of all time.
"Love Ballad" is a song by R&B/Funk band L.T.D. Jeffrey Osborne is the lead singer.
"I'm Still in Love with You" is a song originally recorded by Al Green. Released from the album of the same title, the single spent two weeks at #1 on the Hot Soul Singles chart in August 1972. It also peaked at #3 on the Billboard Hot 100 singles chart that same year. It would eventually sell over one million copies and is considered one of his most popular songs. Billboard ranked it as the No. 59 song for 1972.
"Love on a Two-Way Street" is a soul ballad written by Sylvia Robinson and Bert Keyes in 1968. The song was originally recorded by Lezli Valentine, an artist signed to All Platinum, the record label that Sylvia Robinson co-owned with her husband, Joe. The song was then recorded by The Moments, an R&B vocal group signed to All Platinum subsidiary Stang Records, as filler for their 1968 album Not on the Outside, But on the Inside, Strong!. Sylvia and Joe decided to release the song as a single in March 1970 and it went on to become one of the biggest R&B hits of that year, spending five weeks at number one on Billboard's Soul Singles chart and reaching number three on the Hot 100 chart. Billboard ranked the record as the No. 25 song of 1970. It was also certified gold by the RIAA for sales of one million copies.
"Happy People" is a 1974 single by The Temptations, co-written by Lionel Richie. It was the first single from the album A Song For You. In the United States, the single went to #1 on the R&B chart and #40 on the Billboard Hot 100 singles chart. "Happy People" also peaked at #11 on the disco/dance chart. The single was the first Temptations release without the guidance of Norman Whitfield since 1966.
"The Medicine Song" is a 1984 single by Stephanie Mills. It gave Mills her first number one dance chart hit; her previous entry on the chart had been "Pilot Error", which had made it to number three.
"A Rockin' Good Way (to Mess Around and Fall in Love)" is a song first recorded in 1958 by Priscilla Bowman, on the Abner Records label (ABNER DJ 1018). Bowman was given vocal backing by The Spaniels.
"Here We Go Again" is a song by American singer and songwriter Aretha Franklin. It was written by Trina Broussard, Jermaine Dupri and Trey Lorenz for Franklin's thirty-fourth studio album, A Rose Is Still a Rose (1998), while production was helmed by Dupri and Manuel Seal. The song is built around replayed portions of "The Glow of Love" (1980) by Italian-American post-disco group Change. Due to the inclusion of the sample, Mauro Malavasi, David Romani and Wayne K. Garfield are also credited as songwriters. The song was the second single released from A Rose Is Still a Rose in June 1998 and reached number 76 on the Billboard Hot 100, also becoming Franklin's fifth number one on the US Dance Club Songs.
