The Buddhist Caves in Ajanta are approximately 30 rock-cut Buddhist cave monuments dating from the 2nd century BCE to about 480 CE in the Aurangabad district of Maharashtra state in India. The caves include paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art, particularly expressive paintings that present emotions through gesture, pose and form.
The architecture of India is rooted in its history, culture and religion. Among a number of architectural styles and traditions, the contrasting Hindu temple architecture and Indo-Islamic architecture are the best known historical styles. Both of these, but especially the former, have a number of regional styles within them. An early example of town planning was the Harappan architecture of the Indus Valley Civilisation, whose people lived in cities with baked brick houses, streets in a grid layout, elaborate drainage systems, water supply systems, granaries, citadels, and some non-residential buildings. Much other early Indian architecture was in wood, which has not survived.
Ellora is a UNESCO World Heritage Site located in the Aurangabad district of Maharashtra, India. It is one of the largest rock-cut Hindu temple cave complexes in the world, featuring Hinduism in particular and few Buddhist and Jain monuments with Artwork dating from the 600–1000 CE period. Cave 16 features the largest single monolithic rock excavation in the world, the Kailash temple, a chariot shaped monument dedicated to Lord Shiva. The Kailash temple excavation also features sculptures depicting the gods, goddesses found in Hinduism as well as relief panels summarizing the two major Hindu Epics.
A Buddhist temple or Buddhist monastery, is the place of worship for Buddhists, the followers of Buddhism. They include the structures called vihara, chaitya, stupa, wat and pagoda in different regions and languages. Temples in Buddhism represent the pure land or pure environment of a Buddha. Traditional Buddhist temples are designed to inspire inner and outer peace.
A chaitya, chaitya hall, chaitya-griha, refers to a shrine, sanctuary, temple or prayer hall in Indian religions. The term is most common in Buddhism, where it refers to a space with a stupa and a rounded apse at the end opposite the entrance, and a high roof with a rounded profile. Strictly speaking, the chaitya is the stupa itself, and the Indian buildings are chaitya halls, but this distinction is often not observed. Outside India, the term is used by Buddhists for local styles of small stupa-like monuments in Nepal, Cambodia, Indonesia and elsewhere. In the historical texts of Jainism and Hinduism, including those relating to architecture, chaitya refers to a temple, sanctuary or any sacred monument.
Buddhist religious architecture developed in the Indian subcontinent. Three types of structures are associated with the religious architecture of early Buddhism: monasteries (viharas), places to venerate relics (stupas), and shrines or prayer halls, which later came to be called temples in some places.
The Karla Caves, Karli Caves, Karle Caves or Karla Cells, are a complex of ancient Buddhist Indian rock-cut caves at Karli near Lonavala, Maharashtra. It is just 10.9 Kilometers away from Lonavala. Other caves in the area are Bhaja Caves, Patan Buddhist Cave, Bedse Caves and Nasik Caves. The shrines were developed over the period – from the 2nd century BCE to the 5th century CE. The oldest of the cave shrines is believed to date back to 160 BCE, having arisen near a major ancient trade route, running eastward from the Arabian Sea into the Deccan.
Aihole, also referred to as Aivalli, Ahivolal or Aryapura, is a historic site of ancient and medieval era Buddhist, Hindu and Jain monuments in Karnataka, India that dates from the sixth century through the twelfth century CE. Most of the surviving monuments at the site date from the 7th to 10th centuries. Located around an eponymous small village surrounded by farmlands and sandstone hills, Aihole is a major archaeological site featuring over one hundred and twenty stone and cave temples spread along the Malaprabha river valley, in Bagalakote district.Hunagunda Taluk Distance 35km
The Nasik Caves or Trirashmi Leni, are a group of 23 caves carved between the 1st century BCE and the 3rd century CE, though additional sculptures were added up to about the 6th century, reflecting changes in Buddhist devotional practices. The Buddhist sculptures are a significant group of early examples of Indian rock-cut architecture initially representing the Hinayana tradition.
Indian rock-cut architecture is more various and found in greater abundance in that country than any other form of rock-cut architecture around the world. Rock-cut architecture is the practice of creating a structure by carving it out of solid natural rock. Rock that is not part of the structure is removed until the only rock left makes up the architectural elements of the excavated interior. Indian rock-cut architecture is mostly religious in nature.
In Indian architecture, gavaksha or chandrashala are the terms most often used to describe the motif centred on an ogee, circular or horseshoe arch that decorates many examples of Indian rock-cut architecture and later Indian structural temples and other buildings. In its original form, the arch is shaped like the cross-section of a barrel vault. It is called a chaitya arch when used on the facade of a chaitya hall, around the single large window. In later forms it develops well beyond this type, and becomes a very flexible unit, "the most common motif of Hindu temple architecture". Gavākṣha is a Sanskrit word which means "bull's or cow's eye". In Hindu temples, their role is envisioned as symbolically radiating the light and splendour of the central icon in its sanctum. Alternatively, they are described as providing a window for the deity to gaze out into the world.
Bhaja Caves is a group of 22 rock-cut caves dating back to the 2nd century BC located in the city of Pune, India. The caves are 400 feet above the village of Bhaja, on an important ancient trade route running from the Arabian Sea eastward into the Deccan Plateau. The inscriptions and the cave temple are protected as a Monument of National Importance, by the Archaeological Survey of India per Notification No. 2407-A. It belongs to the Hinayana Buddhism sect in Maharashtra. The caves have a number of stupas, one of their significant features. The most prominent excavation is its chaitya, a good example of the early development of this form from wooden architecture, with a vaulted horseshoe ceiling. Its vihara has a pillared verandah in front and is adorned with unique reliefs. These caves are notable for their indications of the awareness of wooden architecture. The carvings prove that tabla – a percussion instrument – was used in India for at least 2300 years, disproving the centuries-held belief that the tabla was introduced to India by outsiders or from Turko-Arab. The carving shows a woman playing tabla and another woman, performing dance.
Chejarla is a village in Guntur district of the Indian state of Andhra Pradesh. It is located in Nekarikallu mandal of Narasaraopet revenue division.
Tigawa is a village in Indian state of Madhya Pradesh and an archaeological site with a complex of about 36 Hindu temple ruins. Of these, the small but important and ancient Kankali Devi Temple is in good condition, and is usually dated to about 400-425 CE. Unless another building is mentioned, references to "the temple" below refer to this.
The Durga temple is an early 8th-century Hindu temple located in Aihole, Karnataka, India. Originally dedicated to Surya, it has the most embellished and largest relief panels in Aihole depicting artwork of Shaivism, Vaishnavism, Shaktism and Vedic deities. Apart from its fine carvings, it is notable for its apsidal plan – a rare example among early Chalukyan Hindu temple architecture.
The Pitalkhora Caves, in the Satamala range of the Western Ghats of Maharashtra, India, are an ancient Buddhist site consisting of 14 rock-cut cave monuments which date back to the third century BCE, making them one of the earliest examples of rock-cut architecture in India. Located about 40 kilometers from Ellora, the site is reached by a steep climb down a flight of concrete stairs, past a waterfall next to the caves.
Bairat Temple is a freestanding Buddhist temple, a Chaityagriha, located about a mile southwest of the city Bairat, Rajasthan, India, on a hill locally called "Bijak-ki-Pahari". The temple is of a circular type, formed of a central stupa surrounded by a circular colonnade and an enclosing wall. It was built during the time of Ashoka in the 3rd century BCE, and near it were found two of Ashoka's Minor Rock Edicts, the Bairat and the Calcutta-Bairat Minor Rock Edicts. The temple is an important marker of the architecture of India.
The Buddhist caves in India form an important part of Indian rock-cut architecture, and are among the most prolific examples of rock-cut architecture around the world. There are more than 1,500 known rock cut structures in India, out of which about 1000 were made by Buddhists, 300 by Hindus, and 200 by Jains. Many of these structures contain works of art of global importance, and many later caves from the Mahayana period are adorned with exquisite stone carvings. These ancient and medieval structures represent significant achievements of structural engineering and craftsmanship.
Ancient Indian architecture is the architecture of the Indian subcontinent from the Indian Bronze Age to around 800 CE. By this endpoint Buddhism in India had greatly declined, and Hinduism was predominant, and religious and secular building styles had taken on forms, with great regional variation, which they largely retained until and beyond the great changes brought about by the arrival of first Islam, and then Europeans.
Gupta art is the art of the Gupta Empire, which ruled most of northern India, with its peak between about 300 and 480 CE, surviving in much reduced form until c. 550. The Gupta period is generally regarded as a classic peak and golden age of North Indian art for all the major religious groups. Although painting was evidently widespread, the surviving works are almost all religious sculpture. The period saw the emergence of the iconic carved stone deity in Hindu art, while the production of the Buddha-figure and Jain tirthankara figures continued to expand, the latter often on a very large scale. The traditional main centre of sculpture was Mathura, which continued to flourish, with the art of Gandhara, the centre of Greco-Buddhist art just beyond the northern border of Gupta territory, continuing to exert influence. Other centres emerged during the period, especially at Sarnath. Both Mathura and Sarnath exported sculpture to other parts of northern India.
India 
Side view
View of the upper part of the temple
Plan and elevation of the Trivikrama Temple.
Reconstitution of the original Buddhist apsidal temple.
The ancient Buddhist chaitya house at Ter.
