Arthur "Duke" Reid CD was a Jamaican record producer, DJ and label owner.
Rocksteady is a music genre that originated in Jamaica around 1966. A successor of ska and a precursor to reggae, rocksteady was the dominant style of music in Jamaica for nearly two years, performed by many of the artists who helped establish reggae, including harmony groups such as the Techniques, the Paragons, the Heptones and the Gaylads; soulful singers such as Alton Ellis, Delroy Wilson, Bob Andy, Ken Boothe and Phyllis Dillon; musicians such as Jackie Mittoo, Lynn Taitt and Tommy McCook. The term rocksteady comes from a popular (slower) dance style mentioned in the Alton Ellis song "Rocksteady", that matched the new sound. Some rocksteady songs became hits outside Jamaica, as with ska, helping to secure the international base reggae music has today.
Rude boy is a subculture that originated from 1960s Jamaican street culture. In the late 1970s, there was a revival in England of the terms rude boy and rude girl, among other variations like rudeboy and rudebwoy, being used to describe fans of two-tone and ska. This revival of the subculture and term was partially the result of Jamaican immigration to the UK and the so-called ”Windrush” generation. The use of these terms moved into the more contemporary ska punk movement as well. In the UK and especially Jamaica, the terms rude boy and rude girl are used in a way similar to gangsta, yardie, or badman.
Alton Nehemiah Ellis was a Jamaican singer-songwriter. One of the innovators of rocksteady, he was given the informal title "Godfather of Rocksteady". In 2006, he was inducted into the International Reggae And World Music Awards Hall Of Fame.
Leslie Kong was a Jamaican reggae producer.
Lorenzo "Laurel" Aitken was a Cuban-Jamaican singer and one of the pioneers of ska music. He is often referred to as the "Godfather of Ska".
Laurence Cane-Honeysett is a British musician, producer and music journalist specialising in Jamaican music.
The Ethiopians were one of Jamaica's best-loved harmony groups during the late ska, rocksteady and early reggae periods. Responsible for a significant number of hits between the mid-1960s and early 1970s, the group was also one of the first Jamaican acts to perform widely in Britain.
Clancy Eccles was a Jamaican ska and reggae singer, songwriter, arranger, promoter, record producer and talent scout. Known mostly for his early reggae works, he brought a political dimension to this music. His house band was known as The Dynamites.
Trojan skinheads are individuals who identify with the original British skinhead subculture of the middle 1960s, when ska, rocksteady, reggae, and soul music were popular, and there was a heavy emphasis on mod-influenced clothing styles. Named after the record label Trojan Records, these skinheads identify with the subculture's Jamaican rude boy and British working class roots.
Derrick Morgan OD is a Jamaican musical artist who was popular in the 1960s and 1970s. He worked with Desmond Dekker, Bob Marley, and Jimmy Cliff in the rhythm and blues and ska genres, and he also performed rocksteady and skinhead reggae.
Slim Smith was a ska, rocksteady and reggae singer. In their book Reggae: The Rough Guide (1997), Steve Barrow and Peter Dalton described Smith as "the greatest vocalist to emerge in the rocksteady era".
Phyllis Dillon was a Jamaican rocksteady and reggae singer who recorded for Duke Reid's lucrative Treasure Isle record label in the late 1960s and early 1970s.
The Pioneers are a Jamaican reggae, soul and rocksteady vocal trio, whose main period of success was in the 1960s. The trio has had different line-ups, and still occasionally performs.
Dandy Livingstone is a British-Jamaican ska, rocksteady, and reggae musician and record producer, best known for his 1972 hit, "Suzanne Beware of the Devil", and for his song, "Rudy, A Message to You", which was later a cover hit for The Specials. "Suzanne Beware of the Devil", reached number 14 on the UK Singles Chart and number 78 in Australia. In the early 1960s, Livingstone recorded some of the bestselling UK-produced ska singles of the era.
Horatious Adolphus "Pat" Kelly was a Jamaican rocksteady and reggae singer, whose career began in the mid-1960s. He recorded as a solo artist and as a member of the vocal group the Techniques.
Owen Gray, also known as Owen Grey, is a Jamaican musician. His work spans the R&B, ska, rocksteady, and reggae eras of Jamaican music, and he has been credited as Jamaica's first home-grown singing star.
Rudolph "Rudy" Methaian Mills is a reggae musician known for his releases during the rock steady era in the 1960s. He was discovered by producer Derrick Harriott who released his hit song "A Long Story". Versions of the song were later used by other artists including Bongo Herman & Bingy Bunny sampling it in an instrumental rendition.
Carnival Records was an English-based record label run by Australian businessman Alan Crawford. It released mainly reggae and ska recordings from 1963 to 1965. Artists who have had releases on the label include The African Messengers, Errol Dixon, Mike Elliott, Oscar James, Dandy Livingstone, Sugar 'N' Dandy, Sunny and the Hi-Jumpers and The Wes Minster Five
Anthony Mossop, known professionally as Tony Tribe and Tony Kingston, was a Jamaican vocalist. He charted at No. 46 on the UK Singles Chart with a reggae version of Neil Diamond's "Red Red Wine", becoming Trojan Records's first UK chart entry, and inspired UB40's version, which charted at No. 1 on the UK Singles Chart and the Billboard Hot 100. He also performed at the 1969 Caribbean Reggae Festival. He then moved to Canada and released several singles there including "I Am the Preacher", which charted at No. 65 on the RPM charts, and then an album.
