Blind Willie Johnson was an American gospel blues singer, guitarist and evangelist. His landmark recordings completed between 1927 and 1930—thirty songs in total—display a combination of powerful "chest voice" singing, slide guitar skills, and originality that has influenced generations of musicians. Even though Johnson's records sold well, as a street performer and preacher, he had little wealth in his lifetime. His life was poorly documented, but over time, music historians such as Samuel Charters have uncovered more about Johnson and his five recording sessions.
The Swan Silvertones are an American gospel music group that first achieved popularity in the 1940s and 1950s under the leadership of Claude Jeter. Jeter formed the group in 1938 as the "Four Harmony Kings" while he was working as a coal miner in West Virginia, United States. After moving to Knoxville, Tennessee and obtaining their own radio show, the group changed its name to the Silvertone Singers in order to avoid confusion with another ensemble known as the "Four Kings of Harmony." They added the name Swan shortly thereafter, since Swan Bakeries sponsored their show. Their wide exposure through radio brought them a contract in 1946 with King Records.
The Blind Boys of Alabama, also billed as The Five Blind Boys of Alabama, and Clarence Fountain and the Blind Boys of Alabama, is an American gospel group. The group was founded in 1939 in Talladega, Alabama, and has featured a changing roster of musicians over its history, the majority of whom are or were vision impaired.
"Highway 61 Revisited" is the title track of Bob Dylan's 1965 album Highway 61 Revisited. It was also released as the B-side to the single "Can You Please Crawl Out Your Window?" later the same year. In 2004, Rolling Stone magazine ranked the song as number 364 in their 500 Greatest Songs of All Time.
Screamin' and Hollerin' the Blues: The Worlds of Charley Patton is a boxed set collecting remastered versions of the recorded works of blues singer Charley Patton, with recordings by many of his associates, supplementary interviews and historical data. The set won three Grammy awards, for Best Historical Album, Best Boxed or Special Limited Edition Package, and Best Album Notes.
"Samson and Delilah" is a traditional song based on the Biblical tale of Samson and his betrayal by Delilah. Its best known performer is perhaps the Grateful Dead, who first performed the song live in 1976, with guitarist Bob Weir singing lead vocals. It was frequently played live by the Dead, frequently on Sundays due to the biblical reference. The 1977 album Terrapin Station featured a studio recording of the song.
"John the Revelator" is a gospel blues call and response song. Music critic Thomas Ward describes it as "one of the most powerful songs in all of pre-war acoustic music ... [which] has been hugely influential to blues performers". American gospel-blues musician Blind Willie Johnson recorded "John the Revelator" in 1930. Subsequently, a variety of artists, including the Golden Gate Quartet, Son House, Depeche Mode, Jerry Garcia Band, The White Stripes, The Forest Rangers, The Sword, have recorded their renditions of the song, often with variations in the verses and music.
The 38th Annual GMA Dove Awards were held on April 25, 2007 recognizing accomplishments of musicians for the year 2006. The show was held at the Grand Ole Opry House in Nashville, Tennessee, and was hosted by Brian Littrell, Natalie Grant, and Donnie McClurkin. This was the first year in which the awards were called the "GMA Dove Awards" since the 2006 edition was called the "GMA Music Awards".
Claude A. Jeter was an American gospel music singer. Originally a coal miner from Kentucky, Jeter formed the group that would eventually become one of the most popular gospel quartets of the post-war era – the Swan Silvertones. He was also, at one time, a member of the Dixie Hummingbirds.
"It's Nobody's Fault but Mine" or "Nobody's Fault but Mine" is a song first recorded by gospel blues artist Blind Willie Johnson in 1927. It is a solo performance with Johnson singing and playing slide guitar. The song has been interpreted and recorded by numerous musicians in a variety of styles, including Led Zeppelin on their 1976 album Presence.
"Down by the Riverside" is an African-American spiritual. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as "Ain' go'n' to study war no mo'", "Ain't Gwine to Study War No More", "Down by de Ribberside", "Going to Pull My War-Clothes" and "Study war no more". The song was first recorded by the Fisk University jubilee quartet in 1920, and there are at least 14 black gospel recordings before World War II.
The Soul of a Man is an album of "twenty haunting spiritual blues songs" recorded in the late 1920s and 1930 by the American gospel blues singer and guitarist Blind Willie Johnson that was released by Charly Records in 2003.
"Keep Your Lamp(s) Trimmed and Burning" is a traditional gospel blues song. It alludes to the Parable of the Wise and Foolish Virgins, found in the Gospel of Matthew at 25:1-13, and also to a verse in the Gospel of Luke, at 12:35.
"Bye and Bye We're (or, I'm) Going to See the King" is a Christian song from the African-American musical tradition. It is known by a variety of titles, including "I Wouldn't Mind Dying (If Dying Was All)" and "A Mother's Last Word to Her Daughter". It was recorded seven times before 1930, using the preceding titles.
"God Don't Never Change" is a gospel blues song recorded by Blind Willie Johnson in 1929. The song is sometimes titled "God Don't Ever Change".
"Leave It There" is a Christian hymn composed in 1916 by African-American Methodist minister Charles A. Tindley. It has become popular enough to have been included in 12 hymnals; and even to be attributed to "traditional" or "anonymous". The title is sometimes given as "Take Your Burden to the Lord and Leave It There" or as "Take Your Burden to the Lord" or as "Take Your Burden", words taken from the song's refrain; the plurals "burdens" and "them" are sometimes used, and "God" instead of "the Lord":
God Don't Never Change: The Songs of Blind Willie Johnson earned Grammy Award nominations for Best Roots Gospel Album and Best American Roots Performance for Blind Boys of Alabama recording of Mother's Children Have a Hard Time. The compilation was produced by Jeffrey Gaskill of Burning Rose Productions. The package features extensive historical liner notes by author Michael Corcoran.
The Complete Blind Willie Johnson is a compilation album of all the known recordings by American gospel blues singer-guitarist Blind Willie Johnson. As part of the Roots N' Blues series, it was released jointly by Columbia Records and Legacy Recordings, on April 27, 1993. All of the tracks on the two-compact disc set were originally issued by Columbia on the then-standard two-sided 78 rpm record format.
American Epic: The Best of Blind Willie Johnson is a compilation album released to accompany the award-winning American Epic documentary film series. It collects performances from Blind Willie Johnson's five recording sessions for Columbia Records in Dallas, Atlanta, and New Orleans between 1927 and 1930. The album was released as a 16-track download and a vinyl LP.
