Twelfth Street Rag

Last updated
12th Street Rag
by Euday L. Bowman
12thStreetRag1915.jpg
cover from the 1915 publication of the song
Genre Ragtime
FormRag
Composed1898
Published1914 (1914)

Instrument: Piano, solo (in original form)

"Twelfth Street Rag" is a ragtime musical composition published by Euday L. Bowman in 1914.

Contents

Background

1921 arrangement of the piece

A friend of Euday Bowman known as "Raggedy Ed" declared his intention to open a pawn shop on 12th Street in Kansas City while the two were walking along it. Bowman is rumored to have said "If you get rich on those three balls, I'll write a piece on three notes to make myself rich." [1]

It was more than 15 years after Bowman composed the song before he actually wrote the music down in manuscript form. He returned to Texas briefly and tried to sell the piece to a company in Dallas; but he only had an offer of ten dollars for it and was told it really was not worth publishing. Returning to Kansas City, he sold it to Jenkins Music Company in 1913. The Jenkins company felt Bowman's arrangement was far too difficult however, hiring C. E. Wheeler to simplify it. With a big advertising push "12th Street Rag" began to sell better. In 1919, James S. Sumner added lyrics. The song was popular with early Kansas City bands and became a hit after Bennie Moten recorded it for RCA Victor in 1927, the same year Louis Armstrong and His Hot Seven recorded it.

Other recordings

Euday Bowman, the composer, recorded and published his own recording of the piece, on Bowman 11748. Louis Armstrong and His Hot Seven recorded the song for Okeh Records in Chicago in May 1927. Krazy Kat and his orchestra perform the music in the 1930 cartoon The Bandmaster . A recording by Pee Wee Hunt [2] was the Billboard number-one single for 1948, selling more than three million copies. It was released as Capitol Records 15105 in May 1948. Donald Peers recorded the song in London on March 26, 1949. It was released by EMI on the His Master's Voice label as catalogue number B 9763. Other notable performers of the song include Roy Clark, Barney Kessel, and Jack Teagarden

The song is perhaps best known in the US and UK as the theme to The Joe Franklin Show ; [3] the version most associated with the program was Big Tiny Little's 1959 recording from his album Honky Tonk Piano (Brunswick BL (7)54049).

A brief excerpt of the song can also be heard about 37 minutes into the 1996 film The English Patient .

The melody of the song is heard in the Chuck E. Cheese 1999 film Chuck E. Cheese in the Galaxy 5000 , serving as the basis for the song, "The Galaxy's For You and Me". The same melody is played during the first scene in the soda shop.

Since 1999, a steel guitar version has been featured as background music on the US television cartoon series by Nickelodeon, SpongeBob SquarePants. [4]

The Rastrelli Cello Quartet recorded a version for four cellos in 2006, on the album Vol. 1 - Concerto Grosso A LA Russe.

See also

Related Research Articles

Ragtime, also spelled rag-time or rag time, is a musical style that had its peak from the 1890s to 1910s. Its cardinal trait is its syncopated, or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott Joplin, James Scott and Joseph Lamb. Ragtime pieces are typically composed for and performed on piano, though the genre has been adapted for a variety of instruments and styles.

<span class="mw-page-title-main">Scott Joplin</span> American composer, music teacher, and pianist (1868–1917)

Scott Joplin was an African-American composer and pianist. Dubbed the "King of Ragtime", he composed more than 40 ragtime pieces, one ragtime ballet, and two operas. One of his first and most popular pieces, the "Maple Leaf Rag", became the genre's first and most influential hit, later being recognized as the quintessential rag. Joplin considered ragtime to be a form of classical music meant to be played in concert halls and largely disdained the performance of ragtime as honky tonk music most common in saloons.

<span class="mw-page-title-main">Original Dixieland Jass Band</span> American jazz band

The Original Dixieland Jass Band (ODJB) was a Dixieland jazz band that made the first jazz recordings in early 1917. Their "Livery Stable Blues" became the first jazz record ever issued. The group composed and recorded many jazz standards, the most famous being "Tiger Rag". In late 1917, the spelling of the band's name was changed to Original Dixieland Jazz Band.

<span class="mw-page-title-main">Alexander's Ragtime Band</span> 1911 song composed by Irving Berlin

"Alexander's Ragtime Band" is a Tin Pan Alley song by American composer Irving Berlin released in 1911; it is often inaccurately cited as his first global hit. Despite its title, the song is a march as opposed to a rag and contains little syncopation. The song is a narrative sequel to Berlin's earlier 1910 composition "Alexander and His Clarinet". This earlier composition recounts the reconciliation between an African-American musician named Alexander Adams and his flame Eliza Johnson as well as highlights Alexander's innovative musical style. Berlin's friend Jack Alexander, a cornet-playing African-American bandleader, inspired the title character.

<span class="mw-page-title-main">Maple Leaf Rag</span> Ragtime composition for piano by Scott Joplin

The "Maple Leaf Rag" is an early ragtime musical composition for piano composed by Scott Joplin. It was one of Joplin's early works, becoming the model for ragtime compositions by subsequent composers. It is one of the most famous of all ragtime pieces. Its success led to Joplin being dubbed the "King of Ragtime" by his contemporaries. The piece gave Joplin a steady if unspectacular income for the rest of his life.

<span class="mw-page-title-main">Charles L. Johnson</span> American composer (1876–1950)

Charles Leslie Johnson was an American composer of ragtime and popular music. He was born in Kansas City, Kansas, died in Kansas City, Missouri, and lived his entire life in those two cities. He published over 300 songs in his life, nearly 40 of them ragtime compositions such as "Doc Brown’s Cakewalk", "Dill Pickles", "Apple Jack ", and "Snookums Rag". His best selling piece, a sentimental ballad called "Sweet and Low", sold over a million copies. Experts believe that had Johnson lived and worked in New York, he would be included alongside Scott Joplin, James Scott, and Joseph Lamb as one of the greatest ragtime composers. He wrote more than the other three combined and exemplified a greater range of talent, composing waltzes, tangos, cakewalks, marches, novelty pieces, and other types of music popular at that time.

<span class="mw-page-title-main">Euday L. Bowman</span> American composer

Euday Louis Bowman was an American pianist and composer of ragtime and blues who represented the style of Texas Ragtime. He is chiefly remembered as the composer of the highly popular "Twelfth Street Rag", a ragtime composition from 1914 out of a series of rags that Bowman wrote during or after a period in which he worked as a pianist in bordellos of Kansas City. These pieces, including "Sixth Street Rag", "Tenth Street Rag", "Eleventh Street Rag" and "Twelfth Street Rag," were named after streets of Fort Worth's redlight district.

<span class="mw-page-title-main">Arthur Collins (singer)</span> Musical artist

Arthur Francis Collins was an American baritone who was one of the pioneer recording artists, regarded in his day as "King of the Ragtime Singers".

<span class="mw-page-title-main">The Entertainer (rag)</span> Piano rag by Scott Joplin

"The Entertainer" is a 1902 classic piano rag written by Scott Joplin.

<span class="mw-page-title-main">Tiger Rag</span> 1917 jazz standard

"Tiger Rag" is a jazz standard that was recorded and copyrighted by the Original Dixieland Jass Band in 1917. It is one of the most recorded jazz compositions. In 2003, the 1918 recording of "Tiger Rag" was entered into the U.S. Library of Congress National Recording Registry.

<span class="mw-page-title-main">Carol Lou Trio</span>

The Carol Lou Trio was a jazz combo which gained modest popularity in the mid-eastern United States between the 1950s and 1970s, and international distribution of its few recordings. The group was headed by Carol Lou Hedges, whose modest demeanor belied her piano virtuosity and swinging style. Husband and bassist John Hedges was the other permanent member of the group, with various drummers having been employed, including future drummer for the Count Basie band and Tony Bennett, Harold Jones (drummer) in 1956-57. The trio's reputation spread mostly by word of mouth, but it did release several singles and one album.

"Panama" is a jazz standard. It is by William Henry Tyers, originally entitled "Panama, a Characteristic Novelty", published in 1912.

<span class="mw-page-title-main">If I Could Be with You (One Hour Tonight)</span> Song

"If I Could Be with You (One Hour Tonight)" is a popular song, with music by James P. Johnson and lyrics by Henry Creamer. Published in 1926, the song was first recorded by Clarence Williams' Blue Five with vocalist Eva Taylor in 1927. It was popularized by the 1930 recording by McKinney's Cotton Pickers, who used it as their theme song and by Louis Armstrong's record for Okeh Records (catalogue No.41448), both of which featured in the charts of 1930. Armstrong's recording of "If I Could Be with You" is defined by his sparse vocal style and ornamental virtuosic trumpet-playing.

<span class="mw-page-title-main">Black and White Rag</span> Ragtime instrumental music

The "Black and White Rag" is a 1908 ragtime composition by George Botsford.

Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band, fostered awareness of this new style of music.

Snake Rag is a 1923 Dixieland jazz standard composed by Joseph "King" Oliver of King Oliver's Creole Jazz Band. It features Oliver and Louis Armstrong on cornet, Honoré Dutrey on trombone, Johnny Dodds on clarinet, Lil Hardin on piano, Baby Dodds on drums, and William Manuel Johnson on banjo. The rag was a result of improvisation during a session at Richmond, Indiana on April 6, 1923.

<span class="mw-page-title-main">Moten Swing</span> 1932 single by Bennie Moten and his Kansas City Orchestra

"Moten Swing" is a 1932 jazz standard by Bennie Moten and his Kansas City Orchestra. It was an important jazz standard in the move towards a freer form of orchestral jazz and the development of Swing music. Moten and his Orchestra, which included Count Basie on piano, achieved much success with it, although the song is most associated with Basie's Count Basie Orchestra, who recorded it in 1940.

<span class="mw-page-title-main">Lyons and Yosco</span> Musical artist

Lyons and Yosco were an American comedy duo, consisting of Italian American musicians George Lyons and Bob Yosco. They were defined by the Ottawa Evening Journal "the finest pair of Italian street musicians playing in the Vaudeville ranks." They toured the United States from 1909 into 1923, doing a musical and comedy act. The News Journal described their performance, saying they were "the best vocalists and instrumentalists of the street variety on the stage, proved intensely interesting, while their droll comedy kept the audience laughing much of the time."

References

  1. Laird, Landon (June 5, 1949). "About Town". The Kansas City Star.
  2. Gilliland, John. (197X). "Pop Chronicles 1940s Program #20 - All Tracks UNT Digital Library". Digital.library.unt.edu. Retrieved 2021-02-06.
  3. "Inside CBS: Turnover and Takeover Talk". New York Magazine . 1985-11-04. p. 30. Retrieved 2022-07-23.
  4. Bien-Kahn, Joseph (2022-05-22). "#1 pop song from the year you graduated high school". KALB-TV . Retrieved 2022-07-23.

Further reading