Twenty Four Hours from Tulsa

Last updated
"Twenty Four Hours from Tulsa"
Single by Gene Pitney
from the album Blue Gene
B-side "Lonely Night Dreams (Of Far Away Arms)"
ReleasedOctober 1963 [1]
Genre Pop
Length2:52
Label Musicor
Songwriter(s)
Producer(s)
Gene Pitney singles chronology
"True Love Never Runs Smooth"
(1963)
"Twenty Four Hours from Tulsa"
(1963)
"That Girl Belongs to Yesterday"
(1964)

"Twenty Four Hours from Tulsa" is a song written by Burt Bacharach and Hal David, and was originally a hit in 1963 for Gene Pitney. [2] [3]

Contents

Production

The song's lyrics tell of a traveling man who detours to a romance in a motel and ends up never returning home. [4] The twists of the song's lyrics (the protagonist, just 24 hours from reaching home, falls in love with a woman when he stops driving for the night, leaving his current partner twisting in the wind) are echoed in the music's tonal ambiguity, a common feature of Bacharach's constructivist style. The verse is in G major, with a lydian implication in the melody supported by the supertonic major. At the start of the chorus, an interruption of the expected cadence by the subdominant chord (C major) establishes this as the new tonic, with the remainder of the chorus centered around the submediant, dominant and subdominant chords of this key. A similar interruption at the end of the chorus converts an expected perfect cadence in the new key to a modal cadence back into G major. At the end of the song, a dominant seventh on the tonic resolves as a perfect cadence into a new key to finish the song on the subdominant chord of the principal key (C major as viewed from the perspective of a G major tonality).

Chart performance

Its success in the UK, peaking at #5, [5] enabled Pitney to become an international star. In the US, Pitney's hit peaked at #17 on the 7 December 1963 Hot 100 [6] [7] and #2 on the 6 December 1963 WLS Silver Dollar Survey. [8]

Cover versions

Influences

Less than two years later, Billy Joe Royal's "Down in the Boondocks" copied part of the arrangement of the tune. [15]

Related Research Articles

In music, the tonic is the first scale degree of the diatonic scale and the tonal center or final resolution tone that is commonly used in the final cadence in tonal classical music, popular music, and traditional music. In the movable do solfège system, the tonic note is sung as do. More generally, the tonic is the note upon which all other notes of a piece are hierarchically referenced. Scales are named after their tonics: for instance, the tonic of the C major scale is the note C.

<span class="mw-page-title-main">Gene Pitney</span> American singer-songwriter (1940–2006)

Gene Francis Alan Pitney was an American singer-songwriter and musician.

In music, the submediant is the sixth degree of a diatonic scale. The submediant is named thus because it is halfway between the tonic and the subdominant or because its position below the tonic is symmetrical to that of the mediant above.

In Classical music theory, a Neapolitan chord is a major chord built on the lowered (flatted) second (supertonic) scale degree. In Schenkerian analysis, it is known as a Phrygian II, since in minor scales the chord is built on the notes of the corresponding Phrygian mode.

<span class="mw-page-title-main">Andalusian cadence</span> Chord progression

The Andalusian cadence is a term adopted from flamenco music for a chord progression comprising four chords descending stepwise – a iv–III–II–I progression with respect to the Phrygian mode or i–VII–VI–V progression with respect to the Aeolian mode (minor). It is otherwise known as the minor descending tetrachord. Traceable back to the Renaissance, its effective sonorities made it one of the most popular progressions in classical music.

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<span class="mw-page-title-main">The Look of Love (1967 song)</span> 1967 popular song by Burt Bacharach and Hal David

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<span class="mw-page-title-main">My Little Red Book</span> 1965 song

"My Little Red Book" (occasionally subtitled "(All I Do Is Talk About You)") is a song composed by American songwriter Burt Bacharach with lyrics by Hal David. The duo were enlisted by Charles K. Feldman to compose the music to Woody Allen's film What's New Pussycat? following a chance meeting between Feldman and Bacharach's fiancé Angie Dickinson in London. "My Little Red Book" was composed in three weeks together with several other songs intended for the movie. Musically, the song was initially composed in the key of C major, largely based on a re-iterating piano riff performed. David's lyrics tells the tale of a distraught lover, who after getting dumped by his girlfriend browses through his "little red book" and taking out several girls to dance in a vain effort to get over her.

Town Without Pity is a song written by composer Dimitri Tiomkin and lyricist Ned Washington. The track, produced by Aaron Schroeder, was originally recorded by Gene Pitney for the 1961 film of the same title. In the US, the Gene Pitney recording went to #13 on the Hot 100.

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Blue Gene is American singer Gene Pitney's fifth album, released on the Musicor label in 1964. The album contained the Burt Bacharach and Hal David hit "Twenty Four Hours from Tulsa", a top 10 hit in the United Kingdom, Canada and Australia and a top 20 hit on the US Billboard Hot 100 (#17), as well as the minor hit "Yesterday's Hero" (#64).

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"Trains and Boats and Planes" is a song written by composer Burt Bacharach and lyricist Hal David. Hit versions were recorded by Bacharach in 1965, by Billy J. Kramer and the Dakotas in the same year, and by Dionne Warwick in 1966.

"(The Man Who Shot) Liberty Valance" is a song written by Burt Bacharach and Hal David, which was released by Gene Pitney in 1962. It spent 13 weeks on the Billboard Hot 100 chart, peaking at No. 4, while reaching No. 2 on Canada's CHUM Hit Parade, and No. 4 on New Zealand's "Lever Hit Parade".

References

  1. "Gene Pitney: Twenty Four Hours from Tulsa". 45.cat. Retrieved 2018-06-22.
  2. 1 2 Gilliland, John (1969). "Show 24 - The Music Men. [Part 2]" (audio). Pop Chronicles . University of North Texas Libraries.
  3. Dave Austin; Jim Peterik; Cathy Austin (2010), Songwriting For Dummies, ISBN   9780470890417
  4. Ian McMillan (2012-11-05). "Where exactly is 24 hours from Tulsa?". Leeds, West Yorkshire, England: The Yorkshire Post . Retrieved 2018-06-22.
  5. "officialcharts.com". Official Charts . Retrieved March 19, 2021.
  6. Whitburn, Joel (2004). The Billboard Book of Top 40 Hits: Eighth Edition. Record Research. p. 493.
  7. "Hot 100". Billboard. 1963-12-07. Retrieved 2018-06-27.
  8. "WLS Silver Dollar Survey". 1963-12-06. Retrieved 2018-06-27.
  9. Serene Dominic (2003), Burt Bacharach,song by song, ISBN   9780825672804
  10. "The O'Kaysions, Girl Watcher". Discogs . Retrieved November 20, 2016.
  11. "Meo 245 – Marching Feet (1981, Vinyl)". Discogs .
  12. https://www.allmusic.com/album/pop-deluxe-mw0002921227
  13. "Twenty Four Hours From Tulse Hill, BBC Radio 4 Afternoon Drama". www.wirelesstheatrecompany.co.uk. 2018-02-26. Retrieved 2023-02-26.
  14. Stephens, Emily L. (2018-09-12). "In the end, Castle Rock unlocks its potential and throws away the key". The A.V. Club . Retrieved 2018-09-13.
  15. "Sample: Billy Joe Royal 'Down in the Boondocks' Gene Pitney 'Twenty Four Hours From Tulsa'". Who Sampled: Exploring the DNA of Music. Retrieved May 11, 2018.