Urbane Jazz

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Urbane Jazz
Urbane Jazz.jpg
Studio album by Roy Eldridge and Benny Carter
Released 1955
Recorded March 21 & 23, 1955
Radio Recorders, Hollywood, CA
Genre Jazz
Label Verve
MGV 8202
Producer Norman Granz
Roy Eldridge chronology
Roy and Diz
(1954) Roy and Diz1954
Urbane Jazz
(1955)
Swing Goes Dixie
(1956) Swing Goes Dixie1956
Benny Carter chronology
New Jazz Sounds
(1954) New Jazz Sounds1954
Urbane Jazz
(1955) String Module Error: Match not found1955
Jazz Giant
(1958) Jazz Giant1958

Urbane Jazz is an album by American jazz trumpeter Roy Eldridge and saxophonist Benny Carter recorded in 1955 and released on the Verve label. [1] [2]

Roy Eldridge American trumpeter

David Roy Eldridge, nicknamed "Little Jazz", was an American jazz trumpet player. His sophisticated use of harmony, including the use of tritone substitutions, his virtuosic solos exhibiting a departure from the dominant style of jazz trumpet innovator Louis Armstrong, and his strong impact on Dizzy Gillespie mark him as one of the most influential musicians of the swing era and a precursor of bebop.

Benny Carter American musician

Bennett Lester Carter was an American jazz saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. With Johnny Hodges, he was a pioneer on the alto saxophone. From the beginning of his career in the 1920s he was a popular arranger, having written charts for Fletcher Henderson's big band that shaped the swing style. He had an unusually long career that lasted into the 1990s. During the 1980s and '90s, he was nominated for eight Grammy Awards, which included receiving a Lifetime Achievement Award.

Verve Records American record label

Verve Records, also known as The Verve Music Group, founded in 1956 by Norman Granz, is home to the world's largest jazz catalogue and includes recordings by artists such as Ella Fitzgerald, Nina Simone, Stan Getz and Billie Holiday, among others. It absorbed the catalogues of Granz's earlier labels, Clef Records, founded in 1946, Norgran Records, founded in 1953, and material previously licensed to Mercury Records.

Contents

Reception

Professional ratings
Review scores
SourceRating
Allmusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [3]

Allmusic awarded the album 4½ stars stating "This release features the swing-inflected trumpet of Roy Eldridge combined with the always cosmopolitan-sounding alto sax of the venerable Benny Carter. This combination was quite fortuitous because Eldridge took his main inspiration not from Louis Armstrong, but from saxophonists Carter and Coleman Hawkins, transposing that rapid arpeggio style and rich tone to his horn. This gave the trumpet player a keen awareness of harmony and unparalleled dexterity, especially in his solos". [3]

Louis Armstrong American jazz trumpeter, composer and singer

Louis Daniel Armstrong, nicknamed Satchmo, Satch, and Pops, was an American trumpeter, composer, vocalist and occasional actor who was one of the most influential figures in jazz. His career spanned five decades, from the 1920s to the 1960s, and different eras in the history of jazz. In 2017, he was inducted into the Rhythm & Blues Hall of Fame.

Coleman Hawkins American jazz saxophonist

Coleman Randolph Hawkins, nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches." Hawkins cited as influences Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, loud, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie Barnet, Tex Beneke, Ben Webster, Vido Musso, Herschel Evans, Buddy Tate, and Don Byas, and through them the later tenormen, Arnett Cobb, Illinois Jacquet, Flip Phillips, Ike Quebec, Al Sears, Paul Gonsalves, and Lucky Thompson. While Hawkins became well known with swing music during the big band era, he had a role in the development of bebop in the 1940s.

Track listing

All compositions by Roy Eldridge except as indicated

  1. "I Still Love Him So" (Benny Carter) - 5:47
  2. "The Moon Is Low" (Arthur Freed, Nacio Herb Brown) – 6:07
  3. "I Missed My Hat" - 5:19
  4. "Ballad Medley: I Remember You/Chelsea Bridge/I've Got the World on a String" (Victor Schertzinger, Johnny Mercer/Billy Strayhorn/Harold Arlen, Ted Koehler) - 6:20
  5. "Polite Blues" - 8:36
  6. "Close Your Eyes" (Bernice Petkere) - 2:40
  7. "Where's Art" - 4:07
  8. "I Don't Know" - 4:37
  9. "Striding" - 4:37
  10. "Wailing" - 3:14

Personnel

John Simmons (musician) American jazz bassist

John Simmons was an American jazz bassist.

Alvin Stoller was an American jazz drummer. Though he seems to have been largely forgotten, he was held in high regard in the 1940s and 1950s. He was best known for playing drums on both Mitch Miller's recording of "The Yellow Rose of Texas" and Stan Freberg's parody of Miller's recording.

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References

  1. Edwards, D. & Callahan, M. Verve Label Discography, accessed November 24, 2015
  2. Roy Eldridge Catalog accessed November 24, 2015
  3. 1 2 Nathan, Dave. The Urbane Jazz of Roy Eldridge – Review at AllMusic . Retrieved November 24, 2015.