| The Trumpet Kings Meet Joe Turner | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1975 | |||
| Recorded | September 19, 1974 Los Angeles | |||
| Genre | Jazz | |||
| Length | 41:33 | |||
| Label | Pablo 2310-717 | |||
| Producer | Norman Granz | |||
| Dizzy Gillespie chronology | ||||
| ||||
The Trumpet Kings Meet Joe Turner is an album by vocalist Big Joe Turner with trumpeters Dizzy Gillespie, Roy Eldridge, Harry "Sweets" Edison and Clark Terry, recorded in 1974 and released on the Pablo label. [1]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
| The Penguin Guide to Jazz Recordings |  [3] |
| The Rolling Stone Album Guide | [4] |
The AllMusic review by Scott Yanow stated: "It is not a classic outing... but it is colorful and unique enough to be easily recommended to straight-ahead jazz and blues fans." [2]
The authors of The Penguin Guide to Jazz Recordings wrote that the album is typical of the "Trumpet Kings" series, featuring "brilliant flashes of virtuosity interspersed with rhetoric and mere showing-off," but commented that, of the group, "the best is probably the Joe Turner meeting, where the great R&B singer puts everyone through their paces." [3]
Nick Deriso of Something Else! described the album "an amalgamation of so many concurrent joys that it's a wonder this Pablo release ever got made," and remarked: "Together, they sounded new all over again; it was like finding an undiscovered country. Often, the jazzers pushed Turner to fresh rhythmic heights of traditional 12-bar iambic pentameter. But just as typically, his incisive vocal work also inspired gritty, more soulful thoughts from the household-named horn players." [5]
All compositions by Joe Turner except as indicated
Joseph Vernon "Big Joe" Turner Jr. was an American blues shouter from Kansas City, Missouri. According to songwriter Doc Pomus, "Rock and roll would have never happened without him". Turner's greatest fame was due to his rock and roll recordings in the 1950s, particularly "Shake, Rattle and Roll", but his career as a performer endured from the 1920s into the 1980s.
David Roy Eldridge, nicknamed "Little Jazz", was an American jazz trumpeter. His sophisticated use of harmony, including the use of tritone substitutions, his virtuosic solos exhibiting a departure from the dominant style of jazz trumpet innovator Louis Armstrong, and his strong impact on Dizzy Gillespie mark him as one of the most influential musicians of the swing era and a precursor of bebop.
Edward F. Davis, known professionally as Eddie "Lockjaw" Davis, was an American jazz tenor saxophonist. It is unclear how he acquired the moniker "Lockjaw" : it is either said that it came from the title of a tune or from his way of biting hard on the saxophone mouthpiece. Other theories have been put forward.
Harry "Sweets" Edison was an American jazz trumpeter and a member of the Count Basie Orchestra. His most important contribution was as a Hollywood studio musician, whose muted trumpet can be heard backing singers, most notably Frank Sinatra.
Mitchell Herbert Ellis was an American jazz guitarist. During the 1950s, he was in a trio with pianist Oscar Peterson.
Discography for jazz double-bassist and cellist Ray Brown.
Albert J. "Budd" Johnson III was an American jazz saxophonist and clarinetist who worked extensively with, among others, Ben Webster, Benny Goodman, Big Joe Turner, Coleman Hawkins, Dizzy Gillespie, Duke Ellington, Quincy Jones, Count Basie, Billie Holiday and, especially, Earl Hines.
Oscar Peterson and the Trumpet Kings – Jousts is a 1974 album by Oscar Peterson, consisting of duets with the trumpeters Harry "Sweets" Edison, Jon Faddis, Clark Terry, Roy Eldridge and Dizzy Gillespie. Peterson had recently recorded individual albums with each of the trumpeters, released as Oscar Peterson and Dizzy Gillespie (1974), Oscar Peterson and Roy Eldridge (1974), Oscar Peterson and Harry Edison (1974), Oscar Peterson and Clark Terry (1975), and Oscar Peterson and Jon Faddis (1975).
Jazz Maturity...Where It's Coming From is a 1975 album featuring Oscar Peterson, Dizzy Gillespie and Roy Eldridge.
This article contains the discography of jazz guitarist Joe Pass as leader, sideman, and collaborator.
Jazz at the Philharmonic – Yoyogi National Stadium, Tokyo 1983: Return to Happiness is a live album that was released in 1983. The album includes Louie Bellson, Eddie "Lockjaw" Davis, Harry "Sweets" Edison, Ella Fitzgerald, Al Grey, J. J. Johnson, Joe Pass, Niels-Henning Ørsted Pedersen, Oscar Peterson, Zoot Sims, and Clark Terry.
The Alternate Blues is a 1980 album featuring the trumpeters Dizzy Gillespie, Clark Terry, and Freddie Hubbard, supported by a quartet led by Oscar Peterson. It was recorded at Group IV Studios, Los Angeles on March 10, 1980. With one exception, the tracks were previously unissued recordings from The Trumpet Summit Meets the Oscar Peterson Big 4.
The Trumpet Summit Meets the Oscar Peterson Big 4 is a 1980 album featuring the trumpeters Dizzy Gillespie, Clark Terry, and Freddie Hubbard, supported by a quartet led by Oscar Peterson. Outtakes from the 1980 session that produced this album were released as The Alternate Blues.
Krupa and Rich is a 1956 studio album by jazz drummers Gene Krupa and Buddy Rich, released on Norman Granz' Clef Records. Krupa and Rich play on two different tracks each and play together only on "Bernie's Tune." Krupa and Rich would record again for Verve Records; their album Burnin' Beat was released in 1962.
Trumpet Kings at Montreux '75 is a 1975 live album featuring the jazz trumpeters Roy Eldridge, Dizzy Gillespie and Clark Terry recorded at the 1975 Montreux Jazz Festival. The rhythm section is led by Oscar Peterson.
The Bosses is a 1973 album by American blues shouter "Big Joe" Turner accompanied by a small group led by Count Basie, recorded in 1973 and released on the Pablo label.
Roy and Diz is an album by trumpeters Roy Eldridge and Dizzy Gillespie, recorded in 1954 and originally released on the Clef label as two separate volumes. Selections from these sessions were also released as Trumpet Battle and The Trumpet Kings.
Gil Fuller & the Monterey Jazz Festival Orchestra featuring Dizzy Gillespie is an album by composer, arranger and conductor Gil Fuller featuring trumpeter Dizzy Gillespie recorded in 1965 and originally released on the Pacific Jazz label. The album was rereleased on CD combined with Fuller's Night Flight on the Blue Note label as Gil Fuller & the Monterey Jazz Festival Orchestra featuring Dizzy Gillespie & James Moody in 2008.
Simply Sweets is an album by trumpeter Harry Edison with saxophonist Eddie "Lockjaw" Davis recorded in 1977 and released by the Pablo label the following year.