Victory

Last updated
The Resurrection by Piero della Francesca, 1460 Resurrection.JPG
The Resurrection by Piero della Francesca, 1460
Johann Carl Loth: Allegory of Victory Johann Carl Loth - Alegorija Pobjede.jpg
Johann Carl Loth: Allegory of Victory

The term victory (from Latin : victoria) originally applied to warfare, and denotes success achieved in personal combat, after military operations in general or, by extension, in any competition. Success in a military campaign constitutes a strategic victory, while the success in a military engagement is a tactical victory.

Contents

Hemp for Victory , a short 1942 documentary produced by the United States Department of Agriculture and shown during World War II

In terms of human emotion, victory accompanies strong feelings of elation, and in human behaviour often exhibits movements and poses paralleling threat display preceding the combat, which are associated with the excess endorphin built up preceding and during combat. Victory dances and victory cries similarly parallel war dances and war cries performed before the outbreak of physical violence.[ citation needed ] Examples of victory behaviour reported in Roman antiquity, where the term victoria originated, include: the victory songs of the Batavi mercenaries serving under Gaius Julius Civilis after the victory over Quintus Petillius Cerialis in the Batavian rebellion of 69 AD (according to Tacitus); and also the "abominable song" to Wodan, sung by the Lombards at their victory celebration in 579.[ citation needed ] The sacrificial animal was a goat, around whose head the Langobards danced in a circle while singing their victory hymn. The Roman Republic and Empire celebrated victories with triumph ceremonies and with monuments such as victory columns (e.g. Trajan's Column) and arches. A trophy is a token of victory taken from the defeated party, such as the enemy's weapons ( spolia ), or body parts (as in the case of head hunters).

Mythology often deifies victory, as in the cases of the Greek Nike or the Roman Victoria. The victorious agent is a hero, often portrayed as engaging in hand-to-hand combat with a monster (as Saint George slaying the dragon, Indra slaying Ahi, Thor slaying the Midgard Serpent etc.). Sol Invictus ("the Invincible Sun") of Roman mythology became an epithet of Christ in Christianity. Paul of Tarsus presents the resurrection of Christ as a victory over Death and Sin (1 Corinthians 15:55).

The Latinate English-language word victory (from the 14th century) replaced the Old English equivalent term sige, cognate with Gothic sigis (𐍃𐌹𐌲𐌹𐍃), Old High German sigu, modern German Sieg (and a frequent element in Germanic names, such as in Sigibert, Sigurd), and to Celtic sego and Sanskrit sáhas (सहस्).[ citation needed ]

The universal sign for victory

The age-old "V sign" comes in two formats: one with the palm faced outwards, and one with the palm inwards. In the United States, the two hand signals mean the same thing – "victory". [1]

Religion

Buddha emphasized the immortality that exists within ourself, to act to conquer ourself is his victory and ours; "It is better to conquer yourself than to win a thousand battles. Then the victory is yours. It cannot be taken from you, not by angels or by demons, heaven or hell." Buddha's victory is ours, it rests forever in the seat of the mind, unfolding in numerous lives.

In Ch.2 Verse 38 of the Bhagavad Gita equanimity is ordained by Krishna, speaking to Arjuna; "Know That, by which all this (universe) is pervaded, to be indestructible. No one can destroy the indestructible (Atma)." and later Krishna states after instructing Arjuna to act with newly found clarity "Treating alike victory and defeat, gain and loss, pleasure and pain, Get ready for the battle. Fighting thus you will not incur sin." Sin-virtue are matters of the mind, and aren't of the body. [2]

In the New Testament, the victory of Jesus Christ over death and the sharing of that victory with the Christian believer are referred to in the writings of Saint Paul and Saint John (e.g. 1 Corinthians 15:57, 1 John 5:4).

See also

Related Research Articles

<span class="mw-page-title-main">Christian mythology</span> Body of myths associated with Christianity

Christian mythology is the body of myths associated with Christianity. The term encompasses a broad variety of legends and narratives, especially those considered sacred narratives. Mythological themes and elements occur throughout Christian literature, including recurring myths such as ascending a mountain, the axis mundi, myths of combat, descent into the Underworld, accounts of a dying-and-rising god, a flood myth, stories about the founding of a tribe or city, and myths about great heroes of the past, paradises, and self-sacrifice.

<span class="mw-page-title-main">Parashurama</span> Sixth avatar of Hindu god Vishnu

Parashurama, also referred to as Rama Jamadagnya, Rama Bhargava and Virarama, is the sixth avatar among the Dashavatara of the preserver god Vishnu in Hinduism. He is believed to be one of the Chiranjivis (Immortals), who will appear at the end of the Kali Yuga to be the guru of Vishnu's tenth and last incarnation, Kalki.

<span class="mw-page-title-main">Krishna</span> Major deity in Hinduism

Krishna is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme God in his own right. He is the god of protection, compassion, tenderness, and love; and is widely revered among Hindu divinities. Krishna's birthday is celebrated every year by Hindus on Krishna Janmashtami according to the lunisolar Hindu calendar, which falls in late August or early September of the Gregorian calendar.

<span class="mw-page-title-main">Vritra</span> Asura in Hinduism

Vritra is a danava in Hinduism. He serves as the personification of drought, and is an adversary of the king of the devas, Indra. As a danava, he belongs to the race of the asuras. Vritra is also known in the Vedas as Ahi. He appears as a human-like serpent blocking the course of the Rigvedic rivers, and is slain by Indra with his newly-forged vajra.

<span class="mw-page-title-main">Theophany</span> Appearance of a deity in an observable way

Theophany is an encounter with a deity that manifests in an observable and tangible form. It is often confused with other types of encounters with a deity, but these interactions are not considered theophanies unless the deity reveals itself in a visible form. Traditionally, the term "theophany" was used to refer to appearances of the gods in ancient Greek and Near Eastern religions. While the Iliad is the earliest source for descriptions of theophanies in classical antiquity, the first description appears in the Epic of Gilgamesh.

<i>The City of God</i> Book by Augustine of Hippo

On the City of God Against the Pagans, often called The City of God, is a book of Christian philosophy written in Latin by Augustine of Hippo in the early 5th century AD. The book was in response to allegations that Christianity brought about the decline of Rome and is considered one of Augustine's most important works, standing alongside The Confessions, The Enchiridion, On Christian Doctrine, and On the Trinity. As a work of one of the most influential Church Fathers, The City of God is a cornerstone of Western thought, expounding on many questions of theology, such as the suffering of the righteous, the existence of evil, the conflict between free will and divine omniscience, and the doctrine of original sin.

<span class="mw-page-title-main">Bhishma</span> Statesman of Kuru kingdom in the Hindu epic Mahabharata

Bhishma, also known as Pitamaha, Gangaputra, and Devavrata, is a major character of the epic Mahabharata. He was the supreme commander of the Kaurava forces during the Kurukshetra War of the epic. He was the only character who witnessed the entirety of the events of the Mahabharata, beginning from the reign of his father, King Shantanu of the Kuru kingdom. Bhishma was the stepbrother of Vyasa, the grandfather of both the Pandavas and the Kauravas. He was a prominent statesman of the Kuru Kingdom. He was born as the youngest son of the illustrious King Shantanu and goddess Ganga.

<span class="mw-page-title-main">Narayana</span> Form of the Hindu god Vishnu

Narayana is one of the forms and epithets of Vishnu. In this form, the deity is depicted in yogic slumber under the celestial waters, symbolising the masculine principle and associated with his role of creation. He is also known as Purushottama, and is considered the Supreme Being in Vaishnavism.

<span class="mw-page-title-main">Battle cry</span> Yell or chant taken up in battle

A battle cry or war cry is a yell or chant taken up in battle, usually by members of the same combatant group. Battle cries are not necessarily articulate, although they often aim to invoke patriotic or religious sentiment. Their purpose is a combination of arousing aggression and esprit de corps on one's own side and causing intimidation on the hostile side. Battle cries are a universal form of display behaviour aiming at competitive advantage, ideally by overstating one's own aggressive potential to a point where the enemy prefers to avoid confrontation altogether and opts to flee. In order to overstate one's potential for aggression, battle cries need to be as loud as possible, and have historically often been amplified by acoustic devices such as horns, drums, conches, carnyxes, bagpipes, bugles, etc..

<span class="mw-page-title-main">Nara-Narayana</span> Hindu divine sages

Naranarayana, also rendered Nara-Narayana, is a Hindu duo of sage-brothers. Generally regarded to be the partial-incarnation (aṃśa-avatara) of the preserver deity, Vishnu, on earth, Nara-Narayana are described to be the sons of Dharma and Ahimsa.

To surrender in spirituality and religion means that a believer completely gives up his own will and subjects his thoughts, ideas, and deeds to the will and teachings of a higher power. It may also be contrasted with submission. Surrender is willful acceptance and yielding to a dominating force and their will.

<span class="mw-page-title-main">Kurukshetra War</span> War described in the Hindu epic Mahabharata

The Kurukshetra War, also called the Mahabharata War, is a war described in the Hindu epic poem Mahabharata , arising from a dynastic struggle between two groups of cousins, the Kauravas and the Pandavas, for the throne of Hastinapura. The war laid the foundation for the events of the Bhagavad Gita.

<span class="mw-page-title-main">Unlimited atonement</span> Non-Calvinist Protestant doctrine

Unlimited atonement is a doctrine in Protestant Christianity that states Jesus died as a propitiation for the benefit of all humans without exception. It is normally associated with Amyraldism, as well as Arminianism and other non-Calvinist tradition. It is a doctrine distinct from other elements of the Calvinist acronym TULIP and is contrary to the Calvinist doctrine of limited atonement.

<span class="mw-page-title-main">Hindu mythological wars</span> Conflicts of the Hindu Mythos

Hindu mythological wars are the wars described in the Hindu texts of ancient India. These wars depicted both mortals of great prowess as well as deities and supernatural beings, often wielding supernatural weapons of great power. Hindu teachings prescribe war as the final option, to be employed only after all peaceful methods are exhausted. Participation in righteous war, or dharmayuddha, was said to be honourable and was a principal duty of the Kshatriya or the warrior varna, and victory in such wars was regarded as a matter of honour.

In the Hindu epic Mahabharata, Krishna is the son of the Yaduvamsha chief Vasudeva and his wife Devaki. He is also widely known by his epithet, Vāsudeva.

<span class="mw-page-title-main">Dashavatara</span> Ten major avatars of the Hindu god Vishnu

The Dashavatara are the ten primary avatars of Vishnu, a principal Hindu god. Vishnu is said to descend in the form of an avatar to restore cosmic order. The word Dashavatara derives from daśa, meaning "ten", and avatāra, roughly equivalent to "incarnation".

<span class="mw-page-title-main">Bhishma Parva</span> Sixth book of the Mahabharata

The Bhishma Parva, or the Book of Bhishma, is the sixth of eighteen books of the Indian epic Mahabharata. It has 4 sub-books and 124 chapters.

The Drona Parva, or the Book of Drona, is the seventh of eighteen books of the Indian epic Mahabharata. Drona Parva traditionally has 8 parts and 204 chapters. The critical edition of Drona Parva has 8 parts and 173 chapters.

<span class="mw-page-title-main">Karna Parva</span> Eighth book of the Mahabharata

The Karna Parva, or the Book of Karna, is the eighth of eighteen books of the Indian Epic Mahabharata. Karna Parva traditionally has 96 chapters. The critical edition of Karna Parv has 69 chapters

The Mausala Parva is the sixteenth of the eighteen books of the ancient Indian epic Mahabharata. It traditionally has nine chapters. The critical edition has eight chapters. One of the 3 shortest books within the epic, the Mausala Parva describes the demise of Krishna in the 36th year after the Kurukshetra war had ended, the submersion of Dvaraka under sea, death of Balarama by drowning in the sea, Vasudeva's death, and a civil war fought among the Yadava clan that killed many of them. The story of infighting of the Yadavas becomes the reason why the Pandava brothers renounce their kingdom and begin their walk towards heaven, events recited in the last two books of the Mahabharata.

References

  1. Emma-Louise, Bond. "The Top 10 Hand Gestures You'd Better Get Right". languagetrainers. Brighton Early Ltd. Retrieved 30 March 2019.
  2. "treating-alike-victory-and-defeat-gain-and-loss-pleasure-and-pain-get-ready-for-the-battle-fighting-thus-you-will-not-incur-sin-bhagavadgita-shlok-chapter-2-verse-38/". www.deeptrivedi.com. Retrieved 20 May 2019.