"Relax" is the debut single by English synth-pop band Frankie Goes to Hollywood, released in the United Kingdom by ZTT Records in 1983.
"Shellshock" is a single released by British group New Order on 17 March 1986. The song originally appeared on the soundtrack to the movie Pretty in Pink one month prior to its single release. Production is credited to New Order and John Robie, and is loosely inspired by the 1983 Robie-produced R&B club hit, "One More Shot"—a studio project where Robie performed under the band name, C-Bank, and featuring vocals by Jenny Burton.
"The Power of Love" is a song originally recorded and released by British band Frankie Goes to Hollywood. It was written by Holly Johnson, Peter Gill, Mark O'Toole and Brian Nash, four of the five members of the band. It was released by the group as their third single.
"Venus" is a song by Dutch rock band Shocking Blue, released as a single in the Netherlands in the summer of 1969. Written by Robbie van Leeuwen, the song topped the charts in nine countries.
"Love Hangover" is a song by the Motown singer Diana Ross, recorded in 1975 and released as a single on March 16, 1976. It rose to number one on the Billboard Hot 100 and Hot-Selling Soul Singles. It also hit number one on the Record World disco charts.
Flash and the Pan were an Australian new wave musical group formed in 1976 by Harry Vanda and George Young, both former members of the Easybeats, who formed a production and songwriting team known as Vanda & Young. The group's first chart success was their 1976 debut single, "Hey, St. Peter", which reached number five in the Australian Kent Music Report Singles Chart. The next single, "Down Among the Dead Men", peaked at number four in Australia in 1978. For international release, it was re-titled "And the Band Played On".
"The Loco-Motion" is a 1962 pop song written by American songwriters Gerry Goffin and Carole King. "The Loco-Motion" was originally written for R&B singer Dee Dee Sharp, but Sharp turned the song down.
"Tour de France" is a song by German electronic band Kraftwerk. It was first issued in early August 1983, peaking at number 22 in the United Kingdom singles chart on 6 August.
"Close to Me" is a song by English rock band the Cure, released in September 1985 as the second and final single from their sixth album, The Head on the Door.
"I Can't Wait" is a song by American group Nu Shooz, included on the band's second album, Tha's Right (1985). The song was remixed by Dutch DJ and producer Peter Slaghuis: this remixed version is the one that appears on the group's 1986 album, Poolside.
"A Trick of the Night" is a mid-tempo ballad recorded by English girl group Bananarama. It was written and produced by Steve Jolley and Tony Swain and released as the final single from Bananarama's album True Confessions.
"We Don't Talk Anymore" is a song recorded by Cliff Richard that reached number one in the UK Singles Chart in August 1979, remaining there for four weeks. Produced by the Shadows' rhythm guitarist, Bruce Welch, and written by Alan Tarney, it was Richard's tenth UK number one and his first since "Congratulations" in 1968.
"Self Control" is a song by Italian singer Raf, released in 1984. It was written by Giancarlo Bigazzi, Steve Piccolo and Raf, and arranged by Celso Valli. The track topped the charts in Italy and Switzerland, and started the explosion and dominance of Italo disco-style recordings in continental European charts during the 1980s.
"You to Me Are Everything" is a song by British soul group the Real Thing, released as a single in 1976. Written by Ken Gold and Michael Denne and produced by Gold, "You to Me Are Everything" was the Real Thing's sole number-one single on the UK Singles Chart, spending three weeks at the top in July 1976. The song was re-released ten years later titled the "Decade Remix" which returned the song to the chart in March 1986, reaching number five.
"Train of Thought" is a song by Norwegian band a-ha, released in March 1986 as the fourth single from their debut studio album, Hunting High and Low (1985). The lyrics for this song were based on the existentialist authors and poets Gunvor Hofmo, Knut Hamsun and Fyodor Dostoevsky – Pål's favourites at the time.
"He's Gonna Step on You Again" is a song originally performed by John Kongos, co-written by Kongos and Christos Demetriou, and first released in 1971 by Fly Records. It entered the UK Singles Chart on 22 May 1971 and spent 14 weeks there, peaking at No. 4. Covers of the song have been chart successes several times, including for Happy Mondays in 1990.
"Ai No Corrida" is a song by the English singer and multi-instrumentalist Chaz Jankel, written by Jankel and Kenny Young. The title is based on the Japanese title of the erotic film In the Realm of the Senses. It was first recorded in 1980 and featured on Chaz Jankel's debut album Chas Jankel for A&M Records.
"Waterfront" is a song by Scottish rock band Simple Minds, the first release from their sixth studio album, Sparkle in the Rain (1984), in 1983. It features a bass line consisting of a single note (D) throughout. The version as released on 7-inch vinyl single differs from versions available on CD. The original single did not feature the repetitive bass-line that leads into the main body of the song but had a "one, two....one, two, three, four.." drumstick count-in by drummer Mel Gaynor.
"Alive and Kicking" is a song released by the Scottish rock band Simple Minds as the lead single from their seventh album, Once Upon a Time. The song reached number three on the US Billboard Hot 100 and number four in Canada; it peaked within the top five of several European countries including Italy, where the song reached number one.
"Run to You" is a song by Canadian singer-songwriter Bryan Adams. It was released in 1984 as the lead single from his fourth album, Reckless (1984). The track deals with the subject of infidelity, and is sung from the perspective of a man who declares that he will continue to "run to" his seductive mistress over his faithful partner; critic Ira Robbins for CMJ called it a "cheating classic". In the accompanying music video, however, Adams portrays his guitar as the object of desire.
