Roy Kelton Orbison was an American singer, songwriter, and guitarist known for his distinctive and powerful voice, complex song structures, and dark, emotional ballads. Orbison's music is mostly in the rock genre and his most successful periods were in the early 1960s and the late 1980s. His music was described by critics as operatic, earning him the nicknames "The Caruso of Rock" and "The Big O". Many of Orbison's songs conveyed vulnerability at a time when most male rock-and-roll performers projected machismo. He performed with minimal motion and in black clothes, matching his dyed black hair and dark sunglasses.
Blonde on Blonde is the seventh studio album by American singer-songwriter Bob Dylan, released as a double album on June 20, 1966, by Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album—"One of Us Must Know ". At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee. These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded.
John Wesley Harding is the eighth studio album by American singer-songwriter Bob Dylan, released on December 27, 1967, by Columbia Records. Produced by Bob Johnston, the album marked Dylan's return to semi-acoustic instrumentation and folk-influenced songwriting after three albums of lyrically abstract, blues-indebted rock music. John Wesley Harding was recorded around the same time as the home recording sessions with The Band known as The Basement Tapes.
"Handle with Care" is a song by the British-American supergroup the Traveling Wilburys. It was released in October 1988 as their debut single and as the opening track of their album Traveling Wilburys Vol. 1. The song was the first recording made by the group, although it was originally intended as a bonus track on a European single by George Harrison. When he and Jeff Lynne presented the song to Harrison's record company, the executives insisted it was too good for that purpose, a decision that resulted in the formation of the Wilburys. The song was written primarily by Harrison, although, as with all the tracks on Vol. 1, the writing credit lists all five members of the band: Harrison, Lynne, Bob Dylan, Roy Orbison and Tom Petty.
"4th Time Around" is a song by American singer-songwriter Bob Dylan, which was released as the 12th track on his seventh studio album Blonde on Blonde on June 20, 1966. The song was written by Dylan and produced by Bob Johnston. Commentators often interpret it as a parody of the Beatles' 1965 song "Norwegian Wood ". John Lennon composed "Norwegian Wood" after being influenced by the introspective lyrics of Dylan. Lennon later reflected on his feelings of paranoia when Dylan first played him "4th Time Around".
Charlie McCoy, is an American harmonica virtuoso and multi-instrumentalist in country music. He is best known for his harmonica solos on iconic recordings such as Candy Man, He Stopped Loving Her Today, I Was Country When Country Wasn't Cool, and others. He was a member of the progressive country rock bands Area Code 615 and Barefoot Jerry. After recording with Bob Dylan in New York, McCoy is credited for unknowingly influencing Dylan to decide to come to Nashville to record the critically acclaimed 1966 album "Blonde on Blonde".
Bob Loyce Moore was an American session musician, orchestra leader, and double bassist who was a member of the Nashville A-Team during the 1950s and 1960s. He performed on over 17,000 documented recording sessions, backing popular acts such as Elvis Presley and Roy Orbison. Bob was also the father of multi-instrumentalist R. Stevie Moore, who pioneered lo-fi/DIY music. The New York Times called him "an architect of the Nashville Sound of the 1950s and '60s" in his obituary.
"Absolutely Sweet Marie" is a song by American singer-songwriter Bob Dylan, which was released on the third side of the double album and Dylan's seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. It was recorded at around 1:00 am on March 8, 1966, at Columbia Studio A, Nashville. Some commentators have interpreted the song as being about sexual frustration.
Area Code 615 was an American progressive country rock band from Nashville, active in the late 1960s and early 1970s, taking their name from the telephone area code, which at the time covered all of Central and Eastern Tennessee. The band was made up of session musicians, recording only two albums before resuming normal session work. Several of the members were backing musicians for Bob Dylan's Blonde on Blonde and Nashville Skyline albums plus recordings by Billy Swan and The Monkees. They also backed Linda Ronstadt on her Silk Purse album.
"Leopard-Skin Pill-Box Hat" is a song by American singer-songwriter Bob Dylan, which was released on the second side of his seventh studio album Blonde on Blonde (1966). The song was written by Dylan, and produced by Bob Johnston. Dylan has denied that the song references any specific individual, although critics have speculated that it refers to Edie Sedgwick, who Dylan had spent time with in December 1965.
"Stuck Inside of Mobile with the Memphis Blues Again" is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. It has nine verses, each featuring a distinct set of characters and circumstances. All 20 takes of "Stuck Inside of Mobile with the Memphis Blues Again" were recorded in the early hours of February 17, 1966, at Columbia Records's A Studio in Nashville, Tennessee, with the last take selected for the album. This version also appears on Dylan's second compilation album, Bob Dylan's Greatest Hits Vol. II (1971).
"Just Like a Woman" is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. Dylan allegedly wrote it on Thanksgiving Day in 1965, though some biographers doubt this, concluding that he most likely improvised the lyrics in the studio. Dylan recorded the song at Columbia Studio A in Nashville, Tennessee in March 1966. The song has been criticized for supposed sexism or misogyny in its lyrics, and has received a mixed critical reaction. Some critics have suggested that the song was inspired by Edie Sedgwick, while other consider that it refers to Dylan's relationship with fellow folk singer Joan Baez. Retrospectively, the song has received renewed praise, and in 2011, Rolling Stone magazine ranked Dylan's version at number 232 in their list of the 500 Greatest Songs of All Time. A shorter edit was released as a single in the United States during August 1966 and peaked at number 33 on the Billboard Hot 100. The single also reached 8th place in the Australian charts, 12th place on the Belgium Ultratop Wallonia listing, 30th in the Dutch Top 40, and 38th on the RPM listing in Canada.
"Rainy Day Women #12 & 35" is a song written and recorded by American singer-songwriter Bob Dylan. Columbia Records first released an edited version as a single in March 1966, which reached numbers two and seven in the US and UK charts respectively. A longer version appears as the opening track of Dylan's seventh studio album, Blonde on Blonde (1966), and has been included on several compilation albums.
"I Want You" is a song by American singer-songwriter Bob Dylan, which was released as a single in June 1966, and, later that month, on his seventh studio album, Blonde on Blonde. The song was written by Dylan, and produced by Bob Johnston. The song has been interpreted as a straightforward expression of lust, although critics have highlighted that the symbolism of the song is complex. It was the last song recorded for Blonde on Blonde, with several takes recorded in the early hours of March 10, 1966. It was included on Bob Dylan's Greatest Hits (1967). The song has received a largely positive critical reception, with a number of commentators highlighting Dylan's use of imagery, although some of the meanings are obscure.
"Pledging My Time" is a blues song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song, written by Dylan and produced by Bob Johnston, was recorded on March 8, 1966 in Nashville, Tennessee. Dylan is featured on lead vocals, harmonica, and guitar, backed by guitarist Robbie Robertson and an ensemble of veteran Nashville session men.
"Most Likely You Go Your Way and I'll Go Mine", or "Most Likely You Go Your Way (and I'll Go Mine)", is a song by American singer-songwriter Bob Dylan. It was released as the first track on side three of his seventh studio album Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. Dylan recounted that he had probably written the song after the end of a relationship. The song's narrator criticizes the lies and weakness of a woman, and says that he finds it hard to care. The final verse establishes that the woman has been unfaithful to the narrator by having a relationship with another man, as he suspected all along.
Barefoot Jerry is an American progressive country rock band from Nashville, Tennessee. They have been described as a seminal southern rock band. The band was most active from 1971 to 1977. It was composed of area studio musicians under the tutelage of Wayne Moss and Mac Gayden. Barefoot Jerry was named after a country fiddle player who performed inside a store next to Gayden's home in the Smoky Mountains.
"I'll Keep It with Mine" is a song written by Bob Dylan in 1964, first released by folk singer Judy Collins as a single in 1965. Dylan attempted to record the song for his 1966 album Blonde on Blonde.
Harold Ray Bradley was an American guitarist and entrepreneur, who played on many country, rock and pop recordings and produced numerous TV variety shows and movie soundtracks. Having started as a session musician in the 1940s, he was a part of the Nashville A-Team of session players, which included pianist Floyd Cramer and pedal steel guitarist Pete Drake. He is one of the most recorded guitarists in music history.
"Obviously 5 Believers" is a song by American singer-songwriter Bob Dylan, which was released as the last track of side three of his double album Blonde on Blonde (1966), and was the B-side to the single release of "Just Like a Woman" for releases in America and some other countries. The song was written by Dylan and produced by Bob Johnston. It was recorded at Columbia Music Row Studios, in the early morning hours of a March 9–10, 1966 session. Four takes were recorded, although the first two were incomplete. It has been interpreted as a blues song about loneliness, with critics noting similarities in melody and structure to Memphis Minnie's "Chauffeur Blues". Dylan's vocals and the musicianship of the band on the track have both received critical acclaim, although the track has been regarded as insubstantial by some commentators.
