| Welela | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1989 | |||
| Genre | World | |||
| Length | 45:11 | |||
| Label | Phonocomp, Mercury | |||
| Producer | Sipho Mabuse, Roberto Meglioli | |||
| Miriam Makeba chronology | ||||
| ||||
Welela is an album by the South African musician Miriam Makeba, released in 1989. It was produced primarily by Sipho Mabuse. [1]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
| The Encyclopedia of Popular Music | [3] |
| Hi-Fi News & Record Review | A:1/2 [4] |
The New York Times wrote that "Makeba mixes old and new on Welela, using a polished modern production to carry recent and traditional songs," and deemed "A Luta Continua" "one of the most infectious agitprop songs of the decade." [5]
Zenzile Miriam Makeba, nicknamed Mama Africa, was a South African singer, songwriter, actress, and civil rights activist. Associated with musical genres including Afropop, jazz, and world music, she was an advocate against apartheid and white-minority government in South Africa.
Sipho Cecil Peter Mabuse, known professionally as Sipho "Hotstix" Mabuse, is a South African singer-songwriter.
"Sweet Mother" is a highlife song by the Cameroonian and Nigerian singer Prince Nico Mbarga and his band Rocafil Jazz. Released in 1976, it remains one of the most popular songs in Africa.
Lorraine Klaasen is a London, Ontario-based world music singer. Her mother was South African jazz singer Thandi Klaasen. She has performed at the Montreal International Jazz Festival, and her international itinerary has included the United States, Mexico and the Caribbean. She and her mother were also reputed to be two of Nelson Mandela's favorite musicians.
South African jazz is the jazz of South Africa.
Thandi Klaasen was a jazz musician from Sophiatown, Gauteng. She was the mother of singer Lorraine Klaasen.
Jordan "Jerry" Ragovoy was an American songwriter and record producer.
"Pata Pata" is an Afro-pop dance song popularized internationally by South African singer Miriam Makeba. "Pata Pata" is credited to Makeba and Jerry Ragovoy. Her most popular recording of "Pata Pata" was recorded and released in the United States in 1967. The song is considered by many to be Makeba's signature hit and it has since been recorded by many artists.
Claude Deppa is a South African jazz trumpeter born in Cape Town, South Africa, probably best known for his work with the Brotherhood of Breath and Carla Bley.
A luta continua was the rallying cry of the FRELIMO movement during Mozambique's war for independence. The phrase is in the Portuguese language a slogan coined by the first president of FRELIMO, Dr. Eduardo Chivambo Mondlane, which he used to rally the population in the liberated zones of Mozambique during the armed struggle against Portuguese colonial rule. Following his assassination in 1969, his successor, Samora Machel, continued to use the slogan to cultivate popular support during post-independence to mobilize the population for a new Mozambique which Mondlane defined as "We fight together, and together we rebuild and we recreate our country, producing a new reality - a New Mozambique, United and Freed. The struggle continues!"
An Evening with Belafonte/Makeba is a Grammy Award-winning 1965 album by Harry Belafonte and Miriam Makeba, released by RCA Victor. It was the second outcome of the long lasting collaboration between Belafonte and Makeba, the first being the appearance of Makeba in the song "One More Dance" on Belafonte's 1960 album, Belafonte Returns to Carnegie Hall.
Homeland is final studio album by South African singer Miriam Makeba. It was released in 2000 on CD by world music label Putumayo. It includes a duet starring Makeba and Zenzi Lee in a renovated version of Makeba's trademark hit song "Pata Pata" (1967), entitled "Pata Pata 2000". Congolese pop star Lokua Kanza also contributed to this album both as a songwriter and as a singer ("Lindelani").
"Soweto Blues" is a protest song written by Hugh Masekela and performed by Miriam Makeba. The song is about the Soweto uprising that occurred in 1976, following the decision by the apartheid government of South Africa to make Afrikaans a medium of instruction at school. The uprising was forcefully put down by the police, leading to the death of between 176 and 700 people. The song was released in 1977 as part of Masekela's album You Told Your Mama Not to Worry. The song became a staple at Makeba's live concerts, and is considered a notable example of music in the movement against apartheid.
Dorkay House is situated on Portion 168 of Farm Turnfontein at 5–7 Eloff Street, Johannesburg, South Africa. It was constructed in 1952 and was designed by architect Colman Segal (1923–1988). It takes its name from the original owner, Dora Kotzen.
The apartheid regime in South Africa began in 1948 and lasted until 1994. It involved a system of institutionalized racial segregation and white supremacy, and placed all political power in the hands of a white minority. Opposition to apartheid manifested in a variety of ways, including boycotts, non-violent protests, and armed resistance. Music played a large role in the movement against apartheid within South Africa, as well as in international opposition to apartheid. The impacts of songs opposing apartheid included raising awareness, generating support for the movement against apartheid, building unity within this movement, and "presenting an alternative vision of culture in a future democratic South Africa."
This is a discography of South African musician Miriam Makeba (1953-2008).
The Voice of Africa is the 1964 fourth album of Miriam Makeba issued by RCA Victor. It charted at #122 on the US album chart.
Makeba Sings! is the fifth album by Miriam Makeba, released by RCA Victor in 1965. The album charted at number 74 in the US album chart.
Reflections is the 2004 final studio album of Miriam Makeba. It won three prizes at the South African Music Awards in 2004.
Renaissance is the second studio album by the South African quartet the Soweto String Quartet, released in October 1996 by BMG Records. It follows the national and international success of their debut album Zebra Crossing (1994), and was produced by Grahame Beggs. As with their previous album, Renaissance blends classical music with African pop and folk music, while also exploring new textures, with styles on the album including marabi, kwela and worldbeat. Quartet member Reuben Khemse described the album's themes as reawakening, revival and the dawn of new eras.
