West Coast Swing is a partner dance with roots in Lindy Hop, characterized by an elastic look that results from its extension-compression technique of partner connection and is danced primarily in a slotted area on the dance floor. The dance allows for both partners to improvise steps while dancing together, putting West Coast Swing in a short list of dances that emphasize improvisation.[1]
Typically the follower is led forward into new patterns traveling forward on counts "1" and "2" of each basic pattern, rather than rocking back. Traditional figures include 6-count and 8-count patterns of one of the four basic varieties: (1) Starter Step, (2) Side Pass, (3) Push Break / Sugar Push, (4) Whip.[2] The Anchor Step is a common ending pattern of many West Coast Swing figures.[3][4]
Alternatively the basic patterns in West Coast Swing are defined as: Push Break (or Sugar Push); Left Side Pass; Right Side Pass; Tuck Turn; and Whip. Virtually all other moves in West Coast Swing are variations of these basic patterns.
West Coast Swing has the leader using "body leads" versus the "arm leads" of East Coast Swing.[5]
History
The origins of the West Coast Swing are in the Lindy Hop.[6]Western swing, country boogie, and, with a smaller audience, jump blues were popular on the West Coast throughout the 1940s and into the 1950s when they were renamed and marketed as rock and roll in 1954.[citation needed] Dancers danced "a 'swingier' more smooth and subdued" form of jitterbug to Western swing music.[7]
Dean Collins, a lindy hop dancer who arrived in the Los Angeles area around 1937, was influential in developing the style of swing dance on the West Coast of the United States as both a performer and teacher.[8][9] Collins was humble about his contributions to the style. According to one of his former students, a member of his last dance troupe, Collins himself said that he had nothing to do with the West Coast Swing style.[10]
Lessons in "The New West Coast Swing" were offered at the Arthur Murray Dance Studios in San Bernardino and Riverside, California in December 1948.[11][12] By 1954 West Coast Swing was taught from Southern California to Vancouver B.C. and from Eastern Washington to Hawaii. By 1957 the dance had reached as far east as Missouri. [13]
Laure' Haile,[14] an Arthur Murray Dance Studio National Dance Director, documented the unique style of swing dancing in Los Angeles in 1951 using the name "Western Swing" to describe it.[15][16] Arthur Murray Dance Studios developed a syllabus for West Coast Swing from her notes. The Arthur Murray style taught Western Swing beginning from a closed position and the possibility of dancing single, double, or triple rhythm. After "Throwout" patterns began with the woman "walking in" and the man doing a "rock step", or step together for counts one and two.[17] Although the dance remained basically the same, the Golden State Dance Teachers Association (GSDTA) began teaching from the walk steps, counts 1 and 2.[18] It replaced Laure Haile's Coaster Step with an "Anchor Step" around 1961.[19]
"West Coast Swing" as a synonym for "Western swing" appears in a 1961 dance book.[20] The name was used in an advertisement by ballroom dancer Skippy Blair circa 1958–1962.[21][22][23] However, the term wasn't incorporated into mainstream swing circles until the late 1960s.[24] Blair preferred the name "West Coast Swing" because of the ambiguous meaning of "Western" (in dance, usually referring to country and western), as distinguished from "West Coast," referring to California, where the style was actually developed.[19] Blair credits Jim Bannister, editor of the Herald American newspaper in Downey, California, for suggesting the name West Coast Swing.[25]
While teenagers preferred to dance freestyle through a constantly changing succession of discotheque social dance fads during the 1960s, adults kept swing alive.[26] In the mid-1970s, the advent of disco music revitalized partner dancing. In California, West Coast Swing was one of the popular dances of the era.[27] By 1978, "California Swing" had developed as a variation of West Coast Swing, with styling that Blair wrote was "considered more UP, with a more Contemporary flavor."[28] By 1978 GSDTA had "some 200 or more patterns and variations" for West Coast Swing."[29]
When Disco fell out of favor, West Coast Swing was one of the dances done in country western bars in Los Angeles.[31] and an instructional booklet for the dance was advertised with a heading of "Cowboy Dancing!".[32] By the 1990s country western dancers were dancing West Coast Swing to contemporary country western songs. [33]
Slot
West Coast Swing dancing in Maryland in December 2023
West Coast Swing is a slotted dance, which means that the steps of the dance are confined to an imaginary "slot" on the dance floor. For West Coast Swing, the slot is a long, thin, rectangular area whose length depends on the tempo of the music – it can be eight or nine feet long for slower songs, but will be shorter for faster music. The follower travels back and forth in the slot, while the leader moves only minimally. When the follower reaches the leader, the leader moves a minimal amount (at mid-way point) to the side, barely out of the follower's way. The follower in turn lightly brushes against the leader each time they pass.[34]
The use of the "dance slot" for energetic and improvisational dances like the West Coast Swing allows for dancers to dance on a crowded dance floor without colliding with other couples; remaining within one's slot is considered proper etiquette.[35] Couples usually establish their own slot parallel with dancers who have already established a space on the dance floor.[36] If the dance floor is not crowded and the couple is afforded more space, such as during a competitive event, the dancers may move the slot around the floor more liberally.
There are urban myths regarding the origin of the slotted style. According to one version, it was an invention of Hollywood film makers who wanted "dancers to stay in the same plane, to avoid going in and out of focus".[37][38]
Associated musical styles
West Coast Swing can be traced to the swing era of jazz. During this period many jazz, blues, and country musicians incorporated swing in their music. Writing in the Arthur Murray Silver Dance Notebook, Laure Haile, who first described "Western Swing", listed the following songs as "Good Swing or Fox Trot Records":[39]
Western Swing was documented in the 1971 edition of the Encyclopedia of Social Dance, listing the "Coaster Step" (with a forward step as the last step of the second triple) rather than the Anchor Step. The one song that was listed for this dance was "Comin' On" by Bill Black's Combo (1964 Hi #2072).[44]
West Coast Swing can be danced to almost any music written in 4 4 time. In the past, the ideal speed for West Coast Swing was cited as 32 measures per minute or 128 bpm,[36] compared to the recommended 112 bpm for Western Swing.[45] In its 2014–2016 rules, the United Country Western Dance Council (UCWDC) specified a range of 102–114 bpm with a preferred speed of 108 bpm "for all."[46] West Coast Swing dancers have adopted music genres such as hip hop and blues, both of which often range well below 100 bpm.[citation needed]
Basic guidelines
West Coast Swing is an evolving social dance that has gone through many changes throughout its short history, over time incorporating techniques from numerous dance styles. However, there are many guidelines that should be followed to maintain the true character of the dance. A dance's character is typically defined by a basic philosophy, principles of movement, and traditional steps and figures.[47] While these guidelines can be violated, by committing too many violations one risks departing from the defining features of the dance.
Modern West Coast Swing is in large part defined by an emphasis on musicality and connection.[48] Movement is based on a principle borrowed from ballroom and Latin dance in which the dancer moves their center of gravity immediately over the foot when a weight transfer is desired. Traditional figures include 6-count and 8-count patterns of one of the four basic varieties: (1) Starter Step, (2) Side Pass, (3) Push Break / Sugar Push, (4) Whip. Many common West Coast Swing figures are derived from simple variations of these basic figures.[49] West Coast Swing is also a fundamentally improvised dance, and thus such defined figures are simply starting points for the skilled dancer. Additionally, West Coast Swing can be said to rely on the leader creating and redirecting the momentum of the follower in order to communicate how they wish to lead the dance.[50] The follower's step is different from the leader's; partners do not mirror each other.[51]
Dancing to different types of music gives a different feel and look.[38] In writing about West Coast Swing, Skippy Blair said, "The only problem that exists in swing is when someone decides there is only one way to dance it. There is never only one way to do anything."[3] In 1994 Blair noted that the posture for men had trended to be more upright than in previous years.[52]
A 1998 summary of trends in West Coast Swing distinguished the traditional or classic style from modern variations as follows:[53]
Traditional/Classic: minimal extension of the free arm, the leader moves off and on the center of the track for most moves
Modern: the free arm may be extended for style, emphasis on large number of spins and other flourishes
Basic figures
The following are some examples of basic West Coast Swing patterns. Most are performed with the same "step step tri-ple-step tri-ple-step" pattern equalling eight steps in six beats of music. The term "count" is used as a synonym for a "beat", usually a quarter note, of music.
Underarm pass: Also called the right-side pass. A six-count basic where the follower is led to the other end of the slot, passing on the leader's right (right side pass), typically under the leader's arm (underarm pass).
Left-side pass: A six-count basic where the follower is led to the other end of the slot, passing on the leader's left.
Tuck pass: Similar to a left side pass in six counts, except that the leader creates a "tuck" action on the second count by turning the follower towards themselves and then reversing their direction back toward the slot on the fourth count. Then the follower turns under the leader's left arm – either a half turn or a turn and a half – on the final two counts.
Sugar push: Also called the "push break" or "six-count basic".[54] In this six-count move, the follower, facing the leader, is led from the end of the slot to a one- or two-hand hold, then led back to the same end of the slot. The deceptively simple pattern requires "compression" or "resistance" with firm but flexible arms, and no excessive pushing or pulling . While the arms remain firm but flexible, there should be no excessive pushing or pulling in the arms but in the body.[55] The Sugar Push has been around since 1952.[56]
Whip: An eight-count basic with many variations. In a basic whip, the follower is led past the leader and then redirected (or "whipped") back towards the end of slot from which they started. The basic footwork for a whip extends the six-count pattern by inserting a pair of walking steps between the triple steps. The footwork is therefore "step step tri-ple-step step step tri-ple-step." The whip is an evolution of the Lindy Hop basic, but with a smoother and more grounded west coast swing interpretation.
East Coast Swing (ECS) is a form of social partner dance. It belongs to the group of swing dances. It is danced under fast swing music, including: big band, rock and roll, rockabilly, and boogie-woogie.
Nightclub two step is a partner dance initially developed by Buddy Schwimmer in the mid-1960s. The dance is also known as "Two Step" and was "one of the most popular forms of contemporary social dance" as a Disco Couples Dance in 1978. It is frequently danced to mid-tempo ballads in 4 4 time that have a characteristic quick-quick-slow beat. A classic example is the song "The Lady In Red".
The Charleston is a dance named after the harbor city of Charleston, South Carolina. The rhythm was popularized in mainstream dance music in the United States by a 1923 tune called "The Charleston" by composer/pianist James P. Johnson, which originated in the Broadway show Runnin' Wild and became one of the most popular hits of the decade. Runnin' Wild ran from 28 October 1923 through 28 June 1924. The Charleston dance's peak popularity occurred from mid-1926 to 1927.
Swing dance is a group of social dances that developed with the swing style of jazz music in the 1920s–1940s, with the origins of each dance predating the popular "swing era". Hundreds of styles of swing dancing were developed; those that have survived beyond that era include Charleston, Balboa, Lindy Hop, and Collegiate Shag. Today, the best-known of these dances is the Lindy Hop, which originated in Harlem in the early 1930s. While the majority of swing dances began in African-American communities as vernacular African-American dances, some influenced swing-era dances, like Balboa, developed outside of these communities.
Modern Jive is a dance style derived from swing, Lindy Hop, rock and roll, salsa and various other dance styles, the main difference being the simplification of footwork by removing syncopation such as chasse. The term "French Jive" is occasionally used instead, reflecting the origins of the style, as is the term "Smooth Jive". The word "modern" distinguishes it from ballroom Jive.
Social dances are dances that have social functions and context. Social dances are intended for participation rather than performance. They are often danced merely to socialise and for entertainment, though they may have ceremonial, competitive and erotic functions.
Country–western dance encompasses any of the dance forms or styles which are typically danced to country-western music, and which are stylistically associated with American country and/or western traditions. Many are descended from dances brought to the United States by immigrants from the United Kingdom and Europe as early as the 1700s, which became integrated into American popular culture. Country dancing is also known as "kicker dancing" in Texas.
This is a list of dance terms that are not names of dances or types of dances. See List of dances and List of dance style categories for those.
The Hustle is a catch-all name for some disco dances which were extremely popular in the 1970s. Late 1970s, Bump, Hustle, Watergate and Spank were popular. It mostly refers to the unique partner dance done in nightclubs to disco music. Hustle has steps in common with Mambo and Salsa and basic steps are somewhat similar to Euro dance style "discofox", which emerged at about the same time and is more familiar in various European countries. Modern partner hustle is sometimes referred to as New York hustle, however, its original name is the Latin hustle.
Jack and Jill is a format of competition in partner dancing, where the competing couples are the result of random matching of leaders and followers. Rules of matching vary.
The basic step, basic figure, basic movement, basic pattern, or simply basic is the dance move that defines the character of a particular dance. It sets the rhythm of the dance; it is the default move to which a dancer returns, when not performing any other moves. More formally, it can be defined as a "rhythmic step pattern" in the form of a "consistent and recurring grouping of weight changes" between the feet which is rhythmic and repeated for the length of a song. For some dances it is sufficient to know the basic step performed in different handholds and dance positions to enjoy it socially.
A Coaster Step is a term used in swing dancing which originated in Lindy swing. During the last two beats of a rhythm pattern, the follower rotated 90° to be perpendicular to the leader, then stepped back, together, and forward in triple-rhythm, then rotated back to face the leader and to be ready to step forward as the leader led the follower in to begin the next pattern.
Texas Tommy is the name used in Lindy Hop for a tricky dance move.
The country/western two-step, often called the Texas two-step or simply the two-step, is a country/western dance usually danced to country music in common time. "Traditional [Texas] two-step developed, my theory goes, because it is suited to fiddle and guitar music played two-four time with a firm beat [found in country music]. One-two, one-two, slide-shuffle. The two-step is related to the polka, the Texas waltz, and the jitterbug.
The Texas two-step is the same step known to ballroom dancers as the international fox-trot. Except for the one-step, which is just that, most Texas dances are variations of a two-step, also called a half-step, which is simply a step-close-step. The Texas two-step is generally done with two long steps and a step-close-step to two-four time. Speeded up, it's a shuffle or double shuffle, but still a two-step.
In slotted dances, the dance slot is an imaginary narrow rectangle within which the follower moves back and forth in relation to the leader, who is comparatively stationary.
The anchor step, or anchor, is a dance step at the end of a pattern in West Coast Swing dance that is used while maintaining a connection.
Rock step may refer to one of several similar dance moves. The name refers to the rocking action during the move: the weight is transferred from one foot to another and then back. It is used in a number of dances, such as East Coast Swing, Zydeco, Lindy Hop, Tango.
Chicago-Style Stepping is an urban dance that originated in Chicago and continues to evolve nationwide and overseas, while defining its unique style and culture. within urban community. "Chicago-Style Stepping" makes reference to other urban styles of dance found throughout the United States in urban enclaves such as Detroit, Cleveland, Baltimore and Washington, D.C.
Skippy Blair was an American ballroom dancer credited with popularizing "West Coast Swing." Blair was a member of a group that successfully lobbied the State Legislature in 1988 to have West Coast Swing designated as the official State Dance of California. She was also the founder of the Golden State Dance Teachers Association and a co-founder of the World Swing Dance Council.
The Lindy Hop is an American dance which was born in the African-American communities of Harlem, New York City, in 1928 and has evolved since then. It was very popular during the swing era of the late 1930s and early 1940s. Lindy is a fusion of many dances that preceded it or were popular during its development but is mainly based on jazz, tap, breakaway, and Charleston. It is frequently described as a jazz dance and is a member of the swing dance family.
↑ Country-Western Dance within the Context of Popular Culture in the Los Angeles Area by Dvorah Heifetz Master of Arts in Dance University of California, Los Angeles, 1982 pages 9, 96
↑ Encyclopedia of Social Dance. Albert and Josephine Butler. 1971 & 1975. Albert Butler Ballroom Dance Service. New York, NY. pages 140-145 in 1971 edition. no ISBN or other ID
↑ Encyclopedia of Social Dance. Albert and Josephine Butler. 1971 & 1975. Albert Butler Ballroom Dance Service. New York, NY. page 140 (1971). no ISBN or other ID
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