"One of Us" is a song by American singer Joan Osborne for her debut studio album, Relish (1995). Written by Eric Bazilian of the Hooters and produced by Rick Chertoff, the song was released on November 21, 1995, as Osborne's debut single and lead single from Relish, and it became a hit in November of that year, peaking at number four on the US Billboard Hot 100 and earning three Grammy nominations.
"You Get What You Give" is a song by American alternative rock band New Radicals. It was the first and most successful single from their only studio album, Maybe You've Been Brainwashed Too (1998). Released on November 3, 1998, it reached number 36 on the US Billboard Hot 100 and number eight on the Billboard Modern Rock Tracks chart. Outside the US, it reached number five in the United Kingdom, number four in Ireland, and number one in Canada and New Zealand.
"The Dolphin's Cry" is a song by American alternative rock band Live, released on August 24, 1999, as the lead single from their fourth studio album, The Distance to Here. The song was co-produced by Jerry Harrison of Talking Heads, and features Adam Duritz of Counting Crows on backing vocals. It reached number one on the Canadian RPM Top 30 Rock Report and number two on the US Billboard Mainstream Rock chart. Internationally, "The Dolphin's Cry" peaked at number one in Iceland, number seven in Flanders, and number 10 in the Netherlands while reaching the top 50 on the Australian and New Zealand music charts.
"E-Bow the Letter" is the first single from American rock band R.E.M.'s 10th studio album, New Adventures in Hi-Fi (1996). It was released on August 19, 1996, several weeks before the album's release. During the same month, R.E.M. signed a then record-breaking five-album contract with Warner Bros. Records. The song features American singer-songwriter and "Godmother of Punk" Patti Smith performing backing vocals. Smith was cited as a major influence by band members Michael Stipe and Peter Buck, and she also provided backing vocals for "Blue", the closing track on the band's final studio album, Collapse into Now, in 2011.
"Who Will Save Your Soul" is a song written and performed by American singer-songwriter Jewel. It was the first song released from her first studio album, Pieces of You (1995), and became a hit in North America and Australasia, peaking at number seven in Canada, number 11 in the United States, number 14 in New Zealand, and number 27 in Australia. It was also moderately successful in the United Kingdom, reaching number 52 on the UK Singles Chart.
"Name" is a song by American rock band Goo Goo Dolls. It was released in September 1995 as the third single from their fifth studio album, A Boy Named Goo (1995). "Name" became the band's first major hit, topping both the US Modern Rock Tracks chart and the Album Rock Tracks chart. It also reached number five on the Billboard Hot 100. In Canada, "Name" peaked at number two on the RPM 100 Hit Tracks chart and number one on the RPM Alternative 30.
"Take a Picture" is a song by American rock band Filter, released to radio in September 1999 as the second single from their second studio album, Title of Record (1999). The song became a hit at the start of 2000 following its January 18 retail release, peaking at number 12 on the US Billboard Hot 100 and number three in Canada. It also became a top-10 hit in New Zealand, peaking at number eight on the RIANZ Singles Chart.
"Secret Smile" is a song by American rock band Semisonic. The single, released to American radio on January 11, 1999, gained the band brief international popularity. A live version of the song recorded at The Gorge Amphitheatre, as well as a mix by the Orb had previously been released as a B-side to "Singing in My Sleep". The song was featured in the film Simply Irresistible and in the TV series Charmed and Dawson's Creek.
"One Headlight" is a song by American rock band the Wallflowers. The song was written by lead singer Jakob Dylan, and produced by T Bone Burnett. It was released in January 1997 as the second single from the band's second studio album, Bringing Down the Horse (1996).
"A Long December" is a song by American rock band Counting Crows. The ballad is the second single and 13th track from their second album, Recovering the Satellites (1996). Lead singer Adam Duritz was inspired to write the track after his friend was hit by a motorist and injured, making the song about reflecting on tragedy with a positive disposition.
"Closing Time" is a song by American rock band Semisonic. It was released on March 10, 1998, as the lead single from their second studio album, Feeling Strangely Fine, and began to receive mainstream radio airplay on April 27, 1998. The ballad was written by Dan Wilson and produced by Nick Launay.
"Sunny Came Home" is a folk-rock song by American musician Shawn Colvin. It is the opening track on her 1996 concept album, A Few Small Repairs, shipped to radio in February 1997, and was released as a CDcassette single on June 24, 1997. In the United Kingdom, the song was released in July 1997 but did not chart until a re-release in May 1998.
"Push" is a song by American rock band Matchbox Twenty. It was released in 1997 as the second single from their debut album, Yourself or Someone Like You (1996). After landing "Long Day" on several rock radio stations paving the way, "Push" topped the US Modern Rock Tracks chart and became one of the band's signature songs.
"Santa Monica" is a song by American rock band Everclear, from their 1995 album Sparkle and Fade. The song was written by the band's lead singer, Art Alexakis. Though it was not commercially released as a single in the United States, radio stations played "Santa Monica" enough for it to reach number 29 on the Billboard Hot 100 Airplay chart and number one the Billboard Album Rock Tracks chart for three weeks in 1996. It became a top-40 hit in Australia, Canada, New Zealand, and the United Kingdom; it is the band's highest-charting single in Australia.
"Real World" is a song by American rock group Matchbox 20. It was released in March 1998 as the fourth single from their debut album, Yourself or Someone Like You. The single was initially ineligible to chart on the US Billboard Hot 100 due to not receiving a physical release in North America; it instead peaked at number nine on the Billboard Hot 100 Airplay chart in August 1998. However, in December 1998, the Hot 100 chart rules were changed to allow airplay-only singles to chart, and "Real World" became the band's first single to enter the listing, debuting and peaking at number 38. Worldwide, "Real World" reached number five in Canada and number 40 in Australia.
"December" is a song by American alternative rock band Collective Soul, released on the band's 1995 eponymous album. Written by singer and guitarist Ed Roland, it peaked at number 20 on the US Billboard Hot 100 and number one on the Billboard Album Rock Tracks chart for nine weeks, becoming that chart's most successful song of 1995. In Canada, the song reached number two on the RPM 100 Hit Tracks chart, becoming the band's highest-charting single until "The World I Know" attained the top spot in March 1996.
"Follow You Down" is a song by American rock band Gin Blossoms, and the first single released from their album Congratulations I'm Sorry. It was released as a double A-side single with "Til I Hear It from You" in the United States. The song received a fair amount of radio play and has been featured in several films, including How to Lose a Guy in 10 Days. It reached number nine on the US Billboard Hot 100 in a 46-week stay on the chart. It also became the band's second number-one single in Canada, after "Til I Hear It from You", and reached number 30 in the United Kingdom.
"The Difference" is a song by American rock band the Wallflowers. It was released in 1997 as the third single from their second album, Bringing Down the Horse (1996). The song spent eight weeks at number three on the US Billboard Mainstream Rock Tracks chart and peaked at number five on the Modern Rock Tracks chart. It was nominated for a Grammy Award for Best Rock Song in 1998. "The Difference" also peaked at number 12 in Canada, topping the RPM Alternative 30 chart.
"In the Meantime" is the debut single of English alternative rock band Spacehog, from their debut album, Resident Alien (1995). It samples the Penguin Cafe Orchestra song "Telephone and Rubber Band". Released in 1996, the single peaked atop the US Billboard Mainstream Rock chart and the UK Rock Chart. It additionally reached number 32 on the Billboard Hot 100 and number 29 on the UK Singles Chart while reaching the top 50 in Australia, Canada, Iceland, New Zealand and Sweden.
"If You Could Only See" is a song by American rock band Tonic from their debut studio album Lemon Parade (1996). It was released to radio as the third and final single from the album on March 18, 1997, by Polydor Records. Frontman Emerson Hart is the sole writer of the song, whilst production on the song was helmed by Jack Joseph Puig. According to Hart, the song was written as a result of his family disowning him due to their disapproval of Hart's relationship with an older woman. The song is Tonic's most successful, becoming a hit in several countries, and has been described as "rock radio's most played song of 1997."
