A Doll's House is a three-act play written by Norwegian playwright Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month. The play is set in a Norwegian town circa 1879.
Adrienne Cecile Rich was an American poet, essayist and feminist. She was called "one of the most widely read and influential poets of the second half of the 20th century", and was credited with bringing "the oppression of women and lesbians to the forefront of poetic discourse". Rich criticized rigid forms of feminist identities, and valorized what she coined the "lesbian continuum", which is a female continuum of solidarity and creativity that impacts and fills women's lives.
Amy Lawrence Lowell was an American poet of the imagist school, which promoted a return to classical values. She posthumously won the Pulitzer Prize for Poetry in 1926.
Audre Lorde was an American writer, womanist, radical feminist, professor, philosopher and civil rights activist. She was a self-described "black, lesbian, feminist, socialist, mother, warrior, poet," who "dedicated both her life and her creative talent to confronting and addressing injustices of racism, sexism, classism, and homophobia."
The Awakening is a novel by Kate Chopin, first published in 1899. Set in New Orleans and on the Louisiana Gulf coast at the end of the 19th century, the plot centers on Edna Pontellier and her struggle between her increasingly unorthodox views on femininity and motherhood with the prevailing social attitudes of the turn-of-the-century American South. It is one of the earlier American novels that focuses on women's issues without condescension. It is also widely seen as a landmark work of early feminism, generating a mixed reaction from contemporary readers and critics.
Cultural feminism, the view that there is a "female nature" or "female essence", attempts to revalue and redefine attributes ascribed to femaleness. It is also used to describe theories that commend innate differences between women and men. Cultural feminism diverged from radical feminism, when some radical feminists rejected the previous feminist and patriarchal notion that feminine traits are undesirable and returned to an essentialist view of gender differences in which they regard female traits as superior.
Carol Patrice Christ was a feminist historian, thealogian, author, and foremother of the Goddess movement. She obtained her PhD from Yale University and served as a professor at universities such as Columbia University and Harvard Divinity School. Her best-known publication is "Why Women Need The Goddess". It was initially a keynote presentation at the "Great Goddess Re-emerging" conference" at the University of Santa Cruz in 1978. This essay helped to launch the Goddess movement in the U.S. and other countries. It discusses the importance of religious symbols in general, and the effects of male symbolism of God on women in particular. Christ called herself a "theologian" and as such, made important contributions to the discipline of theology, significantly helping to create a space for it to be far more inclusive of women than has historically been the case. The term "thealogy" is derived from Ancient Greek θεά + -logy .
"Compulsory Heterosexuality and Lesbian Existence" is a 1980 essay by Adrienne Rich, which was also published in her 1986 book Blood, Bread, and Poetry: Selected Prose 1979-1985 as a part of the radical feminism movement of the late '60s, '70s, and '80s.
When We Dead Awaken is the last play written by Norwegian dramatist Henrik Ibsen. Published in December 1899, Ibsen wrote the play between February and November of that year. The first performance was at the Haymarket Theatre in London, a day or two before publication.
Melanie Kaye/Kantrowitz was an American essayist, poet, academic, and political activist against racism and for economic and social justice.
Irena Klepfisz is a Jewish lesbian author, academic and activist.
Published in 1983, In Search of Our Mothers' Gardens: Womanist Prose is a collection composed of 36 separate pieces written by Alice Walker. The essays, articles, reviews, statements, and speeches were written between 1966 and 1982. Many are based on her understanding of "womanist" theory. Walker defines "womanist" at the beginning of the collection as "A black feminist or feminist of color. From the black folk expression of mother to female children and also a woman who loves other women, sexually and/or nonsexually. Appreciates and prefers women's culture. Committed to survival and wholeness of entire people, male and female. Womanist is to feminist as purple is to lavender."
Feminist revisionist mythology is feminist literature informed by feminist literary criticism, or by the politics of feminism more broadly and that engages with mythology, fairy tales, religion, or other areas.
Compulsory heterosexuality, often shortened to comphet, is the theory that heterosexuality is assumed and enforced upon people by a patriarchal and heteronormative society. The term was popularized by Adrienne Rich in her 1980 essay titled "Compulsory Heterosexuality and Lesbian Existence". According to Rich, social science and literature perpetuate the societal belief that women in every culture are believed to have an innate preference for romantic and sexual relationships with men. She argues that women's sexuality towards men is not always natural but is societally ingrained and scripted into women. Comphet creates the belief that society is overwhelmingly heterosexual and delegitimizes queer identities. As a result, it perpetuates homophobia and legal inequity for the LGBTQ+ community.
nappy edges is a collection of poetry and prose poetry written by Ntozake Shange and first published by St. Martin's Press in 1978. The poems, which vary in voice and style, explore themes of love, racism, sexism, and loneliness. Shange's third book of poetry, nappy edges, was met with positive reviews and praise from critics, like Holly Prado of the Los Angeles Times who said of it that "this collection of poems, prose poems and poetic essays merges personal passion and heightened language."
Your Silence Will Not Protect You is a 2017 posthumous collection of essays, speeches, and poems by African American author and poet Audre Lorde. It is the first time a British publisher collected Lorde's work into one volume. The collection focuses on key themes such as: shifting language into action, silence as a form of violence, and the importance of history. Lorde describes herself as a "Black, lesbian, mother, warrior, poet", and addresses the difficulties in communication between Black and white women.
Feminist poetry is inspired by, promotes, or elaborates on feminist principles and ideas. It might be written with the conscious aim of expressing feminist principles, although sometimes it is identified as feminist by critics in a later era. Some writers are thought to express feminist ideas even if the writer was not an active member of the political movement during their era. Many feminist movements, however, have embraced poetry as a vehicle for communicating with public audiences through anthologies, poetry collections, and public readings.
'What Happens After Nora Leaves Home?' is a speech given by Chinese writer Lu Xun at Beijing Women's Normal College in 1923. In his speech, Lu Xun evaluated the ending of A Doll's House by Norwegian playwright Henrik Ibsen, where the heroine Nora leaves home to search for her selfhood. Concerned with the blind following of Nora's rebel, Lu Xun spoke to address its potential danger.
