Widow Jane Mine

Last updated
Widow Jane Mine
Widow Jane Mine by Forsaken Fotos.jpg
interior of the mine
Location
Location Ulster County
New York
CountryUnited States
Coordinates 41°50′30″N74°05′56″W / 41.841611°N 74.098806°W / 41.841611; -74.098806
Production
Products Dolomite
Type Room and pillar
History
Opened1825 (1825)
Closed1970 (1970)

Widow Jane Mine is a former cement mine located west of Rosendale, New York. The mine was active from 1825 to 1970 and is now part of the Snyder Estate Natural Cement Historic District. Dolomite extracted from the mine was used to make Rosendale cement which was widely used in the 19th century, contributing to the base of the Statue of Liberty among other structures.

Contents

Since the closure of Widow Jane Mine in 1970, the unique acoustics of its chambers have led to its use as a performance venue. The Century House Historical Society, which oversees the property, hosts a summer concert series in the mine. An annual Subterranean Poetry Festival is held there as well. It has been used as a recording studio, a venue for plays, and an art exhibition space. 80% of the mine is underwater.

Origin of name

According to the Century House Historical Society, the widow Jane was likely Jane LeFevre Snyder (1820–1904), [1] who lived at the Century House on the Snyder Estate. Considered a tragic, yet beloved figure within the community of Ulster County, she was 31 years old when her husband James Snyder died in 1852. Among her children were four boys, all of whom died in infancy. [2]

History of the mine

Engineers working on the Delaware and Hudson Canal found extensive outcrops of dolomite at Joppenbergh Mountain in 1825. The deposits contained an ideal amount of clay minerals that, once pulverized and mixed, could be turned into Rosendale cement, a natural cement without additives. [3] [4]

Widow Jane Mine was established in 1825 on property owned by the Snyder family. It is a drift mine, constructed using the room and pillar technique, where pillars of dolomite have been left to support the overlying rock. [5] The mine is more or less horizontal with the mining following the limestone seams at nearly 90-degree angles. [6] [7]

Entrance to the Widow Jane Mine Widow Jane Mine (14227304221).jpg
Entrance to the Widow Jane Mine

Entrances to the Widow Jane Mine were created to be large enough to accommodate wagons and horses and for the transportation of waste rock and dolomite. [8] Workers used sledgehammers to drive star drills into the rock and carve out blasting holes for black powder. [9]

During the 19th century, mining operations at the Widow Jane Mine involved child labor. Around 20% of the laborers were children, who were not given time for school, play or rest. Many of them were killed and maimed in mining accidents. [8]

Rosendale's cement industry peaked at the end of the 19th century, producing nearly 8.5 million barrels a year. At the peak of its operations, the area's mines employed 5,000 workers and produced nearly half of the cement for North America. Its cement was used in the construction of the Washington Monument, the wings of the United States Capitol building and the Brooklyn Bridge. From 1884 to 1886, limestone from the Widow Jane Mine was transported to Liberty Island where it was used to construct the base of the Statue of Liberty. [6]

The Widow Jane Mine closed in 1970. After the decline in demand for Rosendale cement, mines in the area were used to grow mushrooms for Campbell's Soup, for trout farming, and for storing corn. [10]

Venue

Widow Jane Mine has been likened to an underground pillared room, [11] and hosts frequent events in the summer taking advantage of the unique acoustics. [12] In addition to a summer concert series, the mine has served as a recording studio and a venue for plays. An annual Subterranean Poetry Festival has been held at Widow Jane Mine since 1989. [13] [14] The mine has a stage used for performances and electricity is provided by generators. An event called "Rave in the Cave", held at Widow Jane Mine in 1996, was attended by at least 3000 people and caused severe traffic issues and a fire. The city of Rosendale sued the Century House Historical Society and a judge limited the occupancy of the mine to 750 people. [15]

Interior of the mine showing pillars Inside the Widow Jane Mine - winter 2023.jpg
Interior of the mine showing pillars

The Widow Jane Mine has been the site of a fencing tournament, [16] equinox rituals, [17] shadow puppetry, [18] art exhibitions, [19] Taiko drumming, "Halloween horror shows and role-playing vampire games". [20] The 1997 album From the Caves of the Iron Mountain by Tony Levin, Jerry Marotta and Steve Gorn was recorded in the mine. It includes cave sounds and was recorded by Tchad Blake using a binaural microphone setup. The making of the album was the subject of the documentary Tales from the Widow Jane Mine. [21]

Limestone water from the area is used by the Brooklyn-based Widow Jane Distillery to proof their whiskeys. Though named for the Widow Jane mine, the mineral water is sourced from the Rosendale Mine, on the opposite side of the hill. [22]

Visiting the mine

Widow Jane Mine is located a half mile west of Rosendale on Route 213. [7] It is part of the Snyder Estate Natural Cement Historic District, which includes remnants of cement operations including kilns. [23] [24] The Century House Historical Society oversees the mine as well as 19 acres and the 1809 structure where Jacob Lowe Snyder once lived. Widow Jane Mine is the oldest cement mine on the property and one of the few mines in Rosendale that is almost completely horizontal. [25] The mine is open to the public from around mid-May until September, during daylight hours. Ice forms in the mine during the colder months. [10]

The deep mining operations are inaccessible, as 80% of the mine is underwater. [7] The Widow Jane Mine is purportedly haunted, with encounters reported with "the spirit of a woman in a long white dress darting through the dark depths of the mine." The Snyder Estate has "doggy docents" onsite that help visitors find donation boxes and tour maps. [10]

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References

  1. "Who was Widow Jane?". Century House Historical Society. August 28, 2020.
  2. "Widow Jane Partners with Historical Society to Preserve Namesake Mine". Craft Spirits Magazine. April 2, 2020.
  3. Werner, Dietrich; Burmeister, Kurtis (2007). "An Overview of the History and Economic Geology of the Natural Cement Industry at Rosendale, Ulster County, New York". Journal of ASTM International. 4 (6): 100672. doi:10.1520/JAI100672 . Retrieved 24 October 2015.
  4. Larson, Neil G. (September 1982). "National Register of Historic Places Registration: Binnewater Historic District". New York State Office of Parks, Recreation and Historic Preservation. p. 5. Archived from the original (Java) on 2011-10-06. Retrieved 2011-01-02.
  5. "National Register of Historic Places nomination, Snyder Estate Natural Cement Historic District". 1992. Retrieved 2008-09-06.
  6. 1 2 Levine, David (2020). The Hudson Valley: The First 250 Million Years: A Mostly Chronological and Occasionally Personal History. Rowman & Littlefield. pp. 158–159. ISBN   978-1-4930-4790-1.
  7. 1 2 3 "Now & Then: Widow Jane Mine". Times Herald-Record. March 19, 2020.
  8. 1 2 Villahermosa, Gilberto (2019). Rosendale. Arcadia Publishing. pp. 61–62. ISBN   978-1-4671-0345-9.
  9. Burmeister, Kurtis C.; Marshak, Stephen (2003). "Examples of along-strike changes in fold-thrust belt architecture; structural geology of the Rosendale natural cement region, Ulster County, New York" (PDF). Field Trip Guidebook (75): 251.
  10. 1 2 3 Karolyi, Mike (June 11, 2021). "The Mysteries of the Abandoned Widow Jane Mine - Rosendale, NY". Q105.7.
  11. "National Register of Historic Places nomination, Snyder Estate Natural Cement Historic District". 1992. Retrieved 2008-09-06.
  12. Grunwald, Gayle; Werner, Dietrich (Fall 2007). "Keeping Natural Cement Alive". Traditional Masonry. Professional Trade Publications. Archived from the original on September 1, 2008. Retrieved 2008-09-07. Musicians have recorded in the mine because of its exceptional acoustics
  13. Smith, Hazel (2016). "Improvisation in Contemporary Experimental Poetry". The Oxford Handbook of Critical Improvisation Studies, Volume 2. Oxford University Press. p. 376. ISBN   978-0-19-062797-3.
  14. "Low Poetry: Art Lives on in the Widow Jane Mine". NPR. August 20, 2004.
  15. Berger, Joseph (1998-08-24). "Bad Vibes in a Hippie Haven; Old-Timers Wary as 'Newcomers' Jump Into Politics". The New York Times . Retrieved 2011-02-13.
  16. "'En Garde!'" (PDF). Natural News. 12 (2): 3. Summer 2010.
  17. Redmond, Layne (2021). When The Drummers Were Women: A Spiritual History of Rhythm. Echo Point Books & Media. pp. 184–185.
  18. "Widow Jane Mine in Rosendale hosts interactive ritual theater experience". Daily Freeman. October 13, 2022.
  19. Brooks-Sperduti, Natasha (June 22, 2016). "Widow Jane Mine inspires artists of all mediums". Poughkeepsie Journal.
  20. Schweitzer, Blaise (2002-07-12). "Bang". Daily Freeman . Kingston, NY. Retrieved 2011-02-13.
  21. "Tales from the Widow Jane Mine". TVGuide.com. Retrieved July 1, 2023.
  22. DeVito, Carlo (2022). Drink the Northeast: The Ultimate Guide to Breweries, Distilleries, and Wineries in the Northeast. Cider Mill Press. p. 180. ISBN   978-1-64643-226-4.
  23. "Quadricentennial Challenge: Widow Jane Mine". Catskill Live! Trails & Wilderness Association. Retrieved 2011-02-13.
  24. "The Century House Historical Society".
  25. "The Widow Jane Mine". Century House Historic Society. Archived from the original on 2011-07-19. Retrieved 2011-02-13.