Wild Bill (1995 film)

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Wild Bill
Wild Bill (film poster).jpg
Original film poster
Directed by Walter Hill
Written byWalter Hill
Based on
Produced by
Starring
Cinematography Lloyd Ahern II
Edited byFreeman A. Davies
Music by Van Dyke Parks
Production
companies
Distributed by MGM/UA Distribution Co.
Release date
  • December 1, 1995 (1995-12-01)
Running time
98 minutes
CountryUnited States
LanguageEnglish
Budget$30 million [1]
Box office$2,193,982 [2]

Wild Bill is a 1995 American acid Western film about the last days of legendary lawman Wild Bill Hickok. The film was written and directed by Walter Hill, and based on the 1978 stage play Fathers and Sons by Thomas Babe and the 1986 novel Deadwood by Pete Dexter. It stars Jeff Bridges, Ellen Barkin, John Hurt, and Diane Lane, and was released by United Artists on December 1, 1995. It was a box-office bomb, grossing $2.1 million on a budget of $30 million, and received mixed reviews from critics.

Contents

Plot

At Wild Bill Hickok's funeral, his friend Charley Prince recalls Hickok's final days in Deadwood. Calamity Jane mourns him especially. In a flashback, Bill and his friend California Joe come upon an Indian burial structure with a lone warrior sitting atop it. Joe, who speaks the warrior's language, says that the warrior wishes to kill Bill in order to correct his streak of misfortunes. Despite Joe's warning that killing Indians "in a religious frame of mind" is bad luck, Bill shoots the man dead.

Flashbacks show Bill, then a deputy U.S. marshal, killing several men in a saloon fight for knocking his hat off, before gunning down a group of soldiers after one purposely crushes his hat. While breaking up a riot, Bill gets too worked up and accidentally shoots a fellow lawman. He then retires from the law and works as an actor and trick shooter in Buffalo Bill's Wild West show. He eventually leaves the show after a medical examination uncovers symptoms of glaucoma, which will eventually leave him blind and unable to shoot properly.

Eventually winding up in Cheyenne, a man named Will Plummer, whom Bill crippled years earlier after killing his brother, calls him out. To "even the odds," Bill has some men tie him to a chair and carry him into the street. After Plummer refuses to back down, Bill outdraws and kills him. Bill and Charley travel to Deadwood, where he is greeted with fanfare. He reunites with Jane, and they go into a saloon. There, a young drifter named Jack McCall declares that he will be the man to kill Hickok. Jane and Bill's friends berate him and throw him into the street. Joe then begins telling an exaggerated tale of Bill's past exploits; Bill grows upset, leaves the saloon and goes to an opium den.

After smoking, Bill has a disturbing dream about a time he and Joe were threatened by Indians after being caught shooting the tribe's buffalo. A woman who works at the den tells a local prostitute, Lurline, about how often Bill visits to use opium, and she shares this information with Jack. Meanwhile, Bill and Jane share a bath, and argue because Bill will not explain his distant and unusual behavior.

The next day a mob brings Jack to Bill; Jack tells Bill that he aims to kill him because Bill mistreated his mother, Susannah Moore. Despite Charley trying to apologize for Bill and the mob harassing him, Jack does not relent. That night, Jack is approached by other men who want Bill dead, and he agrees to hire them. Bill goes back to the den and reminisces about the night he met Susannah. It is revealed that when he left town for six months, Susannah married another man, who robbed Bill of his most prized possession: his gold pocket watch. Bill kills the man in self-defense, but Susannah is distraught, and a young Jack witnesses the killing.

Jack sneaks into the den to ambush Bill while he's incapacitated, but the den owner attacks Jack and takes him away. Jack and his posse agree on a new plan as Bill continues to bemoan his bad luck. That night, he returns to the saloon, which is empty because a gold vein was discovered nearby, and everyone left to set up their claims. Jane walks in, and the two begin having sex. Jack and his posse enter the saloon and apprehend Jane, Bill, Joe, and Charley. Jack delays killing Bill because he isn't sure how he wants to do it.

Bill has one final remembrance of visiting Susannah in a mental hospital who, despite his apologies, refuses his help. Jack offers to let Bill kill himself with a gun loaded with one bullet, but deliberately takes the last bullet out so Bill will be humiliated when he tries to shoot him. Regardless, Jack claims he has already killed Bill "in his heart," and the posse leaves after Charley intervenes. Jane retrieves Bill's guns, and he ambushes the posse as they saddle their horses, killing everyone except Jack. He tells Jack he is sparing him out of respect for his mother. Jack asks if he can have one last drink before leaving town, and they return to the saloon.

In the bar, Joe resumes telling stories of Bill's antics. Jack pulls a hidden derringer from his sleeve, gathers his nerve, and shoots Bill in the back of the head. Back at his funeral, Charley says the whole town attended the funeral, and that he was honored to be Bill's friend.

Cast

Production

Script

The script was based on several sources. One of them was the play Fathers and Sons which had been on Broadway in 1978, directed by Joseph Papp. It was written by Thomas Babe, and focused on Hickok's last days in Deadwood, placing the action in the saloon where he was killed. Babe says he entirely made up the nature of Jack McCall, whom he turned into Hickok's illegitimate son. [3] Babe's play was seen in Los Angeles in 1980 by Walter Hill, who had been considering a film on Hickok. [3] Hill optioned the play along with a screenplay about Hickok by Ned Wynn.

Meanwhile, the team of Richard and Lili Zanuck had optioned a 1986 novel about Hickok called Deadwood. They had hired the author, Pete Dexter, to write the script for the movie Rush. The Zanucks said they were interested in the project because it explored the nature of celebrity in a Western context. "Figures like Wild Bill were like rock stars," said Lili Zanuck. "They had sex appeal." [3] Dexter wrote a script based on his novel which was sent to Barry Levinson and Sydney Pollack before going to Hill. [3]

"He's a gutsy director," Zanuck said about Hill. "He's kind of a male-oriented director, and he has great knowledge of the West and all of the folklore and all of the heroes." [1]

Hill wrote a script based on the play, the novel, and Ned Wynn's screenplay. Hill says he took details of the town from the novel but the relationship between McCall and Hickok was mostly from the play. Hill took material from Dexter's novel for the atmosphere of the town and relied on Babe's play heavily for the third act, the last hours of Hickok. [3]

Hill said the script was based on "character rather than incident. Because I think it's not so much the fights, it's his personality, his sense of humor about himself. He seemed to understand his own legend. He both fueled it and was a prisoner of it, that it was his raison d'etre, and at the same time he felt himself very constrained by it." [1]

The Zanucks and Walter Hill took the script to John Calley, president of United Artists, and the film was green-lighted at the end of January 1994. Jeff Bridges and Ellen Barkin signed to star. [1]

Westerns revived in popularity in the early 90s with Dances with Wolves and Unforgiven. However, some other Westerns had been box office disappointments including Wyatt Earp and Hill's own Geronimo. Producer Richard Zanuck said, "If you make a good picture and have a compelling story to tell, it's going to work. I don't believe that any genre dies. It just has to be fed with good product." [1]

Filming

The film was shot in Los Angeles, including at Universal Studios and Warner Bros. Studios. The Gene Autry Melody Ranch in Santa Clarita, California was used to portray Deadwood. [1]

Hill said that Jeff Bridges was "an actor I greatly love... a very nice man, decent, hard working, got along well, no problems" but that there "was always a kind of tension between Jeff and myself" because "Jeff does a lot of takes, I don't. My focus is very intense, but when it gets to be you just doing it again and again I lose it and I find an awful lot of performers go stale. He would always have an idea he thought he could make something better." [4]

Reception

Critical response

The film received a 46% approval rating on Rotten Tomatoes based on 28 reviews, with an average rating of 5.6/10. The website's critical consensus reads: "Crowded with talent on either side of the camera, Wild Bill shoots itself in the foot with a surprisingly muddled take on the story of the titular folk hero." [5] Roger Ebert gave the film two stars out of four, criticizing its pacing and plot. He recognized the film's ambition, aiming for "elegy" and "poetry" in its final act, but ultimately described it as flawed, writing, "We can see where it's headed, although it doesn't get there." [6] In a positive review, Bruce Fretts of Entertainment Weekly wrote that the movie "succeeds as a character study of a man whose idiosyncratic code of justice eventually catches up with him", and complimented Jeff Bridges' acting as vital to the film's success. [7] Variety , while also praising Jeff Bridges' performance, took a critical stance, observing that the film "comes to a near dead-stop in the final stretch". [8] Audiences polled by CinemaScore gave the film an average grade of "C" on an A+ to F scale. [9]

Box office

Wild Bill bombed at the box office. Produced on a budget of $30 million, it took in just over $2 million in the United States.

Hill was unhappy with the way the film was released. "I believe in the old adage that when you see the trailer for your movie and it's very different from the movie you've actually made, then you can assume the studio wanted something else," Hill said. However, he did add that "I don't think any other company would have made this film, so I'm very indebted to them for letting me do it." [10]

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References

  1. 1 2 3 4 5 6 Lacher, Irene (January 3, 1995). "Walter Hill Rides Again 'Wild Bill,' the action director's latest effort, breaks out of saloon territory to explore the fields of moral ambiguity". Los Angeles Times . p. 1.
  2. ↑ "Wild Bill". Box Office Mojo. Retrieved September 6, 2020.
  3. 1 2 3 4 5 Diamond, Jamie (November 26, 1995). "The 'Wild Bill' of History, Here Mostly Made Up: The 'Wild Bill' of History, Here Made Up Waiter Hill's script told of the last days of the visually impaired, opium-addicted gunslinger Bill Hickok". New York Times. p. H13.
  4. ↑ "Interview with Walter Hill Chapter 4" Directors Guild of America accessed July 12, 2014
  5. ↑ "Wild Bill". Rotten Tomatoes . Retrieved October 5, 2023.
  6. ↑ Ebert, Roger (December 1, 1995). "Wild Bill." Film review. RogerEbert.com . Retrieved 2015-01-22.
  7. ↑ Fretts, Bruce (December 8, 1995). "Wild Bill Review." Entertainment Weekly . Retrieved online from EW.com 2015-01-22.
  8. ↑ "Wild Bill." Film review (December 31, 1994). Variety. Retrieved online from Variety.com 2015-01-22.
  9. ↑ "CinemaScore". Archived from the original on December 20, 2018. Retrieved March 22, 2019.
  10. ↑ John Ritter opposes TV reunion Portman, Jamie. The Spectator March 13, 1997: C6.
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