Wire are considered a definitive and highly influential art punk and post-punk band, due to their richly detailed and atmospheric sound and obscure lyrical themes.[citation needed] They steadily developed from an early noise rock style to a more complex, structured sound involving increased use of guitar effects and synthesizers (1978's Chairs Missing and 1979's 154). The band gained a reputation for experimenting with song arrangements throughout their career.[3]
History
1976 to 1980
Wire's debut album Pink Flag (1977) – "perhaps the most original debut album to come out of the first wave of British punk", according to AllMusic[4] – contains songs that are diverse in mood and style, but most use a minimalist punk approach combined with unorthodox structures.[5] "Field Day for the Sundays", for example, is only 28 seconds long.
Their second album, Chairs Missing (1978) marked a retreat from the stark minimalism of Pink Flag, with longer, more atmospheric songs and synthesizer parts added by producer Mike Thorne.[6] "Outdoor Miner" was a minor hit, peaking at number 51 in the UK singles chart.[7] The experimentation was even more prominent on 154 (1979).[1]
Wire's unorthodox ideas to promote 154 led to a falling out with their label. According to Newman, "We'd worked out a sales strategy for 154 that EMI couldn't see at all...They couldn't understand a rock band that wanted to do a week in a theater as an event, and wanted to promote 154 with videos or left-field TV adverts. We wanted to help them sell records; they thought we were simply being intransigent."[8] According to Jim Green in an interview with Newman, "personnel changes at EMI had left Wire without any support." Colin Newman's solo album, "A-Z was planned as the fourth Wire album, but EMI cancelled studio time in the wake of failed negotiations with the band, and then dropped Wire's option."[8]
Lacking a recording deal and money,[8] creative differences split the band in 1979, leading to the Document and Eyewitness LP (1981), a recording of a live performance that featured, almost exclusively, new material. The album was described as "disjointed",[5] "unrecognizable as rock music" and "almost unlistenable".[9] The LP came packaged with an EP of a different performance of more new material. Some of these songs, along with others performed but not included on the album, were included on Newman's post-Wire solo albums (5/10, We Meet Under Tables), while others were released by Gilbert's and Lewis' primary post-Wire outlet Dome (And Then..., Ritual View).
Between 1981 and 1985, Wire ceased recording and performing in favour of solo and collaborative projects such as Dome, Cupol, Duet Emmo and several Colin Newman solo efforts.
1985 to 1992
In 1985, the group re-formed as a "beat combo" (a joking reference to early 1960s beat music), with greater use of electronic musical instruments. Wire announced that they would perform none of their older material, hiring The Ex-Lion Tamers (a Wire cover band named after a song title from Pink Flag) as their opening act. The Ex-Lion Tamers played Wire's older songs, and Wire played their new material.[10]
In June 1988, Wire were part of a lineup that included Orchestral Manoeuvres in the Dark and Thomas Dolby supporting Depeche Mode at the PasadenaRose Bowl where they played to over 60,000 people.[11][12] In 1989, Wire released IBTABA, a "live" album of mostly reworked versions of songs from The Ideal Copy and A Bell Is a Cup, heavily rearranged, edited, and remixed. A new song from the album, "Eardrum Buzz", was released as a single and peaked at number 68 in the UK singles chart.[7]
Gotobed left the band in 1990, after the release of the album Manscape. After his departure, the band dropped one letter from its name, becoming "Wir" (still pronounced "wire"), and released The First Letter in 1991. There followed a further period of solo recordings, during which Newman founded the swim ~ label, and later Githead with his wife (ex-Minimal Compact bassist Malka Spigel), while Wire remained an occasional collaboration. It was not until 1999 that Wire again became a full-time entity.
1999 to present
With Gotobed back in the line-up (now using his birth name, Robert Grey), the group initially reworked much of their back catalogue for a performance at Royal Festival Hall in 2000. Wire's reception during a short tour in early May of the US, and a number of UK gigs, convinced the band to continue. Two EPs, Read & Burn 01 and Read & Burn 02 were released in 2002. Seven of the tracks from the two EPs were collected with four previously unreleased tracks on the 2003 album, Send. Wire collaborated with stage designer Es Devlin and artists Jake and Dinos Chapman.[13] In 2005, The Scottish Play: 2004, which contained recordings of live performances from this era, was released.
In 2006, Wire's 1970s albums were remastered and re-released with the original vinyl track listings. In 2007, Read & Burn 03 was released. According to Newman, Gilbert featured in a minimal capacity on this EP; Gilbert would no longer feature in Wire after this release. Later, in 2020, Wire would release Send Ultimate which added a bonus disc to the Send album. Send Ultimate collected all the tracks from the first two Read and Burn EPs along with other unreleased material and both sides of the "Twelve Times You" single. A full-length album of new material entitled Object 47 was released in July 2008 with Wire now consisting of three members.
Matt Simms, 2013
In January 2011, Wire released Red Barked Tree, which according to the band's press release "rekindles a lyricism sometimes absent from Wire's previous work and reconnects with the live energy of performance, harnessed and channelled from extensive touring over the past few years".[14] The album was written and recorded by Newman, Lewis and Grey, but speaking to Marc Riley on the day of the release, Newman introduced as "a new boy" guitarist Matt Simms (from It Hugs Back), who had been a touring member with the band since April 2010.[10]
In March 2013 the band released Change Becomes Us, their 13th studio album, which was very well received.[15][16] Their fourteenth album, eponymously titled Wire, was released in April 2015. The following year, in April 2016, the band's 15th studio album, entitled Nocturnal Koreans, was released on their label Pinkflag. The album consisted of eight songs recorded during the sessions for their previous album which were as of then unreleased. Stereogum named Nocturnal Koreans the Album of the Week. Reviews for the album were mostly positive.[17] In 2017 Wire celebrated 40 years since their debut gig on 1 April 1977 by releasing their 16th studio album Silver/Lead and headlining the Los Angeles edition of their DRILL: FESTIVAL.
In 2018, Wire released multi-disc special editions of their first three albums. Each album was house in a book containing lyrics and other information about the album. The three releases collected non-LP singles and the demo sessions from this era along with remastered versions of the original albums.
In January 2020, Wire released Mind Hive[18] on their own Pinkflag label.[19] The band appeared on the front cover of Wire magazine (issue 432) published in January 2020; it featured an interview with the band about the new album and discussed the enduring nature of the group.[20]
On Record Store Day, June 2020, Wire released an eight-song album entitled 10:20.[21] Side one of the vinyl LP consists of four tracks that were originally released as the limited edition Strays EP, which was given away with mail ordered copies of Red Barked Trees. Side two contains four tracks that were recorded during the Mind Hive sessions but not released until their appearance on 10:20.[22]
In June 2021, in conjunction with Record Store Day, Wire released PF456 Deluxe an 18-song vinyl-only compilation of the first two Read and Burn EPs, the "Twelve Times You" single, and the four unreleased tracks from Send. Concurrently, Wire released a CD version of PF456 Redux, a 16-song vinyl-only compilation, originally released in 2003, of edited versions of all the songs from the first two Read and Burn EPs along with the unreleased songs on Send.
In April 2022, in conjunction with Record Store Day, Wire released Not About to Die which was originally released as a bootleg in the early 1980s. The album consists of recordings made for EMI as demos for the 1978 and 1979 albums, Chairs Missing and 154. The songs on Not About to Die were also previously released in 2018 by Wire on the special editions of the two EMI albums.
Influence
Wire's influence has outshone their comparatively modest record sales. In the 1980s and 1990s, Big Black, Minutemen,[23] and Sonic Youth[24] all expressed a fondness for the group. Minutemen bassist Mike Watt described their influence as key saying of Pink Flag "I don't know what we would have sounded like if we didn't hear it."[2]
"And the sound was incredible," he continues. "It was like that NYC band Richard Hell and the Voidoids without the studio gimmickry, but Wire was way more 'econo' with the instrumentation and the radical approach to song structure. And the way Wire wrote words were artistic without being elitist; some of the slang was trippy, too. All the 'old' conventions from all the other 'old' bands went out the window after we heard Wire. They were big-time liberating on us."[2]
R.E.M. covered "Strange" on their album Document.[2]Robert Smith has described how, after seeing the group live, Wire influenced The Cure's sound after their first album.[28][when?] The shoegaze band Lush covered "Outdoor Miner" in the 90s.
A plagiarism case between Wire's music publisher and Elastica over the similarity between Wire's 1977 song "Three Girl Rhumba" and Elastica's 1995 hit "Connection" resulted in an out-of-court settlement.[29] It has also been noted that two other songs on Elastica's debut album, "Line Up" and "2:1", both borrowed heavily from the Wire song "I Am The Fly".[30]
Alternative Press included Wire in their 1996 list of 100 underground inspirations of the past 20 years, stating that "as long as there are listeners equally lured by tough, intelligent riffs and fearless experimentalism, Wire will remain a crucial benchmark."[31]
Guided By Voices' Robert Pollard is a self-proclaimed fan of Wire, stating that the existence of a large number of songs on GBV's albums is a direct Wire influence.[32] One of My Bloody Valentine's last releases prior to reconvening in 2007 was a cover of "Map Ref 41°N 93°W" for a Wire tribute entitled Whore. The song was selected as a favourite cover by Flak Magazine.[33]
The Feelies, since their 2008 reunion, have covered the "Outdoor Miner".
The slowcore band Low included an early, previously unreleased cover of "Heartbeat" on their career-spanning box set in 2007. Ampere recorded a cover of "Mr. Suit" for their 2006 split with Das Oath. New Bomb Turks also recorded a cover of "Mr. Suit" on the 1993 album !!Destroy-Oh-Boy!!. The chorus of Ministry's "Thieves" was influenced by "Mr. Suit" as well. Helmet guitarist Page Hamilton cites Wire as one of his "top five bands"[36] and as an influence on his music.[37]
Discography
Wire performing in 2008. L to R: Lewis, Newman, Grey.
Pink Flag is the debut studio album by English rock band Wire. It was released in November 1977 by Harvest Records. The album gained Wire a cult following within independent and post-punk music upon its initial release, later growing to be highly influential on many other musicians.
The Ideal Copy is the fourth studio album by the English rock group Wire, released in April 1987 by Mute Records. It was the first full-length recording following the band's hiatus of 1980–1985. The Ideal Copy peaked at number 87 in the UK albums chart.
154 is the third album by the English post-punk band Wire, released in 1979 on EMI imprint Harvest Records in the UK and Europe and Warner Bros. Records in America.
Chairs Missing is the second studio album by English rock band Wire. It was released on 8 September 1978 by Harvest Records. The album peaked at number 48 in the UK Albums Chart.
It's Beginning To And Back Again, also known by its acronym IBTABA, is the sixth studio album by the British post-punk group Wire, released in May 1989 by Mute Records.
Manscape is the seventh studio album by the British post-punk group Wire, released in May 1990 by Mute Records. It was produced by David M. Allen, mostly recorded and mixed at RAK Studios, engineered by Roy Spong, and published by Dying Art Ltd.
Bruce Clifford Gilbert is an English musician. One of the founding members of the influential and experimental art punk band Wire, he branched out into electronic music, performance art, music production, and DJing during the band's extended periods of inactivity. He left Wire in 2004, and has since been focusing on solo work and collaborations with visual artists and fellow experimental musicians.
The First Letter is the ninth studio album and the last album released by Wire before their second extended hiatus. It was released in October 1991 by Mute Records. It was one of only three releases credited to "Wir", the others being the "So and Slow It Grows" single, and a limited edition two-song EP entitled Vien. The band changed their name to "Wir" after drummer Robert Gotobed's departure; he quit the band because the musical direction increasingly relied on drum machines and loops. Other than an Erasure remix in 1995, the band would not reform until 1999, and not release any new material until 2002's Read & Burn 01 and Read & Burn 02 EPs and 2003's subsequent Send album. The First Letter produced the single "So and Slow It Grows."
Document and Eyewitness is the first live album by the post-punk band Wire, released in July 1981 by Rough Trade Records. It marked the end of the first period of Wire's activity (1977–1980) and the end of their association with EMI. Recorded in February 1980 at the Electric Ballroom in London – at the final gig of Wire's first period – the original release came with a 45 rpm 12" EP that featured recordings from a July 1979 show at the Notre Dame Hall in London, along with one track from a March 1979 gig at Le Pavillon in Montreux, Switzerland.
Send is the tenth studio album by the English rock group Wire, released in May 2003 through their own Pinkflag label. It was their first recording as a four-piece since Manscape (1990) and the first full-length release by any incarnation of the group since 1991. The album contains seven songs previously released in 2002 on the EPs Read & Burn 01 and Read & Burn 02, and four songs exclusive to this release.
A–Z is the debut studio album by Colin Newman, lead singer of post-punk band Wire. It was released in October 1980, through record label Beggars Banquet. "A-Z was planned as the fourth Wire album, but EMI [Wire's label] cancelled studio time in the wake of failed negotiations with the band."
Red Barked Tree is the twelfth studio album by the English post-punk band Wire--digitally released on 20 December 2010, and as a CD on 10 January 2011 on the Pinkflag label. Featuring eleven tracks covering a diverse range of musical styles, the record was well received by critics, who found the record "representing the essence of their best work" and covering "virtually all aspects of Wire's varied history to create a stylistic best-of new material".
Wire on the Box: 1979 is a live album and DVD by English rock band Wire. Whilst recorded in 1979, it was released on 4 October 2004 as the first in a series of archival releases on Wire's own Pinkflag label. It features the complete live television recording for the German Rockpalast music television show, broadcast by Westdeutscher Rundfunk (WDR). The live set consists largely of tracks from 1978's Chairs Missing and the then-yet-to-be-released 154, and is the second live recording to be released from Wire's original phase since 1981's Document and Eyewitness.
On Returning (1977–1979) is a compilation album by English rock band Wire. It was released in 1989 and comprises recordings of the band from 1977 to 1979, and is seen as the band's first "best of" album, complemented four years later by 1985–1990: The A List which is the "best of" of the band's second era. The album is named after the band's track "On Returning" which closes the album, originally released on the band's third album 154 (1979).
Change Becomes Us is the thirteenth studio album by British post-punk band Wire. It was released on 25 March 2013 through the band's own label, Pinkflag. It is the first studio album to feature guitarist Matthew Simms, who initially joined Wire as a touring guitarist in 2010.
Wire is the self-titled fourteenth studio album by British post-punk band Wire. It was released on 13 April 2015 through the band's Pinkflag label.
"Outdoor Miner" is a song written by Colin Newman and Graham Lewis, and performed by the English post-punk band Wire. It was released in January 1979 as the band's fourth single and appeared on their second album, Chairs Missing.
Mind Hive is the seventeenth studio album from English art punk band Wire, released on 24 January 2020 by Pinkflag. The release was preceded by a music video for "Cactused" made up of clips from the forthcoming documentary People in a Film and streaming audio for "Primed and Ready". They also announced a brief tour of North America to promote the recording.
10:20 is a compilation album by English art punk band Wire, released on 19 June 2020 through their own Pinkflag label.
Not To is the third studio album by Colin Newman, lead singer of post-punk band Wire. It was released in 1982, through record labels Beggars Banquet and 4AD.
References
1 2 Strong, Martin C. (2000). The Great Rock Discography (5thed.). Edinburgh: Mojo Books. pp.1075–1076. ISBN1-84195-017-3.
↑ Kappes, John (1996). Michael Shea (ed.). "100 Underground Inspirations of the Past 20 Years". Alternative Press. 11 (100). Cleveland, OH: Alternative Press Magazine, Inc.: 39–56. ISSN1065-1667.
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