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The Music Machine was an American rock band formed in Los Angeles, California in 1966. Fronted by chief songwriter and lead vocalist Sean Bonniwell, the band cultivated a characteristically dark and rebellious image reflected in an untamed musical approach. Sometimes it made use of distorted guitar lines and hallucinogenic organ parts, punctuated by Bonniwell's distinctively throaty vocals. Although they managed to attain national chart success only briefly with two singles, the Music Machine is today considered by many critics to be one of the groundbreaking acts of the 1960s. Their style is now recognized as a pioneering force in proto-punk; yet within a relatively short period of time, they began to employ more complex lyrical and instrumental arrangements that went beyond the typical garage band format.
British folk rock is a form of folk rock which developed in the United Kingdom from the mid 1960s, and was at its most significant in the 1970s. Though the merging of folk and rock music came from several sources, it is widely regarded that the success of "The House of the Rising Sun" by British band the Animals in 1964 was a catalyst, prompting Bob Dylan to "go electric", in which, like the Animals, he brought folk and rock music together, from which other musicians followed. In the same year, the Beatles began incorporating overt folk influences into their music, most noticeably on their Beatles for Sale album. The Beatles and other British Invasion bands, in turn, influenced the American band the Byrds, who released their recording of Dylan's "Mr. Tambourine Man" in April 1965, setting off the mid-1960s American folk rock movement. A number of British groups, usually those associated with the British folk revival, moved into folk rock in the mid-1960s, including the Strawbs, Pentangle, and Fairport Convention.
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The Humblebums were a Scottish folk rock band, based in Glasgow. Its members included Billy Connolly, who later became a renowned stand-up comedian and actor; guitarist Tam Harvey; and singer-songwriter Gerry Rafferty. The band was active from 1965 to 1971.
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"Morning Dew", also known as "(Walk Me Out in the) Morning Dew", is a contemporary folk song by Canadian singer-songwriter Bonnie Dobson. The lyrics relate a fictional conversation in a post-nuclear holocaust world. Originally recorded live as a solo performance, Dobson's vocal is accompanied by her finger-picked acoustic guitar playing.
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The Pentangle was the 1968 debut album of the band Pentangle: Terry Cox, Bert Jansch, Jacqui McShee, John Renbourn and Danny Thompson. It brought together their separate influences of folk, jazz, blues, early music and contemporary songwriting. One of the band's most commercially successful albums, it reached number 21 in the British charts.
Progressive folk was originally a type of American folk music that pursued a progressive political agenda. More recently, the term has also been applied to a style of contemporary folk that draws from post-Bob Dylan folk music and adds new layers of musical and lyrical complexity, often incorporating various ethnic influences.
Forest were an English psychedelic-folk / acid-folk trio who formed in Grimsby, Lincolnshire, in 1966. Made up of brothers Martin Welham, Adrian Welham and school friend Dez Allenby, they started out performing unaccompanied traditional folk music in a similar vein to contemporaries The Watersons and The Young Tradition. The band were pioneers of the nascent 1960s underground acoustic-psychedelic/acid-folk scene writing unconventionally crafted songs evoking Britain's ancient groves using a variety of acoustic instruments.
Dando Shaft is the name of a short-lived psychedelic/progressive folk and folk jazz band that was primarily active in the early 1970s. The band has attracted a measure of attention from recent compilation releases and Dando Shaft is today known primarily as one of the major influences on the progressive stream of the 1960s folk revival.
Close is a solo album by American rock musician Sean Bonniwell, credited under the moniker T. S. Bonniwell, who had been the creative force behind the innovative garage rock band The Music Machine. The album was released on August 4, 1969, by Capitol Records. It marked a total departure from Bonniwell's rebellious protopunk period with The Music Machine, to a soft rock crooning style. In addition, the album blended folk rock and orchestrated influences, and was inspired by Bonniwell's stints in the pre-Music Machine groups, the Wayfarers and the Ragamuffins, along with his desire to be more poetically inclined. The song,"Where Am I to Go", was released as a single ahead of the album, but failed to chart. Like its attendant single, Close was also somewhat commercially unsuccessful, and was the last recording by Bonniwell for the next 20 years.
References
- ↑ Horror Revival, Folk. Folk Horror Revival: Harvest Hymns. Volume I- Twisted Roots. p. 59.
- ↑ "Rock and roll years: the 1960s". The Scotsman . Edinburgh. 16 October 2003.
- 1 2 3 Colin Larkin, ed. (1997). The Virgin Encyclopedia of Sixties Music (First ed.). Virgin Books. pp. 8/9. ISBN 0-7535-0149-X.
- 1 2 Unterberger, Richie. "Writing on the Wall Biography". AllMusic . Retrieved 28 December 2009.
- ↑ Richie Unterberger. "The Power of the Picts - Writing on the Wall". AllMusic . Retrieved 9 June 2020.
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