The Ziegfeld Follies were a series of elaborate theatrical revue productions on Broadway in New York City from 1907 to 1931, with renewals in 1934, 1936, 1943, and 1957. They became a radio program in 1932 and 1936 as The Ziegfeld Follies of the Air .
Inspired by the Folies Bergère of Paris, the Ziegfeld Follies were conceived and mounted by Florenz Ziegfeld Jr., reportedly at the suggestion of his then-wife, the actress and singer Anna Held. The shows' producers were turn-of-the-twentieth-century producing titans Klaw and Erlanger.
The Follies were a series of lavish revues, something between later Broadway shows and the more elaborate high class vaudeville and variety show. The first follies, The Follies of 1907 , was produced that year at the Jardin de Paris roof theatre. [1]
During the Follies era, many of the top entertainers, including W. C. Fields, Eddie Cantor, Josephine Baker, Fanny Brice, Ann Pennington, Bert Williams, Eva Tanguay, Bob Hope, Will Rogers, Ruth Etting, Ray Bolger, Helen Morgan, Louise Brooks, Marilyn Miller, Ed Wynn, Gilda Gray, Nora Bayes and Sophie Tucker appeared in the shows. [2]
The Ziegfeld Follies were known for displaying beautiful chorus girls, commonly called Ziegfeld Girls, who "paraded up and down flights of stairs as anything from birds to battleships." [3] They usually wore elaborate costumes by designers such as Erté, Lady Duff-Gordon and Ben Ali Haggin. The "tableaux vivants" used in the revues were designed by Ben Ali Haggin from 1917 to 1925. Joseph Urban was the scenic designer for the Follies shows, starting in 1915, [4] and Edward Royce directed the Follies in 1920 and 1921, in addition to several other Ziegfeld productions. [5]
After Ziegfeld's death his widow, actress Billie Burke, authorized use of his name for Ziegfeld Follies in 1934 and 1936 to Jake Shubert, who then produced the Follies. [6] The name was later used by other promoters in New York City, Philadelphia, and again on Broadway, with less connection to the original Follies. These later efforts failed miserably. When the show toured, the 1934 edition was recorded in its entirety, from the overture to play-out music, on a series of 78 rpm discs, which were edited by the record producer David Cunard to form an album of the highlights of the production and which was released as a CD in 1997.
In 1937, at the 9th Academy Awards, the Metro-Goldwyn-Mayer film, The Great Ziegfeld produced the previous year won the Best Picture (called "Outstanding Production"), [7] [8] starring William Powell as Florenz Ziegfeld, Jr. and co-starring Myrna Loy (as Ziegfeld's second wife Billie Burke), Luise Rainer (as Anna Held, which won her an Academy Award for Best Actress), [7] and Frank Morgan as Jack Billings. [9] Featuring numbers by Ray Bolger, Dennis Morgan, Virginia Bruce, and Harriet Hoctor, the film gave a glimpse into what the Follies were really like.[ citation needed ] The show-stopper was the Irving Berlin-composed "A Pretty Girl Is Like a Melody", which, by itself, cost more to produce than one of Ziegfeld's entire stage shows. [8]
In 1941 MGM released Ziegfeld Girl , starring Judy Garland, Lana Turner, Hedy Lamarr, James Stewart and Tony Martin. The film was set in the 1920s. [10] Celebrated numbers from Ziegfeld Revues were recreated, including the famed "Wedding Cake" set which had been used for Metro's earlier film, The Great Ziegfeld. Judy Garland was filmed on the top of the cake. [11] Charles Winninger, who had performed in the Follies of 1920, appeared as "Ed Gallagher" [10] with Gallagher's real-life partner, Al Shean to recreate the duo's famous song "Mister Gallagher and Mister Shean". [12] According to modern sources, Turner's character was modeled after Ziegfeld Girl Lillian Lorraine, who suffered a drunken fall into the orchestra pit during an extravagant number. [13]
In 1946 MGM released a third feature film based on Ziegfeld's shows titled Ziegfeld Follies with Fred Astaire, Judy Garland, Lena Horne, William Powell (as Ziegfeld), Gene Kelly, Fanny Brice, Red Skelton, Esther Williams, Cyd Charisse, Lucille Ball, Kathryn Grayson, and others performing songs and sketches similar to those from the original Follies. Ziegfeld Follies was awarded the "Grand Prix de la Comedie Musicale" at the Cannes Film Festival in 1947, and received an Academy Award nomination for Best Art Direction-Set Decoration (black and white). [14]
The stage musical Funny Girl [15] depicts Fanny Brice's success with the Follies. The musical debuted on Broadway in 1964 with Barbra Streisand playing Brice, Roger DeKoven as Florenz Ziegfeld Jr. and Brice's son-in-law Ray Stark producing. The 1968 Columbia Pictures film adaptation featuring Streisand reprising her role as Brice and Walter Pidgeon as Ziegfeld was the year's top-grossing movie. [16] A subsequent Broadway revival in 2022 and 2023 featured Beanie Feldstein and later Lea Michele as Brice and Peter Francis James as Ziegfeld. [17] [18]
The 1971 Stephen Sondheim musical Follies takes place at a reunion of showgirls from the Weissman Follies, a fictional revue inspired by the Ziegfeld Follies. In addition to featuring "ghosts" of statuesque showgirls from the heyday of the revues, the musical includes many songs and production numbers that are intended to evoke the types of entertainment typically featured in the Ziegfeld Follies and other revues of the period. Examples include parade of showgirls ("Beautiful Girls"); a torch song ("Losing My Mind"); a baggy pants comic song ("The God-Why-Don't-You-Love-Me Blues"); and a novelty song ("Rain on the Roof").[ citation needed ] In The Drowsy Chaperone , the character Victor Feldzieg is the producer of Feldzieg's Follies, a parody of Ziegfeld Follies.[ citation needed ]
The TV show, Boardwalk Empire , about crime and corruption in 1920s Atlantic City, New Jersey, features a character that is a former Follies dancer, Lucy Danzige, portrayed by Paz de la Huerta.[ citation needed ]
The 1912 version of the Ziegfeld Follies included a song entitled '"Row, Row, Row"', which has been adapted by two football clubs competing with two different sets of rules (codes) as their club song. [30] After the 1945 Rio Carnival, [31] Brazilian composer Lamartine Babo wrote lyrics to "Row, Row, Row" to adapt the song as the Hino do America anthem of the America Football Club in Rio de Janeiro. [30] [32]
In 1962, Australian cabaret singer Jack Malcolmson, who was performing at the Richmond Football Club (Australian rules) Social Club in Richmond, Melbourne, wrote lyrics to adapt the song as the Tigers' club song, We're from Tigerland, at the request of Richmond committee member Alf Barnett. [33] In 2014, Melbourne's Herald Sun ranked We're from Tigerland as the best club song of any Australian Football League team. [34] Versions of the song include a 1972 recording by the Fable Singers, who recorded most AFL club songs, and a 2018 recording including Richmond players Matthew Richardson and Kevin Bartlett. [35] The Oakleigh Youth Football Club, which Malcomson coached for over 400 games, also adapted We're from Tigerland as their club song in 2005. [36]
The Great Ziegfeld is a 1936 American musical drama film directed by Robert Z. Leonard and produced by Hunt Stromberg. It stars William Powell as the theatrical impresario Florenz "Flo" Ziegfeld Jr., Luise Rainer as Anna Held, and Myrna Loy as Billie Burke.
Funny Girl is a musical with score by Jule Styne, lyrics by Bob Merrill, and book by Isobel Lennart, that first opened on Broadway in 1964. The semi-biographical plot is based on the life and career of comedian and Broadway star Fanny Brice, featuring her stormy relationship with entrepreneur and gambler Nicky Arnstein.
Billy Rose was an American impresario, theatrical showman, lyricist and columnist. For years both before and after World War II, Billy Rose was a major force in entertainment, with shows such as Billy Rose's Crazy Quilt (1931), Jumbo (1935), Billy Rose's Aquacade (1937), and Carmen Jones (1943). As a lyricist, he is credited with many songs, notably "Don't Bring Lulu" (1925), "Tonight You Belong To Me" (1926), "Me and My Shadow" (1927), "More Than You Know" (1929), "Without a Song" (1929), "It Happened in Monterrey" (1930), and "It's Only a Paper Moon" (1933).
Florenz Edward Ziegfeld Jr. was an American Broadway impresario, notable for his series of theatrical revues, the Ziegfeld Follies (1907–1931), inspired by the Folies Bergère of Paris. He also produced the musical Show Boat. He was known as the "glorifier of the American girl". Ziegfeld is a member of the American Theater Hall of Fame.
Fania Borach, known professionally as Fanny Brice or Fannie Brice, was an American comedian, illustrated song model, singer, and actress who made many stage, radio, and film appearances. She is known as the creator and star of the top-rated radio comedy series The Baby Snooks Show.
Eric Blore Sr. was an English actor and writer. His early stage career, mostly in the West End of London, centred on revue and musical comedy, but also included straight plays. He wrote sketches for and appeared in variety.
The Winter Garden Theatre is a Broadway theatre at 1634 Broadway in the Midtown Manhattan neighborhood of New York City. Originally designed by architect William Albert Swasey, it opened in 1911. The Winter Garden's current design dates to 1922, when it was completely remodeled by Herbert J. Krapp. Due to the size of its auditorium, stage, and backstage facilities, it is favored for large musical productions. It has 1,600 seats and is operated by The Shubert Organization. The auditorium interior is a New York City landmark.
A revue is a type of multi-act popular theatrical entertainment that combines music, dance, and sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the revue art form brings together music, dance and sketches to create a compelling show. In contrast to these, however, revue does not have an overarching storyline. Rather, a general theme serves as the motto for a loosely related series of acts that alternate between solo performances and dance ensembles.
Carol Lawrence is an American actress, appearing in musical theatre and on television. She is known for creating the role of Maria on Broadway in the musical West Side Story (1957), receiving a nomination for the Tony Award for Best Featured Actress in a Musical. She appeared at The Muny, St. Louis, in several musicals, including Funny Girl. She also appeared in many television dramas, including Rawhide, The Six Million Dollar Man and Murder, She Wrote. She was married to fellow performer Robert Goulet.
Ziegfeld Girls were the actresses, singers, chorus girls, showgirls and other female performers who appeared in Florenz Ziegfeld's theatrical Broadway revue spectaculars known as the Ziegfeld Follies, produced in New York City. The revues were originally based on the Folies Bergère of Paris. Ziegfeld girls also included female performers who participated in the Ziegfeld Midnight Frolic and the Ziegfeld 9 O'Clock Revue (1919-1920).
The Passing Show of 1918 is a Broadway musical revue featuring music of Sigmund Romberg and Jean Schwartz, with book and lyrics by Harold Atteridge. The show introduced the hit songs "I'm Forever Blowing Bubbles" and "Smiles".
The Passing Show of 1916 is a revue featuring the music of Sigmund Romberg and Otto Motzan, with book and lyrics by Harold Atteridge. It included the first George Gershwin songs introduced in a Broadway show.
The Ziegfeld Follies of 1936 is a musical revue with lyrics by Ira Gershwin, music by Vernon Duke and sketches by Gershwin and David Freedman. The Ziegfeld Follies were a series of revues presented from 1907 through 1931, 1934, 1936, 1943, and 1957.
The Passing Show was a musical revue in three acts, billed as a "topical extravaganza", with a book and lyrics by Sydney Rosenfeld and music by Ludwig Engländer and various other composers. It featured spoofs of theatrical productions of the past season. The show was presented in 1894 by George Lederer at the Casino Theatre. It was one of the first musical revues on Broadway and led the fashion for such productions. The Casino Theatre produced a revue each summer thereafter for several seasons.
Robert North was an American vaudeville performer who became a success as a stand-up comedian. Later he became a prolific motion picture producer.
Jesse C. Huffman (1869–1935) was an American theatrical director. Between 1906 and 1932 he directed or staged over 200 shows, mostly for the Shubert Brothers. Many of them were musical revues, musicals or operettas. He is known for The Passing Show series of revues that he staged from 1914 to 1924 at the Winter Garden Theatre on Broadway, daring alternatives to the Ziegfeld Follies.
"Second Hand Rose" is a 1921 popular song written by Grant Clarke and James F. Hanley for Fanny Brice.
Irving Actman was an American conductor, musical director and composer. He is known for his work in film and on Broadway musicals, most notably as the music director of the original 1950 production of Guys and Dolls.
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Jack Whiting was an American actor, singer and dancer whose career ran from the early 1920s through the late 1950s, playing leading men or major supporting figures.
Winter Garden Theatre
Ziegfeld Follies of 1957 (Original, Musical, Revue, Broadway) opened in New York City March 1, 1957 and played through June 15, 1957.
Film Comedian Well Known on New York Stage for Many Years Victim of Pneumonia. Long Career Included Roles in Minstrel Shows, Circuses and Outstanding Plays
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