The music of Bolivia has a long history. Out of all the Andean countries, Bolivia remains perhaps the most culturally linked to the indigenous peoples.
Chilean music refers to all kinds of music developed in Chile, or by Chileans in other countries, from the arrival of the Spanish conquistadors to the modern day. It also includes the native pre-Columbian music from what is today Chilean territory.
Peruvian music is an amalgamation of sounds and styles drawing on Peru's Andean, Spanish, and African roots. Andean influences can perhaps be best heard in wind instruments and the shape of the melodies, while the African influences can be heard in the rhythm and percussion instruments, and European influences can be heard in the harmonies and stringed instruments. Pre-Columbian Andean music was played on drums and string instruments, like the European pipe and tabor tradition. Andean tritonic and pentatonic scales were elaborated during the colonial period into hexatonic, and in some cases, diatonic scales.
Los Jairas was a Bolivian folk music group that was active in the 1960s. Their work features the charango, a stringed instrument from Bolivia.
The quena is the traditional flute of the Andes. Traditionally made of cane or wood, it has 6 finger holes and one thumb hole, and is open on both ends or the bottom is half-closed (choked). To produce sound, the player closes the top end of the pipe with the flesh between the chin and lower lip, and blows a stream of air downward, along the axis of the pipe, over an elliptical notch cut into the end. It is normally in the key of G, with G4 being the lowest note. It produces a very "textured" and "dark" timbre because of the length-to-bore ratio of about 16 to 20, which is very unlike the tone of the Western concert flute with a length-to-bore ratio of about 38 to 20.
Huayno is a genre of popular Andean music and dance. It is especially common in Peru, Western Bolivia, Northern Argentina and Northern Chile, and is practiced by a variety of ethnic groups, especially the Quechua people. The history of Huayno dates back to colonial Peru as a combination of traditional rural folk music and popular urban dance music. High-pitched vocals are accompanied by a variety of instruments, including quena (flute), harp, siku (panpipe), accordion, saxophone, charango, lute, violin, guitar, and mandolin. Some elements of huayno originate in the music of the pre-Columbian Andes, especially on the territory of the former Inca Empire. Huayno utilizes a distinctive rhythm in which the first beat is stressed and followed by two short beats.
Los Kjarkas is a Bolivian band from the Capinota province in the department of Cochabamba, and one of the most popular Andean folk music bands in the country's history. Among the styles they play are Saya, tuntuna, huayno, and carnavales. The instruments they use include the charango, quena, zampoña, ronroco, guitar, and bombo.
Música criolla, creole music or canción criolla is a varied genre of Peruvian music that exhibits influences from European, African and Andean music. The genre's name reflects the coastal culture of Peru, and the local evolution of the term criollo, a word originally denoting high-status people of full Spanish ancestry, into a more socially inclusive element of the nation.
Quechua people or Quichua people may refer to any of the indigenous peoples of South America who speak the Quechua languages, which originated among the Indigenous people of Peru. Although most Quechua speakers are native to Peru, there are some significant populations in Ecuador, Bolivia, Chile, Colombia, and Argentina.
The Wiphala is a square emblem commonly used as a flag to represent some native peoples of the Andes that include today's Bolivia, Peru, Chile, Ecuador, northwestern Argentina and southern Colombia. The 2009 Constitution of Bolivia established the southern Qullasuyu Wiphala as another national symbol of Bolivia, along with the red-yellow-green tricolor.
A pinkillu, pinkuyllu or pinqullu is a flute found throughout the Andes, used primarily in Argentina northwest, Bolivia, Chile, Ecuador and Peru. It is usually played with one hand, leaving the other one free to accompany oneself on a drum like the tinya. It is used in a variety of public festivals and other kinds of communal ceremonies.
Siku is a traditional Andean panpipe. This instrument is the main instrument used in a musical genre known as sikuri. It is traditionally found all across the Andes but is more typically associated with music from the Kollasuyo, or Aymara speaking regions around Lake Titicaca. Historically because of the complicated mountain geography of the region, and due to other factors, in some regions each community would develop its own type of siku, with its own special tuning, shape and size. Additionally each community developed its own style of playing. Today the siku has been standardized to fit in with modern western forms of music and has been transported from its traditional roots.
Tecnocumbia is a style of Cumbia where there is a fusion between electronic sounds generated by electronic musical instruments through electronic drums, the electric guitar, synthesisers, and samplers. "Tecnocumbia" was a word developed in Mexico to describe this type of music. However, the style of music was developed throughout South America with different names given to it before the name "Tecnocumbia" was adopted as the single denomination for the music.
Jorge Cumbo was an Argentine musician who played the Andean quena flute, combining jazz and Argentine folklore. After early encounters with folklore under his mentor Chango Farías Gomez, and three years at the conservatory, Cumbo discovered the quena flute. After learning the quena from Una Ramos, Cumbo joined Ramos and Jorge Milchberg in the group "Urubamba" with whom he performed from 1970 to 1976. In 1973, "Urubamba" became famous through their cooperation with Paul Simon.
Andean culture is a collective term used to refer to the indigenous peoples of the Andes mountains especially those that came under the influence of the Inca Empire. Cultures considered Andean include:
Illiniza is a cultural association from Ecuador centered in Popular Latin American music since 1979. It has been recognized as one of the most influential musical ensembles in the country.
The Diablada, also known as the Danza de los Diablos, is an Andean folk dance performed in Bolivia the Altiplano region of South America, characterized by performers wearing masks and costumes representing the devil and other characters from pre-Columbian theology and mythology. combined with Spanish and Christian elements added during the colonial era. Many scholars have concluded that the dance is descended from the Llama llama dance in honor of the Uru god Tiw, and the Aymaran ritual to the demon Anchanchu, both originating in pre-Columbian Bolivia
Peruvian cumbia is a subgenre of chicha that became popular in the coastal cities of Peru, mainly in Lima in the 1960s through the fusion of local versions of the original Colombian genre, traditional highland huayno, and rock music, particularly surf rock and psychedelic rock. The term chicha is more frequently used for the pre-1990s variations of the subgenre.
Harawi is an ancient traditional genre of Andean music and also indigenous lyric poetry. Harawi was widespread in the Inca Empire and now is especially common in countries that were part of it, mainly: Peru, Ecuador, Bolivia. Typically, harawi is a moody, soulful slow and melodic song or tune played on the quena (flute). The words of harawi speak of love, plight of ordinary peasant, privations of orphans, etc. Melodies are mainly in minor pentatonic scale.
Bolivia Manta is a Bolivian group created in France in 1977 by Carlos and Julio Arguedas that performs traditional music of pre-Hispanic and contemporary music of the Andes, particularly that of the Aymara and Quechua-speaking people of Bolivia and also traditional music of peoples of Peru and Ecuador. Bolivia Manta albums are an encyclopedia of Andean folklore, these dances and songs are collected in different parts of Peru, Bolivia and Ecuador, and most tracks are authentic performances of traditional rural music. They perform their music on indigenous flutes, panpipes and drums, as well as stringed instruments introduced since the Spanish conquest. In 1981, the group was awarded the Académie Charles Cros Grand Prix for the album Winayataqui, and in 1985, they received a Laser d'or from the Académie du disque français for the album Pak'cha.
