Black-burnished ware

Last updated

A selection of pottery found in Roman Britain. The two black vessels shown at the back left are of black-burnished ware Roman pottery from Britain.jpg
A selection of pottery found in Roman Britain. The two black vessels shown at the back left are of black-burnished ware

Black-burnished ware is a type of Romano-British ceramic. Burnishing is a pottery treatment in which the surface of the pot is polished, using a hard smooth surface. The classification includes two entirely different pottery types which share many stylistic characteristics. Black burnished ware 1 (BB1), is a black, coarse and gritty fabric. Vessels are hand made. Black burnished ware 2 (BB2) is a finer, grey-coloured, wheel thrown fabric.

Contents

Decoration on both types includes burnished lattice or, additionally, in the case of bowls and dishes, a wavy line design. Standard forms across both types include jars with everted rims and bowls with upright or flat flanged rims.

Black Burnished Ware 1

Black Burnished Ware Category 1 (BB1) is made from a clay body that has a coarse texture. The clay body can contain black iron ores, flint, quartz, red iron ores, shale fragments, and white mica. [1] BB1 can be grainy and black or dark gray in appearance. These wares are formed by hand.

BB1 wares were manufactured in the Dorset area and distributed throughout Britain. [2] The distribution of BB1 wares dates primarily to the mid-second to fourth centuries AD. Forms include bowls, dishes, and jars. [1]

Early BB1 influenced Vectis ware. [3]

Black Burnished Ware 2

Black Burnished Ware Category 2 (BB2) is greyer in color and has a finer texture when compared with BB1. [4] It is a “hard, sandy fabric, varying in colour from dark-grey or black with a brown or reddish brown core and a reddish-brown, blue-grey, black or lighter ('pearly grey') surface.” [5] The clay body can contain black iron ore, mica, and quartz, all in a matrix of sediment. [5] These wares are thrown on a fast potter's wheel.

BB2 wares were manufactured on both the Essex and Kent sides of the Thames Estuary. [6] [7] [8] The distribution of BB2 wares occurred from AD 140 through to the mid third century AD in south-east England and the northern part of Britain. [5]

Related Research Articles

Pottery Craft of making objects from clay

Pottery is the process and the products of forming vessels and other objects with clay and other ceramic materials, which are fired at high temperatures to give them a hard and durable form. Major types include earthenware, stoneware and porcelain. The place where such wares are made by a potter is also called a pottery. The definition of pottery, used by the ASTM International, is "all fired ceramic wares that contain clay when formed, except technical, structural, and refractory products." In art history and archaeology, especially of ancient and prehistoric periods, "pottery" often means vessels only, and sculpted figurines of the same material are called "terracottas".

Terra sigillata

Terra sigillata is a term with at least three distinct meanings: as a description of medieval medicinal earth; in archaeology, as a general term for some of the fine red Ancient Roman pottery with glossy surface slips made in specific areas of the Roman Empire; and more recently, as a description of a contemporary studio pottery technique supposedly inspired by ancient pottery. Usually roughly translated as 'sealed earth', the meaning of 'terra sigillata' is 'clay bearing little images', not 'clay with a sealed (impervious) surface'. The archaeological term is applied, however, to plain-surfaced pots as well as those decorated with figures in relief.

Minoan pottery Pottery from Bronze Age Crete

Minoan pottery has been used as a tool for dating the mute Minoan civilization. Its restless sequence of quirky maturing artistic styles reveals something of Minoan patrons' pleasure in novelty while they assist archaeologists in assigning relative dates to the strata of their sites. Pots that contained oils and ointments, exported from 18th century BC Crete, have been found at sites through the Aegean islands and mainland Greece, on Cyprus, along coastal Syria and in Egypt, showing the wide trading contacts of the Minoans.

Godin Tepe Place

Godin Tepe is an archaeological site in western Iran, located in the valley of Kangavar in Kermanshah Province. Discovered in 1961, the site was excavated from 1965 to 1973 by a Canadian expedition headed by T. Cuyler Young Jr. and sponsored by the Royal Ontario Museum. The importance of the site may have been due to its role as a trading outpost in the early Mesopotamian trade networks.

Levantine pottery Pottery from the Levant

Pottery and ceramics have been produced in the Levant since prehistoric times.

Minyan ware

Minyan ware is a broad archaeological term describing varieties of a particular style of Aegean burnished pottery associated with the Middle Helladic period. The term was coined in the 19th century by German archaeologist Heinrich Schliemann after discovering the pottery in Orchomenos, Greece. Excavations conducted during the 1960s confirmed that Minyan ware evolved from the burnished pottery developed by the Tiryns culture of the Early Helladic III period.

Rio Grande Glaze Ware Historic ceramic ware produced by the Puebloan people of New Mexico

Rio Grande Glaze Ware is a late prehistoric and historic pottery tradition of the Puebloan peoples of New Mexico. The tradition involved painting pots with black paint made with lead ore; as the pots were fired the black paint fused and sometimes ran. The tradition lasted from AD 1315 to 1700. Rio Grande Glaze Ware was made or used in a number of villages from the Santa Fe area to the north end of Elephant Butte Reservoir, and from the valley of the Rio Puerco east to the upper Pecos River Valley.

Ancient Roman pottery

Pottery was produced in enormous quantities in ancient Rome, mostly for utilitarian purposes. It is found all over the former Roman Empire and beyond. Monte Testaccio is a huge waste mound in Rome made almost entirely of broken amphorae used for transporting and storing liquids and other products – in this case probably mostly Spanish olive oil, which was landed nearby, and was the main fuel for lighting, as well as its use in the kitchen and washing in the baths.

The pottery of ancient Cyprus starts during the Neolithic period. Throughout the ages, Cypriot ceramics demonstrate many connections with cultures from around the Mediterranean. During the Early and Middle Bronze Ages, it is especially imaginative in shape and decoration. There are also many early terracotta figurines that were produced depicting female figures.

Crambeck Ware Historic pottery style

Crambeck Ware is a type of Romano-British ceramic produced in North Yorkshire primarily in the 4th Century AD.

Humber ware

Humber ware is a type of Medieval ceramic produced in North Yorkshire, England in the late 13th to early 16th Centuries AD.

Chirand is an archaeological site in the Saran district of Bihar, India, situated on the northern bank of the Ganga River. It has a large pre-historic mound which is known for its continuous archaeological record from the Neolithic age to the reign of the Pal dynasty who ruled during the pre-medieval period. The excavations in Chirand have revealed stratified Neolithic, Chalcolithic, and Iron Age settlements, and transitions in human habitation patterns dating from 2500 BC to 30 AD.

The basic chronology of the early town of Manda Island in the Lamu Archipelago of Kenya is divided into 6 different periods, based mostly on the types of imported pottery that has been found in different strata of the excavations. The first period, I, begins in the mid ninth century and is subdivided into four parts, a, b, c, and d, ending in the early eleventh century. Period II has two parts, A and B, though the divide between the two is rather vague and could be entirely arbitrary, and dates from the mid eleventh to the late twelfth for the former, and late twelfth to late thirteenth century for the latter. Period III runs from the late thirteenth century to the fourteenth when Period IV picks up and ends in the early Sixteenth. Period V covers the mid Sixteenth and all of the seventeenth, and the final period covers everything after the Seventeenth century.

Sandy ware Historic pottery style of Britain

Sandy ware, also known as Early Medieval Sandy ware, is a type of pottery found in Great Britain from the sixth through the fourteenth centuries. The pottery fabric is tempered with enough quartz sand mixed in with the clay for it to be visible in the fabric of the pot. Sandy ware was commonly used in Southeast England and the East Midlands.

Shelly ware

Shelly ware, is a type of pottery found in Great Britain from the seventh through the twelfth centuries. Shelly ware includes Late Saxon Shelly ware, Early Medieval Shelly Ware, and Lincolnshire Shelly Wares. The pottery fabric is tempered with shell powder or reduced shell. Shelly ware was typically handmade until the tenth century, when potters transitioned to wheel-thrown pottery. Shelly wares were manufactured and distributed in the Upper Thames Valley, southeastern coastal areas of Britain and the East Midlands.

Surrey whiteware

Surrey whiteware or Surrey white ware, is a type of lead-glazed pottery produced in Britain from the 13th to the 16th centuries. The white-fired sandy earthenware was produced largely from kilns in Surrey and along the Surrey-Hampshire border. Surrey whitewares were the most commonly used pottery in London during the late medieval period. There are four classes of Surrey whiteware: Kingston-type, Coarse Border ware, Cheam whiteware and Tudor Green ware.

Border ware

Border ware is a type of post-medieval British pottery commonly used in London during the sixteenth and seventeenth centuries. The lead-glazed, sandy earthenware was produced from kilns along the border between Hampshire and Surrey. There are two classes of Border ware, fine whitewares and fine redwares.

Shelly-sandy ware

Shelly-sandy ware(SSW) is a type of medieval pottery produced in Great Britain. The pottery fabric is tempered with both sand and shell, most commonly quartz sand and ground-up shell. The fabric is generally dark grey in colour with brown oxidised surfaces. SSW was typically handmade until the potters transitioned to wheel-thrown pottery production. The pottery was manufactured and distributed primarily from 1140—1220 AD in the Greater London area.

Thetford ware Historic pottery style of Britain

Thetford ware is a type of English medieval pottery mass-produced in Britain between the late ninth and mid twelfth centuries AD. Manufactured in Norfolk and Ipswich, Suffolk, the pottery has a hard, sandy fabric, and is generally grey in colour. Most vessel types include cooking pots, bowls, jars, pitchers, and lamps.

References

  1. 1 2 Tyers, P A. "South-east Dorset black-burnished 1." Potsherd. Accessed February 21, 2011. Last modified December 28, 2010. http://potsherd.net/.
  2. Allen, J. R. L.; Fulford, M. G. (1996). "The Distribution of South-East Dorset Black Burnished Category I Pottery in South-West Britain". Britannia. 27: 223–281. doi:10.2307/527045. JSTOR   527045. S2CID   162584757.
  3. Timby, Jane (2013). "Material Culture: pottery and fired clay". In Cunliffe, Barry (ed.). The Roman Villa at Brading, Isle of Wight: The Excavations of 2008-10. Oxford School or Archaeology. p. 192. ISBN   9781905905263.
  4. Darvill, T. (2003). Concise Oxford Dictionary of Archaeology. ISBN   9780192800053.
  5. 1 2 3 Tyers, P A. "Black-burnished 2." Potsherd. Accessed February 21, 2011. Last modified December 28, 2010. http://potsherd.net/.
  6. Catherall, P. D.; Pollard, R. J.; Turner, R. C.; Monk, M. A. (1983). "A Romano-British Pottery Manufacturing Site at Oakleigh Farm, Higham, Kent". Britannia. 14: 103–141. doi:10.2307/526344. JSTOR   526344. S2CID   165766913.
  7. Monaghan, Jason (1987). Upchurch and Thameside Roman Pottery. Oxford: British Archaeological Reports British Series 173.
  8. Symonds, R. P.; Wade, Sue (1999). Roman Pottery from Excavations in Colchester, 1971-86. Colchester Archaeological Trust. ISBN   978-1-897719-07-7.[ page needed ]