David Levinthal

Last updated
David Levinthal
David Levinthal by Christopher Michel in 2022 01.jpg
Levinthal in 2022
Born (1949-03-08) March 8, 1949 (age 75)
NationalityAmerican
Education BA in Studio Art from Stanford University, MFA in Photography from Yale University, Scientiæ Magister in Management Science from the MIT Sloan School of Management
Known forPhotography
Awards Guggenheim Fellowship (1995), National Endowment for the Arts (1990–1991)
Website www.davidlevinthal.com

David Lawrence Levinthal (born March 8, 1949) is an American photographer who lives and works in New York City. He uses small toys and props with dramatic lighting to construct miniature environments for subject matters varying from war scenes to voyeurism to racial and political references to American pop culture. [1]

Contents

Levinthal's major series include Hitler Moves East (1972–1975), Modern Romance (1983–1985), Wild West (1986–1989), Desire (1991–1992), Blackface (1995–1998), Barbie (1997–1998), Baseball (1998–2004), and History (2010–2018).

Biography

Levinthal was born in 1949 in San Francisco, California. He received a Scientiæ Magister in Management Science from the MIT Sloan School of Management (1981), an MFA in Photography from Yale University (1973), and a BA in Studio Art from Stanford University (1970). He was the recipient of a Guggenheim Fellowship from the John Simon Guggenheim Memorial Foundation in 1995 [2] and a fellowship from the National Endowment for the Arts in 1990–1991. [3]

He has had retrospective exhibitions of his work at the International Center of Photography [4] and the George Eastman Museum. [5]

Levinthal has produced a diverse oeuvre, utilizing primarily large-format Polaroid photography. [6] His works touch upon many aspects of American culture, from Barbie to baseball to X-rated dolls. Levinthal's major series include Hitler Moves East (1972–1975), Modern Romance (1983–1985), Wild West (1986–1989), Desire (1991–1992), Blackface (1995–1998), Barbie (1997–1998), Baseball (1998–2004), and History (2010–2018). [7]

His politically charged series, Blackface, consists of close-ups of black memorabilia, household objects infused with African-American stereotypes, and caused such a controversy that the Institute of Contemporary Art of Philadelphia was forced to cancel the exhibition while still in its early planning stages. [4]

On his use of toys, Levinthal said that "Toys are intriguing, and I want to see what I can do with them. On a deeper level, they represent one way that society socializes its young." [8] Furthermore, Levinthal is aware of the power of toys: “Ever since I began working with toys, I have been intrigued with the idea that these seemingly benign objects could take on such incredible power and personality simply by the way they were photographed. I began to realize that by carefully selecting the depth of field and making it narrow, I could create a sense of movement and reality that was in fact not there. [9]

David Levinthal in 2022 David Levinthal by Christopher Michel in 2022 03.jpg
David Levinthal in 2022

Books

Collections

Levinthal's work is held in the following permanent public collections:

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References

  1. "David Levinthal Biography – David Levinthal on artnet". www.artnet.com. Retrieved 2018-09-26.
  2. "John Simon Guggenheim Foundation". John Simon Guggenheim Memorial Foundation. Retrieved 2021-02-06.
  3. Diawara, Manthia. David Levinthal: Blackface. Santa Fe: Arena Editions, 1999
  4. 1 2 Benfey, Christopher (1997-02-20). "Toys Are Us". Slate. ISSN   1091-2339 . Retrieved 2018-09-26.
  5. "David Levinthal: War, Myth, Desire". www.eastman.org. Retrieved 2018-09-26.
  6. Kennedy, Randy (20 June 2016). "Champions of a Monster Polaroid Yield to the Digital World". The New York Times. Retrieved 2018-09-26.
  7. Nice Boy Shares Toy
  8. "Exhibitions + Collection". San José Museum of Art. 2014-04-03. Retrieved 2018-09-26.
  9. Hallanan, Blake. "Toy Story"
  10. "Cavalry Charge with Bugler, David Levinthal ^ Minneapolis Institute of Art". collections.artsmia.org. Retrieved 2021-02-06.
  11. 'Untitled, from the series The Wild West. 1989' in MoMA collection