Eurodisco | |
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Stylistic origins | |
Cultural origins | Mid-1970s in West Germany, France, Italy, and United Kingdom. [4] [5] |
Derivative forms | |
Fusion genres | |
Space disco | |
Other topics | |
Eurodisco (also spelled as Euro disco or Euro-disco) is a music genre of electronic music that evolved from disco in the middle 1970s, [17] incorporating elements of europop and rock in a purely electronic and futuristic sound. [18] The genre emerged when European producers and musicians, especially Giorgio Moroder, Marc Cerrone and Frank Farian, adapted American disco music by incorporating European pop influences and recent new musical technologies, such as synthesizers and electronic drums.
Many Eurodisco compositions feature lyrics sung in English, although the singers often share a different mother tongue. In addition, the genre is considered to be one of the earliest forms of electronic dance music, [19] [20] as well as being credited as a precursor to later electronic music genres such as house, eurodance and techno.
Eurodisco is largely an offshoot of contemporary American music trends going far back to the early times of disco, pop and rock. During the 1960s, Europop hits spread around France, Italy and Germany, because of the French Scopitone (jukebox) and the Italian Cinebox/Coilorama Video-jukebox machines. Another root is the Eurovision Song Contest, especially in the 1970s.
The song "Waterloo" by Swedish pop group ABBA, which won the 1974 Eurovision song contest, is a typical example of a 1970s European pop song (Europop). [21] The success was huge and European producers instantly produced pop hits, and a whole new commercial music industry in Europe was met in the demand for social dancing music. The discofox dancing style was a result of this.
The American music journalist Robert Christgau used the term "Eurodisco" in his late 1970s articles for The Village Voice newspaper.
The term "disco" in Europe existed long before the Eurodisco and U.S. disco music scene. It was used in Europe during the 1960s as a short alternative to "discotheque". The first dance music venues called discotheques emerged in Occupied France in the 1940s. In the UK, "discotheques" and "discos" were called "clubs" like any other nightclub. In Italy and Spain, the term "discoteca" or "discotheque" means mainstream clubs. In Greece, "discotheque" describes the retro-clubs.
An example of the term "disco" with no relation to a specific music style (and dance music in general), is the Disco series that aired in Germany on the ZDF network from 1971 to 1982. This show proved that the term "disco" was widespread enough at the time, and that the second national TV network of Germany used it for a general music TV show in 1971. Another later example is the show Discoring on Italy's RAI channel (first aired in February 1977).
The term "Euro-disco" was first used during the mid-1970s to describe the non-UK based disco productions and artists such as D.D. Sound, West Germany groups Arabesque, [22] Boney M., [23] Dschinghis Khan and Silver Convention, the Munich-based production trio Giorgio Moroder, Donna Summer and Pete Bellotte, [24] the Italian singer Gino Soccio, [25] French artists Amanda Lear, Dalida, Cerrone, Hot Blood, Banzai (single "Viva America") and Ottawan, Dutch groups Luv' and Eurovision song contest winners Teach-In. In Spain, disco took off after the death of Francisco Franco in 1975, with Baccara. Swedish group ABBA gained the big hit "Dancing Queen".
1970s Eurodisco soon had spinoffs and variations. The most notable spinoff is space disco, a crossover of Eurodisco and US hi-NRG disco. Another popular variation, with no specific name, appeared in the late 1970s: a "Latin"-like sound added to the genre, which can be heard in Italy's Raffaella Carrà, La Bionda (D. D. Sound), Easy Going and France's Gibson Brothers.
One of the early representatives of the 1980s genre was the British group Imagination and with their series of hits throughout 1981 and 1982. In the United States, Donna Summer was the only 1980s Eurodisco singer, and the term hi-NRG was used there instead.
1980s Eurodisco variations soon appeared later in France, Germany, Spain and Greece. The French and German Eurodisco productions were the most popular. German pop duo Modern Talking was an icon of Eurodisco between 1985–1987 and became the most successful Eurodisco project ever. Bad Boys Blue was another very successful project.
That style became very popular in Eastern Europe and remained popular until the early 1990s. In Poland, disco polo, a local music genre relying heavily on Eurodisco was developed at the verge of the '80s and '90s. Some Canadian disco productions by groups like Lime became hits.
During the late 1980s, Eurodisco hits were produced in Spain and Greece and much later in Poland and Russia. Meanwhile, a sped-up version of Eurodisco with dance-pop elements became successful in the US, under the term "hi-NRG". Even today, for many Americans, "hi-NRG" means Paul Lekakis and the London Boys. Those hits (and a few others, like Londonbeat's "I've Been Thinking About You" from 1990) were the last hits called "Eurodisco" in Europe.
By the early 1990s, Eurodisco was influenced by the emergence of genres such as house, acid house and the electro (pop/dance/synth) music styles, and replaced (or evolved) by other music styles. Eurohouse and Italo-NRG are the most notable and connected directly with the Italo disco music scene. In the United States, especially for the Eurohouse style, they used the earlier term of "Eurodance" to describe this 1990s evolution of Eurodisco.
Technically speaking, the last form of Eurodisco is French house, a music style that appeared in France during the mid-1990s and slowly became widespread in Europe. French house is more of a "back to the roots" music style with 1970s Eurodisco influences far before the Italo disco explosion (more specifically space disco, hi-NRG disco, Canadian disco and P-funk).
By the mid to late 2000s, Eurodisco saw renewed interest. Artists such as Irene Cara, Berlin and the late Laura Branigan saw a surge in popularity, especially in places where it was not commercially successful after 1984, such as North America and South America.
The influence of Eurodisco had infiltrated dance and pop in the U.S. by 1983, as European producers and songwriters inspired a new generation of American performers. While disco had been declared "dead" due to a backlash there in 1979, subsequent Euro-disco flavored successes crossing the boundaries of rock, pop and dance, such as "Call Me" by Blondie and "Gloria" by Laura Branigan. [26]
Branigan (produced by German producer Jack White) moved deeper into the Eurodisco style for further hits, alongside Giorgio Moroder-produced U.S. acts Berlin and Irene Cara. By 1984, musicians from many countries had begun to produce Eurodisco songs. In Germany, notable practitioners of the sound included Modern Talking, Arabesque, Sandra, Fancy, Silent Circle, Mike Mareen, Lian Ross and C.C. Catch. Bands like Laban from Denmark; Magazine 60, Début de Soirée and Monte Kristo from France; Troll from Sweden; New Baccara from Spain; and Joy from Austria also helped, along with German artists, to consolidate the Eurodisco sound in the mid to late 80s.
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars.
Electroclash is a genre of popular music that fuses 1980s electro, new wave and synth-pop with 1990s techno, retro-style electropop and electronic dance music. It emerged in the late 1990s and was pioneered by and associated with acts such as I-F, DJ Hell, Miss Kittin and The Hacker, and Fischerspooner.
Europop is a style of pop music that originated in Europe during the mid-to-late 1960s and developed to today's form throughout the late 1970s. Europop topped the charts throughout the 1980s and 1990s, with revivals and moderate degrees of appreciation also in the 2000s and the 2010s. It features catchy and danceable beats, accompanied by euphoric pop-influenced melodies. The lyrics are usually very simple and carefree in order to have international appeal. One of the main differences between American and European pop is that Europop is generally more oriented towards European dance genres, such as trance, eurodance, and eurodisco.
Giovanni Giorgio Moroder is an Italian composer and music producer. Dubbed the "Father of Disco", Moroder is credited with pioneering euro disco and electronic dance music. His work with synthesizers had a large influence on several music genres such as hi-NRG, Italo disco, synth-pop, new wave, house and techno music.
Hi-NRG is a genre of uptempo disco or electronic dance music (EDM) that originated in the United States during the late 1970s and early 1980s.
Dance-pop is a subgenre of pop music that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-disco and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions.
Eurodance is a genre of electronic dance music that originated in the late 1980s in Europe. It combines many elements of rap, techno and Eurodisco. This genre of music is heavily influenced by the use of rich vocals, sometimes with rapped verses. This, combined with cutting-edge synthesizers, strong bass rhythm and melodic hooks, establishes the core foundation of Eurodance music. Since the beginning of the 2010s, eurodance has been somewhat considered a "niche" genre with rare Execution on both radio and TV, but it still has a guaranteed space in dance clubs and in nostalgic shows/tours that many bands renowned songs of this genre currently do, the most famous being "We Love The 90s".
Eurobeat refers to two styles of dance music that originated in Europe: one is a British variant of Italian Eurodisco-influenced dance-pop, and the other is a hi-NRG-driven form of Italo disco. Both forms were developed in the 1980s.
Robert Philip Orlando also known as Bobby Orlando or just Bobby O, is an American record producer, indie record label owner, songwriter, and musician. He is regarded as an innovator in the Hi-NRG genre for developing his signature sound, using a "powerful beat" and "new wave-style" vocals with the help of a "heavy [synthesizer] bass", synthesizers, piano, guitars, cowbells.
Italo disco is a music genre which originated in Italy in the late 1970s and was mainly produced in the 1980s. Italo disco evolved from the then-current underground dance, pop, and electronic music, both domestic and foreign and developed into a diverse genre. The genre employs electronic drums, drum machines, synthesizers, and occasionally vocoders. It is usually sung in English, and to a lesser extent in Italian and Spanish.
French house is a style of house music devised by French musicians in the 1990s. It is a form of Euro disco and a popular strand of the late 1990s and 2000s European EDM scene. The defining characteristics of the genre are filter and phaser effects both on and alongside samples from late 1970s and early 1980s European disco tracks. Tracks sometimes contained original hooks inspired by these samples, providing thicker harmonic foundations than the genre's forerunners. Most tracks in this style are in 4
4 time and feature steady four-on-the-floor beats in the tempo range of 110–130 beats per minute. French house is similar to future funk, although there are some key differences. Purveyors of French house include Daft Punk, David Guetta, Bob Sinclar, Martin Solveig, Cassius, The Supermen Lovers, Modjo, Justice, Air, and Étienne de Crécy.
Love to Love You Baby is the second studio album by American singer Donna Summer, released on August 27, 1975, and her first to be released internationally and in the United States. Her previous album Lady of the Night (1974) was released only in the Netherlands. The album was commercially successful, mainly because of the success of its title track, which reached number 2 on the US Pop charts despite some radio stations choosing not to play the song due to its sexually explicit nature.
"I Feel Love" is a song by the American singer Donna Summer. Produced and co-written by Giorgio Moroder and Pete Bellotte, it was recorded for Summer's fifth studio album, I Remember Yesterday (1977). The album concept was to have each track evoke a different musical decade; for "I Feel Love", the team aimed to create a futuristic mood, employing a Moog synthesizer.
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient history, the earliest Western dance music that we can still reproduce with a degree of certainty are old-fashioned dances. In the Baroque period, the major dance styles were noble court dances. In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and polonaise.
Nu-disco is a 21st-century dance music genre associated with a renewed interest in the late 1970s disco, synthesizer-heavy 1980s European dance music styles, and early 1990s electronic dance music. The genre was popular in the early 2000s, and experienced a mild resurgence in the 2010s.
"Chase" is a 1978 instrumental composition by Italian music producer Giorgio Moroder. It was released as a single during 1978 from his Academy Award-winning soundtrack album Midnight Express (1978), and was a disco instrumental that was subsequently extended and released as a maxi single. It made the Billboard Hot 100 in January 1979, peaking at number 33, and the UK Singles Chart, peaking at number 48.
Post-disco is a term to describe an aftermath in popular music history circa 1979–1986, imprecisely beginning with the backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980. During its dying stage, disco displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip hop, Euro disco, and was succeeded by an underground club music called hi-NRG, which was its direct continuation.
Techno is a genre of electronic dance music which is generally produced for use in a continuous DJ set, with tempos being in the range of 120 to 150 beats per minute (BPM). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular.
The following year, the flip, "Baby Come Back," becomes a huge hit across Europe, setting in motion Europop and soon Eurodisco.
... eurodisco emerged in the mid - 70s and revolved around a simplifica- tion of early disco's polyrhythmic percussion , which it reduced to a pound- ing bass beat ...
... instead of coming from Eurodisco strongholds in Germany, Italy, or France, the best imports right now are from England...
disco polo , a musical genre combining influences from Italian and German eurodisco and Belarusian , Ukrainian and Balkan folk melodies , with kitsch lyrics mainly about ( heterosexual ) love ( Socha 2020 ).
... Fischerspooner and Chilly Gonzales have also embraced the "electroclash" style-a camp mutation of Euro-disco and new wave-as the vehicle for their own campaigns of identity fluidity...
Eurorecords had to have immediate cross-national appeal, musical simplicity was of the essence- a bouncy beat, just one chorus hook, elementary lyrics. The fun of these records was entirely a matter of sound quality, but once a record was a hit it took on a kind of sleazy, nostalgic charm of its own. It was precisely the brazen utility of these records, in short, that gave them gay disco consumer appeal too.[...] Eurodisco also had an obvious element of camp -British club audiences took delight in the very gap between the grand gestures of Eurosingers and the vacuity of their songs.
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ignored (help)Simon invited me to work with Stock, Aitken and Waterman, Britain's biggest hit-makers of the 1980s whose work favoured a high-spirited blend of pop music and Hi-NRG, a high-tech version of Euro-disco. I checked into the Piccadilly Hotel
Like Frankfurt, Munich also had a (more indirect) house and techno pre-history via the Eurodisco sound associated with Giorgio Moroder.
Like Frankfurt, Munich also had a (more indirect) house and techno pre-history via the Eurodisco sound associated with Giorgio Moroder.
'Euro Disco', an electronic music style popularized by producers like Giorgio Moroder.
Rhythm and blues disco was joined by Eurodisco, a style from the continent that relied largely on synthesized instrumentation and effects. Lacking the footing in the rhythm and blues idioms that carried American disco, Eurodisco sounded more purely electronic, often more futuristic. Some tunes
The 'funkless' accusation is pretty incontestable. It goes back to Giorgio Moroder, whose productions for Donna Summer pioneered the first all-electronic dance music: Eurodisco.
Around 1977 the German producer Giorgio Moroder popularised an infectious, rhythmical, electronic dance music (later known as 'Euro disco') through the music of the American vocalist Donna Summer.
The influence of Eurodisco was soon felt in America, where Moroder provided Blondie with their biggest US chart hit ('Call Me'), and Laura Brannigan would also hit Number One with a cover of the Italian pop hit 'Gloria'.