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The following outline is provided as an overview of and topical guide to theatre:
Stage management is a broad field that is generally defined as the practice of organization and coordination of an event or theatrical production. Stage management may encompass a variety of activities including the overseeing of the rehearsal process and coordinating communications among various production teams and personnel. Stage management requires a general understanding of all aspects of production and provides complete organization to ensure the process runs smoothly and efficiently.
In theatre, a lighting designer works with the director, choreographer, set designer, costume designer, and sound designer to create the lighting, atmosphere, and time of day for the production in response to the text while keeping in mind issues of visibility, safety, and cost. The LD also works closely with the stage manager or show control programming, if show control systems are used in that production. Outside stage lighting, the job of a lighting designer can be much more diverse, and they can be found working on rock and pop tours, corporate launches, art installations, or lighting effects at sporting events.
Theatrical superstitions are superstitions particular to actors or the theatre.
In theater, an understudy, referred to in opera as cover or covering, is a performer who learns the lines and blocking or choreography of a regular actor, actress, or other performer in a play. Should the regular actor or actress be unable to appear on stage because of illness, injury, emergencies or death, the understudy takes over the part. Usually when the understudy takes over, the theater manager announces the cast change prior to the start of the performance. Coined in 1874, the term understudy has more recently generally been applied only to performers who can back up a role, but still regularly perform in another role.
Carlton Earl "Carl" Anderson was an American singer, film and theater actor best known for his portrayal of Judas Iscariot in the Broadway and film versions of the rock opera Jesus Christ Superstar by Andrew Lloyd Webber and Tim Rice. Anderson and singer-actress Gloria Loring performed the duet "Friends and Lovers", which reached No. 2 on the Billboard Hot 100 chart in 1986.
The Oregon Shakespeare Festival (OSF) is a regional repertory theatre in Ashland, Oregon, United States, founded in 1935 by Angus L. Bowmer. The Festival now offers matinee and evening performances of a wide range of classic and contemporary plays not limited to Shakespeare. During the Festival, between five and eleven plays are offered in daily rotation six days a week in its three theatres. It welcomed its millionth visitor in 1971, its 10-millionth in 2001, and its 20-millionth visitor in 2015. At any given time between five and eleven plays are offered in daily rotation six days a week in its three theatres.
42nd Street is a 1980 stage musical with a book by Michael Stewart and Mark Bramble, lyrics by Al Dubin and Johnny Mercer and music by Harry Warren. The 1980 Broadway production won the Tony Awards for Best Musical and Best Choreography and it became a long-running hit. The show was also produced in London in 1984 and its 2001 Broadway revival won the Tony Award for Best Revival.
In theatre, blocking is the precise staging of actors to facilitate the performance of a play, ballet, film or opera. Historically, the expectations of staging/blocking have changed substantially over time in Western theater. Prior to the movements toward "realism" that occurred in the 19th century, most staging used a "tableau" approach, in which a stage picture was established whenever characters entered or left the stage, ensuring that leading performers were always shown to their best advantage. In more recent times, while nothing has changed about showing leading performers to their best advantage, there have been changing cultural expectations that have made blocking/staging more complicated. There are also artistic reasons why blocking can be crucial. Through careful use of positioning on the stage, a director or performer can establish or change the significance of a scene. Different artistic principles can inform blocking, including minimalism and naturalism.
A theater, theatre or playhouse, is a structure where theatrical works, performing arts and musical concerts are presented. The theater building serves to define the performance and audience spaces. The facility usually is organized to provide support areas for performers, the technical crew and the audience members, as well as the stage where the performance takes place.
A music venue is any location used for a concert or musical performance. Music venues range in size and location, from a small coffeehouse for folk music shows, an outdoor bandshell or bandstand or a concert hall to an indoor sports stadium. Typically, different types of venues host different genres of music. Opera houses, bandshells, and concert halls host classical music performances, whereas public houses ("pubs"), nightclubs, and discothèques offer music in contemporary genres, such as rock, dance, country, and pop.
Otto Brahm was a German drama and literary critic, theatre manager and director. His productions were noted for being accurate and realistic. He was involved in the foundation of the progressive Die Freie Bühne company, of which he became president and producer. He also edited the company's weekly magazine of the same name, but later changed its name to Die neue Rundschau.
Me and Juliet is a musical with music by Richard Rodgers, and lyrics and book by Oscar Hammerstein II. The sixth stage collaboration by Rodgers & Hammerstein, it tells a story of romance backstage at a long-running musical: assistant stage manager Larry woos chorus girl Jeanie behind the back of her electrician boyfriend, Bob. Me and Juliet premiered in 1953 and was considered a modest success — it ran for much of a year on Broadway and had a limited run in Chicago, and returned a small profit to its backers.
A dialect coach is an acting coach who helps an actor design the voice and speech of a character in the context of an on-camera, stage, radio or animation voiceover production. The dialect coach often does original research on dialects and speech patterns, prepares training materials, provides instruction and works on lines with the actor. A dialect coach will give the actor feedback focusing on issues of credibility, consistency, and clarity. A dialect coach may also be employed to help comedians hone impressions of celebrities, to train non-actor public speakers in vocal character and delivery, or to help singers improve in diction and attain a balance between tone and articulation, especially when singing in a second language.
Performing arts – are art forms where the participant engages in a physical performance using their body, voice, language, or use of specific equipment for entertainment purposes.
The Amato Opera was an opera company located in the East Village neighborhood of Manhattan in New York City. The company was produced by the husband and wife team of Anthony and Sally Amato and presented opera on a small scale with a reduced orchestra at low prices. From 1948 to its closure in 2009, it encouraged and trained many young singers.
Andy Karl is an American actor and singer, best known for performing in musical theatre. He appeared on Broadway in the original productions of the musical version of Groundhog Day, Legally Blonde, 9 to 5, Rocky the Musical and Pretty Woman: The Musical, as well as appearing in Wicked, The Mystery of Edwin Drood, Jersey Boys, On The Twentieth Century, And So It Goes, and Into the Woods.
There are different types of theatres, but they all have three major parts in common. Theatres are divided into two main sections, the house and the stage; there is also a backstage area in many theatres. The house is the seating area for guests watching a performance and the stage is where the actual performance is given. The backstage area is usually restricted to people who are producing or in the performance.
The Actor's Nightmare is a short comic play by Christopher Durang. It involves an accountant named George Spelvin, who is mistaken for an actor's understudy and forced to perform in a play for which he does not know any of the lines.
The Voodoo Macbeth is a common nickname for the Federal Theatre Project's 1936 New York production of William Shakespeare's Macbeth. Orson Welles adapted and directed the production, moved the play's setting from Scotland to a fictional Caribbean island, recruited an entirely Black cast, and earned the nickname for his production from the Haitian vodou that fulfilled the role of Scottish witchcraft. A box office sensation, the production is regarded as a landmark theatrical event for several reasons: its innovative interpretation of the play, its success in promoting African-American theatre, and its role in securing the reputation of its 20-year-old director.
References
- 1 2 3 "Glossary of Theatre Terms" (PDF). Laguna Playhouse. Archived from the original (PDF) on March 28, 2013. Retrieved February 23, 2015.
- 1 2 3 4 5 6 "Search results starting with A". theatrecrafts. Archived from the original on February 23, 2015. Retrieved February 23, 2015.
- ↑ "Amphitheater". Merriam-Webster. Archived from the original on August 26, 2014. Retrieved February 23, 2015.
- ↑ "Assistant Stage Manager". University of Oregon. Archived from the original on February 23, 2015. Retrieved February 23, 2015.
- 1 2 "The Theatre Dictionary" (PDF). Archived from the original (PDF) on January 21, 2013. Retrieved February 23, 2015.
- ↑ "What is a curtain call?". Wise Geek. Archived from the original on July 23, 2014. Retrieved February 23, 2015.