List of academic publishing works on Madonna

Last updated

Madonna seen on her Rebel Heart Tour, in 2015. Madonna Rebel Heart Tour 2015 - Stockholm (23123677970).jpg
Madonna seen on her Rebel Heart Tour, in 2015.

Madonna's life and work has generated various academics works, [1] [2] [3] which includes scholarly articles and other published works, mostly covered by literary and academic journals as well as by others educational publishers like those from university pressess. The list is limited to only those that appeared first by a peer-reviewed outlet, or published in compendiums. [lower-alpha 1] Also, these works have been published in different languages other than English.

Contents

First scholarly articles about her is believed to be dated on 1985. [4] Scholar Suzanna Danuta Walters commented that academic writings about her, "has produced at least one major academic text devoted to Madonna", [5] while for professor Jane Desmond, "the relevant bibliography is vast". [6] Australian historian Robert Aldrich once commented she is a "performer of inimitable ubiquity" in the academia as she "has saturated the pages of academic journals". [7] To Alina Simone, in her academic studies "there is no dearth of material about Madonna, but an overwhelming excess". [8] Associate professor José F. Blanco, wrote in The Journal of Popular Culture that "it can be argued that Madonna is overexposed in academic research". [9]

Thesis such as Like a thesis: postmodern readings of Madonna music videos (1991) by Madonna scholar, Charles W Wells are included because they received academic and press coverage. In 1998, French academic Georges-Claude Guilbert wrote his thesis Madonna: un mythe postmoderne. [10] Others of these publications received citations from other scholars and observers appearing in citation indexes, or were preserved by university libraries. In addition, others thesis were published as books. Music professor Antoni Pizà noted that during the late 20th century, it became a fad in the United States to write doctoral dissertations on Madonna. [11] American journalist Hank Stuever said that Madonna's dissertations piled up and some were collected into a tome called The Madonna Connection (1993). [12] She has been part of multiple lectures around the world.

Academic and critical journal articles

In English

TitleYearAuthor(s)JournalPagesIdentifiersNotesRef(s).
Madonna1987 Harold Jaffe Performing Arts Journal 17–20 ISSN   0735-8393 OCLC   5547996728
Vol. 10
issue 3
An essay about Madonna. [13]
Living to Tell: Madonna’s Resurrection of the Fleshly1990 Susan McClary Genders 148–166 ISSN   0894-9832 OCLC   8162179881
issue 7
A study on Madonna and her music. [14]
The Effects of Race, Gender, and Fandom on Audience Interpretations of Madonna's Music Videos1990Jane D. Brown
Laurie Schulze
Journal of Communication 88–102 ISSN   0021-9916 OCLC   4636223012
Vol. 40
issue 2
An audience reception using Madonna's videos "Papa Don't Preach" and "Open Your Heart". [15]
Like a critique: A postmodern essay on Madonna's postmodern video like a prayer1991Stephen E. YoungPopular Music and Society59–68 ISSN   0300-7766 OCLC   4804765831
Vol. 15
issue 1
A study on video of "Like a Prayer". [16]
Madonna1991/92 Jane Miller Ploughshares 221–230 ISSN   0048-4474 OCLC   5542946647
Vol. 17
issue 4
Literary studies on Madonna. [17]
The Laugh of Madonna: Censorship and Oppositional Discourse1992 Greta Gaard The Journal of the Midwest Modern Language Association41–46 ISSN   0742-5562 OCLC   5552824344
Vol. 25
issue 1
A study on Madonna and her music. [18]
Our Lady of MTV: Madonna's "Like a Prayer"1992Carla Freccero Boundary 2 163–183 ISSN   0190-3659 OCLC   5552668908
Vol. 19
issue 2
Commentaries about Madonna and her video "Like a Prayer" as well, the Madonna scholars. [19]
Madonna's postmodern feminism: Bringing the margins to the center1992Cathy SchwichtenbergSouthern Communication Journal120–131 ISSN   1041-794X OCLC   4804864726
Vol. 57
issue 2
Essay about how Madonna used postmodernism to challenge accepted norms of sex and gender. [20]
Justify My Ideology: Madonna and traditional values1992Janelle L. Wilson
Gerald E. Markle
Popular Music and Society75–84 ISSN   0300-7766 OCLC   936733513
Vol. 16
issue 2
A criticism and analysis of the music video for Madonna's song, "Justify My Love" (1990). [21]
Like a virgin-mother?: materialism and maternalism in the songs of Madonna1992Barbara Bradby Cultural Studies 73–96 ISSN   0950-2386 OCLC   936734005
Vol. 6
issue 1
A criticism and analysis of the music video for Madonna's song, "Material Girl" (1984). [22]
Sex, Madonna, & Mia: Press Reflections1993Daniel Harris The Antioch Review 503–518 ISSN   0003-5769 OCLC   5544132373
Vol. 51
issue 4
Talks about press reaction towards Madonna's book Sex . [23]
Madonna's Sex: Constitutional Stewardship or Administrative Fantasies?1993Douglas F. Morgan Administrative Theory & Praxis 37–51 ISSN   1084-1806 OCLC   5790952095
Vol. 15
issue 2
Examines reaction towards Madonna's book Sex. [24]
Madonna1993Steve Allen The Journal of Popular Culture 1–12 ISSN   0022-3840 OCLC   439255149
Vol. 27
issue 1
A criticism and analysis of Madonna as a public figure. [25]
Feminist assessment of emancipatory potential and Madonna's contradictory gender practices1996D. Lynn O'Brien Hallstein Quarterly Journal of Speech 125–141 ISSN   0033-5630 OCLC   4659170142
Vol. 82
issue 2
A feminist‐schizoanally piece noted that the hallmark of Madonna's career was her contradictory play with gender roles and images. [26]
Electrifying Fragments: Madonna and Postmodern Performance1996 Mark Watts New Theatre Quarterly 99–107 ISSN   1474-0613
Vol. 12
issue 46
Studied Madonna's image in terms of the concept of "punctum" a concept defined by Roland Barthes. [27]
Like a Prophet - On Christian Interpretations of a Madonna Video1996Andreas HägerScripta Instituti Donneriani Aboensis151–174 ISSN   0582-3226 OCLC   8081124376
Vol. 16
An analysis on "Like a Prayer" since Christian and art perspectives. [28]
Madonna — mother of mirrors1997John Castles Cultural Studies 138–187 ISSN   0950-2386 OCLC   196712006
Vol. 11
issue 1
[29]
The Aesthetics of Music Video: An Analysis of Madonna's 'Cherish'1998Carol VernallisPopular Music153–185 ISSN   0261-1430 OCLC   206572402
Vol. 17
issue 2
Focused in her video "Cherish". [30]
Not an Immaculate Reception: ideology, The Madonna Connection, and academic wannabes1999Laurie Schulze Velvet Light Trap 37 (pages) ISSN   1542-4251 OCLC   358970432
Vol. 22
issue 5
Examines the criticism towards Madonna scholars by her own experience. [31]
Madonna and Hypertext: Liberatory Learning in Art Education2000Pamela G. Taylor Studies in Art Education 376–389 ISSN   0039-3541 OCLC   5544294596
Vol. 41
issue 4
Examines the use of computer hypertext as a base for art education in high school and used Madonna's videos as example. [32]
The Madonna Experience: A U.S. Icon Awakens a Puerto Rican Adolescent's Feminist Consciousness2001Carmen R. Lugo-Lugo Frontiers: A Journal of Women Studies 118–130 ISSN   0160-9009 OCLC   936906159
Vol. 22
issue 2
Talks about Madonna's Puerto Rican performance from her Girlie Show in 1993, and the impact she had in the country. [33]
Trollope's Material Girl2002Christoph Lindner The Yearbook of English Studies 36–51 ISSN   0306-2473
Vol. 32
Essay takes the 'Madonna phenomenon' as its point of departure to propose that, far from being unique to postmodernity, the representational project that emerges from Madonna's "Material Girl" song already motivated cultural production in the nineteenth century. [34]
Material Girl or Managerial Girl? Charting Madonna's brand ambition2003Stephen Brown Business Horizons 2–10 ISSN   0007-6813 OCLC   4636197942
Vol. 46
issue 4
Talks about Madonna's brand in the perspective of business and marketing. [35]
All You Need Is LAV: Madonna and Postmodern Kabbalah2005 Boaz Huss The Jewish Quarterly Review 611–624 ISSN   0021-6682 OCLC   5792119843
Vol. 95
issue 4
Madonna's study of Kabbalah and integrating Kabbalistic themes in her cultural productions. [36]
"Sigmund Freud, Analyze This": How Madonna Situates "Die Another Day" Beyond the Pleasure Principle2006David SiglerStudies in Popular Culture77–97 ISSN   0888-5753 OCLC   5543266231
Vol. 29
issue 1
[37]
The Semiotics of Performance and Success in Madonna2012José I. Prieto‐Arranz The Journal of Popular Culture 173–196 ISSN   0022-3840 OCLC   4824619896
Vol. 45
issue 1
Talks about Madonna's long -standing success. [38]
Madonna as a symbol of reflexive modernisation2013Marguerite van den Berg
Claartje L ter Hoeven
Celebrity Studies 144–154 ISSN   1939-2397 OCLC   5140465648
Vol. 4
issue 2
Discuss the communication of social and cultural tensions embodied in Madonna. [39]
From Old Media Whore to New Media Troll: The online negotiation of Madonna's ageing body2013Kristyn Gorton
Joanne Garde-Hansen
Feminist Media Studies 288–302 ISSN   1468-0777 OCLC   4824619896
Vol. 13
issue 2
Commentaries about Madonna's age and body since a feminist perspective. [40]
How to Fashion an Archetype: Madonna as Anima Figure2014José Blanco F. The Journal of Popular Culture 1153–1166 ISSN   0022-3840 OCLC   5730312405
Vol. 47
issue 6
Talks about Madonna's image, such as her reinvention, identities and her cultural impact. [9]
The Icon and the Text: American Book History and the Construction of the World's Largest-Grossing Illustrated Book, Madonna's Sex (1992)2020Manav Ratti Journal of American Studies 184–211 ISSN   0021-8758 OCLC   8515369715 Examines Madonna's success of her first book Sex . [41]

Non-English

TitleYearAuthor(s)JournalLanguagePagesIdentifiersNotesRef(s).
Watching Madonna: Anmerkungen zu einer feministischen Medien-/Geschlechterforschung1996Ute BechdolfEssen: Die blaue EuleGerman23–44 OCLC   936805311 An essay on Madonna and her cultural impact. [42]
L'autobiographie post-moderne, "post-mortem": Madonna auto(bio)graphe2002Olivier Sécardin L'Esprit Créateur French66–75 ISSN   0014-0767 OCLC   203572273
Vol. 42
issue 4
Socio-cultural study on Madonna. [43]
Die Another Day: Madonna and the Post-Modern Kabbalah (למות ביום אחר: מדונה והקבלה הפוסט-מודרנית)2002 Boaz Huss (בועז הוס)Zmanim: A Historical Quarterly (זמנים: רבעון להיסטוריה)Hebrew4–11 ISSN   1565-5261 OCLC   5559592424
issue 91
A study of Madonna's song "Die Another Day". [44]
Madonna'nın Feminizmi: Postmodern Bir Kimlik Sorunsalı (The Feminism of Madonna: A Postmodern Identity Dilemma)2008Çağlar ÖzbekToplum ve Demokrasi DergisiTurkish91–106 ISSN   1307-4687 OCLC   8254476820
Vol. 4
issue 2
The study analysis through Madonna, as an important representation of postmodern identity the feminism, postmodernism and identity. [45]
[46]
Construção de persona midiática: um estudo de caso da pop star Madonna2011Samuel dos Santos Pereira
Lenise Lantelme
Revista científica da faminasPortuguese1–38 ISSN   1807-6912
Vol. 7
issue 1
A post-structuralism analysis on Madonna's work. [47]
«Um rosto tão conhecido quanto o nosso próprio»: a construção da imagem pública e da idolatria a Madonna2011Patricia CoralisComunicação & culturaPortuguese99–115 ISSN   1646-4877
issue 12
As part of the "Fãs e celebridades" commentaries. [48]
Mujeres, violencia y posfeminismo en los vídeos de Madonna2014Iolanda Tortajada
Núria Araüna
Área AbiertaSpanish23–41 ISSN   2530-7592 OCLC   5698925424
Vol. 14
issue 3
A study based on Madonna's videos analyzing post-feminism theory. [49]
Nem todas querem ser Madonna: representações sociais da mulher carioca, de 50 anos ou mais2014Cláudia da Silva
Pereira Afiliación
Estudos FeministasPortuguese173–193 ISSN   1806-9584 OCLC   5584893330
Vol. 22
issue 1
It focuses on Madonna and her age and modern media's reflection of what it means to be over 50 for a woman. [50]
Madonna, 'sex' e o fetichismo pós-moderno2019Roney GusmãoSociologia: Revista da Faculdade de Letras da Universidade do PortoPortuguese71–87 ISSN   0872-3419 OCLC   8562112102
Vol. 38
A postdoctoral research. [51]
Los vídeos musicales de Madonna como performances audiovisuales2022Massimiliano StramagliaCuadernos De Investigación MusicalSpanish & English151–162 ISSN   2530-6847 OCLC   9524424982
issue 15
Studies of Madonna's performances. [52]

Partial and secondary

TitleYearAuthor(s)JournalPagesIdentifiersNotesRef(s).
Musicologists, Sociologists and Madonna1993John StreetInnovation: The European Journal of Social Science Research277–289 ISSN   1351-1610 OCLC   4814972514
Vol. 6
issue 3
Studies how the popular music has been dominated largely by sociology, rather than musicology with a particular focus on Madonna. [53]
Strike a pose: the framing of Madonna and Frida Kahlo1993Janis Bergman-Carton Texas Studies in Literature and Language 440–452 ISSN   0040-4691 OCLC   936740050
Vol. 35
issue 4
Explores Frida Kahlo-Madonna relation and how her art proliferated throughout the world since the singer confessed to being her fan. [54]
Legal Radicals in Madonna's Closet: The Influence of Identity Politics, Popular Culture, and a New Generation on Critical Legal Studies1994 Duncan Kennedy Stanford Law Review 1835–1861 ISSN   0038-9765 OCLC   201509703
Vol. 46
issue 6
Piece was reviewed by legal scholar Naomi Mezey. [55]
Shakespeare's Cleopatra, the Male Gaze, and Madonna: Performance Dilemmas1995Elizabeth Schafer Contemporary Theatre Review 7–16 ISSN   1477-2264 OCLC   264473208
Vol. 2
issue 3
Cross-reference male gaze analysis on Cleopatra and Madonna. [56]
The making of matriarchy: A comparison of Madonna and Margaret Thatcher1997Linda Leung Journal of Gender Studies 33–42 ISSN   0958-9236 OCLC   838734562
Vol. 6
issue 1
The article reviews a selection of the plethora of academic literature available on Madonna and the limited amount on Thatcher. Explores subjects such as matriarchy. [57]
Angelina and Madonna: Why All the Fuss?: an Exploration of the Rights of the Child and Intercountry Adoption within African Nations2007Veronica S Root Chicago Journal of International Law 323–354 ISSN   1529-0816 OCLC   779241243
Vol. 8
issue 1
art. 1
Explore the issues of the international adoptions by celebrities, focused in the cases of Angelina Jolie and Madonna. [58]
Madonna or Don McLean? The effect of order of exposure on relative liking2010Mario Pandelaere
Kobe Millet
Bram Van den Bergh
Journal of Consumer Psychology 442–451 ISSN   1057-7408 OCLC   8086884823
Vol. 20
issue 4
Talks about the effects of order; for example listening to one version of a song before another. They used as an example Don McLean's "American Pie" and Madonna's cover of that song. [59]
Toward a Concept of Post-Postmodernism or Lady Gaga’s Reconfigurations of Madonna2013 Danuta Fjellestad
Maria Engberg
Reconstruction: Studies in Contemporary Culture1–2 ISSN   1547-4348 OCLC   924306621
Vol. 12
issue 4
An essay that talks about post-postmodernism with the Gaga-Madonna relation. [60]
Hating Madonna and loving Tom Ford: gender, affect and the ‘extra-curricular’ celebrity2014Misha Kavka Celebrity Studies 59–74 ISSN   1939-2397 OCLC   5575739865
Vol. 5
issue 1–2
Explore criticisms towards Madonna's film W.E. , and commentaries from Naomi Wolf on the case, comparing how Tom Ford received "rapturous" reviews with A Single Man to further suggests a gender bias to Madonna as artist. [61]
Celebrity as Celebration of Privatization in Global Development: A Critical Feminist Analysis of Oprah, Madonna, and Angelina2015Karin G. Wilkins Communication, Culture & Critique 163–181 ISSN   1753-9129 OCLC   6895822158
Vol. 8
issue 2
Explore the global philanthropy by media figures through the case of Oprah Winfrey, Angelina Jolie and Madonna. [62]

Conferences, congresses, seminar and courses

Madonna has been part of multiple lectures around the world. Following, a few examples:

TitleYearAuthor(s)InstitutionLanguagePagesIdentifiersNotesRef(s).
Madonna: Feminist Icon or Material Girl?1993Women's Center University of California, Santa Barbara EnglishHeld in January 1993, Santa Barbara, University of California, and organized by the Women's Center. [63]
Studies In Gender & Performance: Madonna Undressed1993Polly McLean University of Colorado EnglishAccording to Polly McLean, an assistant journalist professor, the point of the class was "to get students to apply critical means of analysis to areas that are contemporary in society". She played Madonna songs and videos as part of the class, emphasizing issues raised in their images. [64]
Issues In Gender & Media Performance: The Madonna Phenomenon1994VariousUniversity of ColoradoEnglishThe objective of the course was to formulate new ways to look at performance, via the performer. Using Madonna's videos and films explore the presentation of gender in costuming, makeup, gesturing and movement. [65]
Madonna: The Music and the Phenomenon1997Andrew Japless et alii University of Amsterdam DutchA 40-hours class examining just what makes Madonna tick. More than 200 students signed to the course and their knowledge was tested in a final examination. They used resources such as the book The Madonna Connection (1993) or a Dutch book about Madonna's lyrics of more than 200 songs recorded by the singer. [66]
[67]
[68]
20 Years of Madonna: New Approaches to Madonna's Cultural Transformations'2001 Call for papers Cambridge University Press English293–294 ISSN   0261-1430 OCLC   206572402
Vol. 20
issue 2
Talks about Madonna's 20 years of career covering topics such as multiculturalism, all-American culture and motherhood among others. According to academic journal Music Theory Online , it was also presented to the International Association for the Study of Popular Music (IASPM). It was published in the academic journal Popular Music. [69]
[70]
La traducción de Madonna2005Lydia Brugué Comillas Pontifical University Spanish703–712 ISBN   84-8468-151-3 OCLC   758227582 Translation studies based on Madonna's music presented in the international congress at the Asociación de Investigación y Especialización sobre Temas Iberoamericanos (AIETI). [71]
Case one: Madonna2008 Robert M. Grant Wiley-Blackwell English1–4A case study of Madonna's enduring success and applied in the marketing discourse. [72]
Madonna On the Couch': A psychoanalytic view on Madonna's music videos2008 Matthias Groß University of Leipzig English22 (pages) ISBN   978-3640104598 Seminar paper from the year 2007 and published in 2008. Discuss psychoanalysis with Sigmund Freud theories using Madonna and her music videos in particular. [73]
A influência das artes no videoclipe Vogue (1990) da cantora Madonna2012Bruna Fernandes Barros
Rafael Jose Bona
Sociedade Brasileira de Estudos Interdisciplinares da Comunicação (Intercom)Portuguese14 (pages)Congress n. XIIIHeld at the XIII congress of Congresso de Ciências da Comunicação na Região Sul – Chapecó as part of the Sociedade Brasileira de Estudos Interdisciplinares da Comunicação (Intercom). [74]
MDNA forever2012Salvatore BartolottaCongreso Internacional de la Asociación Universitaria de Estudios de las Mujeres (AUDEM)Spanish65–76Presented by Salvatore Bartolotta from National University of Distance Education at the Congreso Internacional de la Asociación Universitaria de Estudios de las Mujeres (AUDEM). [75]
[76]
"Who's that girl? Madonna y la cultura pop contemporánea"2015Various University of Oviedo SpanishA series of classes started in September and finished in December 2015 by a varied of academic experts in different areas. It marked the first time Oviedo devoted a course to a female singer. [77]
[78]
Uma análise da carreira da cantora Madonna através de plataformas de divulgação de música2016Mateus Silomar
Alan Mangabeira Mascarenhas
Emerson da Cunha de Sousa
Maurício de Nassau
Sociedade Brasileira de Estudos Interdisciplinares da Comunicação (Intercom)Portuguese15 (pages)Congress n. XVIIIHeld at the XVIII congress of Congresso de Ciências da Comunicação na Região Nordeste – Caruaru as part of the Sociedade Brasileira de Estudos Interdisciplinares da Comunicação (Intercom) in which, was explored Madonna's career since the digital music era. [79]
Bitch I'm Madonna: As rupturas no roteiro perfomático de uma diva pop2018Tatyane Larrubia
Leonam Casagrande Dalla
Sociedade Brasileira de Estudos Interdisciplinares da Comunicação (Intercom)Portuguese15 (pages)Congress n. 41Held at the 41st congress of Congresso Brasileiro de Ciências da Comunicação – Joinville as part of the Sociedade Brasileira de Estudos Interdisciplinares da Comunicação (Intercom). [80]
China Studies Academic Seminar: Madonna goes East2019Chang Liu Xi'an Jiaotong-Liverpool University ChineseFocuses on the construction of Madonna's star image in China and explores how Madonna's music was introduced to China. [81]

Theses and dissertations

TitleYearAuthor(s)InstitutionPages (total)IdentifiersNotesRef(s).
Like a thesis: postmodern readings of Madonna music videos1991Charles W Wells Florida State University 230 OCLC   25334230 It received academic attention and press coverage by outlets such as Orlando Sentinel and Tampa Bay Times . [82]
[83]
Madonna, the material girl revealed through dramatistic inquiry1992Margaret A Peverill San Diego State University 68 OCLC   26435720 M.A. thesis. [84]
The Madonna phenomenon: a sociological perspective1992Carlos Iglesias University of Houston 135 OCLC   27450076 Archived at University of Houston Libraries. [85]
Raunch or resistance: Making meanings of Madonna, a cultural studies approach to the rock video1992Elaine Marion Grodaes University of Windsor 234 OCLC   30974548 ISBN   0315830352 Preserved also at the National Library of Canada and Leddy Library. [86]
Madonna: playing in the heart of darkness1993Charlotte Siobhan
Antonia O'Sullivan
University of California, Berkeley 134 OCLC   31175003 M.A. in English. [87]
Reading images of Madonna music videos1997Megan J Distler Cedar Crest College 35 OCLC   39841810 A senior honors thesis. [88]
Re-(e)valu(ate/ing) Madonna : understanding the success of post-modernity's greatest diva1999Wesley Chinn Harvard University 42 OCLC   41121575 It was featured in the guide of thesis at the university. [89]
[90]
Madonna, an American pop icon of feminism and counter-hegemony2000Audra Gaugler Lehigh University 60 OCLC   46542029 As part of the department of history. [91]
Marketing Madonna: celebrity agency across the cultural industry2006Melissa West York University 349 OCLC   231656076 ISBN   978-0494295373 Also preserved at Université du Québec à Rimouski. [92]
[93]
Madonna & Black Culture Appropriation in the MTV Generation2007Shawna J Strayhorn Harvard University 70 OCLC   406696891 It was featured in the guide of thesis at the university. [89]
[90]
The commodification of religion within celebrity culture with special focus on Madonna and Kabbalah2008Courtney C Langille Memorial University of Newfoundland 85 OCLC   456151487 Honours dissertation of B.A. Preserved at the Centre for Newfoundland Studies. [94]
Madonna's confession: sound, self, and survival in a love song2008Ross Joseph Fenimore University of California, Los Angeles 218 OCLC   811147445 Ph.D dissertation. [95]
"Who's that girl?"-reconstructing gender: a cultural study of Madonna's music video2014Yingzi Zhao Hong Kong Polytechnic University 117 OCLC   900239717 M.A. thesis. [96]

Non-English thesis and dissertations

TitleYearAuthor(s)InstitutionLanguagePages (total)IdentifiersNotesRef(s).
Madonna: un mythe postmoderne1998 Georges-Claude Guilbert Paris Nanterre University French2 (vol.) OCLC   249286928 Thesis for English studies. [10]
"Express yourself - Madonna be with you": Madonna-Fans und ihre Lebenswelt1998Carina Schmiedke-Rindt Augsburg University German347 OCLC   1071011779 ISBN   978-3926794338 A thesis that was later published as a book. It is preserved at the Harvard Library. [97]
Madonna: where's that girl? Starimage und Erotik im medialen Raum2002Jan-Oliver Decker Christian-Albrecht University of Kiel German559 OCLC   181435915 To apply a doctorate in music videos. [98]
Madonna revidiert: Rekursivität im Videoclip2004Matthias Weiß Free University of Berlin German301 OCLC   723656039 OCLC   884475351 ISBN   3496013621 It was later published as a book. [99]
Madonna: uma vida de marketing e mídia2006Natalia Vieira De Melo Universidade Santa Cecília Portuguese94 [100]
La representació de cançons en gèneres audiovisuals musicals: Anàlisi de dos documentals musicals subtitulats i d'onze videoclips de Madonna2008Lydia Brugué University of Vic - Central University of Catalonia Catalan222 OCLC   747615250 Explored the usage of subtitles through Madonna's music. [101]
Madonna as a cultural icon and a children's author: diplomsko delo2009Anže Perne University of Ljubljana Slovene100 OCLC   781160704 [102]
A fabricação do ídolo pop: a análise textual de videoclipes e a construção da imagem de Madonna2011Rodrigo Ribeiro Barreto Federal University of Bahia Portuguese200Based on Madonna's videography and image. [103]
Das Spiel mit dem Ich: die Dekonstruktion postmoderner Medienikonen am Beispiel Madonna2012Henrike Wielk University of Tübingen German193 OCLC   913200268 ISBN   978-3868215731 It was later published as a book in 2014. [104]
Like a Queen; Madonna und ihr Hof auf der Bühne in Zeiten des Social Media (Like a Queen - Madonna & the stage as court in the era of social media)2013Adam Louis Troldahl University of Vienna German75 OCLC   7378245230 Published both in English and German. [105]
“You must be my Lucky Star”: Crítica, agendamento e valor sobre a obra da cantora Madonna na Revista Rolling Stone2015Maria Helena Guerra Monteiro Federal University of Paraíba Portuguese150It was cited in A revista Tropos: Comunicação, Sociedade e Cultura of Universidade Federal do Acre. [106]
[107]

Notes

  1. To avoid predatory publishing, this list is limited to include pieces of papers or articles published by academic journals or educational and scholarly publishers, and as possible through peer reviews but exceptions may apply.

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<span class="mw-page-title-main">Military alliance</span> Alliance between different states with the purpose to cooperate militarily

A military alliance is a formal agreement between nations that specifies mutual obligations regarding national security. In the event a nation is attacked, members of the alliance are often obligated to come to their defense regardless if attacked directly. Since the end of the Second World War, military alliances have usually behaved less aggressively and act more as a deterrent.

<span class="mw-page-title-main">Voiced palatal nasal</span> Consonantal sound represented by ⟨ɲ⟩ in IPA

The voiced palatal nasal is a type of consonant used in some spoken languages. The symbol in the International Phonetic Alphabet that represents this sound is ɲ, a lowercase letter n with a leftward-pointing tail protruding from the bottom of the left stem of the letter. The equivalent X-SAMPA symbol is J. The IPA symbol ɲ is visually similar to ɳ , the symbol for the retroflex nasal, which has a rightward-pointing hook extending from the bottom of the right stem, and to ŋ, the symbol for the velar nasal, which has a leftward-pointing hook extending from the bottom of the right stem.

<span class="mw-page-title-main">Madonna videography</span>

American singer Madonna has released 78 music videos, eleven concert tour videos, two documentary videos, four music video compilations, two music video box sets, four promotional videos, and four video singles. Nicknamed as the "Queen of Videos" or "Queen of MTV", her music videos were often considered by critics as works of art, depicting various social issues. Her early videos also received a significant academic attention. Madonna has won 20 MTV Video Music Awards, including the 1986 Video Vanguard Award for which she became the first female honoree. In 2003, MTV named her "The Greatest Music Video Star Ever", saying "Madonna's innovation, creativity and contribution to the music video art form is what won her the award." In 2020, Billboard ranked her at the top of their list "100 Greatest Music Video Artists of All Time".

<span class="mw-page-title-main">Madonna studies</span> Scholarship of the American pop singer

Madonna studies is the study of the work and life of American singer-songwriter Madonna using an interdisciplinary approach incorporating cultural studies and media studies. In a general sense, it could refer to any academic studies devoted to her. After Madonna's debut in 1983, the discipline did not take long to start up and the field appeared in the mid-1980s, achieving its peak in the next decade. Educator David Buckingham deemed her presence in academic circles as "a meteoric rise to academic canonisation". The rhetoric academic view of that time, majority in the sense of postmodernism, generally considered her as "the most significant artist of the late twentieth century", thus she is understood variously and as a vehicle to open up issues. In the 21st century, academic studies about Madonna have remained and continued in many aspects. At the height of its developments, authors of these academic writings were sometimes called "Madonna scholars" or "Madonnologists", and both E. Ann Kaplan and John Fiske were classified as precursors.

<span class="mw-page-title-main">East Timor</span> Country in Southeast Asia

East Timor, also known as Timor-Leste, officially the Democratic Republic of Timor-Leste, is a country in Southeast Asia. It comprises the eastern half of the island of Timor, of which the western half is administered by Indonesia, the exclave of Oecusse on the island's north-western half, and the minor islands of Atauro and Jaco. Australia is the country's southern neighbour, separated by the Timor Sea. The country's size is 14,874 square kilometres (5,743 sq mi). Dili is its capital and largest city.

A hybrid regime is a type of political system often created as a result of an incomplete democratic transition from an authoritarian regime to a democratic one. Hybrid regimes are categorized as having a combination of autocratic features with democratic ones and can simultaneously hold political repressions and regular elections. Hybrid regimes are commonly found in developing countries with abundant natural resources such as petro-states. Although these regimes experience civil unrest, they may be relatively stable and tenacious for decades at a time. There has been a rise in hybrid regimes since the end of the Cold War.

<span class="mw-page-title-main">1986 enlargement of the European Communities</span> Accession of Portugal and Spain to the European Communities

Spain and Portugal acceded to the European Communities, now the European Union, in 1986. This was the third enlargement of the Communities, following on from the 1973 and 1981 enlargements. Their accessions are considered to be a part of the broader Mediterranean enlargement of the European Union.

<span class="mw-page-title-main">Cultural impact of Madonna</span>

American singer-songwriter Madonna has had a social-cultural impact on the world through her recordings, attitude, clothing and lifestyle since her early career in the 1980s. Madonna has built a legacy that goes beyond music and has been studied by sociologists, historians and other social scientists. This contributed to the rise of the Madonna studies, an academic and critical response dedicated to her work and persona for which Madonna's semiotic and image was diversified in a wide-ranging of theoretical stripe from feminism to queer studies among others.

Fourth-wave feminism is a feminist movement that began around 2012 and is characterized by a focus on the empowerment of women, the use of internet tools, and intersectionality. The fourth wave seeks greater gender equality by focusing on gendered norms and the marginalization of women in society.

<span class="mw-page-title-main">Joseph Buttigieg</span> Literary scholar and translator

Joseph Anthony Buttigieg II was a Maltese-American Marxist literary scholar and translator. He served as William R. Kenan Jr. Professor of English at the University of Notre Dame until his retirement in 2017, when he was named professor emeritus. Buttigieg co-translated and co-edited the three-volume English edition of Antonio Gramsci's Prison Notebooks.

Pelagia Goulimari is a Greek-British author, editor, and academic. She specialises in literary criticism, feminist theory, continental philosophy, and writing in English from 1740 to the present. Goulimari is a Research Fellow at Somerville College, Oxford, a Senior Fellow in Feminist Studies within the Humanities Division, and a member of the Faculty of English at the University of Oxford. She co-directs the interdisciplinary MSt programme in Women's, Gender and Sexuality Studies, as well as the Intersectional Humanities network at TORCH . In 1993, Goulimari co-founded Angelaki, an academic journal in literary criticism and theory, philosophy, and cultural studies published by Routledge. She remains the journal's editor-in-chief.

Andrew MayFRAS is an Australian social historian. He is a professor of Australian history in the School of Historical and Philosophical Studies of the University of Melbourne.

<span class="mw-page-title-main">Madonna and contemporary arts</span> Aspect of Madonnas career

The contributions and influence of American artist Madonna in the landscape of underground and contemporary arts have been documented by a variety of sources such as art publications, scholars and art critics. As her footprints in the arts are lesser-known compared to her other roles, this led a contributor from W to conclude that both her impact and influence in the art world have been "made almost entirely behind the scenes". She is noted for taking inspiration from various painters in her career. Once called a "continuous multi-media art project", a panel of art critics explained that she condenses fashion, dance, photography, sculpture, music, video and painting in her own artwork.

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