List of feminist art magazines

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A feminist art magazine is a publication whose main topic is feminist art or feminist art criticism. They can be in print form, online, or both. They may be aimed at different audiences, including academic institutions, galleries, buyers, amateur or professional artists and the general public. Feminist art magazines can be academic journals or consumer magazines.

Contents

Notable feminist art magazines include:

Current

Not in publication

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<i>Sinister Wisdom</i> American lesbian quarterly of art and literature since 1976

Sinister Wisdom is an American lesbian literary, theory, and art journal published quarterly in Berkeley, California. Started in 1976 by Catherine Nicholson and Harriet Ellenberger (Desmoines) in Charlotte, North Carolina, it is the longest established lesbian journal, with 105 issues as of 2017. Each journal covers topics pertaining to the lesbian experience including creative writing, poetry, literary criticism and feminist theory. Sinister Wisdom accepts submissions from novice to accredited writers and has featured the works of writers and artists such as Audre Lorde and Adrienne Rich. The journal has pioneered female publishing, working with female operated publishing companies such as Whole Women Press and Iowa City Women's Press. Sapphic Classics, a partnership between Sinister Wisdom and A Midsummer Night's Press, reprints classic lesbian works for contemporary audiences.

<i>Common Lives/Lesbian Lives</i> U.S. publication

Common Lives/Lesbian Lives (CL/LL) was a collectively produced lesbian quarterly which published out of Iowa City, Iowa, from 1981 to 1996. The magazine had a stated commitment to reflect the diversity of lesbians by actively soliciting and printing in each issue the work and ideas of lesbians of color, Jewish lesbians, fat lesbians, lesbians over fifty and under twenty years old, disabled lesbians, poor and working-class lesbians, and lesbians of varying cultural backgrounds. Common Lives/Lesbian Lives was a cultural milestone in the lesbian publishing world, as it was one of the first lesbian journal or magazine published from outside the urban/coastal New York/Los Angeles/Berkeley scene.

The Salsa Soul Sisters, Third World Wimmin Inc Collective was a group for lesbians who are also womanists and women of color, in New York City. The group is the oldest black lesbian organization in the United States. Arguments within the Salsa Soul Sisters resulted in the disbanding of the Salsa Soul Sisters into two groups, Las Buenas Amigas made for Latinas, and African Ancestral Lesbians United for Societal Change made for African-diaspora lesbians.

The Coalition of Women in German, often known as WiG, is a professional organization for women engaged in the field of German studies. The organization was started in 1974. It publishes a newsletter and a yearbook, and has held an annual conference since 1976.

Harmony Hammond is an American artist, activist, curator, and writer. She was a prominent figure in the founding of the feminist art movement in 1970's New York.

<i>Heresies: A Feminist Publication on Art and Politics</i>

HERESIES: A Feminist Publication on Art and Politics was a feminist journal that was produced from 1977 to 1993 by the New York-based Heresies Collective.

Batya Weinbaum is an American poet, feminist, artist, editor, and professor. She founded Femspec Journal, and has published 17 books, over 500 articles, essays, poems, reviews, and pieces of short fiction in various publications.

<i>n.paradoxa</i> Academic journal

n.paradoxa: international feminist art journal was a biannual academic journal covering feminist art criticism and the work of women artists since the 1970s. It was published by KT press and the editor-in-chief was Katy Deepwell (London).

Women's Art Resources of Minnesota (WARM) is a women's art organization based in the U.S. state of Minnesota. It was founded in 1976 as Women's Art Registry of Minnesota, a feminist artist collective. The organization ran the influential WARM Gallery in downtown Minneapolis from 1976 to 1991.

<i>The Feminist Art Journal</i>

The Feminist Art Journal was an American magazine, published quarterly from 1972 to 1977. It was the first stable, widely read journal covering feminist art. By the time the final publication was produced, The Feminist Art Journal had a circulation of eight thousand copies, and ten thousand copies of the last edition were printed.

<span class="mw-page-title-main">Nat. Brut</span> American literary magazine

Nat. Brut is an American literary magazine founded in 2012 by Anna Ploegh and Andrew Ridker. The magazine contains artwork, prose, and poetry by a set of diverse artists and is publicized both online and in print. The most recent issue is Issue 14, which features a folio by incarcerated writers in New Jersey entitled "Inside Voices," as well as poetry, fiction, essay, and visual art.

June Druiett Blum was a multimedia American artist who produced paintings, sculptures, prints, light shows, happenings, jewelry, art books, pottery, conceptual documentations, and drawings. She was also a feminist curator and activist who worked to advance the women's movement and increase visibility for women artists.

Gretchen Garner was an American art historian, curator, writer, teacher, and self-taught photographer.

Onyx: Black Lesbian Newsletter was a bimonthly magazine focusing on Black Lesbian life and culture. Originally titled Black Lesbian Newsletter, Onyx: Black Lesbian Newsletter was published in the San Francisco Bay Area from 1982 to 1984. The newsletter contained articles, poems, personal adds and original art and photographs. Onyx is notable for being the earliest of three Bay Area publications including Ache and Issues which focused on Black Lesbian life and culture, the longest running of which was Ache: A Journal for Lesbians of African Descent which was published from 1989 to 1993. Onyx covers were illustrated by Sarita Johnson.

Feminist Bookstore News (FBN) was a trade publication for feminist bookstores. It was active from 1976 until 2000, and issues were published sometimes bimonthly and sometimes quarterly. The publication was described by Tee Corinne as "the glue that kept women booksellers around the world together", acting as a network for feminist booksellers and publishers across the United States and transnationally.

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