Mr. Cinders

Last updated

Mr Cinders is a 1928 musical with music by Vivian Ellis and Richard Myers and a libretto by Clifford Grey and Greatrex Newman. The story is an inversion of the Cinderella fairy tale with the gender roles reversed. The Prince Charming character has become a modern (1928) young and forceful woman, and Mr Cinders is a menial.

Contents

History

Mr Cinders was originally produced under the management of Julian Wylie at the Opera House Theatre, Blackpool on 25 September 1928 for two weeks, and toured through Liverpool, Manchester, Edinburgh, Sunderland, Birmingham, Sheffield, Leeds, Newcastle, Bradford, and Glasgow until 26 January 1929. It opened in London at the Adelphi Theatre under the management of J. C. Williamson Ltd. on 11 February 1929, transferring to the Hippodrome, London on 15 July 1929. It closed on 29 March 1930 after a total of 529 performances. [1]

Roles and original cast

Source: The British Musical Theatre (Volume 2). [2]

Synopsis

Jim is the adopted and put-upon son of Sir George Lancaster and his snobbish and cruel wife, Lady Agatha Lancaster, the widow of Sir General Bloodwing Beardsley. Jim works as a menial at Merton Chase, their elegant home. Lady Agatha dominates her weak husband and plots to marry her two foppish sons, Lumley and Guy (from her previous marriage) to wealthy girls, since the Lancasters have lost their fortune. Guy, however, is in love with a woman named Phyllis Patterson, whom Agatha rejects because of her lack of money. Jim keeps his spirits high, with the philosophy that one should Spread a Little Happiness. Jill is an American heiress who lives next door at a stately home, The Towers, with her wealthy father Henry Kemp and her cousin Minerva (who, like Jim, is the poor relation of her family).

When Guy is credited with saving Henry from drowning (a task which Jim actually accomplished, unbeknownst to anyone but him and Guy), all at Merton Chase are invited to a costume ball at The Towers, but Jim is not allowed to attend. Jill, meanwhile, has disguised herself as a servant girl, Sarah Jones, in order to hide from a police officer who has accused her of physical assault on him. Minerva pretends to be Jill, and every man at Merton Chase is captivated by her beauty.

Jim, with the help of Jill, gatecrashes the ball disguised as a famous South American explorer, the Earl of Ditcham. Lumley reveals that Jim is an imposter. Also, Jill's priceless necklace is found in Jim's pocket, leading everyone at the ball to believe that he stole it. Jill helps Jim escape, and they capture Smith the butler, the real thief, and leave him tied up for the authorities to arrest. After the ball, a hat is found that belongs to the valiant person who captured the thief (instead of the glass slipper). A search for the owner shows that it fits only Jim. He wins the £1,000 reward and learns that the maid "Sarah" is actually Jill, and she and Jim agree to get married. Lumley and Guy, meanwhile, announce their engagements to Minerva and Phyllis, respectively. All ends happily.

Musical numbers

The principal musical numbers in the 1929 version were:

Source: Faber Music. [3]

Gänzl and Lamb's survey of Musical Theatre also mentions "The Seventeenth Century Rag", "Please, Mr Cinders", "On the Amazon" and "A Honeymoon for Four". Several songs written for the show were dropped during the pre-London tour: "Paradise Bound", "Where's Jim?", "Oh, What You Can Do to Me", and "I Could Get Used to You". [4]

The numbers in the 1983 revival were: 1. Tennis - Lady Lancaster, Guy, Lumley & Ensemble 2. Blue Blood - Lady Lancaster, Guy, Lumley & Ensemble 3. True To Two - Lumley, Enid, & Cynthia 4. I Want The World To Know - Guy & Phyllis 5. One-Man Girl - Jim & Jill 6. On With the Dance - Minerva, Lumley, Guy & Ensemble 7. Dying Swan - Instrumental 8. At The Ball - Jim, Guy, Lumley 9. Spread A Little Happiness - Jim 10. Spread A Little Happiness (Reprise) - Jill 11. The 18th Century Drag - Minerva 12. On The Amazon - Jim 13. 18th Century Drag (Reprise) - Jim, Sir George & Ensemble 14. Please, Mr. Cinders - Jill 15. She's My Lovely - Jim 16. Every Little Moment - Minerva & Lumley 17. I've Got You - Jim & Jill 18. Honeymoon For Four - Guy, Phyllis, Lumley & Minerva 19. Spread a Little Happiness (Finale) - Full Cast (minus Lady Lancaster) from The Guide To Musical Theatre

Revivals

An Australian production opened at Her Majesty's Theatre, Sydney in July 1930. [5] A German production, under the title Jim und Jill was given at the Bürgertheater, Vienna in February 1931. [6]

The show was revived in 1982 in London in a revised version, under the supervision of Ellis and Newman. It opened on 31 December at the King's Head Theatre and was transferred to the Fortune Theatre on 27 April 1983. [6] Denis Lawson starred as Jim Lancaster, with Julia Josephs (later succeeded by Christina Matthews) as Jill, Diana Martin as Minerva, Graham Hoadly as Lumley, and Philip Bird (succeeded by Steven Pacey) as Guy. [6] The hit song from the score, "Spread a Little Happiness", was given to Jim, rather than to Jill who sang it in the original version. [7] [8] [9] The song "She's My Lovely" from Ellis's show Hide and Seek was interpolated, and "Please, Mr Cinders", was written by Greatrex Newman and Vivian Ellis (in collaboration over the telephone) especially for the revival's transfer to the West End. [10]

Two cast recordings were made of these London revivals. The King's Head version with two-piano accompaniment, was recorded in February 1983, [11] and the Fortune version with full orchestral accompaniment, in July of that year. [12] The latter has been re-issued on CD. [13]

The American premiere of Mr Cinders was in April 1986, at the Forum Theatre, Metuchen, New Jersey. [6] Goodspeed Opera House revived the piece in 1988. [14] It was also revived in 1996 by the Shaw Festival in Canada. [15]

Film version

A screen adaptation of the show was filmed in 1934 at British International Pictures at Elstree Studios with Clifford Mollison, Zelma O'Neal, Henry Mollison and the Western Brothers among the cast. [16]

Related Research Articles

<i>Lord Edgware Dies</i> 1933 Poirot novel by Agatha Christie

Lord Edgware Dies is a work of detective fiction by British writer Agatha Christie, published in the UK by the Collins Crime Club in September 1933 and in the US by Dodd, Mead and Company later in the same year under the title of Thirteen at Dinner. Before its book publication, the novel was serialised in six issues of The American Magazine as 13 For Dinner.

<span class="mw-page-title-main">Sidney Jones (composer)</span> English conductor and composer

James Sidney Jones, usually credited as Sidney Jones, was an English conductor and composer, who was most famous for composing the musical scores for a series of musical comedy hits in the late Victorian and Edwardian periods. Jones's most famous musical was The Geisha, but several of his pieces were among the most popular shows of the era, enjoying long runs, international tours and revivals.

Szibill is an adaptation of the operetta Leányvásár, composed by Victor Jacobi, with a libretto by Miksa Bródy and Ferenc Martos; the original production in Hungarian premiered in Budapest in 1911. Szibill was adapted by the same librettists. First performed on February 27, 1914, at the Királyszinház in Budapest starring Sári Fedák in the title role, it rapidly made its way around Europe.

<i>The Black Crook</i> Musical that premiered in New York in 1866

The Black Crook is a work of musical theatre first produced in New York City with great success in 1866. Many theatre writers have cautiously identified The Black Crook as the first popular piece that conforms to the modern notion of a musical. The book is by Charles M. Barras. The music, selected and arranged by Thomas Baker, consists mostly of adaptations, but it included some new songs composed for the piece, notably "You Naughty, Naughty Men". The story is a Faustian melodramatic romantic comedy, but the production became famous for its spectacular special effects and skimpy costumes.

<span class="mw-page-title-main">Binnie Hale</span> English actress, singer and dancer

Beatrice "Binnie" Mary Hale-Monro was an English actress, singer and dancer. She was one of the most successful musical theatre stars in London in the 1920s and 1930s, able to sing leading roles in operetta as well as musicals, and she was popular as a principal boy in pantomime. Her best-remembered roles were in the musicals No, No, Nanette (1925) and Mr. Cinders (1929), in which she sang "Spread a Little Happiness".

Vivian John Herman Ellis, CBE was an English musical comedy composer best known for the song "Spread a Little Happiness" and the theme "Coronation Scot".

<span class="mw-page-title-main">Gertie Millar</span> British actor and singer (1879–1952)

Gertrude Ward, Countess of Dudley, known as Gertie Millar, was an English actress and singer of the early 20th century, known for her performances in Edwardian musical comedies.

<i>The Orchid</i> Edwardian musical comedy

The Orchid is an Edwardian musical comedy in two acts with music by Ivan Caryll and Lionel Monckton, a book by James T. Tanner, lyrics by Adrian Ross and Percy Greenbank, and additional numbers by Paul Rubens. The story concerns marital mix-ups and the quest of a wealthy man for a $2,000 Peruvian orchid to be sent to France. When foul play keeps the flower from reaching its destination, it is discovered that a nearly identical orchid is growing in the garden of the horticultural college.

<span class="mw-page-title-main">Paul Rubens (composer)</span> English songwriter and librettist (1875–1917)

Paul Alfred Rubens was an English songwriter and librettist who wrote some of the most popular Edwardian musical comedies of the early twentieth century. He contributed to the success of dozens of musicals.

<i>Les ptites Michu</i>

Les p'tites Michu is an opérette in three acts, with music by André Messager and words by Albert Vanloo and Georges Duval. The piece is set in Paris in the years following the French Revolution and depicts the complications ensuing after the identities of two girls become confused in their infancy.

<i>Happy Arcadia</i>

Happy Arcadia is a musical entertainment with a libretto by W. S. Gilbert and music originally by Frederic Clay that premiered on 28 October 1872 at the Royal Gallery of Illustration. It was one of four collaborations between Gilbert and Clay between 1869 and 1876. The music is lost. The piece is a satire on the genre of pastoral plays in which the characters, who each wish that they could be someone else, have their wish granted, with unhappy results.

<i>La fille du tambour-major</i>

La fille du tambour-major is an opéra comique in three acts, with music by Jacques Offenbach and words by Alfred Duru and Henri Chivot. It was one of the composer's last works, premiered less than a year before his death. It opened at the Théâtre des Folies-Dramatiques, Paris, on 13 December 1879, and, after a successful initial run, was frequently revived in Paris and internationally, but in recent times has not been among the Offenbach operas most frequently staged.

<i>La fille de Madame Angot</i>

La fille de Madame Angot is an opéra comique in three acts by Charles Lecocq with words by Clairville, Paul Siraudin and Victor Koning. It was premiered in Brussels in December 1872 and soon became a success in Paris, London, New York and across continental Europe. Along with Robert Planquette's Les cloches de Corneville, La fille de Madame Angot was the most successful work of the French-language musical theatre in the last three decades of the 19th century, and outperformed other noted international hits such as H.M.S. Pinafore and Die Fledermaus.

<i>Dance Little Lady</i> 1954 film

Dance, Little Lady is a 1954 British drama film directed by Val Guest and starring Terence Morgan, Mai Zetterling, Guy Rolfe and Mandy Miller. The film was made by independent producer George Minter and distributed by his Renown Pictures. It was shot in Eastmancolor at the Walton Studios near London. The film's sets were designed by the art director Frederick Pusey.

Spread a Little Happiness" is a song by the musical comedy composer Vivian Ellis and writer Clifford Grey from their 1929 West End musical Mr. Cinders. In the original production it was sung by Binnie Hale as the character Jill Kemp; a recording of her performance of the song was released by Columbia in 1929.

<i>The Cabaret Girl</i>

The Cabaret Girl is a musical comedy in three acts with music by Jerome Kern and book and lyrics by George Grossmith, Jr. and P. G. Wodehouse. It was produced by Grossmith and J. A. E. Malone at the Winter Garden Theatre in London's West End in September 1922 and featured Dorothy Dickson, Grossmith, Geoffrey Gwyther, and Norman Griffin in the leading roles.

<i>Le jour et la nuit</i> (opera)

Le jour et la nuit is an opéra-bouffe with a libretto by Albert Vanloo and Eugène Leterrier and music by Charles Lecocq. It was first performed in Paris in 1881, ran for 193 performances and was subsequently staged at other theatres in Europe, North America and Australia. It has not remained in the regular international operatic repertoire.

<i>La petite mariée</i> 1875 opéra-bouffe by Charles Lecocq

Le petite mariée is a three-act opéra-bouffe, with music by Charles Lecocq and libretto by Eugène Leterrier and Albert Vanloo. It was first performed at the Théâtre de la Renaissance, Paris on 21 December 1875. The opera, set in 16th-century Italy, depicts the farcical complications after the hero is caught in flagrante with the local grandee's wife.

<i>Les cent vierges</i>

Les cent vierges is an opérette in three acts, with music by Charles Lecocq and a libretto by Clairville, Henri Chivot and Alfred Duru. It was first produced at the Théâtre des Fantaisies-Parisiennes, Brussels, on 16 March 1872. The plot concerns the British government's efforts to ship brides out to a distant colony for the all-male colonists. Two French women are accidentally on board the ship taking the brides out, and are pursued to the island by their husbands. The four French intruders are threatened by the colonial governor, but after plotting and farcical goings-on, all ends satisfactorily.

<i>La cigale et la fourmi</i>

La cigale et la fourmi is a three-act opéra comique, with music by Edmond Audran and words by Henri Chivot and Alfred Duru. Loosely based on Jean de La Fontaine's version of Aesop's fable The Ant and the Grasshopper, the opera shows the lives of two young women, one prudent, like the ant, the other improvident and reckless, like the grasshopper. Unlike the Aesop fable this version has a happy ending, with the "ant" looking after the destitute "grasshopper".

References

  1. Mr. Cinders, BroadwayWorld
  2. Gänzl, p. 295
  3. Mr Cinders" Faber Music. Retrieved 26 October 2018
  4. Gänzl and Lamb, pp. 130–131
  5. "Mr. Cinders". The Sydney Morning Herald . No. 28, 862. New South Wales, Australia. 7 July 1930. p. 6. Retrieved 23 February 2019 via National Library of Australia.
  6. 1 2 3 4 Gänzl and Lamb, p. 128
  7. Gänzl and Lamb, pp. 131–132
  8. "Adelphi Theatre", The Times, 12 February 1929, pg. 12
  9. Gordon and Jubin, p. 179
  10. Gänzl and Lamb, p. 132
  11. "Mr Cinders", World Cat. Retrieved 26 October 2018
  12. "Mr Cinders", World Cat. Retrieved 26 October 2018
  13. "Mr Cinders", World Cat. Retrieved 26 October 2018
  14. Holden, Stephen. "An Old Tale, With a Spin On the Sexes", The New York Times, 18 November 1988
  15. "History", Shaw Festival. Retrieved 26 October 2018
  16. "Mister Cinders", British Film Institute. Retrieved 26 October 2018

Sources