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Science fiction studies is the common name for the academic discipline that studies and researches the history, culture, and works of science fiction and, more broadly, speculative fiction.
The modern field of science fiction studies is closely related to popular culture studies, a subdiscipline of cultural studies, and film and literature studies.[ citation needed ] Because of the ties with futurism and utopian works, there is often overlap with these fields as well. The field also has spawned subfields, such as feminist science fiction studies.[ citation needed ]
Modern science fiction criticism may have started with Dorothy Scarborough, who in 1917 included a chapter on "Supernatural Science" in her doctoral dissertation, published as The Supernatural in Modern English Fiction. [1]
As the pulp era progressed, shifting science fiction ever further into popular culture, groups of writers, editors, publishers, and fans (often scientists, academics, and scholars of other fields) systematically organized publishing enterprises, conferences, and other insignia of an academic discipline. Much discussion about science fiction took place in the letter columns of early SF magazines and fanzines, and the first book of commentary on science fiction in the US was Clyde F. Beck's Hammer and Tongs, a chapbook of essays originally published in a fanzine. [2]
The 1940s saw the appearance of three full-scale scholarly works that treated science fiction and its literary ancestors: Philip Babcock Gove's The Imaginary Voyage in Prose Fiction (1941), J. O. Bailey's Pilgrims Through Space and Time (1948), and Marjorie Hope Nicolson's Voyages to the Moon (1949). [3]
Peter Nicholls credits Sam Moskowitz with teaching "what was almost certainly the first sf course in the USA to be given through a college": a non-credit course in "Science Fiction Writing" at City College of New York in 1953. The first regular, for-credit courses were taught by Mark Hillegas (at Colgate) and H. Bruce Franklin (at Stanford) in 1961. [4] During the 1960s, more science fiction scholars began to move into the academy, founding academic journals devoted to the exploration of the literature and works of science fiction. [5] [6] The explosion of film studies and cultural studies more broadly granted the nascent discipline additional credibility, and throughout the 1970s and 1980s, mainstream scholars such as Susan Sontag [7] turned their critical attention to science fiction.
In 1982, James Gunn (now Emeritus Professor) established the Center for the Study of Science Fiction as a Kansas Board of Regents Center as a focus for the SF programs he offered at the University of Kansas, beginning in 1969. This was the first such SF organization at a major university. [8]
The 1990s saw the first academic programs and degree-granting programs established, [9] and the field shows continued steady growth, not surprisingly also at technology-oriented institutions. [10] [11]
Societies:
General journals:
Review journals:
Conferences:
Significant scholarship awards:
Museums:
A number of significant research collections and archives in SF studies have been developed in the past three to four decades. These include academic collections at the University of Liverpool, the University of Kansas, the Toronto Public Library, and the University of California, Riverside (the Eaton collection).
See Science fiction libraries and museums for a comprehensive list and description of relevant collections and research institutes.
Feminist science fiction is a subgenre of science fiction focused on such feminist themes as: gender inequality, sexuality, race, economics, reproduction, and environment. Feminist SF is political because of its tendency to critique the dominant culture. Some of the most notable feminist science fiction works have illustrated these themes using utopias to explore a society in which gender differences or gender power imbalances do not exist, or dystopias to explore worlds in which gender inequalities are intensified, thus asserting a need for feminist work to continue.
Science fiction and fantasy serve as important vehicles for feminist thought, particularly as bridges between theory and practice. No other genres so actively invite representations of the ultimate goals of feminism: worlds free of sexism, worlds in which women's contributions are recognized and valued, worlds that explore the diversity of women's desire and sexuality, and worlds that move beyond gender.
Joanna Russ was an American writer, academic and feminist. She is the author of a number of works of science fiction, fantasy and feminist literary criticism such as How to Suppress Women's Writing, as well as a contemporary novel, On Strike Against God, and one children's book, Kittatinny. She is best known for The Female Man, a novel combining utopian fiction and satire, and the story "When It Changed".
Science fiction is a genre of speculative fiction, which typically deals with imaginative and futuristic concepts such as advanced science and technology, space exploration, time travel, parallel universes, and extraterrestrial life. It is related to fantasy, horror, and superhero fiction and contains many subgenres. Its exact definition has long been disputed among authors, critics, scholars, and readers.
Utopian and dystopian fiction are subgenres of speculative fiction that explore social and political structures. Utopian fiction portrays a setting that agrees with the author's ethos, having various attributes of another reality intended to appeal to readers. Dystopian fiction offers the opposite: the portrayal of a setting that completely disagrees with the author's ethos. Some novels combine both genres, often as a metaphor for the different directions humanity can take depending on its choices, ending up with one of two possible futures. Both utopias and dystopias are commonly found in science fiction and other types of speculative fiction.
Alexei Panshin was an American writer and science fiction critic. He wrote several critical works and several novels, including the 1968 Nebula Award–winning novel Rite of Passage and, with his wife Cory Panshin, the 1990 Hugo Award–winning study of science fiction The World Beyond the Hill.
Thomas O'Conor Sloane was an American scientist, inventor, author, editor, educator, and linguist, perhaps best known for writing The Standard Electrical Dictionary and as the editor of Scientific American, from 1886 to 1896 and the first science fiction magazine, Amazing Stories, from 1929 to 1938.
John Frederick Clute is a Canadian-born author and critic specializing in science fiction and fantasy literature who has lived in both England and the United States since 1969. He has been described as "an integral part of science fiction's history" and "perhaps the foremost reader-critic of science fiction in our time, and one of the best the genre has ever known." He was one of eight people who founded the English magazine Interzone in 1982.
The Science Fiction Research Association (SFRA), founded in 1970, is the oldest, non-profit professional organization committed to encouraging, facilitating, and rewarding the study of science fiction and fantasy literature, film, and other media. The organization’s international membership includes academically affiliated scholars, librarians, and archivists, as well as authors, editors, publishers, and readers. In addition to its facilitating the exchange of ideas within a network of science fiction and fantasy experts, SFRA holds an annual conference for the critical discussion of science fiction and fantasy where it confers a number of awards, and it produces the quarterly publication, SFRA Review, which features reviews, review essays, articles, interviews, and professional announcements.
The Pioneer Award is given by the Science Fiction Research Association to the writer or writers of the best critical essay-length work of the year. In 2019 it was renamed the SFRA Innovative Research Award.
Foundation: The International Review of Science Fiction is a critical peer-reviewed literary journal established in 1972 that publishes articles and reviews about science fiction. It is published triannually by the Science Fiction Foundation. The Encyclopedia of Science Fiction has called it "perhaps the liveliest and indeed the most critical of the big three critical journals". A long-running feature was the series of interviews and autobiographical pieces with leading writers, entitled "The Profession of Science Fiction", a selection of which was edited and published by Macmillan Publishers in 1992. Several issues have been themed, including #93, also published as part of the Foundation Studies in Science Fiction. The hundredth edition was unusual in that it was an all-fiction issue, including stories by such writers as Vandana Singh, Tricia Sullivan, Karen Traviss, Jon Courtenay Grimwood, John Kessel, Nalo Hopkinson, Greg Egan, and Una McCormack. Back issues of the journal are archived at the University of Liverpool's SF Hub whilst more recent issues can be found electronically via the database providers ProQuest.
Mythago Wood is a fantasy novel by British writer Robert Holdstock, published in the United Kingdom in 1984. Mythago Wood is set in Herefordshire, England, in and around a stand of ancient woodland, known as Ryhope Wood. The story involves the internally estranged members of the Huxley family, particularly Stephen Huxley, and his experiences with the enigmatic forest and its magical inhabitants. The conception began as a short story written for the 1979 Milford Writer's Workshop; a novella of the same name appeared in the September 1981 edition of The Magazine of Fantasy & Science Fiction.
Farah Jane Mendlesohn is a British academic historian, writer on speculative fiction, and active member of science fiction fandom. Mendlesohn is best-known for their 2008 book Rhetorics of Fantasy, which classifies fantasy literature into four modes based on how the fantastic enters the story. Their work as editor includes the Cambridge Companions to science fiction and fantasy, collaborations with Edward James. The science fiction volume won a Hugo Award. Mendlesohn is also known for books on the history of fantasy, including Children's Fantasy Literature: An Introduction, co-written with Michael Levy. It was the first work to trace the genre's 500-year history and won the World Fantasy Award.
With the growth of science fiction studies as an academic discipline as well as a popular media genre, a number of libraries, museums, archives, and special collections have been established to collect and organize works of scholarly and historical value in the field.
Andrew John Milner is Professor Emeritus of English and Comparative Literature at Monash University. From 2014 until 2019 he was also Honorary Professor of English and Comparative Literary Studies at the University of Warwick. In 2013 he was Ludwig Hirschfeld Mack Visiting Professor of Australian Studies at the Institut für Englische Philologie, Freie Universität Berlin.
Gary K. Wolfe is an American science fiction editor, critic and biographer. He is an emeritus Professor of Humanities in Roosevelt University's Evelyn T. Stone College of Professional Studies.
The Eaton Collection of Science Fiction and Fantasy, formerly known as the J. Lloyd Eaton Collection of Science Fiction, Fantasy, Horror, and Utopian Literature, is "the largest publicly accessible collection of science fiction, fantasy, horror and utopian and dystopian literature in the world". It is housed in Special Collections and Archives of the UCR Libraries at the University of California, Riverside. It consists of more than 300,000 items, including hardcover and paperback books, SF fanzines, film and visual material, and comic books, including manga and anime, as well as a variety of archival materials.
Gary Wesley Westfahl is an American writer and scholar of science fiction. He has written reviews for the Los Angeles Times, The Internet Review of Science Fiction and Locus Online. He worked at the University of California, Riverside until 2011 and is now an Professor Emeritus at the University of La Verne.
Thomas Patrick Moylan is an American-Irish academic, literary and cultural critic, Professor Emeritus in the Department of Language, Literature, Communication and Culture at the University of Limerick. Moylan's academic interests are in utopian studies and critical theory, science fiction studies, cultural studies, American studies, and Irish studies.
Phillip E. Wegner is a professor in the Department of English and the Marston-Milbauer Eminent Scholar in English at the University of Florida.
Carl Howard Freedman is an American writer, literary theorist and professor of English literature at Louisiana State University. He is best known for the non-fiction book Critical Theory and Science Fiction, and his scholarly work on the writer Philip K. Dick. Freedman's other works include a series of books on Isaac Asimov, Ursula K. Le Guin and Samuel R. Delany, and several essays and a book on China Miéville. In 2018, he won the Pilgrim Award for lifetime contribution to science fiction and fantasy scholarship.
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