Susan Bee | |
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| Born | January 14, 1952 |
| Nationality | American |
| Education | Barnard College (BA) Hunter College (MA) |
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| Spouse | Charles Bernstein |
| Children | 2, including Felix Bernstein |
| Parent |
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Susan Bee (born January 14, 1952 [1] ) is an American painter, editor, and book artist known for her work in book form and as co-editor and co-founder of M/E/A/N/I/N/G. [2]
Bee has a B.A. from Barnard College and a M.A. in Art from Hunter College.
Susan Bee is currently represented by A.I.R. Gallery, where she has been a member since 1996. In addition to those galleries and Accola Griefen, she has had solo shows at the New York Public Library, Kenyon College, Columbia University, William Paterson College, and Virginia Lust Gallery, and her work has been included in numerous group shows. [3]
In 2015, "Photograms and Altered Photos from the 1970s" were exhibited at Southfirst Gallery in Brooklyn. [4] She had one solo show at Accola Griefen Gallery (2013) and ten solo shows at A.I.R. Gallery in New York. [5]
Her work has been described as a "distinctive stylistic blend of folk art and pastoral psychedelia." [6]
She has taught at the School of Visual Arts MFA in Art Criticism and Writing program [7] and at the University of Pennsylvania and at Pratt Institute.
Bee has published six artist's books with Granary Books. [8] These include several collaborations with poets: Bed Hangings, with Susan Howe, A Girl’s Life, with Johanna Drucker, The Burning Babe and Other Poems with Jerome Rothenberg, and Log Rhythms and Little Orphan Anagram with Charles Bernstein. In addition, she has published eight artist's books for other publishers, including Fabulas Feminae with Johanna Drucker (2015), [9] Entre (2009) with poems by Regis Bonvicino, from Global Books, Paris, and The Invention Tree (2012) with poems by Jerome McGann, Chax Press.
Her artwork is included in many public and private collections including the Metropolitan Museum of Art, Getty Museum, Victoria & Albert Museum, Yale University, Clark Art Institute, New York Public Library, and Harvard University Library.
Her work has been reviewed in Art in America, The New York Times, [10] The New Yorker, Art Papers, The Forward, The Brooklyn Rail, [11] and ArtNews. She has had Fellowships at the Virginia Center for the Creative Arts in 2002 and 1999, Yaddo Fellowships in 2001 and 1996, and at the MacDowell Colony in 2012. In addition, she has had publication grants from the Visual Arts Program, the National Endowment for the Arts, from 1992 to 1997 and Publication Grants, from the Visual Arts Program, New York State Council on the Arts, from 1989 to 1997.
In 2014, Susan Bee was awarded a Guggenheim fellowship. [12]
Bee is the co-editor, with Mira Schor, of M/E/A/N/I/N/G: An Anthology of Artist's Writings, Theory, and Criticism, with writings by over 100 artists, critics, and poets, published by Duke University Press in 2000. She was the co-editor of M/E/A/N/I/N/G: A Journal of Contemporary Art Issues from 1986–1996 and is currently the co-editor of M/E/A/N/I/N/G Online. [2]
Susan Bee is married to poet Charles Bernstein. [13] They have two children, Emma Bee Bernstein (May 16, 1985 - December 20, 2008) and Felix Bernstein (born May 20, 1992). [14] Her parents, Miriam Laufer and Sigmund Laufer, were also artists. [15] [16]
Charles Bernstein is an American poet, essayist, editor, and literary scholar. Bernstein is the Donald T. Regan Professor, Emeritus, Department of English at the University of Pennsylvania. He is one of the most prominent members of the L=A=N=G=U=A=G=E or Language poets. In 2006 he was elected a Fellow of the American Academy of Arts and Sciences. and in 2019 he was awarded the Bollingen Prize from Yale University, the premiere American prize for lifetime achievement, given on the occasion of the publication of Near/Miss. Bernstein was David Gray Professor of Poetry and Poetics at SUNY-Buffalo from 1990 to 2003, where he co-founded the Poetics Program. A volume of Bernstein's selected poetry from the past thirty years, All the Whiskey in Heaven, was published in 2010 by Farrar, Straus, and Giroux. The Salt Companion to Charles Bernstein was published in 2012 by Salt Publishing and Charles Bernstein: The Poetry of Idiomatic Insistences, edited by Paul Bovê was published by Duke University Press and boundary 2 in 2021.
Susan Howe is an American poet, scholar, essayist, and critic, who has been closely associated with the Language poets, among other poetry movements. Her work is often classified as Postmodern because it expands traditional notions of genre. Many of Howe's books are layered with historical, mythical, and other references, often presented in an unorthodox format. Her work contains lyrical echoes of sound, and yet is not pinned down by a consistent metrical pattern or a conventional poetic rhyme scheme.
Kenneth Goldsmith is an American poet and critic. He was the founding editor of UbuWeb and an artist-in-residence at the Center for Programs in Contemporary Writing (CPCW) at the University of Pennsylvania, where he taught. He was also a senior editor of PennSound at the University of Pennsylvania. He hosted a weekly radio show at WFMU from 1995 until June 2010. He published 32 books including ten books of poetry, notably Fidget (2000), Soliloquy (2001), Day (2003) and his American trilogy, The Weather (2005), Traffic (2007), and Sports (2008), 'Seven American Deaths and Disasters (2011), and 'Capital: New York Capital of the Twentieth Century (2015). He also was the author of three books of essays, Uncreative Writing: Managing Language in the Digital Age (2011), Wasting Time on The Internet (2016), and Duchamp Is My Lawyer: The Polemics, Pragmatics, and Poetics of UbuWeb (2020). In 2013, he was appointed the Museum of Modern Art's first poet laureate.
Jaune Quick-to-See Smith is a Native American visual artist and curator. She is an enrolled member of the Confederated Salish and Kootenai Tribes and is also of Métis and Shoshone descent. She is an educator, storyteller, art advocate, and political activist. Over the course of her five-decade long career, Smith has gained a reputation for her prolific work, being featured in over 90 solo exhibitions, curating over 30 exhibitions, and lecturing at approximately 200 museums, universities, and conferences. Her work draws from a Native worldview and comments on American Indian identity, histories of oppression, and environmental issues.
A.I.R. Gallery is the first all female artists cooperative gallery in the United States. It was founded in 1972 with the objective of providing a professional and permanent exhibition space for women artists during a time in which the works shown at commercial galleries in New York City were almost exclusively by male artists. A.I.R. is a not-for-profit, self-underwritten arts organization, with a board of directors made up of its New York based artists. The gallery was originally located in SoHo at 97 Wooster Street, and was located on 111 Front Street in the DUMBO neighborhood of Brooklyn until 2015. In May 2015, A.I.R. Gallery moved to its current location at 155 Plymouth St, Brooklyn, NY 11201.
Phong H. Bui is an artist, writer, independent curator, and Co-Founder and Artistic Director of The Brooklyn Rail, a free monthly arts, culture, and politics journal. Bui was named one of the "100 Most Influential People in Brooklyn Culture" by Brooklyn Magazine in 2014. In 2015, The New York Observer called him a "ringmaster" of the "Kings County art world." Bui was the recipient of the 2021 American Academy of Arts and Letters Award for Distinguished Service to the Arts. He lives in Greenpoint, Brooklyn.
The feminist art movement in the United States began in the early 1970s and sought to promote the study, creation, understanding and promotion of women's art. First-generation feminist artists include Judy Chicago, Miriam Schapiro, Suzanne Lacy, Judith Bernstein, Sheila de Bretteville, Mary Beth Edelson, Carolee Schneeman, Rachel Rosenthal, and many other women. They were part of the Feminist art movement in the United States in the early 1970s to develop feminist writing and art. The movement spread quickly through museum protests in both New York and Los Angeles, via an early network called W.E.B. that disseminated news of feminist art activities from 1971 to 1973 in a nationally circulated newsletter, and at conferences such as the West Coast Women's Artists Conference held at California Institute of the Arts and the Conference of Women in the Visual Arts, at the Corcoran School of Art in Washington, D.C..
Chitra Ganesh is a visual artist based in Brooklyn, New York. Ganesh's work across media includes: charcoal drawings, digital collages, films, web projects, photographs, and wall murals. Ganesh draws from mythology, literature, and popular culture to reveal feminist and queer narratives from the past and to imagine new visions of the future.
Mira Schor is an American artist, writer, editor, and educator, known for her contributions to critical discourse on the status of painting in contemporary art and culture as well as to feminist art history and criticism.
Diane Burko is an American painter and photographer. She is currently based in Philadelphia and Bucks County, Pennsylvania. Her work addresses landscape, climate change and environmental activism.
Michelle Lopez is an American sculptor and installation artist, whose work incorporates divergent industrial materials to critique present day cultural phenomena. She lives and works in Philadelphia, PA.
Lenore Malen is an American artist who creates video installations, photography, and performance. Malen was awarded a Guggenheim fellowship and a NYFA Grant in Interdisciplinary Art in 2009.
Miriam Schaer is an American artist who creates artists' books, and installations, prints, collage, photography, and video in relation to artists' books. She also is a teacher of the subject.
Cindy Heller Nemser was an American art historian and writer. Founder and editor of the Feminist Art Journal, she was an activist and prominent figure in the feminist art movement and was best known for her writing on the work of women artists such as Eva Hesse, Alice Neel, and Louise Nevelson.
Granary Books is an independent small press and rare books and archives dealer based in New York City. Owned and directed by Steve Clay, Granary has published hundreds of books that "produce, promote, document, and theorize new works exploring the intersection of word, image, and page." As a rare books and archives dealer, Granary Books also assists in the placement and preservation of authors' and artists' archives. In addition to these activities, Granary Books administers projects such as "From a Secret Location," a digital repository of materials related to the small press and mimeograph revolutions from the 1960s to 1980s. Its trade books are distributed by D.A.P./Distributed Art Publishers and Small Press Distribution.
Miriam Laufer was an American artist. Laufer is best known for her paintings of women, as well as her paintings in abstract expressionist, geometric abstraction, and pop art styles. In addition, she was an early participant in the feminist art movement starting in the 1960s. She also worked as a calligrapher, illustrator, graphic designer and teacher.
Rachel Farmer is an American artist. She is primarily known for her ceramic sculpture and installations. Farmer's work explores Mormon history from a feminist and queer perspective, and is informed by her roots in the Utah area.
Mary Grigoriadis is an American artist known for her paintings in the pattern and decoration movement.
Kira Nam Greene is a New York-based painter known for combining ethnographic imagery, meticulous realism, and layered patterns. Greene has expressed her commitment to painting as a way to explore feminism, materialism, and beauty.
Elizabeth Whiteley is an American fine artist and designer.
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