Zimbabwean hip hop

Last updated

Zimbabwean hip hop is a variety of hip hop music that is popular in Zimbabwe. It emerged in the early 1990s. Prominent artists include Voltz JT, Br3eze, R. Peels, [1] Ti Gonzi, Junior Brown, Calvin, Saintfloew, Holy Ten, Mahcoy, Asaph, Kriss Newtone, [2] Suhn, Cyprian, Denim Woods, Hanna, Tanto Wavie, Tehn Diamond, Synik, Joie LeFeu, Hurrikane, Maskiri, Ex Q, TreyXL, Munetsi, Bling4, Tha Bees, Bagga We Ragga and Raykaz. Trap music is its most popular subgenre.

Contents

History

1990–2000

During this period, hip hop emerged globally. The youth of Zimbabwe embraced it. The earliest recordings were mostly on vinyl and tape. As they were not converted to CDs, MP3s, or modern media, they became rare. The mainstream acts of the time were Piece of Ebony, Fortune Muparutsa [with rap verses on songs like "Rumors" (1991)], and Midnight Magic with songs like "Blackness" featuring Mau Mau. Since most vinyl records and cassette tapes are no longer playable, Zimbabwe lost much of its earlier catalog, from which later generations could have drawn inspiration.

This also limited opportunities to sample from predecessors. During the second half of this period, beginning on their own and later with the influence of Innocent Tshuma (then known as the Millennium Man), youths began to participate. The instrumentation, form, and culture began to adopt American Hip hop trends, leaning less on the stagnant local mbira hip hop. Though exported globally by groups like Zimbabwe Legit, hip hop remained secondary to other genres such as museve, reggae, kwaito, jazz, choral, folk and African house. In 2016, artists like Takura gathered a following. He was the first to be recognized during stiff competition with Zimdancehall.

2001–present

Since 2001 artists and promoters have branched out to form their own brands, record labels, and radio stations. This cost monopolists their grip on the industry and diluted their power in distribution, influence, airplay, and the ability to predict the next big artist. Artists began selling CDs in the streets. Shows such as Mashoko and the Circle at the Mannernburg in Harare helped popularize hip hop. Poets and emcees include Osama, Outspoken, Synik, Upmost, Godobori, Aura, Blackbird (now known as Temple), among others. Poets inserted politics into their music and started a movement known as House of Hunger.

Mashoko later developed from a once-a-month festival known as Shoko Fest, which included international acts like Hired Gun (USA) and Akala, among others. Many Zimbabwean emcees performed at the show, ongoing since 2010. The same year, Zim Hip Hop Awards began.

Artists have recently begun to adopt digital distribution channels linked to social networks such as Music Clout. Music videos and promotional music are now used to gather followers. Prolific artists are now hiring or being approached by industry managers to handle their affairs in a more professional manner.

In 2018 female artists such as Tashamiswa gained popularity. She is one of the most important female participants. Currently, artists like Ti Gonzi and Holy Ten are also dominating the genre but are still being led by the legendary Maskiri. In 2020, during the lockdown period, new artists who rapped in English in a vernacular-dominated genre emerged—including Suhn, Cyprian, Denim Woods, Kriss Newtone, Obi Davids, Masimba, Hanna, Lucretius, and Raykaz. Tanto Wavie is also an important figure in the genre with this subgenre "Trap Su" which is basically trap and sungura, an indigenous combined Zimbabwean genre. New voices such as Dough Major and Dingo Duke who emerged with a subgenre later called Shebeen rap, influenced by 90's kwaito, future bass, Afrobeats and 1980's funk. Another voice has been constantly raising and creating a new Zim hip hop wave subgenred as Jecha trap influenced by a mixture of Zimbabwean hip hop culture mixed with other cultures from parts of Africa with fusioned with other styles like afro-swing, Maskandi rap, Melodical trap, Psychedelic rap and Conscious rap. The subgenre was created by Cyprian, an SA-based Zimbabwean rapper and his fellow friend and collaborator Mfundo Dyanose a.k.a. Killo Di King, a xhosa rapper from South Africa.

Style and influences

Influences

Hip hop's use of high tech equipment, kept it fresh and relevant, re-birthed with each technological advancement. America continued to exert the greatest influence. Many local acts use the same flow and drum kits used by their favorite United States rapper and producer.

Zimbabwean identity

A few acts are now moving away from the influence of American hip hop, branding themselves as kings, queens and faces of the generation. Some have resorted to remakes and remixes of old hit tracks, whereas others emphasize sampling traditional or folk songs and collaborating with each other and more established names from other genres. Acts make more use of their traditional languages (Shona and Ndebele), and incorporate local instruments such as mbira, marimba, traditional drums or hosho (shaker). Colonial-era acts like August Musarurwa and Simon Mashoko proved that influencing, inspiring, or impressing American musicians is possible as their tracks were sampled or covered by artists like Louis Armstrong and 213 (Snoop Dogg, Warren G, Nate Dogg), supporting the argument to establish distinct identities.

Media

Radio

Radio has helped the genre, in part by broadcasting podcasts such as Radio Kunakirwa, which are the only proof of the existence of some tracks. Radio catalogs and podcasts are now a vital source of history for the genre. Apart from airplay, some radio stations have segments dedicated to the genre.

Television

A few shows dedicated to hip hop on Zimbabwe's local broadcaster.

Blogs

Blogs are predominantly the drivers of Zim hip hop. One of the most influential writers was the late Donald "Dodger" Marindire whose work documented the culture for the past decade, inspiring many artists. Other media personalities that continue to document the culture include Denzel Sambo, Mukudzeyi Mlambo, Specktrum, Nova Bleq, Takudzwa Chiwanza and Takudzwa "Manando" Kudzura.

Major platforms include:

Related Research Articles

House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 120-130 beats per minute as a re-emergence of 1970s disco. It originated in the Black queer community in Chicago. It was created by DJs and music producers from Chicago's underground club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat. By early 1988, House became mainstream and supplanted the typical 80s music beat.

Latin hip hop is hip hop music that is recorded by artists in the United States of Hispanic and Latino descent, along with Spanish-speaking countries in the Caribbean, North America, Central America, South America, and Spain.

Southern hip hop, also known as Southern rap, South Coast hip hop, or dirty south, is a blanket term for a regional genre of American hip hop music that emerged in the Southern United States, especially in Atlanta, New Orleans, Houston, Memphis, and Miami—five cities which constitute the "Southern Network" in rap music.

Hip hop music has been popular in Africa since the early 1980s due to widespread African American influence. In 1985, hip hop reached Senegal, a French-speaking country in West Africa. Some of the first Senegalese rappers were Munyaradzi Nhidza Lida, M.C. Solaar, and Positive Black Soul.

<span class="mw-page-title-main">Music of Zimbabwe</span> Overview of musical traditions in Zimbabwe

Zimbabwean music is heavily reliant on the use of instruments such as the mbira, Ngoma drums and hosho. Their music symbolizes much more than a simple rhythm, as the folk and pop style styled music was used as a symbol of hope for Zimbabweans looking to gain independence from Rhodesia. Music has played a significant role in the history of Zimbabwe, from a vital role in the traditional Bira ceremony used to call on ancestral spirits, to protest songs during the struggle for independence. The community in Zimbabwe used music to voice their resistance to their oppression, as one of the only weapons they had available to fight back with. In the eighties, the Music of Zimbabwe was at the center of the African Music scene thanks to genres such as Sungura and Jit. However, several performers were banned by state TV and radio leading to the closing of several music venues.

Popular music of the United Kingdom in the 1980s built on the post-punk and new wave movements, incorporating different sources of inspiration from subgenres and what is now classed as world music in the shape of Jamaican and Indian music. It also explored the consequences of new technology and social change in the electronic music of synthpop. In the early years of the decade, while subgenres like heavy metal music continued to develop separately, there was a considerable crossover between rock and more commercial popular music, with a large number of more "serious" bands, like The Police and UB40, enjoying considerable single chart success.

The music of Namibia includes a number of folk styles, as well as pop, rock, reggae, jazz, house and hip hop.

Bosnian hip hop is a style of music made in Bosnia and Herzegovina.

Hip hop soul is a subgenre of contemporary R&B music, most popular during the early and mid 1990s, which fuses R&B or soul singing with hip hop musical production. The subgenre had evolved from a previous R&B subgenre, new jack swing, which had incorporated hip-hop influences into R&B music. By contrast, hip hop soul is, as described in The Encyclopedia of African American Music, "quite literally soul singing over hip hop grooves".

Egyptian hip hop is a form of hip hop music in Egypt that draws its inspiration from local, regional and global events. Since the early 2000s, Egyptian Hip Hop has gained significant popularity and is listened to by a global audience prompted by the internet as the latest medium of technology and music streaming services such as Spotify and Anghami.

<span class="mw-page-title-main">Motswako</span> South African subgenre of hip hop

Motswako, is a subgenre of hip hop originating from South Africa additionally prominently popularized in Botswana. Mafikeng, the genre's origin point, is located close to the border of Botswana, where Setswana (Tswana) is predominantly spoken similiar to Mafikeng. Motswako blends rap lyrics in local languages like Setswana with English over a steady beat. It also incorporates languages such as Sesotho, Zulu and Afrikaans depending on the artist's background. Popularized by South African acts like HHP and Baphixile in the late nineties, it gained a significant following among local audiences. Many emerging artists in South Africa use motswako as a foundation for their music careers due to its accessible principles, emphasizing creative writing skills crucial for mastering the genre. South Africa and Botswana boast a substantial pool of motswako artists, although female representation remains limited.

Hip-hop or hip hop music, also known as rap, and formerly as disco rap, is a genre of popular music that originated in the early 1970s from African Americans and Afro-Caribbean immigrants in the Bronx, a borough of New York City. Hip-hop music originated as an anti-drug and anti-violence genre consisting of stylized rhythmic music that often accompanies rapping, a rhythmic delivery of poetic speech. In the early 1990s, a professor of African American studies at Temple University said, "hip hop is something that blacks can unequivocally claim as their own." By the 21st century, the field of rappers had diversified by both race and gender. The music developed as part of the broader hip hop culture, a subculture defined by four key stylistic elements: MCing/rapping, DJing/scratching with turntables, breakdancing, and graffiti art. While often used to refer solely to rapping and rap music, "hip hop" more properly denotes the practice of the entire subculture. The term hip hop music is sometimes used synonymously with the term rap music, though rapping is not a required component of hip hop music; the genre may also incorporate other elements of the culture, including DJing, turntablism, scratching, beatboxing, and instrumental tracks.

Trap is a subgenre of hip hop music that originated in the Southern United States, with lyrical references to trap starting in 1991 but the modern sound of trap appearing in 1999. The genre gets its name from the Atlanta slang term "trap house", a house used exclusively to sell drugs. Trap music uses synthesized drums and is characterized by complex hi-hat patterns, snare drums, bass drums, some tuned with a long decay to emit a bass frequency, and lyrical content that often focuses on drug use and urban violence.

Drill is a subgenre of hip hop music that originated in Chicago in the early 2010s. It is sonically similar to the trap music subgenre and lyrically similar to the gangsta rap subgenre. Early drill artists are noted for their explicit, confrontational style of lyricism and association with crime in Chicago, especially the Black Disciples and Gangster Disciples. The genre progressed into the American mainstream in 2012 following the success of pioneering rappers like Chief Keef, Lil Reese, Lil Durk, Fredo Santana, G Herbo, Lil Bibby and King Louie, who had many local fans and a significant internet presence alongside producer Young Chop. Other rappers, such as Edai, L'A Capone, RondoNumbaNine, SD, FBG Duck, Lil Jojo and producer Leek-E-Leek also contributed to the early drill scene. As the audience grew, media attention and the signing of drill musicians to major labels followed.

Cloud rap is a subgenre of rap that has several sonic characteristics of trap music and is known for its hazy, dreamlike and relaxed production style. Rapper Lil B and producer Clams Casino have been identified as the early pioneers of the style. The term "cloud rap" is derived from its internet origins and ethereal style.

Diego Tinotenda Chikombeka, professionally known as Diego Tryno is a Zimbabwean urban contemporary and hip-hop musician. He is also known locally by stage names including "Mr. Coffee Please" and "The Future Billionaire".

Phonk is a subgenre of hip hop and trap music directly inspired by 1990s Memphis rap. The style is characterized by vocals from old Memphis rap tapes and samples from early 1990s hip hop, especially cowbell samples resembling that of the Roland TR-808 drum machine. The genre draws from the dark, distortive techniques of the chopped and screwed sound.

Zim Hip Hop Awards also known as Zimbabwe Hip Hop Awards is an annual awards event created to recognise outstanding Zimbabwean hip hop artists in Zimbabwe as well as diaspora based hip hop artists. The awards are presented in December each year.

References

  1. "R.Peels Biography: Real Name, Age, Career, Albums". Pindula. 31 March 2021. Retrieved 26 October 2023.
  2. "Kriss Newtone". Spotify.
  3. "Power FM: School of Hip Hop Top 10 Local Charts". www.3-mob.com. Retrieved 20 September 2013.
  4. "Sliq Kay – Power FM". www.powerfm.co.zw. Retrieved 21 April 2018.
  5. "Hip Hop 263".