Chicano or Chicana is an ethnic identity for Mexican Americans who have a non-Anglo self-image, embracing their Mexican Native ancestry. Chicano was originally a classist and racist slur used toward low-income Mexicans that was reclaimed in the 1940s among youth who belonged to the Pachuco and Pachuca subculture. In the 1960s, Chicano was widely reclaimed in the building of a movement toward political empowerment, ethnic solidarity, and pride in being of indigenous descent. Chicano developed its own meaning separate from Mexican American identity. Youth in barrios rejected cultural assimilation into the mainstream American culture and embraced their own identity and worldview as a form of empowerment and resistance. The community forged an independent political and cultural movement, sometimes working alongside the Black power movement.
Chicano rock, also called chicano fusion, is rock music performed by Mexican American (Chicano) groups or music with themes derived from Chicano culture. Chicano Rock, to a great extent, does not refer to any single style or approach. Some of these groups do not sing in Spanish at all, or use many specific Latin instruments or sounds. The subgenre is defined by the ethnicity of its performers, and as a result covers a wide range of approaches.
Mexican Americans are Americans of Mexican heritage. In 2022, Mexican Americans comprised 11.2% of the US population and 58.9% of all Hispanic and Latino Americans. In 2019, 71% of Mexican Americans were born in the United States; they make up 53% of the total population of foreign-born Hispanic Americans and 25% of the total foreign-born population. Chicano is a term used by some to describe the unique identity held by Mexican-Americans. The United States is home to the second-largest Mexican community in the world, behind only Mexico. Most Mexican Americans reside in the Southwest, with over 60% of Mexican Americans living in the states of California and Texas.
Pachucos are male members of a counterculture that emerged in El Paso, Texas, in the late 1930s. Pachucos are associated with zoot suit fashion, jump blues, jazz and swing music, a distinct dialect known as caló, and self-empowerment in rejecting assimilation into Anglo-American society. The pachuco counterculture flourished among Chicano boys and men in the 1940s as a symbol of rebellion, especially in Los Angeles. It spread to women who became known as pachucas and were perceived as unruly, masculine, and un-American. Some pachucos adopted strong attitudes of social defiance, engaging in behavior seen as deviant by white/Anglo-American society, such as marijuana smoking, gang activity, and a turbulent night life. Although concentrated among a relatively small group of Mexican Americans, the pachuco counterculture became iconic among Chicanos and a predecessor for the cholo subculture which emerged among Chicano youth in the 1980s.
Chicano English, or Mexican-American English, is a dialect of American English spoken primarily by Mexican Americans, particularly in the Southwestern United States ranging from Texas to California, as well as in Chicago. Chicano English is sometimes mistakenly conflated with Spanglish, which is a mixing of Spanish and English; however, Chicano English is a fully formed and native dialect of English, not a "learner English" or interlanguage. It is even the native dialect of some speakers who know little to no Spanish, or have no Mexican heritage.
El Pueblo de Nuestra Señora la Reina de los Ángeles del Río de Porciúncula, shortened to Pueblo de los Ángeles, was the Spanish civilian pueblo settled in 1781, which became the American metropolis of Los Angeles. The pueblo was built using labor from the adjacent village of Yaanga and was totally dependent on local Indigenous labor for its survival.
The Spanish expression la Raza has historically been used to refer to the mixed-race populations, considered as an ethnic or racial unit historically deriving from the Spanish Empire, and the process of racial intermixing during the Spanish colonization of the Americas with the indigenous populations of the Americas.
Luisa Moreno was a Guatemalan social activist and participant in the United States labor movement. She unionized workers, led strikes, wrote pamphlets in both English and Spanish, and convened the 1939 Congreso de Pueblos de Habla Española, the "first national Latino civil rights assembly", before returning to Guatemala in 1950.
Linda Vallejo is an American artist known for painting, sculpture and ceramics. Her work often addresses her Mexican-American ethnic identity within the context of American art and popular culture. The founder of the commercial art gallery Galería Las Américas, she is also an arts educator and has been involved intraditional Native American and Mexican rituals and ceremonies for many years.
Davíd Lee Carrasco is an American academic historian of religion, anthropologist, and Mesoamericanist scholar. As of 2001, he holds the inaugural appointment as Neil L. Rudenstine Professor of Latin America Studies at the Harvard Divinity School, in a joint appointment with the Faculty of Arts and Sciences' Department of Anthropology at Harvard University. Carrasco previously taught at the University of Colorado, Boulder and Princeton University and is known for his research and publications on Mesoamerican religion and history, his public speaking as well as wider contributions within Latin American studies and Latino/a studies. He has made statements about Latino contributions to US democracy in public dialogues with Cornel West, Toni Morrison, and Samuel P. Huntington. His work is known primarily for his writings on the ways human societies orient themselves with sacred places.
The Chicano Art Movement represents groundbreaking movements by Mexican-American artists to establish a unique artistic identity in the United States. Much of the art and the artists creating Chicano Art were heavily influenced by Chicano Movement which began in the 1960s.
Mexicayotl is a movement reviving the indigenous religion, philosophy and traditions of ancient Mexico among the Mexican people.
Mexican Americans have lived in Los Angeles since the original Pobladores, the 44 original settlers and 4 soldiers who founded the city in 1781. People of Mexican descent make up 31.9% of Los Angeles residents, and 32% of Los Angeles County residents.
This is a Mexican American bibliography. This list consists of books, and journal articles, about Mexican Americans, Chicanos, and their history and culture. The list includes works of literature whose subject matter is significantly about Mexican Americans and the Chicano/a experience. This list does not include works by Mexican American writers which do not address the topic, such as science texts by Mexican American writers.
Xicanx is an English-language gender-neutral neologism and identity referring to people of Mexican descent in the United States. The ⟨-x⟩ suffix replaces the ⟨-o/-a⟩ ending of Chicano and Chicana that are typical of grammatical gender in Spanish. The term references a connection to Indigeneity, decolonial consciousness, inclusion of genders outside the Western gender binary imposed through colonialism, and transnationality. In contrast, most Latinos tend to define themselves in nationalist terms, such as by a Latin American country of origin.
A cholo or chola is a member of a Chicano and Latino subculture or lifestyle associated with a particular set of dress, behavior, and worldview which originated in Los Angeles. A veterano or veterana is an older member of the same subculture. Other terms referring to male members of the subculture may include vato and vato loco. Cholo was first reclaimed by Chicano youth in the 1960s and emerged as a popular identification in the late 1970s. The subculture has historical roots in the Pachuco subculture, but today is largely equated with anti-social behavior, criminal behavior and gang activity.
Yaanga was a large Tongva village, originally located near what is now downtown Los Angeles, just west of the Los Angeles River and beneath U.S. Route 101. People from the village were recorded as Yabit in missionary records although they were known as Yaangavit, Yavitam, or Yavitem among the people. It is unclear what the exact population of Yaanga was prior to colonization, although it was recorded as the largest and most influential village in the region.
Gringo justice is a sociohistorical critical theory developed by Chicano sociologist, lawyer, and activist Alfredo Mirandé in 1987, who used it to provide an alternative explanation for Chicano criminality in the United States and challenge the racist assumption that Chicanos were inherently criminal, or biologically, psychologically, or culturally predisposed to engage in criminal behavior. The theory is applied by Chicano and Latino scholars to explain the double standard of justice in the criminal justice system between Anglo-Americans and Chicanos/Latinos. The theory also challenges stereotypes of Chicanos/Latinos as "bandidos," "gang-bangers," and "illegal alien drug smugglers," which have historically developed and are maintained to justify social control over Chicano/Latino people in the US.
The Nahuatl language in the United States is spoken primarily by Mexican immigrants from indigenous communities and Chicanos who study and speak Nahuatl as L2. Despite the fact that there is no official census of the language in the North American country, it is estimated that there are around 140,800 Nahuatl speakers. During the last decades, the United States has carried out many educational initiatives aimed at teaching Nahuatl as a language of cultural heritage.
Albert Michael Camarillo is an American historian, author and academic. He is the Leon Sloss Jr. Memorial Professor, emeritus, in the department of history at Stanford University, and holds a courtesy appointment as a professor in the graduate school of education.
