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Canting arms are heraldic bearings that represent the bearer's name (or, less often, some attribute or function) in a visual pun or rebus.
The expression derives from the latin cantare (to sing). French heralds used the term armes parlantes (English: "talking arms"), as they would sound out the name of the armiger. Many armorial allusions require research for elucidation because of changes in language and dialect that have occurred over the past millennium.
Canting arms – some in the form of rebuses – are quite common in German civic heraldry. They have also been increasingly used in the 20th century among the British royal family.[ citation needed ] When the visual representation is expressed through a rebus, this is sometimes called a rebus coat of arms.[ citation needed ] An in-joke among the Society for Creative Anachronism heralds is the pun, "Heralds don't pun; they cant." [2]
A famous example of canting arms are those of Queen Elizabeth The Queen Mother's paternal family, the Bowes-Lyon family. The arms (pictured below) contain the bows and blue lions that make up the arms of the Bowes and Lyon families.
Municipal coats of arms which interpret the town's name in rebus form are also called canting. Here are a few examples.
Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
In heraldry, the field (background) of a shield can be divided into more than one area, or subdivision, of different tinctures, usually following the lines of one of the ordinaries and carrying its name. Shields may be divided this way for differencing or for purposes of marshalling, or simply for style. The lines that divide a shield may not always be straight, and there is a system of terminology for describing patterned lines, which is also shared with the heraldic ordinaries.
In heraldry, variations of the field are any of a number of ways that a field may be covered with a pattern, rather than a flat tincture or a simple division of the field.
A rebus is a puzzle device that combines the use of illustrated pictures with individual letters to depict words or phrases. For example: the word "been" might be depicted by a rebus showing an illustrated bumblebee next to a plus sign (+) and the letter "n". It was a favourite form of heraldic expression used in the Middle Ages to denote surnames. It can also include Japanese characters.
In heraldry, a charge is any emblem or device occupying the field of an escutcheon (shield). That may be a geometric design or a symbolic representation of a person, animal, plant, object, building, or other device. In French blazon, the ordinaries are called pièces, and other charges are called meubles.
A visual pun is a pun involving an image or images, often based on a rebus.
Swedish heraldry encompasses heraldic achievements in modern and historic Sweden. Swedish heraldic style is consistent with the German-Nordic heraldic tradition, noted for its multiple helmets and crests which are treated as inseparable from the shield, its repetition of colours and charges between the shield and the crest, and its scant use of heraldic furs. Because the medieval history of the Nordic countries was so closely related, their heraldic individuality developed rather late. Swedish and Finnish heraldry have a shared history prior to the Diet of Porvoo in 1809; these, together with Danish heraldry, were heavily influenced by German heraldry. Unlike the highly stylized and macaronic language of English blazon, Swedish heraldry is described in plain language, using only Swedish terminology.
The rose is a common device in heraldry. It is often used both as a charge on a coat of arms and by itself as an heraldic badge. The heraldic rose has a stylized form consisting of five symmetrical lobes, five barbs, and a circular seed. The rose is one of the most common plant symbols in heraldry, together with the lily, which also has a stylistic representation in the fleur-de-lis.
The lion is a common charge in heraldry. It traditionally symbolises courage, nobility, royalty, strength, stateliness and valour, because historically the lion has been regarded as the "king of beasts". The lion also carries Judeo-Christian symbolism. The Lion of Judah stands in the coat of arms of Jerusalem. Similar-looking lions can be found elsewhere, such as in the coat of arms of the Swedish royal House of Bjelbo, from there in turn derived into the coat of arms of Finland, formerly belonging to Sweden.
Ecclesiastical heraldry refers to the use of heraldry within Christianity for dioceses, organisations and Christian clergy. Initially used to mark documents, ecclesiastical heraldry evolved as a system for identifying people and dioceses. It is most formalized within the Catholic Church, where most bishops, including the Pope, have a personal coat of arms. Clergy in Anglican, Lutheran, Eastern Catholic and Eastern Orthodox churches follow similar customs, as do institutions such as schools and dioceses.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
Danish heraldry has its roots in medieval times when coats of arms first appeared in Europe. Danish heraldry is a branch of the German-Nordic heraldic tradition.
Finnish heraldry has a common past with Swedish heraldry until 1809 and it belongs to German heraldric tradition.
Attributed arms are Western European coats of arms given retrospectively to persons real or fictitious who died before the start of the age of heraldry in the latter half of the 12th century. Once coats of arms were the established fashion of the ruling class, society expected a king to be armigerous. Arms were assigned to the knights of the Round Table, and then to biblical figures, to Roman and Greek heroes, and to kings and popes who had not historically borne arms. Individual authors often attributed different arms for the same person, although the arms for major figures eventually became fixed.
The study of Dutch heraldry focuses on the use of coats of arms and other insignia in the country of the Netherlands. Dutch heraldry is characterised by its simple and rather sober style, and in this sense, is closer to its medieval origins than the elaborate styles which developed in other heraldic traditions.
Cornish heraldry is the form of coats of arms and other heraldic bearings and insignia used in Cornwall, United Kingdom. While similar to English, Scottish and Welsh heraldry, Cornish heraldry has its own distinctive features. Cornish heraldry typically makes use of the tinctures sable (black) and or (gold), and also uses certain creatures like Cornish choughs. It also uses the Cornish language extensively for mottoes and canting arms.
A heraldic clan, in Poland, comprised all the noble (szlachta) bearers of the same coat of arms. The members of a heraldic clan were not necessarily linked by consanguinity. The concept was unique to Polish heraldry.
Fountain or syke is in the terminology of heraldry a roundel depicted as a roundel barry wavy argent and azure, that is, containing alternating horizontal wavy bands of silver and blue. Traditionally, there are six bands: three of each tincture.
The coat of arms of the London Borough of Hammersmith and Fulham was granted to the then London Borough of Hammersmith on 1 March 1965, but the motto changed languages in 1969. The subsequent change of names to Hammersmith and Fulham on 1 January 1980 did not affect the arms.
The first instance of a figure of the lion as symbol of the Kingdom of León is found in minted coins of Alfonso VII, called the Emperor (1126–1157). Until then, the cross had a preponderant position on documents and coins of Leonese monarchs since that reign the cross was gradually displaced by the lion. The Spanish historian and heraldist Martín de Riquer explained that the lion was already used as heraldic emblem in 1148. At the end of the reign of Alfonso VII, the figure of this animal began to appear on royal documents as personal device of the monarch and became pervasive during reigns of Ferdinand II (1157-1188) and Alfonso IX (1188-1230).