Control track

Last updated

A control track is a track that runs along an outside edge of a standard analog videotape (including VHS). The control track encodes a series of pulses, each pulse corresponding to the beginning of each frame. This allows the video tape player to synchronize its scan speed and tape speed to the speed of the recording. Thus, the recorded control track defines the speed of playback (e.g. SP, LP, EP, etc.), and it is also what drives the relative counter clock that most VCRs have.

Contents

Significance and use

The control track is used to fine-tune the tape speed during playback, so that the high speed rotating heads remained exactly on their helical tracks rather than somewhere between two adjacent tracks (known as "tracking"). Since good tracking depends on precise distances between the rotating drum and the fixed control/audio head reading the linear tracks, which usually varies by a couple of micrometers between machines due to manufacturing tolerances, most VCRs offer tracking adjustment, either manual or automatic, to correct such mismatches.

The control track is also used to hold index marks, which were normally written at the beginning of each recording session, and can be found using the VCR's index search function: this will fast-wind forward or backward to the nth specified index mark, and resume playback from there. At times, higher-end VCRs provided functions for the user to manually add and remove these marks [1] [2] — so that, for example, they coincide with the actual start of the television program — but this feature later became hard to find.[ citation needed ]

By the late 1990s, some high-end VCRs offered more sophisticated indexing. For example, Panasonic's Tape Library system assigned an ID number to each cassette, and logged recording information (channel, date, time and optional program title entered by the user) both on the cassette and in the VCR's memory for up to 900 recordings (600 with titles). [3]

Control track damage

A gap in the control track signal of a videotape usually causes a flaw during playback, as the player may lose tracking as soon as the track drops out. This usually leads to a gap in video and audio (since there's no information as to what speed the media is recorded at), the VCR's counter will freeze, and upon re-acquiring the control track, the video sync will be momentarily lost.

Problems with control track signals are almost always caused by a gap in recording, e.g. a recording was resumed beyond (rather than at) the point where recording was previously stopped. A control track error can also be caused by a "dropout" - a defect in the magnetic particles on a tape - but this is very uncommon, as the control track is immune to all but the most severe tape damage.

A discontinuous control track was (and still is) especially problematic for analog videotape editing. Each gap in the control track, no matter how brief, destroys synchronization and continuity, which can make a segment of a recorded video difficult or impossible to use for editing.

The acronym LOCT (pronounced locked), used by many video professionals, can mean "Loss Of Control Track" and/or "Loss Of Continuous Timecode." Though either type of "loss" can pose similar problems, and both issues are sometimes directly related, control track and timecode are two different things (see timecode).

Control track problems cannot be "repaired." You can duplicate the tape to restore control track continuity, but this will not fix visual and audible "glitches" caused by gaps in the original control track, and the video itself will suffer quality degradation due to "generation loss."

For this reason, many video professionals would "pre-stripe" every analog videotape to be used in the field or studio beforehand to help ensure good control track throughout. This was done by pre-recording black to the entire videotape. Pre-striping also facilitated spot-checking for dropouts on the video portion of the tape (usually seen as brief white horizontal "dashes") before use.

See also

Related Research Articles

VHS Consumer-level analog video tape recording and cassette form factor standard

VHS is a standard for consumer-level analog video recording on tape cassettes.

DV Magnetic tape-based consumer and broadcast videocassette format for camcorders and video codec

DV refers to a family of codecs and tape formats used for storing digital video, launched in 1995 by a consortium of video camera manufacturers led by Sony and Panasonic. In the late 1990s and early 2000s, DV was strongly associated with the transition from analog to digital desktop video production, and also with several enduring "prosumer" camera designs such as the Sony VX-1000. DV is sometimes referred to as MiniDV, which was the most popular tape format using a DV codec during this time.

Videotape Magnetic tape used for storing video and sound simultaneously

Videotape is magnetic tape used for storing video and usually sound in addition. Information stored can be in the form of either an analog signal or digital signal. Videotape is used in both video tape recorders (VTRs) or, more commonly, videocassette recorders (VCRs) and camcorders. Videotapes are also used for storing scientific or medical data, such as the data produced by an electrocardiogram.

S-VHS Improved version of VHS

S-VHS (スーパー・ヴィエイチエス), the common initialism for Super VHS, is an improved version of the VHS standard for consumer-level video recording. Victor Company of Japan introduced S-VHS in Japan in April 1987 with their JVC-branded HR-S7000 VCR, and in certain overseas markets soon afterward. Shortly, later in the same year of 1987, first S-VHS VCR models from other competitors included Hitachi VT-2700A, Mitsubishi HS-423UR, Panasonic PV-S4764, and Toshiba SV-950.

Betamax Consumer-level analog video tape recording and cassette form factor standard

Betamax is a consumer-level analog-recording and cassette format of magnetic tape for video, commonly known as a video cassette recorder. It was developed by Sony and was released in Japan on May 10, 1975, followed by the US in November of the same year.

Helical scan Method of recording high-frequency signals on magnetic tape

Helical scan is a method of recording high-frequency signals on magnetic tape. It is used in open-reel video tape recorders, video cassette recorders, digital audio tape recorders, and some computer tape drives.

Camcorder Video camera with built-in video recorder

A camcorder is a self-contained portable electronic device with video capture and recording as its primary function. It is typically equipped with an articulating screen mounted on the left side, a belt to facilitate holding on the right side, hot-swappable battery facing towards the user, hot-swappable recording media, and an internally contained quiet optical zoom lens.

Betacam Family of broadcast magnetic tape-based videocassette formats

Betacam is a family of half-inch professional videocassette products developed by Sony in 1982. In colloquial use, "Betacam" singly is often used to refer to a Betacam camcorder, a Betacam tape, a Betacam video recorder or the format itself.

Video tape recorder Tape recorder designed to record and play back video and audio material on magnetic tape

A video tape recorder (VTR) is a tape recorder designed to record and play back video and audio material from magnetic tape. The early VTRs were open-reel devices that record on individual reels of 2-inch-wide tape. They were used in television studios, serving as a replacement for motion picture film stock and making recording for television applications cheaper and quicker. Beginning in 1963, videotape machines made instant replay during televised sporting events possible. Improved formats, in which the tape was contained inside a videocassette, were introduced around 1969; the machines which play them are called videocassette recorders.

Tape head

A tape head is a type of transducer used in tape recorders to convert electrical signals to magnetic fluctuations and vice versa. They can also be used to read credit/debit/gift cards because the strip of magnetic tape on the back of a credit card stores data the same way that other magnetic tapes do. Cassettes, reel-to-reel tapes, 8-tracks, VHS tapes, and even floppy disks and modern hard drive disks all use the same principle of physics to store and read back information. The medium is magnetized in a pattern. It then moves at a constant speed over an electromagnet. Since the moving tape is carrying a changing magnetic field with it, it induces a varying voltage across the head. That voltage can then be amplified and connected to speakers in the case of audio, or measured and sorted into ones and zeroes in the case of digital data.

8 mm video format Magnetic tape-based videocassette format for camcorders

The 8mm video format refers informally to three related videocassette formats for the NTSC and PAL/SECAM television systems. These are the original Video8 format and its improved successor Hi8, as well as a more recent digital recording format known as Digital8.

A recording head is the physical interface between a recording apparatus and a moving recording medium. Recording heads are generally classified according to the physical principle that allows them to impress their data upon their medium. A recording head is often mechanically paired with a playback head, which, though proximal to, is often discrete from the record head.

U-matic Videocassette format; the first of its kind

U-matic is an analogue recording videocassette format first shown by Sony in prototype in October 1969, and introduced to the market in September 1971. It was among the first video formats to contain the videotape inside a cassette, as opposed to the various reel-to-reel or open-reel formats of the time. The videotape is 34 in (19 mm) wide, so the format is often known as "three-quarter-inch" or simply "three-quarter", compared to open reel videotape formats in use, such as 1 in (25 mm) type C videotape and 2 in (51 mm) quadruplex videotape.

PCM adaptor encodes digital audio as video

A PCM adaptor is a device that encodes digital audio as video for recording on a videocassette recorder. The adapter also has the ability to decode a video signal back to digital audio for playback. This digital audio system was used for mastering early compact discs.

MII is a professional analog recording videocassette format developed by Panasonic in 1986 in competition with Sony's Betacam SP format. It was technically similar to Betacam SP, using metal-formulated tape loaded in the cassette, and utilizing component video recording.

M is the name of a professional analog videocassette format created around 1982 by Matsushita and RCA. Developed as a competitor to Sony's Betacam format, M used the same videocassette as VHS, much the same way that Betacam was designed to take advantage of cheap and readily available Betamax videocassettes,

Type B videotape Broadcast magnetic tape-based videotape format used in Europe

1–inch type B VTR is a reel-to-reel analog recording video tape format developed by the Bosch Fernseh division of Bosch in Germany in 1976. The magnetic tape format became the broadcasting standard in continental Europe, but adoption was limited in the United States and United Kingdom, where the Type C videotape VTR met with greater success.

V-Cord is an analog recording videocassette format developed and released by Sanyo. V-Cord was released in 1974, and could record 60 minutes on a cassette. V-Cord II, released in 1976, could record 120 minutes on a V-Cord II cassette.

D6 HDTV VTR Magnetic tape-based videocassette format

D6 HDTV VTR is SMPTE videocassette standard. A D6 VTR can record and playback HDTV video uncompressed. The only D6 VTR product is the Philips, now Thomson's Grass Valley's Media Recorder, model DCR 6024, also called the D6 Voodoo VTR. The VTR was a joint project between Philips Digital Video Systems of Germany and Toshiba in Japan. The tape deck module was designed and made by Philips in Weiterstadt, Germany, and the digital processor module designed and made by Toshiba. Since there is no data compression, after 20 tape copies of multi generations there is no noticeable loss of quality. As a very high-end, costly system about 70 were sold to high-end post houses from about 2000 to 2005. The VTR had a data record option. The data module could record and play back 2k DPX files at 6 frames per second over a HIPPI connection. The VTR came in a data only model, or with a switch module, so the record deck could be used for both video and data recording. The tape deck was also sold stand alone as a giga bit recorder to record and playback raw data. Toshiba made the video tape for the VTR. The high price of the video tape limited the use of the VTR.

Videocassette recorder Device designed to record and playback content stored on videocassettes, most commonly VHS

A videocassette recorder (VCR) or video recorder is an electromechanical device that records analog audio and analog video from broadcast television or other source on a removable, magnetic tape videocassette, and can play back the recording. Use of a VCR to record a television program to play back at a more convenient time is commonly referred to as timeshifting. VCRs can also play back prerecorded tapes. In the 1980s and 1990s, prerecorded videotapes were widely available for purchase and rental, and blank tapes were sold to make recordings.

References

  1. "VCRS Glossary".
  2. JVC HR-S7300 manual: features list: "..., Index Search, Manual Index Mark/Erase ..."
  3. Panasonic Video Cassette Recorder NV-HS960 Series Operating Instructions, VQT8880, Matsushita Electric Industrial Co., Ltd.