David Dawson (choreographer)

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David Dawson (born 4 March 1972) is a British dancer and choreographer who has received numerous honours and awards for his atmospheric and emotionally physical works. His style is based on the vocabulary of classical ballet and, though Dawson disagrees with the association, [1] his style is often said to be influenced by William Forsythe. [2] [3] [4]

Contents

Education and dance career

Born in London, Dawson began dancing at seven and received his early training at the Rona Hart School of Dance and the Arts Educational School. He went on to train at the Royal Ballet School, [2] in dance and choreography.

In 1991 he received the Alicia Markova Award, won the Prix de Lausanne, and was offered a contract by the Birmingham Royal Ballet. Under the direction of Sir Peter Wright, he performed leading roles in classical repertoire as well as in ballets by Sir Kenneth MacMillan, Sir Frederick Ashton, Sir Peter Wright, and David Bintley. He was nominated as Best Newcomer of the Season by 'Dance & Dancers' magazine in 1992.[ citation needed ]

In 1994, he joined the English National Ballet under the direction of Derek Deane as a soloist. A year later, he moved to Amsterdam to perform with Wayne Eagling's Dutch National Ballet. Here Dawson was able to continue dancing in classical productions as well as explore more neo-classical and modern repertoire in the works of George Balanchine, Rudi van Dantzig, and Hans van Manen. Dawson worked with choreographers, and created roles, in new ballets by Sir Kenneth MacMillan, Glen Tetley, Twyla Tharp, Christopher Bruce, Wayne Eagling, Ted Brandsen, Mauro Bigonzetti, Itzik Gallili, Redha, and Christopher D'Amboise.

He eventually joined Ballet Frankfurt where he worked with William Forsythe, and performed for two more years before deciding to devote his time to creating new works. [2] Dawson ended his dance career in 2002. [5]

Choreographic career

David Dawson's career in choreography commenced in 1997 when he choreographed his first ballet in collaboration with the Dutch National Ballet. His creative journey was spurred by the then-artistic director, Wayne Eagling, who encouraged him to participate in the company's choreographic workshop. This initial experience laid the foundation for Dawson's inaugural major creation for the company's main stage, "A Million Kisses to my Skin," which premiered in 2000.

Dawson's remarkable talent as a choreographer was soon recognized on the international stage. In 2003, he received the prestigious Prix Benois de la Danse for his outstanding choreographic work. Additionally, he earned a nomination for the UK Critics' Circle National Dance Award in the category of Best Classical Choreographer, thanks to his production titled "The Grey Area." Notably, Dawson became the first British choreographer to craft a ballet, "Reverence," for the Mariinsky (Kirov) Ballet, an achievement that was honored with Russia's highest theater prize for visual art, the Golden Mask Award for Best Choreographer.

Throughout his career, Dawson continued to garner accolades and nominations. He was the recipient of the Choo San Goh Award for Choreography, a testament to his exceptional work in "The Gentle Chapters." Further recognition came with a nomination for the prestigious dance prize of the Netherlands, The Golden Swan Award, as Best Choreographer for "00:00." His reimagining of "Faun(e)" for the English National Ballet's Ballets Russes Festival at Sadler's Wells in London led to nominations for the UK Critics' Circle National Dance Award and the Prix Benois de la Danse Choreography Award in 2010. Notably, David Dawson and his work "Faun(e)" were featured in the BBC documentary titled "For Art's Sake: The Story of the Ballets Russes."

Dawson's impact extended internationally, with numerous ballet creations to his name. His full-length "Giselle" had its world premiere at the Dresden Semperoper, showcasing his versatility and creativity. Among his notable works are "day4," "On the Nature of Daylight," "The World According to Us," "Morning Ground," "Das Verschwundene|The Disappeared," "A Sweet Spell of Oblivion," "dancingmadlybackwards," "timelapse/(Mnemosyne)," and "The Third Light."

Between 2004 and 2012, David Dawson held the role of resident choreographer for three renowned ballet companies: the Dutch National Ballet, the Dresden Semperoper Ballet, and the Royal Ballet of Flanders. His choreographic masterpieces have graced stages in over 25 countries and have been incorporated into the repertoires of numerous ballet companies worldwide. [2] [4]

Anna Tihomirova and Artem Ovcharenko (Bolshoi Ballet), "The Grey Area", Moscow, 2012 Anna Tihomirova and Artem Ovcharenko.jpg
Anna Tihomirova and Artem Ovcharenko (Bolshoi Ballet), "The Grey Area", Moscow, 2012

Creations

Honours

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References

  1. ↑ Lo Sin Sjoe, Brian (12 June 2013). "DAVID DAWSON: "Overture" is about the awesomeness of nature". Theater Explorer. blogspot.com. Archived from the original on 15 June 2013. Retrieved 13 June 2013.
  2. 1 2 3 4 Sulcas, Roslyn (11 November 2013). "British Choreographer Brings New Work Home to Royal Ballet". New York Times. New York City, United States. Retrieved 11 November 2013.
  3. ↑ Monahan, Mark (31 December 2008). "Stars who will shine in 2009 - Dance: David Dawson". The Telegraph. Retrieved 15 February 2013.
  4. 1 2 Sulcas, Roslyn (30 May 2013). "A Fresh Era of Wit and Innovation in Ballet". New York Times. New York City, United States. Retrieved 3 June 2013.
  5. ↑ Frater, Sarah (14 December 2007). "Great Leap Forward: Innovators Expand The World of Dance". The Wall Street Journal. Retrieved 15 February 2013.
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