English National Ballet

Last updated

English National Ballet
General information
NameEnglish National Ballet
Previous names
  • Festival Ballet
  • London Festival Ballet
Year founded1950
Founders
Principal venue41 Hopewell Square
London
England
E14 0SY
UK
Website www.ballet.org.uk
Senior staff
Chief ExecutivePatrick Harrison
Director Aaron S. Watkin
Ballet StaffAssociate Artist Director: Loipa Araújo
Executive Ballet Master: Yohei Sasaki
Ballet Master and Repetiteur: Antonio Castilla
Ballet Mistress: Mayumi Ganley
Ballet Master: Laurent Guilbaud
Ballet Master: Renato Paroni de Castro
Artistic Co-ordinator: Jane Haworth
Associate Choreographer: Stina Quagebeur
Artistic staff
Artistic DirectorTamara Rojo
Music Director Gavin Sutherland
Other
Official school English National Ballet School
Formation Lead Principal
Principal
Character Artist
First Soloist
Soloist
Junior Soloist
First Artist
Artist

English National Ballet is a classical ballet company founded by Dame Alicia Markova and Sir Anton Dolin as London Festival Ballet and based in London, England. Along with The Royal Ballet, Birmingham Royal Ballet, Northern Ballet and Scottish Ballet, it is one of the five major ballet companies in Great Britain. English National Ballet is one of the foremost touring companies in Europe, performing in theatres throughout the UK as well as conducting international tours and performing at special events. The Company employs approximately 67 dancers and a symphony orchestra, (English National Ballet Philharmonic). In 1984 Peter Schaufuss became director and changed the name to English National Ballet and founded the school English National Ballet School, which is independent from the ballet company but joining the company premises in the new building. The Company regularly performs seasons at the London Coliseum and has been noted for specially staged performances at the Royal Albert Hall. In 2014 English National Ballet became an Associate Company of Sadler's Wells.

Contents

History

English National Ballet was founded in 1950 as Gala Performances of Ballet by the British dance couple, Alicia Markova and Anton Dolin. [1] The Company later adopted the name Festival Ballet, then London Festival Ballet, and in June 1989, English National Ballet. [2]

Markova and Dolin were leading stars of the Ballets Russes, one of the most influential ballet companies of the 20th century. After the death of its director Serge Diaghilev in 1929, the company was disbanded and in 1931, one of its dancers, Ninette de Valois, founded the Vic-Wells Ballet Company in London, with Markova and Dolin as Principal dancers, Markova becoming Prima Ballerina in 1933. Following the success of their performances as the Markova-Dolin Company, Markova and Dolin decided to start their own company with the sole objective of touring both nationally and internationally, bringing ballet to audiences who had not previously had the opportunity to experience the art form. Markova and Dolin left the Vic-Wells Ballet in 1935.

Elena Glurdjidze as Swanilda & Aroniel Vargas as Franz in the English National Ballet's production of Coppelia. Southampton's Mayflower Theatre. Also in the picture (bowing) is Michael Coleman as Dr. Coppelius. English National Ballet.jpg
Elena Glurdjidze as Swanilda & Aroniel Vargas as Franz in the English National Ballet's production of Coppélia . Southampton's Mayflower Theatre. Also in the picture (bowing) is Michael Coleman as Dr. Coppelius.

London Festival Ballet was founded in 1950 with the financial backing of the Polish impresario Julian Braunsweg. The name was inspired by the then imminent Festival of Britain, however the company would later be renamed to today's English National Ballet. Dolin was the company's first artistic director and established the company as a touring group both nationally in the UK and Internationally, touring abroad for the first time in 1951. Dolin also introduced a number of educational programs in the early years, designed to make ballet accessible to new audiences. Dolin remained as artistic director until 1962, succeeded by John Gilpin, who was also principal dancer with the company from 1950 to 1960 and 1962 to 1971. The Company grew in size and status, undertaking extensive national and international tours, presenting a new generation of dancers—all while repeatedly facing bankruptcy. Braunsweg left in 1965 and Donald Albery took over until 1968, stabilising the budget with safer programming. Former Royal Ballet dancer Beryl Grey directed the company (now named London Festival Ballet) from 1968 to 1979, raising technical standards, touring widely and inviting prominent guest stars and choreographers including Leonide Massine and Rudolf Nureyev, who picked ballerina Eva Evdokimova to be his first Princess Aurora in his production of The Sleeping Beauty in 1975. In 1979 John Field became director of the company until 1984.

In 1984 Peter Schaufuss who had won both the Olivier and Evening Standard Awards as a dancer and for his production of La Sylphide with the company, became its director and revitalised the company. During his directorship he succeeded in changing the name to English National Ballet, founding the school, inviting princess Diana as patron and presenting many important choreographers ballets with the company for the first time such as Sir Frederick Ashton, Sir Kenneth MacMillan, Christopher Bruce, Michael Clarke, John Neumeier, George Balanchine, Alvin Ailey, Roland Petit, Maurice Bejart, and John Cranko. This period is considered by many the golden age where the company reached a new and higher level.

In 1990 Ivan Nagy became director (until 1993), Derek Deane (until 2001) and Matz Skoog (until 2006) and directed the company before Wayne Eagling, former head of Dutch National Ballet who took over in 2006. In April 2012, following the February sudden announcement of resignation by Eagling, principal dancer for The Royal Ballet Tamara Rojo was announced to become his successor at the end of the 2012 season, in August of that year. [3]

In November 2019, Prince Andrew, who had served as Patron of the English National Ballet since 2001, resigned amid the Jeffrey Epstein scandal. [4]

In January 2022, Rojo announced that she will leave the company at the end of the year to lead the San Francisco Ballet. [5] Aaron S. Watkin, who performed with the company three decades prior, took over as artistic director in August 2023, after his appointment was announced in August 2022. [6]

People

Artistic directors:

Dancers

The company's dancers are listed on the official website with photographs and linked biographies. [8]

Lead principals

NameNationalityTrainingJoined ENB
Francesco Gabriele Frola Flag of Italy.svg ItalySchool of the Hamburg Ballet2018
Sangeun LeeFlag of South Korea.svg South Korea2023
Fernanda Oliveira Flag of Brazil.svg BrazilCentro de Dança, Rio de Janeiro
Royal Ballet School 		2000
Erina Takahashi Flag of Japan.svg JapanKushiro Ballet Academy
English National Ballet School 		1996
Emma HawesFlag of the United States.svg USA2018
Aitor ArrietaFlag of Spain.svg Spain2016
Shiori Kase Flag of Japan.svg JapanHirose Kato Ballet School
Royal Ballet School 		2009

Notable productions

Rudolf Nureyev's production of Romeo & Juliet was especially created for the English National Ballet (then the London Festival Ballet) in 1977 to celebrate the Queen's Silver Jubilee. ENB gave the world premieres of Christopher Bruce's Land, The World Again, Swansong and Symphony in Three Movements.

English National Ballet commissioned Akram Khan, who had never worked with any ballet companies before, to create a one-act ballet about World War I. His ballet, titled Dust , premiered in 2014 and receive. [9] It was brought to Glastonbury Festival later that year, making it English National Ballet's debut at Glastonbury. [10]

In 2016, English National Ballet presented She Said, an all-female choreographer mixed bill, which includes Annabelle Lopez Ochoa's Broken Wings , which was based on Frida Kahlo's life. [11]

Related Research Articles

<span class="mw-page-title-main">Anton Dolin (ballet dancer)</span> Ballet dancer and choreographer (1904-1983)

Sir Anton Dolin was an English ballet dancer and choreographer.

<span class="mw-page-title-main">Frederic Franklin</span> British-American ballet dancer and director

Frederic Franklin, sometimes also called "Freddie", was a British-American ballet dancer, choreographer and director.

<span class="mw-page-title-main">Alicia Markova</span> British ballerina

Dame Alicia Markova DBE was a British ballerina and a choreographer, director and teacher of classical ballet. Most noted for her career with Sergei Diaghilev's Ballets Russes and touring internationally, she was widely considered to be one of the greatest classical ballet dancers of the twentieth century. She was the first British dancer to become the principal dancer of a ballet company and, with Dame Margot Fonteyn, is one of only two English dancers to be recognised as a prima ballerina assoluta. Markova was a founder dancer of the Rambert Dance Company, The Royal Ballet and American Ballet Theatre, and was co-founder and director of the English National Ballet.

<span class="mw-page-title-main">The Royal Ballet</span> Ballet company in the United Kingdom

The Royal Ballet is a British internationally renowned classical ballet company, based at the Royal Opera House in Covent Garden, London, England. The largest of the five major ballet companies in Great Britain, the Royal Ballet was founded in 1931 by Dame Ninette de Valois. It became the resident ballet company of the Royal Opera House in 1946, and has purpose-built facilities within these premises. It was granted a royal charter in 1956, becoming recognised as Britain's flagship ballet company.

<span class="mw-page-title-main">Tamara Rojo</span> Spanish ballet dancer, artistic director (born 1974)

Tamara Rojo CBE is a Spanish ballet dancer. She was the English National Ballet's artistic director and a lead principal dancer with the company between 2012 and 2022. She was previously a principal dancer with The Royal Ballet. She became the artistic director of San Francisco Ballet in late 2022.

<span class="mw-page-title-main">Peggy van Praagh</span> British ballerina and dance educator

Dame Margaret van Praagh was a British ballet dancer, choreographer, teacher, repetiteur, producer, advocate and director, who spent much of her later career in Australia.

<span class="mw-page-title-main">Lynn Seymour</span> Canadian-born ballet dancer (1939–2023)

Lynn Seymour was a Canadian-born ballerina, mostly associated with the Royal Ballet in London. She was a muse of choreographer Kenneth MacMillan, creating lead roles in Romeo and Juliet, The Invitation, Concerto, Anastasia and Mayerling, among others. She originated lead roles for several ballets by Frederick Ashton, including The Two Pigeons, Five Brahms Waltzes in the Manner of Isadora Duncan and A Month in the Country. She also guested with various ballet companies throughout her life.

John Taras was an American ballet master, repetiteur, and choreographer.

<span class="mw-page-title-main">English National Ballet School</span> Independent further education school in London, England

English National Ballet School is a specialist classical ballet school based in London in the United Kingdom. The School was founded in 1988 by Peter Schaufuss as the official school of English National Ballet. The School's current artistic director is Viviana Durante.

Wayne Eagling is a Canadian ballet dancer, now retired. After more than twenty years as a popular member of The Royal Ballet in London, he became well known as an international choreographer and company director.

David Blair was a British ballet dancer and a star of England's Royal Ballet during the 1950s and 1960s.

British ballet is most recognised for two leading methods, those of the Royal Ballet School and the Royal Academy of Dance. The identifying characteristic of British ballet is the focus on clean, precise technique and purity of line that is free of exaggeration and mannerisms. The training of dancers in Britain is noted for its slow progression, with a great deal of attention paid to basic technique. British ballet methods operate on the principle that establishing correct technique and strength slowly makes it much easier for the student to adapt to more difficult vocabulary and techniques later on.

Beryl May Jessie Toye,, known professionally as Wendy Toye, was a British dancer, stage and film director and actress.

Kathleen Crofton was an English dancer, dance director and dance teacher. She was founder of the Niagara Frontier Ballet and the Ballet Center of Buffalo.

<span class="mw-page-title-main">Robert de Warren</span> British former ballet dancer and choreographer

Robert de Warren is a British former ballet dancer, choreographer. He was the foundering director of the National Folklore Society of Iran (1971–1976). He served as the artistic director of Northern Ballet in England for 11 years, and Sarasota Ballet of Florida for 13 years.

Petrus Bosman was a South African ballet dancer, teacher, choreographer, and répétiteur, active in England, France, and the United States.

Peter Schaufuss is a Danish ballet dancer, director and choreographer.

Jelko Yuresha was a British ballet dancer and choreographer. He and his wife, ballerina Belinda Wright, toured internationally as “Ambassadors of Dance” for the United Kingdom from 1966 to 1977.

Broken Wings is a one-act ballet about Mexican painter Frida Kahlo, choreographed by Annabelle Lopez Ochoa, dramaturged by Nancy Meckler and designed by Dieuweke van Reij. The music was composed by Peter Salem, and featured Mexican folk song "La Llorona" sung by Chavela Vargas. The ballet premiered on 13 April 2016 at the Sadler's Wells Theatre, danced by the English National Ballet, with Tamara Rojo as Kahlo and Irek Mukhamedov as Kahlo's husband, Diego Rivera. Lopez Ochoa then created a three-act version titled Frida for the Dutch National Ballet, premiered in 2020.

Dust is a one-act contemporary ballet about World War I, choreographed by Akram Khan, music by Jocelyn Pook and created for the English National Ballet. It marked the first time Khan worked with a ballet company, and premiered on 2 April 2014 at the Barbican Centre, London.

References

  1. ↑ "The Company". English National Ballet. 5 January 2017. Retrieved 6 October 2020.
  2. ↑ "1950". History. English National Ballet. 6 January 2017. Retrieved 6 October 2020.
  3. ↑ Brown, Mark (13 April 2012). "Tamara Rojo to be artistic director of English National Ballet". The Guardian. London.
  4. ↑ Snow, Georgia (22 November 2019). "English National Ballet severs ties with Prince Andrew". The Stage. Retrieved 9 April 2021.
  5. ↑ Sulcas, Roslyn (11 January 2022). "San Francisco Ballet Appoints Tamara Rojo to Artistic Director". The New York Times.
  6. 1 2 Winship, Lyndsey (24 August 2022). "English National Ballet announces Aaron Watkin as new artistic director". The Guardian.
  7. ↑ "English National Ballet announces Tamara Rojo as its new Artistic Director". Ballet News. 13 April 2012. Archived from the original on 10 May 2012. Retrieved 8 July 2017.
  8. ↑ "English National Ballet | Dancers". English National Ballet. English National Ballet. 25 November 2019. Retrieved 7 September 2019.
  9. ↑ Mackrell, Judith (3 April 2020). "English National Ballet: Lest We Forget review – Compelling quartet on war". The Guardian.
  10. ↑ Savage, Mark (29 June 2014). "Ballet makes Glastonbury debut". BBC News.
  11. ↑ Mackrell, Judith (14 April 2016). "English National Ballet: She Said review – Frida Kahlo and fantastic beasts in mixed evening". The Guardian.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.