Gold (Spandau Ballet song)

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Spandau Ballet - "Gold"
While some critics described "Gold" as "tasteful" and "smashing", others called it "kitschy" and "laughable".
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A couple of critics picked up on the Bond tribute, but reviews were extremely divided. Billboard magazine explained, "High drama, artful and elegant" was the success behind "True" and that "Gold" was "a little more energetic if equally tasteful. Breathing a world of meaning into a one-word hook is proving to be one of vocalist Tony Hadley's greatest gifts." [35] Cashbox also compared the two songs, noting that the new single had "an energetic thrust" and mentioning, "A pretty sax solo also highlights." [36] Mike Gardner of Record Mirror was especially enthusiastic about the song in his weekly review column: "In a week when most have forgotten about simple things like melodies, beats, style, feeling and simple entertainment, along comes Gary Kemp and the lads to show how it can be done." [37] Number One ’s Sunie Fletcher thought that Kemp had "written the best Bond film song for donkey's years. It's big, bold and dramatic, with big Tone Basseying away like a good 'un. Smashing." [38]

Although Peter Martin of Smash Hits wrote, "Consolidating Gary Kemp's chances of soundtracking James Bond films, 'Gold' is elaborately classy and eminently tasteful", he also warned, "Make no mistake. This is not a number one. Bereft of the magic of 'True', this works hard to be special, and it shows." [39] Gavin Martin of New Musical Express took issue with the lines "These are my salad days,/Slowly being eaten away", claiming, "the words are just laughable but delivered in a way that makes you think everyone but Tony Hadley has been let in on the joke." [40] In reviewing the band's 2014 Royal Albert Hall concert, Ian Gittins described the song in The Guardian as a "brash blare of self-belief that appears to be constructed from pure titanium. It may be the least subtle song ever written, but, like Spandau Ballet, it mainlines sheer chutzpah." [41] In a retrospective review, Stewart Mason of AllMusic thought it was "weaker" than the other singles from the True album, specifying that while "Lifeline" and the title song "sound utterly natural and convincing, there's something just vaguely off about 'Gold'". He accused Kemp of wanting to write a hit that sounds like "late-period Roxy Music" and dismissed it as "entertaining in its own kitschy way". [42]

Legacy

"Gold" became associated with the top prize at the Olympic Games. The band performed the song there in the summer of 1988 [43] and, as part of the UK radio station Absolute Radio's celebrations for the 2012 Summer Olympics, Christian O'Connell, the network's breakfast show host, pledged to play the song for every gold medal won by Team GB. Hadley was also invited onto the programme for a live performance of the song. [44]

In explaining his earnings being higher since the start of the 21st century than they had been in the 1980s, Hadley said, "'Gold' is the song which even today's kids enjoy singing along to in student bars up and down the country, and is one of main reasons I get so many corporate shows. It's requested all the time at awards shows." [45]

Aftermath

Kemp was disappointed with the number 29 showing of the song on the US pop chart and took it as a sign that Chrysalis America was not working to promote them. [46] The US release of "Communication" that followed in 1984 only got as high as number 59, and "Only When You Leave", the first single from their next album, Parade , became their last Hot 100 entry when it peaked at number 34 later that year. [32] Kemp was unhappy with their performances stateside as well [47] and blamed the low numbers on his perception that a conflict between Chrysalis founders Chris Wright and Terry Ellis was taking up time that could benefit Spandau Ballet. [48] Wright refused to license the band to a bigger label in the U.S., so they sought legal advice to get out of their contract. [49] The disappointing singles chart entries in the U.S. resulted in their move from Chrysalis to CBS Records, which released their Parade follow-up, Through the Barricades , in 1986. [50]

Kemp felt a strong attraction to Frost during her audition for the "Gold" music video. [51] When they parted ways after the shoot, she asked him to call her, but their next contact was in 1986 [52] when she was hired to appear in the Spandau Ballet video "Fight for Ourselves". [53] They married in 1988 and were divorced in 1995. [54]

A semi-acoustic version of "Gold" was recorded for Spandau Ballet's 2009 album Once More , and in 2012 Belgian record producer, musician and DJ Basto used Hadley's original vocal recording for a remix titled "Gold 2012" that was credited as Spandau Ballet vs. Basto. In Billboard magazine, it peaked at number 8 on the Dance Club Songs, [55] number 20 on the Dance/Electronic Songs, [56] and number 34 on the Global Dance Songs [57] charts in 2013.

Formats and track listings

Original recording

"Gold"
Spandau Gold.jpg
Single by Spandau Ballet
from the album True
B-side "Gold (Instrumental)"
Released
  • 5 August 1983 (1983-08-05) (UK)
  • 1 November 1983 (US)
RecordedOctober–December 1982
Genre Synth-pop [1] , sophisti-pop, new romantics [2]
Length
  • 3:51 (single version)
  • 4:51 (album version)
  • 7:12 (extended version)
Label Chrysalis
Songwriter(s) Gary Kemp
Producer(s)
Spandau Ballet singles chronology
"True"
(1983)		"Gold"
(1983)		"Pleasure"
(1983)
Music video
Spandau Ballet – "Gold" (single version) on YouTube

Gold 2012

Personnel

Credits adapted from the liner notes for True , except as noted: [64]

Charts

Certifications

RegionCertification Certified units/sales
United Kingdom (BPI) [34] Platinum600,000‡

‡ Sales+streaming figures based on certification alone.

Related Research Articles

<i>True</i> (Spandau Ballet album) 1983 studio album by Spandau Ballet

True is the third studio album by English pop band Spandau Ballet, released on 4 March 1983 by Chrysalis Records. The band's songwriter/guitarist Gary Kemp realised after the release of their second album that the nightclub audience they initially wanted to attract had lost interest in them in part because of the band's transition from dance music to pop. He no longer felt obligated to keep writing music for them and shifted his focus to soul and R&B influences such as Marvin Gaye and Al Green for this album. Kemp thought that bandmate Steve Norman's newfound interest in the saxophone would be well-suited to the sound he was going for, as would the decision to record most of the album at Compass Point Studios in the Bahamas.

<span class="mw-page-title-main">True (Spandau Ballet song)</span> 1983 single by Spandau Ballet

"True" is a song by English pop band Spandau Ballet, released in April 1983 as the title track and third single from their third studio album. It was written by the band's lead guitarist and principal songwriter Gary Kemp to express his feelings for Altered Images lead singer Clare Grogan. Kemp was influenced musically by songs of Marvin Gaye and Al Green he was listening to at the time, and lyrically by Green and the Beatles. "True" reached number one on the UK singles chart in April 1983 and made the top 10 in several other countries, including the US, where it became their first song to reach the Billboard Hot 100.

<span class="mw-page-title-main">To Cut a Long Story Short</span> 1980 single by Spandau Ballet

"To Cut a Long Story Short" is the debut single by the English new wave band Spandau Ballet, released on 31 October 1980. The band began recording the song before they were signed to a record label because of the interest they had generated with a debut concert for patrons of the exclusive weekly London nightclub the Blitz as well as a Christmas party at that establishment. After having tried other popular genres, the band had been preparing to make their debut as performers of dance music and wanted the public to associate them with the young crowd who met at the Blitz every Tuesday. They needed their guitarist/songwriter, Gary Kemp, to come up with something that they could feel confident about presenting to the top tier of the club's regulars at their first performance.

<i>Journeys to Glory</i> 1981 studio album by Spandau Ballet

Journeys to Glory is the debut studio album by English synth-pop band Spandau Ballet, released on 6 March 1981 by Chrysalis Records. All of the songs on the album were produced by Richard James Burgess and written by band guitarist Gary Kemp to appeal to the patrons of a weekly Tuesday night club the band started attending called the Blitz, where they were accustomed to hearing "white European dance music". Their performances at the Blitz and other exclusive venues attracted the attention of record labels eager to sign them, and one of the songs they had been performing, "To Cut a Long Story Short", gained popularity through a recording session made at BBC Radio 1.

<i>Diamond</i> (Spandau Ballet album) 1982 studio album by Spandau Ballet

Diamond is the second studio album by English band Spandau Ballet, released on 12 March 1982 by Chrysalis Records. As with their debut album, Journeys to Glory, all songs were produced by Richard James Burgess and written by band guitarist Gary Kemp. The music was inspired by a variety of genres, including the renewed interest in funk around Soho, American film scores with roots in eastern Europe, the second side of David Bowie's Low album, Pink Floyd records and the mood pieces of another English new wave band, Japan.

<i>Parade</i> (Spandau Ballet album) 1984 studio album by Spandau Ballet

Parade is the fourth studio album by English new wave band Spandau Ballet, released on 25 June 1984 by Chrysalis Records. The band wanted the album to sound more like how they played together live, and their guitarist/songwriter Gary Kemp came up with material that he felt would be more appropriate for the arenas in which they performed now since they were attracting larger audiences. Because they would be parading themselves around the world as part of the album's corresponding tour, he hit upon the idea of a parade as the theme of the album and included an international cast of characters taking part in a parade on the album cover.

<i>Through the Barricades</i> 1986 studio album by Spandau Ballet

Through the Barricades is the fifth studio album by English new wave band Spandau Ballet, released on 17 November 1986 by CBS Records. The band was continuing their efforts to replicate the sound of their live performance on a studio album that they had attempted unsuccessfully with their previous album, Parade. They were also wanting to address any misconceptions about their music that came from the success of their first US hit song, "True", and reshape the style of their music to that of a rock band. The title song, which details the struggles in a relationship, was chosen as the album title because of how they felt they were being perceived. Through the Barricades was also their first album with the label after leaving Chrysalis Records because of the downturn in their popularity in the US after "True".

<i>The Singles Collection</i> (Spandau Ballet album) 1985 greatest hits album by Spandau Ballet

The Singles Collection is a greatest hits album by English pop band Spandau Ballet, released on 4 November 1985 by Chrysalis Records. The album peaked at number three on the UK Albums Chart and was certified double platinum by the British Phonographic Industry (BPI) within six weeks of release. It is the band's best-selling album in the United Kingdom, though despite its success, the album was released without the band's approval as they were leaving Chrysalis Records and signed to CBS Records for their next album.

<span class="mw-page-title-main">Lifeline (Spandau Ballet song)</span> 1982 single by Spandau Ballet

"Lifeline" is a song by English pop band Spandau Ballet, released on 24 September 1982 as the first single from what would be their third album, True (1983). The song confirmed the band's intent to transition from dance music to pop that was hinted at with their previous single, "Instinction". Some band members found an enjoyable chemistry with "Lifeline" producers Tony Swain and Steve Jolley that was lacking in recording sessions with previous producers. The new song received mixed reviews but reached number 7 on the UK Singles Chart. It was also their first single to chart in the United States, missing the Billboard Hot 100 but charting on the Bubbling Under Hot 100 at number 8. The music video for the song received airplay on the U.S. cable channel MTV.

<span class="mw-page-title-main">Only When You Leave</span> 1984 single by Spandau Ballet

"Only When You Leave" is a song by English new wave band Spandau Ballet, released as the first single from their fourth album Parade. It peaked at number 3 on the UK Singles Chart and made the top 10 in several other countries but only reached number 34 in the US, where it was their last song to appear on the Billboard Hot 100. Most critics were impressed with Tony Hadley's vocals and enjoyed the song. The music video used its theme of revenge as a way of paying tribute to the late film director Alfred Hitchcock.

<span class="mw-page-title-main">Through the Barricades (song)</span> 1986 single by Spandau Ballet

"Through the Barricades" is a song by English new wave band Spandau Ballet, released as the second single from their 1986 studio album of the same name. The song was inspired by the murder of a member of the band's road crew in Belfast during The Troubles and emerged as the Spandau Ballet song that the band members rated the best. It reached number six on the UK Singles Chart, becoming their final top ten hit, and made the top ten elsewhere.

<span class="mw-page-title-main">Chant No. 1 (I Don't Need This Pressure On)</span> 1981 single by Spandau Ballet

"Chant No. 1 " is a song by the English new wave band Spandau Ballet, released on 10 July 1981 as the first single from their second album, Diamond. The band's guitarist/songwriter, Gary Kemp, wanted to pay homage to the latest London hotspot, Le Beat Route, by emulating the funk music that was popular there and even using the club as the location for the music video, all in order to show that the band was still part of the trendy Soho scene. Except for the remix of the song from the album's box set, "Chant No. 1" received good reviews, and the 7-inch single became their third top ten hit in the United Kingdom, peaking at number 3 on the UK Singles Chart.

<span class="mw-page-title-main">Instinction (song)</span> 1982 single by Spandau Ballet

"Instinction" is a song by Spandau Ballet whose original version was included on their second album Diamond as produced by Richard James Burgess. The song was written by band guitarist/songwriter Gary Kemp. A remix by Trevor Horn was released on 2 April 1982 as the last single from the album and reached number 10 on the UK Singles Chart. This new version received good reviews but constituted a shift into pop music that did not interest the patrons of trendy London nightclubs that Spandau Ballet originally intended to represent. The band tried continuing their work with Horn on the songs for their next album but came to an impasse with him and moved on to a successful relationship with producers Steve Jolley and Tony Swain.

<span class="mw-page-title-main">Muscle Bound</span> 1981 single by Spandau Ballet

"Muscle Bound" is a song by the English new wave band Spandau Ballet, released as part of the third single from their debut album Journeys to Glory. In the UK, it was released as a double A-side with the song "Glow"; elsewhere, "Glow" was included as the B-side. "Muscle Bound" received mostly good reviews, and the combined single was their third consecutive top 20 hit in their native UK, reaching number 10 on the UK Singles Chart. The music video for "Muscle Bound" was more ambitious than their previous promotional clips and went over budget because of snowy weather that caused delays during the location shoot.

<span class="mw-page-title-main">Highly Strung (song)</span> 1984 single by Spandau Ballet

"Highly Strung" is a song by English new wave band Spandau Ballet, released as the third single from the 1984 album Parade. In their native UK, the song reached number 15 on the UK Singles Chart, and critics had a variety of responses to it. The music video used the population density of Hong Kong to demonstrate the song's emotional themes.

<span class="mw-page-title-main">The Freeze (song)</span> 1981 single by Spandau Ballet

"The Freeze" is a song by the English new wave band Spandau Ballet, released on 12 January 1981 as the follow-up to their debut single, the number 5 UK hit "To Cut a Long Story Short". As was the case with that release, the 7-inch single of "The Freeze" featured a dub mix on its B-side, and the 12-inch single had two additional mixes of the song geared toward dance clubs. The cover art used for both formats of the single also repeated its predecessor in having a simple black-and-white classical motif. This design, however, was also seen on the sets of the music video for the song. Reviews of "The Freeze" were mixed. It reached number 17 on the UK Singles Chart.

<span class="mw-page-title-main">Glow (Spandau Ballet song)</span> 1981 single by Spandau Ballet

"Glow" is a song by the English new wave band Spandau Ballet, released on 27 March 1981 in the UK as a double A-side single with "Muscle Bound". The combined single was their third consecutive top 20 hit in their native UK, reaching number 10 on the UK Singles Chart. Elsewhere, "Glow" was released as the B-side with "Muscle Bound" as the A-side. "Glow" was written while their debut album, Journeys to Glory, was in the finishing stages and was subsequently not included, but a few different versions of the song were on the 2010 reissue of the album.

<span class="mw-page-title-main">Paint Me Down</span> 1981 single by Spandau Ballet

"Paint Me Down" is a song by the English new wave band Spandau Ballet, released on 2 November 1981 as the second single from what would be their second album, Diamond. Their guitarist/songwriter Gary Kemp copied some of the elements of their previous hit, "Chant No. 1 ", and the conflict between producer Richard James Burgess and lead singer Tony Hadley that began with that song continued as they recorded the vocals for "Paint Me Down". A controversial music video for the song was rejected by the British music chart television programme Top of the Pops, and its number 30 peak position on the UK Singles Chart was not enough to justify airing the studio performance they had filmed for the show either.

<span class="mw-page-title-main">She Loved Like Diamond</span> 1982 single by Spandau Ballet

"She Loved Like Diamond" is a song by the English new wave band Spandau Ballet, released on 11 January 1982 as the third single from what would be their second album, Diamond. The music video and cover art for the single focused on the sexual themes in the lyrics and the allure of the title character. In writing the song, their guitarist/songwriter Gary Kemp was influenced by American Jewish music with an eastern European flavour that he had heard in movie themes and musicals. Most reviews singled out lead singer Tony Hadley's performance as the main problem with the recording, which only mustered a number 49 peak position on the UK Singles Chart. The poor showing prompted the idea to release another song from the album, but the band realized that getting a new single to succeed would require a remix of the disappointing work of their current producer and decided to discontinue their association with him in doing so.

<span class="mw-page-title-main">Communication (Spandau Ballet song)</span> 1983 single by Spandau Ballet

"Communication" is a song by English pop band Spandau Ballet, released on 4 February 1983 as the second single from what would be their third album, True. The song was recorded at Compass Point Studios in Nassau, Bahamas along with most of the material from that album and received several good reviews. It reached number 12 on the UK Singles Chart and made the pop charts in other countries as well. The music video for the song was made to look like a film with lead singer Tony Hadley as the main character and received airplay on the U.S. cable channel MTV.

References

  1. ↑ Borthwick, Stuart; Moy, Ron (2004). "Synthpop: into the digital age". Popular Music Genres: An Introduction. Routledge. p. 130. ISBN   9780415973694.
  2. ↑ "Old but gold - 40 anni di sophisti-pop" (in Italian).
  3. 1 2 3 Kemp 2009 , p. 170
  4. 1 2 3 4 "Spandau Ballet: Artist Chart History". Official Charts Company. Retrieved 26 August 2022.
  5. ↑ Kemp, Gary (24 June 2013). "Spandau Ballet (A-Side)". Mastertapes . Series 2. UK. 16:56 minutes in. BBC. BBC Radio 4 . Retrieved 10 August 2022. I wanted to do a James Bond theme song. That's what was in my head. I loved John Barry. I loved the chords, the sort of… eastern European chords. And Gold was obviously from Goldfinger , I guess, you know… It was about trying to make a movie theme.
  6. ↑ Kemp 2009 , pp. 169–170
  7. ↑ Kemp 2009 , pp. 170–172
  8. ↑ Kemp 2009 , p. 174–175
  9. ↑ Birch, Ian (30 September 1982). "The Brothers". Smash Hits. Vol. 4, no. 20. p. 49. Archived from the original on 8 June 2022. Retrieved 8 June 2022.
  10. ↑ Simpson, Dave; Kemp, Gary; Norman, Steve (14 May 2012). "How we made: Gary Kemp and Steve Norman on True". The Guardian. London.
  11. ↑ Kemp 2009 , p. 183
  12. ↑ Kemp 2009 , p. 185
  13. ↑ Kemp 2009 , p. 186
  14. ↑ Dagger, Steve. "40th Anniversary: Spandau Ballet Sign with Chrysalis Records – October 10, 1980". spandauballet.com. Retrieved 9 September 2022. The evening we signed, I went to the recording studios with Doug D'Arcy, the MD of Chrysalis UK.
  15. ↑ Kemp 2009 , p. 197
  16. ↑ Kemp 2009 , p. 198
  17. ↑ "Filming and Photo Shoots". Royal Borough of Kensington and Chelsea. Archived from the original on 22 July 2022. Retrieved 22 July 2022.
  18. ↑ "Filming and Photo Shoots". Royal Borough of Kensington and Chelsea. Archived from the original on 22 July 2022. Retrieved 22 July 2022.
  19. 1 2 3 Hadley 2004 , p. 133
  20. ↑ Kemp 2009 , p. 199
  21. ↑ Kemp 2009 , p. 200
  22. ↑ Girl on Film (21 March 2010). "Images of Heaven: GOLD by Spandau Ballet (1983)". Imagesofheaven.blogspot.com. Archived from the original on 12 November 2011. Retrieved 9 August 2012.
  23. ↑ "Video Music Programming" (PDF). Billboard . Vol. 95, no. 49. 3 December 1983. p. 29. ISSN   0006-2510 . Retrieved 16 September 2022.
  24. ↑ "Official Singles Chart Top 100: 14 August 1983–20 August 1983". Official Charts Company. Archived from the original on 10 September 2022. Retrieved 10 September 2022.
  25. ↑ Hadley 2004 , pp. 133–134:We were under no illusions about the extent to which an appearance on the show could affect record sales. Consequently, if TOTP summoned us, we were always there. The sole exception was for 'Gold', which climbed to number 2 while we were out of the country doing promotional work. TOTP asked us to appear that week and we turned them down, not because we were arrogant or complacent - we were working in Norway and would have had to shelve other commitments to return to the UK. Still, it wasn't as if we didn't have a fallback… Anyway, the idea was that the video would play when we couldn't. But when we couldn't make TOTP, they decided not to run it. I'm sure that's what cost 'Gold' the number 1 slot.
  26. 1 2 Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 286. ISBN   0-646-11917-6.
  27. 1 2 "Spandau Ballet – Gold" (in Dutch). Ultratop 50. Retrieved 24 June 2022.
  28. 1 2 "The Irish Charts – Search Results – Spandau Ballet". Irish Singles Chart. Retrieved 24 June 2022.
  29. 1 2 "Nederlandse Top 40 – Spandau Ballet" (in Dutch). Dutch Top 40. Retrieved 24 June 2022.
  30. 1 2 "Spandau Ballet – Gold". Top 40 Singles. Retrieved 24 June 2022.
  31. 1 2 Salaverri, Fernando (September 2005). Sólo éxitos: año a año, 1959–2002 (1st ed.). Spain: Fundación Autor-SGAE. ISBN   84-8048-639-2.
  32. 1 2 3 4 "Spandau Ballet Chart History (Hot 100)". Billboard. Retrieved 24 June 2022.
  33. 1 2 "Spandau Ballet Chart History (Adult Contemporary)". Billboard. Retrieved 24 June 2022.
  34. 1 2 "British single certifications – Spandau Ballet – Gold". British Phonographic Industry . Retrieved 27 August 2021.
  35. ↑ "Billboard's Top Single Picks >Pop >Spandau Ballet - Gold" (PDF). Billboard . 12 November 1983. p. 66. Retrieved 14 September 2022.
  36. ↑ "Reviews >Singles >Feature Picks >Pop >Spandau Ballet - Gold" (PDF). Cashbox . 12 November 1983. p. 8. Retrieved 14 September 2022.
  37. ↑ Gardner, Mike (6 August 1983). "Spandau Ballet: "Gold"". Record Mirror . p. 8. Retrieved 24 August 2022.
  38. ↑ Fletcher, Sunie (6 August 1983). "Spandau Ballet: "Gold"". Number One . No. 14. p. 32. Retrieved 13 September 2022.
  39. ↑ Martin, Peter (4–17 August 1983). "Spandau Ballet: "Gold"". Smash Hits . No. 122. p. 31. Retrieved 14 September 2022.
  40. ↑ Martin, Gavin (5 March 1983). "Spandau Ballet: True (Chrysalis)". New Musical Express . Retrieved 20 August 2022.
  41. ↑ Gittins, Ian (1 October 2014). "Spandau Ballet review – return of the shoulder-heaving soul boys". The Guardian . Retrieved 6 June 2019.
  42. ↑ Mason, Stewart. "Gold – Spandau Ballet". AllMusic . Retrieved 20 August 2022.
  43. ↑ Hadley 2004 , p. 234
  44. ↑ "Absolute Radio to play Gold over & over". Radio Today. 9 August 2012. Archived from the original on 22 February 2015. Retrieved 9 August 2012.
  45. ↑ Webber, Richard (24 July 2011). "Spandau Ballet's Tony Hadley: 'I earn more today than in the Eighties'". The Daily Telegraph. London. Retrieved 4 May 2014.
  46. ↑ Kemp 2009 , p. 224:America was not going to plan. "Gold" had been a hit, although not as big as "True" … While we were selling large amounts in Europe and the rest of the world, Chrysalis America were not puiling their weight.
  47. ↑ Kemp 2009 , p. 224:'Communication' and 'Only When You Leave' had fallen away early.
  48. ↑ Kemp 2009 , p. 224:The spat between Wright and Ellis, the two company owners, was worsening and it seemed to us we were being affected like the children of a disintegrating marriage.
  49. ↑ Hadley 2004 , pp. 237–238
  50. ↑ Hadley 2004 , p. 132
  51. ↑ Kemp 2009 , pp. 198–199
  52. ↑ Kemp 2009 , p. 201
  53. ↑ Kemp 2009 , p. 255
  54. ↑ Mills, Simon (14 May 2009). "Gary Kemp: Personal tragedy revived Spandau Ballet". London Evening Standard. Archived from the original on 16 May 2009.
  55. 1 2 "Spandau Ballet Chart History (Dance Club Songs)". Billboard. Retrieved 24 June 2022.
  56. 1 2 "Spandau Ballet Chart History (Hot Dance/Electronic Songs)". Billboard. Retrieved 24 June 2022.
  57. 1 2 "Spandau Ballet Chart History (Global Dance Songs)". Billboard . Retrieved 24 June 2022.
  58. ↑ Gold (7-inch single liner notes). Spandau Ballet. Chrysalis Records. 1983. SPAN2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  59. ↑ Gold (7-inch single liner notes). Spandau Ballet. Chrysalis Records. 1983. VS4 42743.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  60. 1 2 Gold (12-inch single liner notes). Spandau Ballet. Chrysalis Records. 1983. SPANX2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  61. ↑ Gold (12-inch single liner notes). Spandau Ballet. Chrysalis Records. 1983. 4V9 42740.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  62. ↑ Gold 2012 (CD single liner notes). Spandau Ballet. Astralwerks. 2012. AF13.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  63. ↑ Gold 2012 (CD single liner notes). Spandau Ballet. Nebula. 2012. NEBBD112.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  64. ↑ True (record sleeve). Spandau Ballet. London: Chrysalis Records. 1983. CDL 1403.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  65. ↑ "Top RPM Singles: Issue 4430." RPM . Library and Archives Canada. Retrieved 24 June 2022.
  66. ↑ "Top RPM Adult Contemporary: Issue 4462." RPM . Library and Archives Canada. Retrieved 21 July 2019.
  67. ↑ "Spandau Ballet – Gold" (in Dutch). Single Top 100. Retrieved 24 June 2022.
  68. ↑ "Cash Box Top 100 Singles – Week ending January 28, 1984". Cash Box . Retrieved 24 June 2022.
  69. ↑ "Offiziellecharts.de – Spandau Ballet – Gold" (in German). GfK Entertainment charts. Retrieved 24 June 2022.
  70. ↑ "National Top 100 Singles for 1983". Kent Music Report . No. 497. 2 January 1984 – via Imgur.
  71. ↑ "Jaaroverzichten 1983 – Singles" (in Dutch). Ultratop. Retrieved 24 June 2022.
  72. ↑ "Top 100-Jaaroverzicht van 1983" (in Dutch). Dutch Top 40. Retrieved 24 June 2022.
  73. ↑ "Jaaroverzichten – Single 1983" (in Dutch). Dutch Charts . Retrieved 24 June 2022.
  74. ↑ Scaping, Peter, ed. (1984). "Top 100 singles: 1983". BPI Year Book 1984. British Phonographic Industry. pp. 42–43. ISBN   0-906154-04-9.

Bibliography

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