The mythology or religion of most cultures incorporate a god of death or, more frequently, a divine being closely associated with death, an afterlife, or an underworld. They are often amongst the most powerful and important entities in a given tradition, reflecting the fact that death, like birth, is central to the human experience. In religions where a single god is the primary object of worship, the representation of death is usually that god's antagonist, and the struggle between the two is central to the folklore of the culture. In such dualistic models, the primary deity usually represents good, and the death god embodies evil. Similarly, death worship is used as a derogatory term to accuse certain groups of morally abhorrent practices which set no value on human life. In monotheistic religions, death is commonly personified by an angel or demon standing in opposition to the god.
In polytheistic religions which have a complex system of deities governing various natural phenomena and aspects of human life, it is common to have a deity who is assigned the function of presiding over death. This deity may actually take the life of humans or, more commonly, simply rule over the afterlife in that particular belief system (a single religion may have separate deities performing both tasks). The deity in question may be good, evil, or neutral and simply doing their job, in sharp contrast to a lot of modern portrayals of death deities as all being inherently evil just because death is feared. Hades from Greek mythology is an especially common target. The inclusion of such a "departmental" deity of death in a religion's pantheon is not necessarily the same thing as the glorification of death.
A death deity has a good chance of being either male or female, unlike some functions that seem to steer towards one gender in particular, such as fertility and earth deities being female and storm deities being male. A single religion/mythology may have death gods of more than one gender existing at the same time and they may be envisioned as a married couple ruling over the afterlife together, as with the Aztecs, Greeks, and Romans.
In monotheistic religions, the one god governs both life and death (as well as everything else). However, in practice this manifests in different rituals and traditions and varies according to a number of factors including geography, politics, traditions, and the influence of other religions.
Ossetian
Korean
Emperor(s) of Youdu (Capital City of the Underworld)
Judges of the Ten Underworld Courts
The rest only have surnames including Li, Yu, Lu, Bi, Lu and Xue.
Four Kings of the Underworld
Ghost Kings of the Five Regions
Ghost Kings of the Five Regions (Ver.2)
Governors of Fengdu
Imperial Censor of Fengdu
Four Generals of the Direct Altar of Fengdu
Eight Generals of the Inner Altar of Fengdu
Eight Generals of the Outer Altar of Fengdu
Ten Masters of the Underworld
(Note: in some versions, Xie Bi'an and Fanjiu are the Bai Wuchang and Hei Wuchang, respectively.)
Four Strongmen of Fengdu
Two Agents of Fengdu
Wardens of the Nine Prison of Fengdu
Administers of the Six Paths of Rebirth of Fengdu
Judges of Fengdu
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Death is the protagonist in the science fantasy novel On a Pale Horse , book one in a series of 8 books, the "Incarnations of Immortality".
In the novel The Book Thief , Death is the narrator of the story.
Death is the name of one of "The Endless" in the DC Universe. [31]
Death is a recurring character in the Discworld series written by Terry Pratchett. Books featuring Death include Mort , Reaper Man , Soul Music , Hogfather and Thief of Time . He also makes a cameo appearance in Interesting Times .
In A Song of Ice and Fire by George R.R. Martin, the guild of assassins known as the Faceless Men believe that all death deities are simply different incarnations of the same god, known to them as the Many-Faced God or Him of Many Faces, while the Faith of the Seven worships The Stranger as one of Seven Aspects of God representing Death and the Unknown.
In the works of J. R. R. Tolkien, especially The Silmarillion , Námo a.k.a. Lord Mandos is the Doomsman of the Valar, Judge of the Dead and Lord of the Halls of Mandos (where Elves await reincarnation and humans retreat before making the Journey into the Beyond).
In the CW TV show Supernatural , Death makes a crucial appearance. He is portrayed as existing alongside God since the beginning of time and being so ancient he cannot remember when he came into existence; he may even be older than God. In the show he is the oldest and most powerful of the Four Horsemen (Death, Famine, War and Pestilence). He is not portrayed as a villain.
In the Sailor Moon franchise, the last Sailor Guardian (of the Sol System) introduced is Sailor Saturn. Her powers revolve around destruction, ruin, and death and she can be thought of as a "god" of sorts (all Sailor Guardians can). Her weapon is the Silence Glaive that is capable of utterly obliterating and destroying entire worlds/planets if used to its maximum potential.
In the Marvel Comics Universe, the personification of death is Mistress Death.
The Transformers mythos features the character of Mortilus, a Cybertronian deity who represents death and who later betrayed his brethren and was destroyed, leading to the longevity of the Transformer race. A similar character is The Fallen, a member of the Thirteen Primes who is identified as the guardian of entropy.
In the manga and anime, Death Note, gods of death (shinigami) exist in their own realm and are owners of Death Notes, which are used to kill humans. When a note falls into the human world, the person who touches it first becomes the new owner of the note, can recognize the god of death to whom it belongs, and the god follows them for the rest of their life. However, shinigami are more like Grim Reapers with freakish appearances than deities who are worshiped. This is because shinigami are a fairly recent concept in Japanese folklore directly inspired by the European figure of the Grim Reaper, and thus, are not "true" death gods. Despite their Western origin, many people will refer to both the Death Note characters and the folklorical shinigami using the Japanese name instead of the English translation or even "Grim Reaper". For similar cases of shinigami being more akin to Grim Reapers in anime, see Bleach (anime) and Soul Eater (anime).
In the 2018 Nintendo published title Kirby Star Allies, a Butterfly is revealed to be the embodiment of death, ruling the underworld after atomizing and absorbing Galacta Knight to become Morpho Knight. Very little is known about it but it is awaiting something called the Day of Judgement.
In Nintendo's Metroid franchise one of the bosses, Ridley, is also known as "the Cunning God of Death".
In the series Malazan Book of the Fallen, Hood is the God of Death, and King of High House Death.
In the Warhammer fantasy battle universe of Games Workshop, Morr is the god of death.
Anubis, also known as Inpu, Inpw, Jnpw, or Anpu in Ancient Egyptian, is the god of funerary rites, protector of graves, and guide to the underworld, in ancient Egyptian religion, usually depicted as a canine or a man with a canine head.
Hades, in the ancient Greek religion and mythology, is the god of the dead and the king of the underworld, with which his name became synonymous. Hades was the eldest son of Cronus and Rhea, although this also made him the last son to be regurgitated by his father. He and his brothers, Zeus and Poseidon, defeated their father's generation of gods, the Titans, and claimed joint rulership over the cosmos. Hades received the underworld, Zeus the sky, and Poseidon the sea, with the solid earth available to all three concurrently. In artistic depictions, Hades is typically portrayed holding a bident and wearing his helm with Cerberus, the three-headed guard-dog of the underworld, standing at his side.
Osiris is the god of fertility, agriculture, the afterlife, the dead, resurrection, life, and vegetation in ancient Egyptian religion. He was classically depicted as a green-skinned deity with a pharaoh's beard, partially mummy-wrapped at the legs, wearing a distinctive atef crown, and holding a symbolic crook and flail. He was one of the first to be associated with the mummy wrap. When his brother Set cut him up into pieces after killing him, Osiris' wife Isis found all the pieces and wrapped his body up, enabling him to return to life. Osiris was widely worshipped until the decline of ancient Egyptian religion during the rise of Christianity in the Roman Empire.
Psychopomps are creatures, spirits, angels, demons, or deities in many religions whose responsibility is to escort newly deceased souls from Earth to the afterlife.
Nut, also known by various other transcriptions, is the goddess of the sky, stars, cosmos, mothers, astronomy, and the universe in the ancient Egyptian religion. She was seen as a star-covered nude woman arching over the Earth, or as a cow. She was depicted wearing the water-pot sign (nw) that identifies her.
The Duat is the underworld in ancient Egyptian mythology. It has been represented in hieroglyphs as a star-in-circle: 𓇽. The god Osiris was believed to be the lord of the underworld. He was the first mummy as depicted in the Osiris myth and he personified rebirth and life after death. The underworld was also the residence of various other gods along with Osiris.
Nehebkau was the primordial snake god in ancient Egyptian mythology. Although originally considered an evil spirit, he later functions as a funerary god associated with the afterlife. As one of the forty-two assessors of Ma’at, Nehebkau was believed to judge the deceased after death and provide their souls with ka – the part of the soul that distinguished the living from the dead.
Yama is the Hindu deity of death, dharma, the south direction, and the underworld. Belonging to an early stratum of Rigvedic Hindu deities, Yama is said to have been the first mortal who died in the Vedas. By virtue of precedence, he became the ruler of the departed.
In Mesopotamian mythology, Ereshkigal was the goddess of Kur, the land of the dead or underworld in Sumerian mythology. In later myths, she was said to rule Irkalla alongside her husband Nergal. Sometimes her name is given as Irkalla, similar to the way the name Hades was used in Greek mythology for both the underworld and its ruler, and sometimes it is given as Ninkigal, lit. "Lady of the Great Earth".
Shinigami are kami that invite humans toward death in certain aspects of Japanese religion and culture. Shinigami have been described as monsters, helpers, and creatures of darkness. Shinigami are used for tales and religions in Japanese culture.
Fascination with death has occurred throughout human history, characterized by obsessions with death and all things related to death and the afterlife.
In Greek mythology, the Greek underworld, or Hades, is a distinct realm where an individual goes after death. The earliest idea of afterlife in Greek myth is that, at the moment of death, an individual's essence (psyche) is separated from the corpse and transported to the underworld. In early mythology the dead were indiscriminately grouped together and led a shadowy post-existence; however, in later mythology elements of post-mortem judgment began to emerge with good and bad people being separated.
Heliopolitans are a fictional group of gods, based on Ancient Egyptian deities, appearing in American comic books published by Marvel Comics.
Death is frequently imagined as a personified force. In some mythologies, a character known as the Grim Reaper causes the victim's death by coming to collect that person's soul. Other beliefs hold that the spectre of death is only a psychopomp, a benevolent figure who serves to gently sever the last ties between the soul and the body, and to guide the deceased to the afterlife, without having any control over when or how the victim dies. Death is most often personified in male form, although in certain cultures death is perceived as female. Death is also portrayed as one of the Four Horsemen of the Apocalypse. Most claims of its appearance occur in states of near-death.
Sumerian religion was the religion practiced by the people of Sumer, the first literate civilization found in recorded history and based in ancient Mesopotamia. The Sumerians regarded their divinities as responsible for all matters pertaining to the natural and social orders.
A vegetation deity is a nature deity whose disappearance and reappearance, or life, death and rebirth, embodies the growth cycle of plants. In nature worship, the deity can be a god or goddess with the ability to regenerate itself. A vegetation deity is often a fertility deity. The deity typically undergoes dismemberment, scattering, and reintegration, as narrated in a myth or reenacted by a religious ritual. The cyclical pattern is given theological significance on themes such as immortality, resurrection, and reincarnation. Vegetation myths have structural resemblances to certain creation myths in which parts of a primordial being's body generate aspects of the cosmos, such as the Norse myth of Ymir.
Ancient Egyptian afterlife beliefs were centered around a variety of complex rituals that were influenced by many aspects of Egyptian culture. Religion was a major contributor, since it was an important social practice that bound all Egyptians together. For instance, many of the Egyptian gods played roles in guiding the souls of the dead through the afterlife. With the evolution of writing, religious ideals were recorded and quickly spread throughout the Egyptian community. The solidification and commencement of these doctrines were formed in the creation of afterlife texts which illustrated and explained what the dead would need to know in order to complete the journey safely.
The ancient Mesopotamian underworld, most often known in Sumerian as Kur, Irkalla, Kukku, Arali, or Kigal and in Akkadian as Erṣetu, although it had many names in both languages, was a dark, dreary cavern located deep below the ground, where inhabitants were believed to continue "a transpositional version of life on earth". The only food or drink was dry dust, but family members of the deceased would pour sacred mineral libations from the earth for them to drink. In the Sumerian underworld, it was initially believed that there was no final judgement of the deceased and the dead were neither punished nor rewarded for their deeds in life.