Russet (color)

Last updated
Russet
 
Gtk-dialog-info.svg    Color coordinates
Hex triplet #80461B
sRGB B (r, g, b)(128, 70, 27)
HSV (h, s, v)(26°, 79%, 50%)
CIELChuv (L, C, h)(36, 54, 33°)
Source encycolorpedia.com/80461b
ISCC–NBS descriptor Strong brown
B: Normalized to [0–255] (byte)

Russet is a dark brown color with a reddish-orange tinge. As a tertiary color, russet is an equal mix of orange and purple pigments. The first recorded use of russet as a color name in English was in 1562. [1]

The source of this color is The ISCC-NBS Method of Designating Colors and a Dictionary of Color Names (1955) used by stamp collectors to identify the colors of stamps. [2] However, it is widely considered hard to standardize, and the same vary name could be applied to various tones; russet often has no more specific meaning than ruddy or reddish. [1]

The name of this color derives from russet, a coarse cloth made of wool and dyed with woad and madder to give it a subdued grey or reddish-brown shade. By the statute of 1363, poor English people were required to wear russet. [3] [4]

Russet, a color of autumn, is often associated with sorrow or grave seriousness. Anticipating a lifetime of regret, Shakespeare's character Biron says in Love's Labour's Lost , Act V, Scene 1: "Henceforth my wooing mind shall be express'd / In russet yeas and honest kersey noes."

Russet is mentioned in a famous quote taken from a letter Oliver Cromwell wrote to Sir William Spring in September 1643: "I had rather have a plain, russet-coated captain that knows what he fights for, and loves what he knows, [than that which you call a gentleman and is nothing else]". [5] [4]

See also

Related Research Articles

Sienna is an earth pigment containing iron oxide and manganese oxide. In its natural state, it is yellowish brown, and it is called raw sienna. When heated, it becomes a reddish brown, and it is called burnt sienna. It takes its name from the city-state of Siena, where it was produced more widely during the Renaissance. Along with ochre and umber, it was one of the first pigments to be used by humans, and is found in many cave paintings. Since the Renaissance, it has been one of the brown pigments most widely used by artists.

<span class="mw-page-title-main">Brown</span> Color

Brown is a color. It can be considered a composite color, but it is mainly a darker shade of orange. In the CMYK color model used in printing and painting, brown is usually made by combining the colors orange and black. In the RGB color model used to project colors onto television screens and computer monitors, brown combines red and green.

<span class="mw-page-title-main">Gold (color)</span> Color

Gold, also called golden, is a color tone resembling the gold chemical element.

<span class="mw-page-title-main">Coral (color)</span> Shade of orange

The various tones of the color coral are orange, red and pink representations of the colors of those cnidarians known as precious corals.

<span class="mw-page-title-main">Beige</span> Color

Beige is variously described as a pale sandy fawn color, a grayish tan, a light-grayish yellowish brown, or a pale to grayish yellow. It takes its name from French, where the word originally meant natural wool that has been neither bleached nor dyed, hence also the color of natural wool. It has come to be used to describe a variety of light tints chosen for their neutral or pale warm appearance.

<span class="mw-page-title-main">Lavender (color)</span> Light shade of purple derived from the lavender plant

Lavender is a light shade of purple or violet. It applies particularly to the color of the flower of the same name. The web color called lavender is displayed adjacent—it matches the color of the palest part of the lavender flower; however, the more saturated color shown as floral lavender more closely matches the average color of the lavender flower as shown in the picture and is the tone of lavender historically and traditionally considered lavender by the average person as opposed to those who are website designers. The color lavender might be described as a medium purple or a light pinkish-purple. The term lavender may be used in general to apply to a wide range of pale, light, or grayish-purples, but only on the blue side; lilac is pale purple on the pink side. In paints, the color lavender is made by mixing purple and white paint.

<span class="mw-page-title-main">Cerise (color)</span> Range of reddish pinks

Cerise is a deep to vivid reddish pink.

<span class="mw-page-title-main">Champagne (color)</span> Color

The color champagne is a name given for various very pale tints of yellowish-orange that are close to beige. The color's name is derived from the typical color of the beverage Champagne.

Taupe is a dark gray-brown color. The word derives from the French noun taupe meaning "mole". The name originally referred only to the average color of the French mole, but beginning in the 1940s, its usage expanded to encompass a wider range of shades.

<span class="mw-page-title-main">Fallow (color)</span> Pale brown color

Fallow is a pale brown color that is the color of withered foliage or sandy soil in fallow fields. This however is a post factum rationalization, and the etymologies are distinct.

<span class="mw-page-title-main">Bole (color)</span> Shade of reddish brown

Bole is a shade of reddish brown. The color term derives from Latin bōlus and refers to a kind of soft fine clay whose reddish-brown varieties are used as pigments, and as a coating in panel paintings and frames underneath the paint or gold leaf. Under gold leaf, it "warms" the colour, which can have a greenish shade otherwise. However, bole in art is a good deal more red and less brown than the modern shade; it is often called Armenian bole. Although bole also means the trunk of a tree, these words are simply homographs that do not share an etymological origin.

<span class="mw-page-title-main">Persian green</span>

Persian green is a color used in pottery and Persian carpets in Iran. It is also utilized in the architecture of religious places.

<span class="mw-page-title-main">Shades of green</span> Varieties of the color green

Varieties of the color green may differ in hue, chroma or lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a green or other hue mixed with white, a shade being mixed with black. A large selection of these various colors is shown below.

<span class="mw-page-title-main">Shades of red</span> Varieties of the color red

Varieties of the color red may differ in hue, chroma or lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a red or other hue mixed with white, a shade being mixed with black. A large selection of these various colors are shown below.

<span class="mw-page-title-main">Shades of pink</span> Varieties of the color pink

Pink colors are usually light or desaturated shades of reds, roses, and magentas which are created on computer and television screens using the RGB color model and in printing with the CMYK color model. As such, it is an arbitrary classification of color.

Livid is a medium bluish-gray color. This color name comes from the Latin color term lividus meaning "'a dull leaden-blue color', and also used to describe the color of contused flesh, leading to the English expression 'black and blue'". The first recorded use of livid as a color name in English was in 1622.

<span class="mw-page-title-main">ISCC–NBS system</span> International system of color designation

The ISCC–NBS System of Color Designation is a system for naming colors based on a set of 13 basic color terms and a small set of adjective modifiers. It was first established in the 1930s by a joint effort of the Inter-Society Color Council (ISCC), made up of delegates from various American trade organizations, and the National Bureau of Standards (NBS), a US government agency. As suggested in 1932 by the first chairman of the ISCC, the system's goal is to be "a means of designating colors in the United States Pharmacopoeia, in the National Formulary, and in general literature ... such designation to be sufficiently standardized as to be acceptable and usable by science, sufficiently broad to be appreciated and used by science, art, and industry, and sufficiently commonplace to be understood, at least in a general way, by the whole public." The system aims to provide a basis on which color definitions in fields from fashion and printing to botany and geology can be systematized and regularized, so that each industry need not invent its own incompatible color system.

<span class="mw-page-title-main">Shades of gray</span> Variations of the color gray

Variations of gray or grey include achromatic grayscale shades, which lie exactly between white and black, and nearby colors with low colorfulness. A selection of a number of these various colors is shown below.

<span class="mw-page-title-main">Shades of brown</span> Varieties of the color brown

Shades of brown can be produced by combining red, yellow, and black pigments, or by a combination of orange and black—illustrated in the color box. The RGB color model, that generates all colors on computer and television screens, makes brown by combining red and green light at different intensities. Brown color names are often imprecise, and some shades, such as beige, can refer to lighter rather than darker shades of yellow and red. Such colors are less saturated than colors perceived to be orange. Browns are usually described as light or dark, reddish, yellowish, or gray-brown. There are no standardized names for shades of brown; the same shade may have different names on different color lists, and sometimes one name can refer to several very different colors. The X11 color list of web colors has seventeen different shades of brown, but the complete list of browns is much longer.

References

  1. 1 2 Maerz, Aloys J.; Paul, Morris Rea (1930). A Dictionary of Color. New York: McGraw-Hill. p. 177. ASIN   B0014LYBSG.
  2. See sample of the color Russet (Color Sample #55) displayed on indicated page: ISCC Color List Page R.
  3. Britnell, Richard H. (1986). Growth and decline in Colchester, 1300–1525 . Cambridge University Press. pp. 55–77. ISBN   0-521-30572-1.
  4. 1 2 St Clair, Kassia (2016). The Secret Lives of Colour. London: John Murray. pp. 246–247. ISBN   978-1-4736-3081-9. OCLC   936144129.
  5. Partington, Angela (1970). Oxford Dictionary of Quotations (2 ed.). New York: Oxford University Press. p. 167. ISBN   0-19-211523-5. OCLC   239676679. Cites Carlyle, Letters and Speeches of Oliver Cromwell.