Elsie Louise Ferguson was an American stage and film actress. Seen by some as an early feminist, she promoted suffrage, which she discussed in interviews, and supported animal rights.
Marian Marsh was a Trinidad-born American film actress and later an environmentalist.
Courage is a 1930 American pre-Code drama film, produced by Warner Bros. in 1929 and released early in 1930. The movie is based on a stage play of the same name by Tom Barry which was a hit on Broadway in 1928.
The Slender Thread is a 1965 American drama film starring Anne Bancroft and Sidney Poitier. It was the first feature-length film directed by future Oscar-winning director, producer and actor Sydney Pollack.
Paramount on Parade is a 1930 all-star American pre-Code revue released by Paramount Pictures, directed by several directors including Edmund Goulding, Dorothy Arzner, Ernst Lubitsch, Rowland V. Lee, A. Edward Sutherland, Lothar Mendes, Otto Brower, Edwin H. Knopf, Frank Tuttle, and Victor Schertzinger—all supervised by the production supervisor, singer, actress, and songwriter Elsie Janis.
The Witness for the Defense is a 1919 American silent drama film directed by George Fitzmaurice and starring Elsie Ferguson, Warner Oland, and Wyndham Standing.
Outcast is a 1922 American silent drama film directed by Chester Withey. The film starred Elsie Ferguson and David Powell. William Powell has a small supporting part in this which was his third film.
A Society Exile (1919) is an American silent film drama directed by George Fitzmaurice and starring Elsie Ferguson, Julia Dean, and William Carleton. The assistant director to Fitzmaurice was William Scully. The film marks the second screen appearance of the actor Henry Stephenson. The film was based upon the play We Can't Be as Bad as All That by Henry Arthur Jones.
The Avalanche is a 1919 American silent drama film about gambling directed by George Fitzmaurice who also served as the film's art director. William Scully was the assistant director to Fitzmaurice. The film stars Elsie Ferguson and Warner Oland. Ferguson plays a dual role in the film, portraying both mother and daughter.
Sinners' Holiday is a 1930 American pre-Code all-talking crime drama film starring Grant Withers and Evalyn Knapp, and featuring James Cagney, Lucille La Verne, and Joan Blondell. It is based on the 1930 play Penny Arcade by Marie Baumer. Both Cagney and Blondell reprised the roles they played in the original Broadway production.
Sacred and Profane Love is a 1921 American silent drama film produced by Famous Players–Lasky and distributed by Paramount Pictures. This film was directed by William Desmond Taylor and starred Elsie Ferguson with Conrad Nagel. It is based on a book The Book of Carlotta by Arnold Bennett and was turned into a 1920 Broadway play which also starred Elsie Ferguson. Writer/director Julia Crawford Ivers adapted the book and play to the screen while her son James Van Trees served as one of the film's cinematographers. All known copies of this film are lost.
Rose of the World is a lost 1918 American silent drama film produced by Famous Players–Lasky and distributed by Artcraft Pictures, an affiliate of Paramount Pictures. It is based on the novels of Agnes and Egerton Castle. The film was directed by Maurice Tourneur and stars Elsie Ferguson.
A Doll's House is a 1918 American silent drama film produced by Famous Players–Lasky and distributed by Artcraft Pictures, an affiliate of Paramount Pictures. It is the third American motion picture filming of Henrik Ibsen's 1879 play A Doll's House. Maurice Tourneur directed and Elsie Ferguson starred. This film is lost.
The Rise of Jennie Cushing is a 1917 American silent drama film directed by Maurice Tourneur, produced by Famous Players–Lasky, and distributed by Artcraft Pictures, an affiliate of Paramount Pictures. The story based upon the novel The Rise of Jennie Cushing by Mary Watts and stars Broadway's Elsie Ferguson. The film marked Ferguson's second motion picture. It is a lost film.
Back Pay is a 1930 American Pre-Code drama film with songs, produced and distributed by First National Pictures, a subsidiary of Warner Bros., and starring Corinne Griffith and Grant Withers. It is based on a short story by Fannie Hurst. It is a remake of a 1922 silent film Back Pay that starred Seena Owen.
The Lash is a 1930 American pre-Code Western film produced and distributed by First National Pictures, a subsidiary of Warner Bros. It had an alternate title of Adios. The film was directed by Frank Lloyd and stars Richard Barthelmess, Mary Astor, James Rennie and Marian Nixon. The film was issued in two formats: Warner Bros. 65mm Vitascope wide screen and regular 35mm. The Vitaphone sound system was used for recording. Exteriors were filmed at the current Westlake Village, California and Russell Ranch of Thousand Oaks, California areas near Los Angeles. It was adapted for the screen by Bradley King from a story Adios by Fred Bartlett and Virginia Stivers Bartlett.
College Lovers is a 1930 American talkie Pre-Code comedy film produced and released by First National Pictures, a subsidiary of Warner Bros., and directed by John G. Adolfi. The movie stars Jack Whiting, Marian Nixon, Frank McHugh and Guinn 'Big Boy' Williams. The film was based on the story by Earl Baldwin.
Faces in the Fog is a 1944 American drama film directed by John English and starring Jane Withers, Paul Kelly and Lee Patrick.
Scarlet Saint, also known as The Scarlet Sinner, is a 1925 American silent drama film directed by George Archainbaud and starring Mary Astor, Lloyd Hughes, and Frank Morgan. The film's sets were designed by the art director Milton Menasco.
In the Headlines is a 1929 crime drama film directed by John G. Adolfi and starring Grant Withers and Marian Nixon. It was produced and distributed by the Warner Brothers.
