Sideburns

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Mathabar Singh Thapa, shown with sideburns of the style worn by Hindu Kshatriya military commanders in the Indian subcontinent. Portrait of mathabar singh thapa.jpg
Mathabar Singh Thapa, shown with sideburns of the style worn by Hindu Kshatriya military commanders in the Indian subcontinent.

Sideburns, sideboards, [1] or side whiskers are facial hair grown on the sides of the face, extending from the hairline to run parallel to or beyond the ears. The term sideburns is a 19th-century corruption of the original burnsides, named after American Civil War general Ambrose Burnside, [2] a man known for his unusual facial hairstyle that connected thick sideburns by way of a moustache, but left the chin clean-shaven.

Contents

Variations

Variations
Kaiser Wilhelm I. .JPG
Wilhelm I, German Emperor, sported large sideburns; this style was often referred to as "side whiskers"
Ambrose Burnside2.jpg
U.S. General Ambrose Burnside, after whom sideburns are named.
Other 19th century examples
Werner von Siemens (1816-1892), ca. 1850.jpg
German inventor Werner von Siemens (1816–1892)
davit` ch`ubinashvili.jpg
Georgian lexicographer David Chubinashvili with "mutton-chops"
JV Snellman.jpg
Relatively short sideburns on J. V. Snellman (1806–1881), a Finnish philosopher and statesman
20th century examples

Sideburns can be worn and grown in combination with other styles of facial hair, such as the moustache or goatee, but once they extend from ear to ear via the chin they cease to be sideburns and become a beard, chinstrap beard, or chin curtain.

Indigenous men of Colombia and Mexico, including Aztecs, shaved their heads and wore their braided sideburns long, said to be wearing "balcarrotas", rarely seen in modern times, but prized in the 16th century as a mark of virile vanity and banned by the colonial authorities in New Spain, resulting in rioting in 1692. [3]

History

Following the fashion in Europe young South American criollos adopted sideburns. Many of the independence heroes of South America, including José de San Martín, Manuel Belgrano, Antonio José de Sucre, Bernardo O'Higgins, José Miguel Carrera, and Antonio Nariño had sideburns and are as such depicted on numerous paintings, coins and banknotes.

Nineteenth-century sideburns were often far more extravagant than those seen today, similar to what are now called mutton chops, but considerably more extreme. In period literature, "side whiskers" usually refers to this style, in which the whiskers hang well below the jaw line. As with beards, sideburns went quickly out of fashion in the early twentieth century. In World War I, in order to secure a seal on a gas mask, men had to be clean-shaven; this did not affect mustaches.

In 1936, President Franklin Roosevelt briefly experimented with sideburns on a yachting cruise, provoking laughter from wife Eleanor. [4] Sideburns made a comeback in the mid-1950s when Marlon Brando sported them as the title character in The Wild One (1953). Further spurred by Elvis Presley, sideburns were sported by "hoods", "greasers", and "rockers" seeking to highlight their rebellious post-pubescent manliness. [5] Sideburns later gained popularity in the counterculture of the 1960s: the struggle of a New Jersey youth to wear sideburns to his public high school graduation made a newspaper article in 1967. [6] Sideburns were associated with young mods and hippies, but in the '70s became prevalent in all walks of life. "Lambchop" sideburns also became a symbol of the gay club scenes of San Francisco and Sydney, as did the handlebar mustache. For the most part, sideburns have never gone out of fashion. They have continued to be popular among rock musicians, and even become a notable feature of such musicians like Stephen Stills, Neil Young, George Jones, and Lemmy.

Notable 21st century examples include Emmanuel Macron, Javier Milei, Cem Özdemir, Viktor Yushchenko, David Pountney, Adam Sandler, John Lithgow and David Tennant.

Because of sideburns' multifarious history, they may be seen as stuffily Victorian; an indicator of roughness, vice, or rebelliousness; [7] a characteristic of rock 'n' roll; or merely a retro fashion revival. Naser tahmasb

See also

Related Research Articles

<span class="mw-page-title-main">Beard</span> Hair that grows on the lower part of the face

A beard is the hair that grows on the jaw, chin, upper lip, lower lip, cheeks, and neck of humans and some non-human animals. In humans, usually pubescent or adult males are able to start growing beards, on average at the age of 21.

<span class="mw-page-title-main">Moustache</span> Facial hair grown above the upper lip

A moustache is a growth of facial hair grown above the upper lip and under the nose. Moustaches have been worn in various styles throughout history.

<span class="mw-page-title-main">Handlebar moustache</span> Facial hair style

A handlebar moustache is a moustache with particularly lengthy and upwardly curved extremities. These moustache styles are named for their resemblance to the handlebars of a bicycle. It is also known as a spaghetti moustache, because of its stereotypical association with Italian men. The Handlebar Club humorously describes the style as "a hirsute appendage of the upper lip and with graspable extremities".

<span class="mw-page-title-main">Goatee</span> Style of beard

A goatee is a style of facial hair incorporating hair on one's chin but not the cheeks. The exact nature of the style has varied according to time and culture.

<span class="mw-page-title-main">Walrus moustache</span> Facial hairstyle

The walrus moustache is characterized by whiskers that are thick, bushy, and drop over the mouth. The style resembles the whiskers of a walrus, hence the name.

<span class="mw-page-title-main">Fu Manchu moustache</span> Style of facial hair

A Fu Manchu moustache or simply Fu Manchu, is a full, straight moustache extending from under the nose past the corners of the mouth and growing downward past the clean-shaven lips and chin in two tapered "tendrils", often extending past the jawline. An expansion of the Fu Manchu sometimes includes a third long "tendril" descending from a small patch on the chin.

<span class="mw-page-title-main">Fake moustache</span>

A fake moustache or false moustache is an item of prosthetic make-up. Fake moustaches are made in a variety of ways, but usually require a form of adhesive to affix the moustache to the wearer's face.

<span class="mw-page-title-main">Eponymous hairstyle</span> Hairstyle associated with a particular individual

An eponymous hairstyle is a particular hairstyle that has become fashionable during a certain period of time through its association with a prominent individual.

<span class="mw-page-title-main">Shenandoah (beard)</span> Beard style

A Shenandoah, also known as an Amish beard, a chin curtain, a Donegal, a Lincoln, a spade beard, or a whaler, is a style of facial hair.

The World Beard and Moustache Championships is a biennial competition hosted by the World Beard and Moustache Association (WBMA), in which men with beards and moustaches display lengthy, highly styled facial hair.

<span class="mw-page-title-main">Facial hair</span> Hair grown on the face, chin, cheeks, and upper lip region

Facial hair is hair grown on the face, usually on the chin, cheeks, and upper lip region. It is typically a secondary sex characteristic of human males. Men typically start developing facial hair in the later stages of puberty or adolescence, around fifteen years of age, and most do not finish developing a full adult beard until around eighteen or later. However, large variations can occur; boys as young as eleven have also been known to develop facial hair, and some men do not produce much facial hair at all.

<span class="mw-page-title-main">Beard tax</span> Excise tax levied on facial hair

A beard tax is a governmental policy that requires men to pay for the privilege of wearing a beard. The most well documented beard tax was in place in Russia during the 18th century.

<span class="mw-page-title-main">Facial hair in the military</span>

Facial hair in the military has been at various times common, prohibited, or an integral part of the uniform.

<span class="mw-page-title-main">Hairstyles in the 1980s</span>

Hairstyles in the 1980s included the mullet, tall mohawk hairstyles, jheri curls, flattops, and hi-top fades, which became popular styles. Amongst women, large hair-dos, puffed-up styles, permanent waves, and softer cuts typified the decade. Big hair that was "often permed to achieve the desired volume" is especially associated with women of the mid 1980s as well as male rockstars of that era, especially of the glam metal genre. Television shows such as Dynasty helped popularize the high volume bouffant and glamorous image associated with it.

<span class="mw-page-title-main">Regular haircut</span> Simple hairstyle popular among males

A regular haircut, in Western fashion, is a men's and boys' hairstyle that has hair long enough to comb on top, a defined or deconstructed side part, and a short, semi-short, medium, long, or extra long back and sides. The style is also known by other names including taper cut, regular taper cut, side-part and standard haircut; as well as short back and sides, business-man cut and professional cut, subject to varying national, regional, and local interpretations of the specific taper for the back and sides.

The Mustache Gang, a term coined for the 1972 Oakland Athletics baseball team, a team that broke the traditionally conservative baseball views by sporting mustaches. From the change in American men's fashion away from facial hair in the 1920s to the early 1970s, there had only been two baseball players who had facial hair during the regular season: Stanley "Frenchy" Bordagaray of the Brooklyn Dodgers, who was then ordered to shave by his manager, and Wally Schang of the Philadelphia A's.

<span class="mw-page-title-main">New York Yankees appearance policy</span> Personal grooming policy instituted by the New York Yankees

Since 1976, the New York Yankees of Major League Baseball (MLB) have maintained a strict appearance policy, specifying that players' hair must not touch their collars and that they may have mustaches but no other facial hair. The policy came from then-franchise owner George Steinbrenner, who believed that regulating his players' appearance would instill a sense of discipline. Steinbrenner began noting which players he believed needed haircuts when he took over the Yankees in 1973, but the policy was not codified until three years later. Steinbrenner's policy remains in place after his death, and has led to a number of dramatic appearance changes for players who come to the Yankees from other teams, such as Oscar Gamble, as well as pushback from players who prefer long hair and beards. In 1991, Don Mattingly was taken out of the Yankees' lineup for a day when he refused to cut his hair.

Secular laws regulating hairstyles exist in various countries and institutions.

References

  1. "AskOxford". Archived from the original on September 26, 2007. Retrieved 2007-06-27.
  2. Goolrick, William K. Rebels Resurgent: Fredericksburg to Chancellorsville. p. 29.
  3. Joaquín García Icazbalceta. "Vocabulario de mexicanismos : comprobado con ejemplos y comparado con los de otros paises hispano-americanos". Fundación Biblioteca Virtual Miguel de Cervantes. Retrieved March 1, 2013.
  4. "President Grows crop of Sideburns: Mrs. Roosevelt Laughs Heartily as He Arrives at Campobello". The New York Times 28 July 1936. Retrieved 9 September 2008.
  5. "Sideburns a la Presley Aren't Ivy; Dern of Penn Quits Track Rather Than Alter Appearance". The New York Times , 9 February 1957. Retrieved 9 September 2008.
  6. "Youth With Sideburns Is Graduated in Jersey". The New York Times , 13 June 1967. Retrieved 9 September 2008.
  7. In the 1965 novel For Kicks by Dick Francis, one character advises another that, to go undercover as a disreputable stable lad, "Then, if I might suggest it, it would be a good idea for you to grow a couple of sideburns. It's surprising what a lot of distrust can be caused by an inch of extra hair in front of the ears!" Francis, Dick (1990). For Kicks. New York: Armchair Detective Library. p. 19. ISBN   978-0-922890-59-0.