Suffs | |
---|---|
Music | Shaina Taub |
Lyrics | Shaina Taub |
Book | Shaina Taub |
Basis | Women's suffrage in the United States |
Premiere | April 6, 2022: The Public Theater |
Productions | 2022 Off-Broadway 2024 Broadway |
Suffs is a stage musical with book, music, and lyrics by Shaina Taub, based on suffragists and the American women's suffrage movement, focusing primarily on the historical events leading up to the ratification of the nineteenth amendment to the United States constitution in 1920 that gave some women, primarily white women the right to vote. [1] It premiered Off-Broadway at The Public Theater in April 2022.
The show opened on Broadway on April 18, 2024 at the Music Box Theatre. It received positive reviews from critics and 6 nominations at the 77th Tony Awards, including Best Musical. [2] [3]
Shaina Taub began developing the show in the early 2010s, after she read suffragist Doris Stevens' account, Jailed for Freedom. [4]
The musical, then titled Suffragist, was originally planned to premiere at the Public in fall of 2020, with a cast that would have included Stephanie Hsu and Kate Wetherhead, but this was delayed due to the COVID-19 pandemic. Further plans were made to open it at the Delacorte Theater as part of the return of the Public's Shakespeare in the Park season in the following summer, before the decision was made to delay it into 2022. [5] [6]
The musical, now called Suffs, was initially going to open its world premiere production at The Public Theater on April 6, 2022, but the preview the night before as well as the opening night were cancelled due to a large number of positive COVID-19 cases among the cast. [7] It began previews on March 13 and was initially announced to run until April 24, but was extended three times: first to May 1, then to May 15, and finally to May 29. [8] [9] [10] [11] Directed by Leigh Silverman, this run of the musical starred Taub as Alice Paul, Jenn Colella as Carrie Catt, Nikki M. James as Ida B. Wells, Phillipa Soo as Inez Milholland, Hannah Cruz as Ruza Wenclawska, Nadia Dandashi as Doris Stevens, Ally Bonino as Lucy Burns, Grace McLean as Woodrow Wilson, Tsilala Brock as Dudley Field Malone, Jenna Bainbridge as Harry T. Burn, Aisha de Haas as Alva Belmont and Phoebe Burn, Jaygee Macapugay as Mollie Hay, Cassondra James as Mary Church Terrell, J. Riley Jr. as Phyllis Terrell, and Ada Westfall as Mrs. Herndon.
Despite selling out much of its run, reviews of the Off-Broadway production were mixed, and the numerous COVID-related cancellations affected the team's plans to make changes. Finding that the further changes needed were too much to fix over a preview period, Taub and Silverman elected to delay a potential Broadway transfer in order to rework the show. Taub cut the show's original opening number as well as numerous other songs, replacing them with book scenes, and focused on giving the supporting characters fuller arcs. Silverman hired an almost entirely new creative team to re-stage and redesign the show from the ground up. [5]
In October 2023, it was announced that the show would transfer to Broadway in spring 2024. Among the producing team is former Secretary of State and First Lady Hillary Clinton and activist Malala Yousafzai. Silverman remained on board as director. [12] In January 2024, full casting was announced. Most of the Off-Broadway cast, including Taub, Colella, James, Dandashi, Bonino, McLean, Brock, Bainbridge, Macapugay, and Westfall, reprised their roles. Phillipa Soo's role of Inez Milholland was filled by fellow cast member Hannah Cruz, who was in turn replaced as Ruza Wenclawska by Kim Blanck—Blanck had been part of prior workshops of the show but was unable to perform in its Off-Broadway mounting due to performing in Octet . [6] Emily Skinner, Laila Erica Drew, and Anastaćia McCleskey also joined the cast, respectively replacing Aisha de Haas, Cassondra James, and J. Riley Jr. as Alva Belmont and Phoebe Burn, Mary Church Terrell, and Phyllis Terrell. [13] The production has a new creative team with choreography by Mayte Natalio, scenic design by Riccardo Hernandez, costume design by Paul Tazewell, lighting by Lap Chi Chu, sound by Jason Crystal and Sun Hee Kill, orchestrations by Michael Starobin and music supervision/music direction by Andrea Grody. [14]
The show began previews on March 26, 2024 with an official opening on April 18 at the Music Box Theatre. [15] At the time of the show's premiere, Taub became the second woman in Broadway history to "to write the book, music, lyrics, and star in her own musical". [4]
Character | Off-Broadway [16] [17] | Broadway [18] |
---|---|---|
2022 | 2024 | |
Alice Paul | Shaina Taub | |
Carrie Catt | Jenn Colella | |
Ida B. Wells | Nikki M. James | |
Harry T. Burn | Jenna Bainbridge | |
Lucy Burns | Ally Bonino | |
Dudley Field Malone | Tsilala Brock | |
Inez Milholland | Phillipa Soo | Hannah Cruz |
Ruza Wenclawska | Hannah Cruz | Kim Blanck |
Doris Stevens | Nadia Dandashi | |
Alva Belmont / Phoebe Burn | Aisha de Haas | Emily Skinner |
Mary Church Terrell | Cassondra James | Anastaćia McCleskey |
Mollie Hay | Jaygee Macapugay | |
Woodrow Wilson | Grace McLean | |
Phyllis Terrell | J. Riley Jr. | Laila Erica Drew |
Robin | Amina Faye | Laila Erica Drew |
Mrs. Herndon | Ada Westfall | — |
Nina Otero-Warren | Susan Oliveras | — |
Mrs. Wu | Mia Pak | — |
Warden Whittaker | Liz Pearce | — |
Act I
Act II
Act I
Act II
Year | Award | Category | Nominee | Result |
---|---|---|---|---|
2022 | Lucille Lortel Awards | Outstanding Musical | Nominated | |
Outstanding Featured Performer in a Musical | Nikki M. James | Nominated | ||
Drama League Awards | Outstanding Production of a Musical | Nominated | ||
Outstanding Direction of a Musical | Leigh Silverman | Nominated | ||
Distinguished Performance | Nikki M. James | Nominated | ||
Outer Critics Circle Awards | Outstanding Actress in a Musical | Jenn Colella | Nominated | |
Drama Desk Awards | Outstanding Lyrics | Shaina Taub | Nominated |
Year | Award | Category | Nominee | Result |
---|---|---|---|---|
2024 | Tony Awards [19] | Best Musical | Pending | |
Best Book of a Musical | Shaina Taub | Pending | ||
Best Original Score | Pending | |||
Best Featured Actress in a Musical | Nikki M. James | Pending | ||
Best Direction of a Musical | Leigh Silverman | Pending | ||
Best Costume Design of a Musical | Paul Tazewell | Pending | ||
Drama League Awards [20] | Outstanding Production of a Musical | Pending | ||
Outstanding Direction of a Musical | Leigh Silverman | Pending | ||
Distinguished Performance | Nikki M. James | Pending | ||
Jenn Colella | Pending | |||
Outer Critics Circle Awards [21] | Outstanding New Broadway Musical | Won | ||
Outstanding Book of a Musical | Shaina Taub | Won | ||
Outstanding Score | Won | |||
Outstanding Orchestrations | Michael Starobin | Nominated | ||
Outstanding Direction of a Musical | Leigh Silverman | Nominated | ||
Drama Desk Awards [22] | Outstanding Featured Performance in a Musical | Emily Skinner | Pending | |
Outstanding Music | Shaina Taub | Pending | ||
Outstanding Orchestrations | Michael Starobin, Shaina Taub, and Andrea Grody | Pending | ||
Outstanding Scenic Design of a Musical | Riccardo Hernández | Pending | ||
Outstanding Costume Design of a Musical | Paul Tazewell | Pending | ||
Outstanding Lighting Design of a Musical | Lap Chi Chu | Pending | ||
Outstanding Sound Design of a Musical | Jason Crystal | Pending | ||
Outstanding Wig and Hair | Charles G. LaPoint | Pending |
The Off-Broadway production of Suffs received mixed to positive reviews. [23] The production's cast, score, and direction received praise, but criticism was leveled at the musical's book, runtime, and overall structure. Juan A. Ramirez of Theatrely believed the musical's first act was too focused on narration and historical information, finding the second act vastly superior due to depicting vivid onstage conflict. He also felt the musical's criticism of the suffragists for excluding black women rang hollow due to it having no overall effect on the actual narrative. [24] Raven Snook of Time Out gave the musical four stars out of five but opined that, despite efforts by the production to highlight Ida B. Wells and Mary Church Terrell, their story still felt sidelined by the overall narrative. [25] In an overall positive review for Variety, Marilyn Stasio also found the second act superior but rushed, feeling the already nearly three-hour show could be longer to accommodate it. [26]
Suffs was compared prior to opening night and in multiple reviews with Hamilton , which like Suffs is a historical musical that debuted in the Newman Theater at the Public, featuring Phillipa Soo in a starring role, and attracted similarly sold-out audiences. [27] Maya Phillips, writing for The New York Times, noted that Suffs seemed to be trying to avoid potential criticisms similar to ones that had been leveled at Hamilton for its politics around women and slavery. Phillips opined this fear of leaving out information actually worked to the detriment of the story, voicing that the show felt "bloated with information". [28] Helen Shaw of Vulture also found the Hamilton comparison "unavoidable". Shaw praised the musical's portrayal of divisions within the suffragists movement, but she felt that Taub's music and Silverman's staging lacked the variation needed to carry the story. Nevertheless, Shaw saw potential in the musical's future development: "Just a few amendments to go, and, like a certain Constitution I could mention — it might be truly great." [29]
The Broadway production of Suffs saw mostly positive reviews. [30] [31] [32] [33] Frank Rizzo, writing for Variety , called the production "smart, inspiring and thoroughly entertaining," noting that the show covered seven years of events "efficiently and effectively with artful modulations of intensity, humor, sadness, spunk and joy". He also praised Taub's "rich musical palette" and the choice to focus on internal division's within the women's suffrage movement rather than male pushback to the movement. [34] Elisabeth Vincentelli of The Washington Post wrote that "while it did not magically morph into a great show, Version 2.0 is tighter, more confident, often rousing and downright entertaining." She praised the revisions which placed more focus on the ensemble and which better acknowledged the shortfalls of the white suffragists to include their Black counterparts, but felt that the book did not explore each character enough. [35]
Inez Milholland Boissevain was a leading American suffragist, lawyer, and peace activist.
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